Atxaga, Bernardo. The Accordionist’s Son. Translated by Margaret Jull Costa. Graywolf Press, 2003.
Reason read: the running of the bulls in Spain usually takes place in July. This year it was July 7-14.
David Imaz is caught between two worlds. Exiled on his uncle’s ranch in California he looks back on his youth in Basque Spain during the civil war. Young David was caught between his father and uncle. David tried to stay neutral during the varying conflicts, both personal and political. The message of youth received loud and clear was the idea that people lived double lives in order to survive. His father, on the side of the fascists, was suspected of murder and deep down David thought it was true. By playing the accordion like his father, David remained under his thumb. The only escape was to denounce the instrument and join a band of revolutionaries. However, the accordion became crucial as a way to calm the nerves and carry the explosives.
Thoughts:
This was a time of war when anything was possible. Propaganda was spread by donkeys so that the agitators could remain anonymous. Boys turned to boxing because being a human punching bag earned ten times more than an honest day at the saw mill.
As an aside, there is a beautiful moment in the book when an aging David, many years later, sees his family and friends in the colorful wings of butterflies.
Images of life that I liked: the thrill of David’s courtship of Virginia brought me back to my own days of innocence – flirtful letters dropped in a library book drop and the desk of a hotel concierge. The aging of the dog was a message of time passing which David received loud and clear.
This quote makes me think of my friend: “…without curiosity one learns nothing” (p 244).
Another quote I liked, “…time doesn’t pass in vain, that we will not embrace in the grave those whom we failed to embrace in life” (p 265). Amen to that. I’m looking at you, Mr. Nash.
Author fact: While Atxaga wrote a bunch of other books, this is the only one I am reading for the Challenge.
Music: “Mary Queen of Arkansas”, “Barcola”, “Padam, Padam”, Marie Laforet’s “La plage, la vie s’en va”, “To You, My Love” by the Hollies, Credence Clearwater Revival’s “Susie Q”, “Casatschok,” “Pagotxueta,” Henry Mancini’s “Soldiers in the Rain,” “The Touch of Your Lips,” Antonio Machin’s “Angelitos Negros,” and “Five Hundred Miles.”
BookLust Twist: from Book Lust To Go in the simple chapter called “Spain” (p 218).
~*LunaSea*~ 