Messiah

Vidal, Gore. Messiah. Boston: Little, Brown and Company, 1954.

John Cave, as a professional embalmer, is intimate with death. While working on a client he has an epiphany of sorts. Suddenly he has deemed the act of dying a good thing. Cave is so taken with this revelation that he must share his idea with as many people as possible and without warning a new religion is born. His followers call it “Cave’s Word” or Cavesword. It’s strongest message is death is to be welcomed. As Cavesword spreads Cave establishes a following so large he needs a team to promote and protect him. Closest to him is Iris Mortimer, Paul Himmell, Clarissa Lessing, and Eugene Luther. Each individual has a different purpose for being part of Cave’s inner circle. It’s Eugene Luther who narrates the story of John Cave. With the help of Cave’s inner circle he develops and promotes a product to go with his message. Cavesway is a drug taken to make death even easier to initiate. As the world’s suicide rate rises, thanks to Cavesway, Luther’s perception of Cave and the cult-like message starts to distort and crumble. Messiah is prophetic and mesmerizing. I thought of it as “a hideous evil you can’t tear your eyes from.”

Favorite lines, “Stars fell to earth in a blaze of light, and where they fell, monsters were born, hideous and blind” (p 4). How’s that for a start? Other lines I liked, “The sky that day was like an idiot’s mind, wild with odd clouds, but lovely too, guileless, natural, elusive” (p 13), and, “We’ve finally made dying simply swell” (p 95), and finally, “Any direct statement of personal innocence has always made me feel completely criminal” (p 140). The last quote is probably my favorite.

BookLust Twist: From Book Lust in the chapter called, “Gore Vidal’s Historical Novels: Too Good To Miss” (p 237). Obviously, Messiah is not a historical novel like Burr or Lincoln. Pearl threw it in the chapter as a personal favorite.