1959

Davis, Thulani. 1959. New York: Grove Weidenfeld. 1992.

Part novel, part historical rampage 1959 is 100% rich in descriptive imagery. 1959 is the story of Katherine “Willie” Tarrant, a coming of age girl growing up in racially divided Turner, Virginia. She has all the typical angst of any twelve year old – boys, makeup, popularity, daydreams driven by movies and celebrity fanfare. Woven into Willie’s world is the climate of the times. Segregation and integration push-pull of a racially divided era. While some of Davis’s story is told in first person from Willie’s point of view, much of the political, historical meat of the story is third person – conversations Willie overhears, meetings she eavesdrops on and situations she couldn’t have possibly been in. (Like during a sex scene and towards the end of the novel when Cole gets shot on a desolate road outside Turner.) There were times when I couldn’t believe a twelve year old was my guide, “With each grind your thighs would become sex weapons blowing away his cool” (p56). What kid speaks like that? “Death brought out banquets as if the mourners were starved by their loss, and yet the grievers never ate” (p 195).
What made this book such a page turner for me (I read it in less than a week) was the tension of the times. It builds slowly with the talk of school integration and builds after eight black college boys sit at a white only Woolworth’s counter, quietly demanding service. Davis masterfully weaves fictional characters with the undeniable historical truth of what really happened. I could hear the dogs bark, feel the sting of hate, see the bravery in the protester’s faces. Even though school integration didn’t happen for another six years, 1959 proved to be the catalyst for change and Davis captured it brilliantly.

BookLust Twist: From More Book Lust in the chapter called, “Southern-Fried Fiction: Virginia” (p 209).