Roth, Philip. “Goodbye, Columbus.” Novels and Stories. 1959 – 1962. Ed. Ross Miller. New York: The Library of America, 2005. 7 – 108.
Neil Klugman is a 23 year old man living with his self martyred aunt and uncle in Newark, New Jersey while his asthmatic parents convalesce in Arizona. “Goodbye, Columbus” is told from his point of view and could be seen as a Jewish American coming-of-age story about Neil’s summer romance with wealthy, snobbish Brenda Patimkins. It is closer to the truth to say “Goodbye, Columbus” is a commentary on class. Neil and Brenda’s socioeconomic differences create subtle tensions between the couple until they discover their relationship is built on lust rather than love. This is most apparent when Neil says, “Actually we did not have the feelings we said we had until we spoke them – at least I didn’t, to phrase them was to invent them and own them” (p 19). I have to admit it took me a while to figure out where the title of the story came from. Turns out, Brenda’s brother would listen to what Neil referred to as the “Columbus record” before bed – a recording of his Ohio State sports career. Neil could hear a moaning of the words, “Goodbye, Columbus” over and over again.
Favorite lines: “…it was disturbing to Aunt Gladys to think that anything she served might pass through a gullet, stomach, and bowel just for the pleasure of the trip” (p 9)., and “Ther proposed toasts…Brenda smiled at them with her eyeteeth and I brought up a cheery look from some fraudulent auricle of my heart” (p 88).
Author fact: Philip Roth is so popular that in Texas there is an organization called the Philip Roth Society and it for the scholarly study and general appreciation of Roth’s work.
Book Trivia: Goodbye Columbus was made into a movie starring Richard Benjamin and Ali MacGraw. I was stunned by how many different actresses turned down the role of Brenda before Ali came along. Yet again, another movie I haven’t seen.
BookLust Twist: From More Book Lust in two different chapters. First, in the chapter called “Jersey Guys and Dolls” (p 130), then in the chapter called “You Can’t Judge a Book By Its Cover” (p 238). This last admission cracks me up because MY cover of “Goodbye, Columbus” is a photograph of Philip Roth’s face!