In the Wilderness

Barnes, Kim. In the Wilderness: Coming of Age in Unknown Country. New York: Anchor Books, 1996.

In the Wilderness is Kim Barnes’s ode to her childhood. Within its pages she gives reason to what made her experiences growing up so different from yours or mine. Deep in the logging camps of Idaho Barnes is confronted with parents who sign on to a religion movement with such fervor that it feels like an overnight shift in ideals. Indeed, Barnes can remember her mother’s pierced ears – here today, gone tomorrow.
Kim Barnes writes with the fluidity of water. Her words flow and paint a seamless picture. Part of the reason why I liked In the Wilderness so much was because Barnes was able to portray her family and home life without compromise. She didn’t shy away from revealing short-comings and failures. She didn’t try to gloss over the hardness of her upbringing or surroundings. At the same time, despite the difficulties, the love and respect she has for her childhood is abundantly clear. Another aspect of the memoir that struck a chord with me was the naked truth about sex and the realities of coming of age. Barnes addresses her first preteen crush as openly as discussing what she wore to school. It is stark and unflinching. In some places I am reminded of  Ariel Moore (do you remember her? She was a Reverend’s daughter from the movie ‘Footloose’ in 1984), and in others I am reminded of myself. I too had a shaving incident very reminiscent of Barnes’s experience and I also hid under the covers later at night listening to rock and roll until the batteries dropped dead.

Favorite lines, “I felt around for grief or sadness to match my mother’s but all that I came to was the sense of something gone from the world” (p 60), and “Guilt had been replaced by a simple and practical aversion to consequences” (p 179).

BookLust Twist: From More Book Lust in the chapter called, “Idaho: And Nary a Potato to be Seen” (p 122).

Tipping Point

Gladwell, Malcolm. The Tipping Point: How Little Things Can Make a Big Difference. Boston: Little, Brown and Company, 2000.

Judging by how many people have Tipping Point in their LibraryThing libraries and how many reviews have been written about it I feel as though I am late to the Tipping Party. And I call myself a librarian! Sheesh!

This book was fascinating! Within the first 22 pages I was hooked. I found myself googling different references Gladwell made like the names Darnell McGee and Nushawn Williams. To explain a tipping point Gladwell used some variation of the word ‘yawn’ no less than 25 times. His point was yawning is contagious and by using the word over and over he could get me to yawn. He didn’t, but I understood his point.

Malcolm Gladwell explains the tipping point as epidemics, fast-paced mysterious changes in society such as the sudden interest in a fashion or a sharp decline in crime in an isolated area. It’s a fascinating look at why major shifts in societal influence happen so suddenly and without warning. He explains how a single idea or behavior can influence an entire population. Everything from fashion trends to severe life-threatening epidemics are analyzed. Have you ever wondered where the game Six Degrees of Kevin Bacon came from? Gladwell explains it and the root of where it came from. You can thank a man named Stanley Milgram.

BookLust Twist: From Book Lust in the chapter, “BBB: Best Business Books” (p 33).

What’s a Mother (in-law) To Do?

Angelich, Jane. What’s a Mother (in-law) To Do?: 5 Essential Steps to Building a Loving Relationship with Your Son’s New Wife. New York: Howard Books, 2009.

I have to start off by saying this was a May 2009 Early Review book from LibraryThing. That means roughly a year ago I was supposed to read and review this book. I received it in the mail today. Today. June 26th, 2010. I am assuming this has already hit book stores and doesn’t really need my promotion. However, because I respect the program and the review process I am still going to write about it.

My first impression of What’s a Mother (in-law) To Do? was, “wow, this is short!” Indeed, it’s an odd little book. Hardcover yet the size of a paperback and only 130 pages long. As a librarian I automatically went to the back pages to look for a bibliography of sorts. If this is a book that involved research I expected to see a works cited page. There wasn’t one.

In the end I was disappointed by What’s a Mother (in-law) to Do? because I felt like it was something any old MIL could write: all she would have to do is fill 131 pages with a variety of stories from other in-laws (mothers and daughters), sprinkle in a few personal experiences, and add a layer of common sense advice.  What would have been really interesting (and cater to a larger audience) is if Angelich researched building a relationship with your child’s new spouse. In other words, remove the specificity of the subject and make it work for any in-law relationship.

I honestly couldn’t take What’s a Mother (in-law) To Do? seriously. Angelich talks about conducting research but doesn’t provide real sources. She mentions “research conducted” but there’s no weight behind like what kind of research it was or who conducted it. She talks about taking advice from experts but doesn’t elaborate on how she solicited this advice. In short, I didn’t believe her “research.” This is a book I would have picked up and immediately put back, writing it off as “fluff” or pop psychology. I would recommend it for someone with a fair to mediocre relationship with their new daughter-in-law, but not to someone with a strained or terribly difficult one.

Are You There God?

Blume, Judy. Are You There God? It’s Me, Margaret. New York: Dell, 1970.

What woman in her 40s or even 50s doesn’t remember reading Are You There God? It’s Me, Margaret? Seriously. If you were anything like me, all you could focus on were the parts of the story related to sex and the human body. I remember being insanely embarrassed by “the cotton ball” incident. So much so that I didn’t even attempt it myself (although I was tempted, being so flat-chested and all). What I don’t remember is being that anxious to grow up. Maybe because in some ways when I was Margaret’s age I was already way ahead of her when it came to certain life experiences.

Margaret Simon is a well-rounded eleven year old who has just moved from Manhattan to suburbia New Jersey. She quickly makes friends with three other girls her age. All four of them are in a hurry to have breasts, get their periods, and kiss boys. Margaret learns about all these things by keen observation, but what she really wants to know in detail is religion. With her mother’s side of the family being Christian and her father’s side Jewish, Margaret doesn’t know what to be. She has been raised without a religion which her friends think is cool but Margaret disagrees. She is so desperate to fit in she feels she needs to decide on religion to be like everyone else. The irony is every night Margaret talks to “God” about her hopes and fears without really knowing who she’s talking to.

BookLust Twist: From  More Book Lust in the chapter called, “Best For Boys and Girls” (p 21). Yes, I double-dipped from the same chapter in one month.

Okay – since this book was (and still is) so freaking popular I am very surprised it hasn’t been made into a movie…something for the Oxygen or Lifetime channel. An after school special? Think about it – it covers sex, puberty, religion, interfaith marriages, morals, social class distinction…

Making of the Atomic Bomb

Rhodes, Richard. The Making of the Atomic Bomb. New York: Simon & Schuster, 1986.

I think I should feel more disappointed that I didn’t get through this book. And yet, I don’t. Quite simply put – I’m just not that into atomic bombs. I think I knew this would happen when I said I didn’t exactly see it as summer reading, despite the clever connection of the first bomb being testing in July…

Here’s what I know – The Making of the Atomic Bomb won a Pulitzer Prize, the National Book Award and the National Book Critics Circle Award. In other words, people liked it. A lot. I can also tell you it is a thick read. Over 800 pages long (and the pictures don’t count). I got through the first 50 and called it quits. Again, no regrets.

If I had been able to devote more time to The Making of an Atomic Bomb I would have found it to be a portrait of personalities ranging from scientists (Einstein) to political leaders (Roosevelt). I would have found it to be a commentary on the state of world economics (The Great Depression) and warfare (World War II). I would have found it to be scientific and philosophical, psychological and historical. All those things.

Believe it or not, I do have a favorite line from the little I read: “As he crossed the street time cracked open before him and he saw a way to the future, death into the world and all our woe, the shape of things to come” (p13). This was in the opening paragraph and sets the stage for science to unleash its dangers.
BookLust Twist: From Book Lust in the chapter called, “Bomb Makers” (p 42).

Eyes of the Amaryllis

Babbitt, Natalie. The eyes of the Amaryllis. New York: Farrar, Straus and Giroux, 1977.

This is a grade school book – one that I have never met. It’s part fantasy, part familiar and all cute. What captured my attention was Babbit’s understanding of the power of the ocean. Even though this is a book for children she captured the strength, the beauty, the danger, and the lure of the sea.

Jenny Reade is sent to Cape Cod to care for her grandmother Geneva, who has broken an ankle. Jenny is completely out of her element. Years earlier her sailor grandfather was lost at sea. Because Jenny’s father has never come to terms with losing his father he barely visits his mother, who has remained in their seaside house, and he has never brought Jenny to meet her grandmother. As a result Jenny has never seen the sea.
The story takes on a mystical air when Jenny’s true task comes to light. She is not there to care for Geneva while she is off her feet like her father thinks. She has been summoned to watch for her grandfather’s ghost ship. Geneva strongly believes that her dead husband will send her a sign from the depths of the ocean, so every night Jenny walks the beaches in search of such a sign.

Favorite line: “It takes what it wants and it will keep what it has taken, and you may not take away from it what it does not wish to give” (p 5). Babbitt is talking about the ocean, of course.

BookLust Twist: From More Book Lust in the chapter called, “Best For Boys and Girls” (p 21).

Incidentally, Babbitt is a Smith College alum.

Great Gatsby

Fitzgerald, F. Scott. The Great Gatsby. New York: Charles Scribner’s Sons, 1925.

Everyone knows The Great Gatsby, but the ironic thing is no one can figure out James Gatz Jay Gatsby. Every time someone saw me with this slim (182 page) paperback I was reminded of just how “great” Gatsby is, but no one could really tell me what it was about.

Consider this: the plot (set in the 1920s) is basically about a bunch of adulterous affairs observed by Nick Carraway. First, there is his second cousin, Daisy, and her husband, Tom. Tom is cheating with Myrtle. Myrtle is married to George Wilson, the drunk. Daisy is hooking up with Gatsby because five years earlier they had a thing and in Gatsby’s mind, he never let Daisy go.  The hook of the entire book is the mystery surrounding Jay Gatsby. For starters, that’s not his real name. He may or may not be wealthy, he may or may not be a war hero, he may or may not be a bootlegger, he may or may not be connected with organized crime, and he may or not be a murderer. He is a complex study in contradictions – throwing outrageous parties every weekend but not knowing enough people who would care enough to attend his funeral. Besides being an interesting portrait Jay Gatsby, The Great Gatsby is also a picture of society in the roaring 1920s, and a commentary on morality and the pitfalls of wealth.

Favorite lines:
“‘I’ve been drunk for about a week now, and I thought it might sober me up to sit in a library'” (p 46)…yeah, libraries have that effect on drunks.
“”No amount of fire or freshness can challenge what a man will store up in his ghostly heart” (p 97).
“She saw something awful in the very simplicity she failed to understand” (p 108).

Most shocking: Tom breaking Myrtle’s nose and the exclusion of Tom & Daisy’s three year old child, Penny, in the story.

BookLust Twist: The Great Gatsby gets a double mention. First, in Book Lust in the chapter called “Dewey Deconstructed: 600s” (mentioned for the teacakes) (p 73). Also in More Book Lust in the chapter called 100 good Reads, Decade By Decade: 1920s” (p 176).

Firewall

Mankell, Henning. Firewall. Trans. Ebba Segerberg. New York: The New Press, 1998.

I have to say it again. I think something got lost in the translation of this book.

Kurt Wallander is a Swedish detective trying to solve a series of mysterious deaths. At first the only common factor is the time frame in which these people died. A man falls dead after using an ATM, a cab driver is beaten to death, and someone has apparently committed suicide at a power station all within a matter of days. But, as the investigation continues pieces of the puzzle fall into place. Somehow the picture reveals an absurd terrorist plot.

What makes Firewall so entertaining is Kurt Wallander’s personality. He is a short tempered detective, good at what he does but not as great at being a divorced dad to his near-adult daughter. She finds him overbearing and lonely. I found Wallander and his Swedish police work very strange. For starters, Wallander is accused of not doing things by the book and for the most part those accusations hold true. Over and over he considers sharing information about the various investigations with his colleagues but over and over again he finds reasons not to. Also, computers connected to the crimes aren’t confiscated, potential witnesses and suspects aren’t detained for questioning, and despite rooms being searched several times, key evidence is not discovered right away. Case in point: an office was searched several times and yet Wallander finds a postcard under a computer keyboard days later.
I found some parts of Firewall predictable. Wallander is single. At his daughter’s urging he joins a dating service. Within days he gets a letter from a potential match. Right away I knew this “response” was trouble, for the letter is slid under his door – no return address or postmark. Wouldn’t Wallander have read how the service works and wouldn’t he have found a nondescript letter without a postmark a little suspect?
All in all Firewallwas a good vacation read. It was fast paced and highly entertaining.

Favorite line: “A person who died eventually became a person who had never existed” (p 7).

BookLust Twist: From More Book Lust in the chapter called, “Crime is a Globetrotter: Sweden” (p 59).

July ’10 is…

Vacation! Vacation! Vacation! We have some crazy things planned. I simply cannot wait! Camping, hiking, music, craft fair, parade, family, friends, fireworks, boats, the ocean, mountains, swimming, lobster festival, Natalie, Monhegan, food, books and more books.

  • Blue at the Mizzen by Patrick O’Brien ~ taken off the list since I didn’t finish Master and Commander. Boo.
  • Eyes of the Amaryllis by Natalie Babbitt ~ in honor of July being the most popular month to visit the ocean
  • Firewall by Henning Mankell ~ in honor of July being the best time to visit Sweden
  • Making of the Atomic Bomb by Richard Rhodes ~ in honor of the first test of the atomic bomb

I sincerely doubt I will get to the last book. For one, it’s over 800 pages long and for another, it’s at the end of the list. But, more importantly, it’s about the making of the atomic bomb. On vacation? I don’t think so!

I act like I’m going away for a month. Maybe that’s not a bad thing….

For the Early Review Program (LibraryThing) I have an interesting situation. A book I was supposed to receive over a year ago arrived June 23rd. So, for July I will be reviewing What’s a Mother (in-law) to Do? by Jane Angelich.

June ’10 was…

June was a month of reconnection. By far, my favorite musical moment was the lovely Rebecca Correia at the Iron Horse. It is awful to say but every single artist that follows her on stage can’t compare. Not that they are NailsOnaChalkboard bad, but they have nothing on Rebecca. On the professional side of things June was a very frustrating month. On the personal sides I got one of the best hugs of my life (thanks, Gracie). For books, it was this:

  • Happenstance by Carol Shields ~ this should be a movie
  • Hatchet by Gary Paulsen ~ this also should be a movie
  • The Confession of Nat Turner by William Styron ~ this was a hard one to read
  • Writing Dangerously: Mary McCarthy and Her World by Carol Brightman ~ a very thorough biography that helped with my insomnia
  • I Don’t Know Why I Swallowed the Fly by Jessica Maxwell ~ first year fly fishing story
  • Less Than Angels by Barbara Pym ~ a sociology experiment in a land of anthropologists
  • Master & Commander by Patrick O’Brien ~ this took some time to get into…so much so that I didn’t finish it.
  • The Great Gatsby by F. Scott Fitzgerald ~ I needed to lick my wounds with something enjoyable!

For LibraryThing’s Early Review program:

  • The House on Oyster Creek by Heidi Jo Schmidt ~ once I got beyond the first chapter I loved it. Beautiful writing.

For the fun of it:

  • Winning By Losing by Jillian Michaels ~ I’m most interested by the subtitle on the cover of her book, “Change You Life.” I’m up for that. Really.

Master & Commander

O’Brian, Patrick. Master And Commander. Philadelphia: J.B. Lippincott, 1969.

Sorry! Sorry! Sorry! I couldn’t get into this. As the last book of the month I found it incredibly boring. Maybe it was stopping every ten minutes to look up words like felluca and dursn’t and slops. It was all I could do to call up my father’s ghost and remember nautical terms like foretopgallantsail and cockade and halliards. To be honest, it was too much work for summer reading. This is something I went to bury myself in in the dead of winter when nothing else can distract me or call me away. I’ll put it back on the list in honor of something else.

PS ~ this was made into a movie starring Russell Crow. Maybe I should just shut up and watch it.

Less Than Angels

Pym, Barbara. Less than Angels. New York: E.P. Dutton, 1980.

My impression of the first 50 pages of Less Than Angels was that the plot was very slow-moving, like a wide river with almost no perceptible action. Indeed, the first 50 pages are the reader’s surface introduction to at least fifteen different characters and only the very beginnings of a plot. Some of the characters are unnecessary to know for they never resurface again. Others are more important. On the whole, Less Than Angels is a community of contrasts. Professors of Anthropology mingle with fledgling students. The aged and retired cast a skeptical eye on the young and impulsive. Frenchmen stand baffled by the British. At the center of the story is Tom Mallow, a distinguished yet vain anthropologist caught between a relationship with a sophisticated older journalist and a younger wide-eyed student. In addition, Less Than Angels is an excellent study of English culture (lots of tea-times and interesting meals) along with the typical social graces and faux pas.

Favorite lines: “Curiosity has its pains as well as its pleasures, and the bitterness of its pains must surely be the inability to follow-up everything to its conclusion” (p 9) and, “And so it came about that, like so many other well-meaning people, they worried not so much about the dreadful things themselves as about their own inability to worry about them” (p 41)

BookLust Twist: From Book Lust in the chapter “Barbara Pym: Too Good To Miss” (p 195).

I Don’t Know Why I Swallowed the Fly

Maxwell, Jessica. I Don’t Know Why I Swallowed the Fly: My Fly Fishing Rookie Season. Seattle: Sasquach, 1997.

Jessica Maxwell takes on fly fishing. I Don’t Know Why I Swallowed the Fly is an account of her very first year learning the sport. As with any hunting sport Jessica needed to learn how to think like her prey. She needed to teach her body, muscle, bones and nerve, to perform the movements necessary for a perfect, flowing cast. As psychological as the game of golf, Jessica found herself untangling the intricacies of throwing out the flawless line. Rod and reel in perfect harmony with human dynamics. Aside from Jessica’s expanse of humor throughout I Don’t Know Why.. I was drawn to the vibrant imagery of the landscapes around her. I adored the way she described, nature – especially when it came to light. Sunlight, especially. Her words had a way of dancing like rays on water, sparkling and bright.
But I Don’t Know Why… isn’t just about one woman’s fly fishing adventure. Jessica subtly deals with the loss of her father with poignant memories and in the end, revelations about the man who shaped her future with a simple love for nature and of course, fishing.

I don’t know anything about fly fishing so, for me, this was a nice 101 about a typically male-dominated sport.

Favorite lines: “Every day somebody somewhere becomes obsessed with an idea that won’t turn them loose” (p 50), “Now the radio static was so bad, Sting sounded like Bob Denver” (p 101), and “My mind was gone to the joy of the memory of what was for a moment so long ago but couldn’t last, and to the pain of what could have been but wasn’t” (p 214).

Small question for Jessica: where is the wrong side of Oregon? I couldn’t find it on a map…

Side note: Make no mistake about it. I always at least glance at the acknowledgments. They are usually a long blahblahblah list filled with family names and “I’d like to thank my editor…” It’s like looking at a yearbook from a school you have never heard of. Names and faces mean nothing. Jessica Maxwell’s acknowledgment page is another yearbook, but a fun one. True, it’s all names I don’t know, but for once Jessica made me want an introduction.

BookLust Twist: From More Book Lust in the chapter called, “Gone Fishin’ (p 101).

Writing Dangerously

Brightman, Carol. Writing Dangerously: Mary McCarthy and Her World. New York: Clarkson Potter, 1992.

Mary McCarthy was born on June 2nd, 1912. Hence my reasoning for picking up her biography by Carol Brightman this month.

Mary reminds me of my friend, Ruth. Beautiful, outspoken inasmuch as she says what she feels, means what she says. In addition, she doesn’t take sh!t from anyone, yet has a heart of gold. She laughs when anyone else would have crocodile tears. She can confront fights with fire. She’s popular with the men with a come-hither glint in her eye and has no time for sugar cookie lies. Need I say, independent yet fidelis. I think I would have gotten along with Mary had I been in her day or she in mine.

Mary McCarthy was an outspoken critic of practically everything around her. From her humble beginnings as a self-proclaimed abused orphan Mary quickly grew into a witty writer and reporter with a constant comment about the world around her. No subject was off-limits whether it be about the abuse she suffered at the hands of her uncle, her contradictory religious views, losing her virginity at age 14, a scathing look at her peers in academia, Communism or war. Carol Brightman often quotes McCarthy to support her biography using both McCarthy’s fiction and nonfiction. Two sections of photography round out an already very thorough account of the controversial Mary McCarthy.

Favorite word, “bildungsroman” ( a genre of novel of complete self-development).

Favorite quote: “One of Mary McCarthy’s legendary attributes is that no matter how much fire and brimstone she and her fictional heroines traverse before they see the light, they never seem to get burned” (p 58).

BookLust Twist: From More Book Lust in the chapter called, Literary Lives: The Americans (p 145).

House on Oyster Creek (with spoiler)

Schmidt, Heidi Jon. The House on Oyster Creek. New York: NAL Accent, 2010.

Probably the most distracting aspect of Schmidt’s style of writing was her almost fanatical need to portray Henry as the older, colder, and uncaring husband. I get it. Schmidt wants the reader to cheer Charlotte on when she meets a man more to her liking, more to her temperament, more to her everything. You aren’t supposed to hate the damsel in distress. You aren’t even allowed to dislike her. In order to make the damsel’s potential affair acceptable said damsel’s husband needs to be bad. Very bad. If the husband is really awful you wind up begging, praying for that knight in shining armor. In an attempt to make Henry bad I think Schmidt went overboard. As a result Henry became a caricature of the very worst. In the first chapter alone (we’re talking 13 pages) there were over 24 negative words associated with Henry. Here are some, but not all, of the words and phrases used to describe Henry’s words, actions and demeanor. I left out dialogue with Charlotte:

  • irritation
  • seething
  • contempt
  • staunch
  • “heart seemed to harden” (p 3)
  • bleak
  • rebellious
  • stark
  • “nothing pleased him” (p 6)
  • fury
  • bitter
  • “fit to kill” (p 7)
  • “real hatred” (p 8.)
  • rigid
  • suspicion
  • jeer
  • scorn
  • irritated
  • contemptuous
  • darkening
  • “glance was poison” (p 11)
  • infuriating
  • infuriated
  • “patience stretched to breaking” (p 13)
  • shuddered
  • “spasm of disgust” (p 13)
  • icy

To make matters worse, on the other side of this marriage is Charlotte and her demure, sweet, sensitive, caring, loving, “made of empathy” personality. Schmidt is not as fanatical about driving that point home. But, you get the point just the same.

However…once I got beyond page 14 I loved The House on Oyster Creek. Charlotte is a little self-righteous at times but after putting up with Henry all those years she deserves to. While House on Oyster Creek focuses on Charlotte as she makes her way the book is really about the entire community she joins. Schmidt is extremely accurate when introducing Charlotte to the new community. when it comes to a tight-knit community there will always be this Them and Us attitude. You could be in a community for over 30 years and just because you are the first generation to do so, you are still the newcomers in town. The more generations you can brag of, the more clout you have in the community.

Of course, I had favorite lines that I really hope Schmidt keeps in the book, but I won’t quote them here.

I have to admit I never rooted for Charlotte to have an affair. There was something so broken about Henry that I think Charlotte owed it to him to work it out. When Darryl ends up marrying someone else I was happy. I can admit the story ended exactly how I wanted it to end.