Category: BookLust I

The Good Times are Killing Me

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Barry, Lynda. The Good Times are Killing Me. New York: Harper Perennial, 1988.
Barry, Lynda. The Good Times Are Killing Me. Canada: Drawn & Quarterly, 2017.

Reason read: January is Barry’s birth month. Read in her honor.

This is a unique book that took me all of two days to read. When it ended so abruptly I thought there was some kind of scanning mistake (I was reading it as an ebook). I was startled. So much so that I borrowed a print version just to make sure I didn’t miss out on something. Then I read it again. And again.
Edna Arkins is a child is trying to grow up in the tumultuous 1960s. Her white neighbors are fleeing her urban Seattle neighborhood as other ethnic groups take up residence. She herself is white and doesn’t understand their prejudice. Told from the first person and using music as her Polaris, Edna struggles to work out her rapidly changing adolescence. In response to confusing and callous adult racism Edna forges a taboo relationship with a Black girl named Bonna. She thinks Bonna is beautiful. What is most captivating about Edna is her awkwardness and honesty as she navigates through changing relationships. I wanted Bonna and Edna to conquer the world together. I wanted them to break down just one barrier; to get one adult to accept and understand their friendship. My fervent hope for a happy ending made the truth that much more difficult to swallow.

Lines I liked, “I could always tell the difference between God and a streetlight” (p 11), and “Like all it was was any black girl slapping any white girl who had mouthed off to her, something that happened every single day and would just keep on happening, world without end” (p 139).

Author fact: Barry in known for her graphic novels.

Book trivia: The last section of The Good Times are Killing Me includes a thirty-four page “music notebook” full of biographies of famous and not-so famous musicians and styles of music. The illustrations are fantastic.

Nancy said: Pearl said Good Times are Killing Me touches on the themes of childhood and adolescence.

BookLust Twist: from Book Lust in the chapter called “Graphic Novels” (p 103). Confessional: I deleted Good Times are Killing Me from my list because it is not a graphic novel. Pearl could have included it in the previous “Girls Growing Up” (p 101).

Cold-Blooded Business

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Stabenow, Dana. A Cold-Blooded Business. New York: Berkley Prime Crime, 1994.

Reason read: Alaska became a state in January.

Disclaimer: A Cold-Blooded Business is part of a series and since this is my first Kate Shugak mystery I feel like I jumped into it blind.

Kate Shugak is a private investigator for the Anchorage District Attorney’s office. In A Cold-Blooded Business her assignment is to go undercover at RPetCo, short for Royal Petroleum Company based in Prudhoe Bay up in the Arctic Circle. John King, CEO of RPetCo wants to know who has been dealing cocaine to his employees on company time. His main concern is overdoses are on the rise. There has even been a death by drowning linked to drug use. “Get that dope off my slope” he urges poetically.

Small pet peeve. Teeny tiny, really. On page 142 Kate is yearning for peace and quiet since her boyfriend’s young son, Johnny, “had the television on from the time he woke up till the time he went to bed.” However, not even eleven pages later Kate’s exposure to television is described as limited to Bernie’s television at the Roadhouse “eternally tuned into a basketball game” or Bobby’s set which existed “solely to be hooked up to a VCR” (p 152 – 153). I probably wouldn’t have squawked if the contradictory details weren’t so close together.

As an aside, what irked me from the beginning is that Kate is supposed to go undercover as a roustabout on the slope but within her first week on the job she meets a former medic/acquaintance from another job and a trooper who knows her name. She has to lie and say she’s no longer an investigator. Later she rushes to the first overdose on the job. Bursting into the room she encounters the victim is her cousin and he’s just as surprised to see her as she is him. Finally, Cindy Sovaluk, a woman she meets in the sauna turns out to know her grandmother. So much for undercover when four different people know your name or are related to you!
As another aside, are yearling bears really harmless enough to tug on their tails?

Author fact: Stabenow lives in Alaska and definitely knows the culture. That’s the obvious. What isn’t as obvious is just how many books Ms Stabenow has written. Check out her website here.

Book trivia: A Cold-Blooded Business is part of a series. I counted nineteen Shugak mysteries and I’m only reading two.

Nancy said: Pearl said Cold-Blooded Business is “her favorite Shugak mystery” (Book Lust p 18).

BookLust Twist: from Book Lust in the unimaginative chapter called “Alaska” (p 17). I would have riffed off a Phish tune and called it “Alaska? I’ll Ask Her”.

Lamb in Love

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Brown, Carrie. Lamb in Love. Chapel Hill: Algonquin Books, 1999.

Reason read: the television show “All Creatures Great and Small” first aired in January. A lamb is a creature.

Vida Stephen at forty-one years of age is considered a spinster in her rural English village. She lives a simple life of being the nanny to a mute young man with mental challenges. She has cared for Manford Perry practically all his life after his mother died young and his father is often away for long periods of time, traveling overseas. Vida and Manford are all alone in the gigantic Southend House with its myriad of dusty and dim unused rooms. In truth they are all they know. The community collectively shakes its head and tsks, of the opinion Vida is wasting away caring for Manford all alone in the sad and crumbling mansion.
Then there is Norris Lamb. He thinks differently of Vida. Even though he has known her (and her situation for years) he has begun to slowly, slowly fall in love with her. Like Vida, he is single with seemingly one purpose in life, to be the village’s postmaster. His world centers on stamps. They represent the wonderment of worlds untraveled. When his love for Vida takes him in new directions it is as if he doesn’t recognize his old life anymore.
Vida, Manford, and Norris all go through a metamorphosis of sorts. I don’t think it is a spoiler to say this changing, by the end of the story, offers hope for a new beginning for each of them.
Brown’s writing had the ability to make me change my mind several times about each character. I oscillated between wanting triumph and hoping for failure and back again.

As an aside, I loved the way the moon was almost another character in the book. It is not a plot spoiler to say I loved how the moon caused Vida to dance with wild abandon at the fountain and kept Norris company on his lonely walk home. Additionally, there is the fact that on July 31st of that summer a man has done the unthinkable by actually walking on the moon.

Quotes I just have to mention, “And you don’t see a nearly naked woman dancing in the moonlight in a ruined garden and then just go about your business as though nothing has happened, do you?” (p 3), “And then he’d stopped, and his face had taken on a surprised expression, as if the feeling that pressed up out of his heart at that moment was transforming him into a different man” (p 53), “She felt indebted to a ghost and under constant surveillance” (p 59) and one more, “The ugly shape of jealousy was arranging itself in his heart (p 265).

Author fact: Brown also wrote Rose’s Garden and Confinement. The latter is on my Challenge list.

Book trivia: this book challenged my perception of love, romance, and relationships. It should be a movie.

Nancy said: Pearl just described the plot of Lamb in Love. She never really explains who has the interesting character.

BookLust Twist: from Book Lust in the delightful chapter called “Real Characters” (p 197).

The Turk

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Standage, Tom. The Turk: the Life and Times of the Famous Eighteenth-Century Chess Playing Machine. New York: Walker & Company, 2002

Reason read: Wolfgang von Kempelen was born in January. Read in his memory.

Picture a bygone era ripe with new inventions. This was the industrial revolution. Everyone is coming up with something practical to make life easier or something clever to wow the public’s imagination. Wolfgang von Kempelen’s creativity was sparked when he attended a conjuring show at the court of Austria-Hungary’s empress, Maria Theresa. Kempelen felt he could impress the empress further with his own ingenuity. She gave him six months to prepare a show of his own and at the end of the six months a mechanical Turkish dressed chess player was born. Outfitted with a high turban and a long smoking pipe, the automaton appeared to be capable of thought as he singlehandedly beat even the most skilled chess player at his own game. Kempelen allowed his audience to peer into the machine’s inner workings and yet they still couldn’t figure it out. the automaton became even more lifelike and mysterious when his second owner, Johann Maezel, introduced speech. The Turk, as the mechanical chess player became known, could talk! Instead of nodding three times, the automaton could tell his opponents, “check” in French further adding to his mystique. Like the boy who came to life in Pinocchio, the Turk was pure magic.
For eighty-seven years the Turk wowed audiences all across Europe and the eastern United States (Baltimore, Philadelphia, New York, and Boston primarily) before a raging fire extinguished his career. The mystery was not the how the automaton worked. Not really. The bigger and better mystery was how, for all those years and kept by multiple owners, the secret did not get out.
It is sad to think the Turk is not squirreled away in some fantastic museum. I fantasize about turning a corner, coming into a dusty room and standing face to face with the mechanical man in a turban who could say, “echec.”

Author fact: Standage also wrote a book called The Victorian Internet and even though it sounds fantastic, it is not on my list.

Book trivia: There are some interesting and revealing illustrations.

Nancy said: Pearl said Turk is “a most entertaining account of a marvelous invention” (Book Lust p 150).

BookLust Twist: from Book Lust in the chapter called “Mechanical Men, Robots, Automatons, and Deep Blue” (p 150).

Sibley Guide to Bird Behavior

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Elphick, Chris, John Dunning and David Allen Sibley, eds. The Sibley Guide to Brid Behavior. New York: Alfred A. Knopf, 2001.

Reason read: January is Adopt a Bird month…or something like that.

I have to say this right off the bat, because I think it is funny and potentially points to my birding ignorance. At the end of this Sibley guide there is a “Species Checklist” which makes a lot of sense until you consider the size and weight of the book. Surely Elphrick, Dunning and Sibley don’t want you carrying this behemoth into the field!
What you need to know about this guide is that it is unique in its voice. In addition to its glossary there is a section on author biographies because each chapter is an essay written by a variety of folks. Not just ornithologists and other types of bird experts contributed an essay or two. Students, biologists, naturalists, ecologists, writers, museum curators, photographers, and even a B&B owner. In the introduction it is noted that the whole purpose of this book is to be an introduction to the great variety and complexity of bird life. What I failed to notice is that the essays are written by and for birders.
Additionally, the illustrations and maps are stunning.

I don’t have a favorite quote or line from this book, but I do have a favorite bird. On page 485 is the chapter on Waxwings. The Bohemian is my all time favorite.

Author Editor facts: Elphick is a birder since childhood. Dunning is an associate professor at Purdue. Sibley is not only an editor but he is the illustrated and technical consultant on the project.

Book trivia: All of the illustrations were done by David Allen Sibley and are beautiful.

Nancy said: Pearl calls The Sibley Guide to Bird Life & Behavior “indispensable” (Book Lust p 40).

BookLust Twist: from Book Lust in the funny chapter “Bird Brains” (p 39).

Foundation

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Asimov, Isaac. Foundation. Read by Scott Brick. Santa Ana, CA: Book on Tape, 2004.

Reason read: Asimov’s birth month is in January.

The premise of Foundation is thus: Hari Seldon is a psychohistorian (a person who uses a scientific way of predicting the future through history). His mathematical sociology tells him the Dark Ages are fast approaching. In order to curate humanity’s integrity he establishes two foundations, one at either end of the universe. Each foundation is comprised of creative and engineering people capable of preserving the characteristics of the current universe.

As an aside, Fred Pohl saved the Foundation series. Because of conversations with him, Asimov worked on the series for the next decade. It was only supposed to be a trilogy. Thirty years passed between the trilogy and subsequent novels. Asimov, according to his introduction to Foundation, said he needed to reread the series to really remember where he left off.

Author fact:  “The Mule” is Asimov’s favorite part of the series (according to the introduction).

Book trivia: Foundation went up against The Lord of the Rings Trilogy for the Hugo award for best three connected novels and won.

Nancy said: Besides describing the plot, Pearl said the only “must-read” is Foundation (Book Lust p 214).

BookLust Twist: from Book Lust in the chapter called “Science Fiction, Fantasy, and Horror” (p 213).

Any Old Iron

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Burgess, Anthony. Any Old Iron. New York: Washington Square Press, 1989.

Reason read: the Japanese bombed Pearl Harbor in December. We remember the event every December 7th.

If you are familiar with A Clockwork Orange please put that out of your head when you read Any Old Iron. This is a completely different style of book (and somewhat easier to read; less cringe-worthy). Having said all that, you will need to hang onto your seats because in Any Old Iron Burgess will take you on a fifty year journey through history at breakneck speed. Along this journey you will travel with two families, one Welsh-Russian (told in third person), the other Jewish (told in vague and ghostly first person). You will careen through World War I, the founding of Israel, the sinking of the Titanic, and World War II, just to name a few historic events. All the while you are submersed in the Welsh, Russian, and Jewish cultures of these two larger than life families.
The title comes from word play as King Arthur’s sword also factors into the plot (as an aside, there is an old British music hall song of the same name of which I admit, I was less familiar).
Maybe I am making a generalization, but the thing about multi-generational sagas than span fifty years is that you tend to get attached to certain characters as you watch them age. I know I did.

Confessional: I had a “Natalie” moment when the aunt says of some illustrations they were “pornography in the manner of Alma-Tadema” (p 96). Thanks to the poem “If No One Ever Marries Me” I knew exactly what family the aunt (and Burgess) was referencing. Although Burgess could have meant Pre-Raphaelite Lawrence or his second daughter, Anna, who was also an artist.

Lines I liked, “I am no metallurgist, merely a retired terrorist and teacher of philosophy” (p 3), “Perhaps everybody was mad and war was the great sanitizer” (p 96), and “None had been taught to look at a map as a picture of human pain” (p 188).

Author fact: Burgess is probably most famous for A Clockwork Orange. As an aside, I had to watch ACO for a film class. It haunted me for weeks months. I couldn’t get the fear of not being able to close my eyes out of my psyche.

Book trivia: Any Old Iron has been categorized as historical fantasy.

Nancy said: Pearl said “there are some moving sections about World War II” in Any Old Iron (Book Lust p 253).

BookLust Twist: from Book Lust in the chapter called “World War II Fiction” (p 253).

Lost Moon

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Lovell, Jim, and Jeffrey Kluger. Lost Moon: The Perilous Journey of Apollo 13. Boston: Houghton Mifflin, 1994.

Reason read: On December 18th, 2018 NASA scheduled a rocket launch.

Lost Moon reads like a drama. The language isn’t bogged down by rocket science verbiage even through at the time of publication Jim Lovell was a famous astronaut and Jeffrey Kluger was an adjunct instructor (in other words, two really smart men). You pretty much know what is going on at all times. Lost Moon is suspenseful even though factually you know how it all turns out in the end. You should know, if not through the news (because you lived it), then because of the movie of the same name (because it starred Tom Hanks and won a whole bunch of awards). Here’s a ten second recap: On April 11th, 1970 Apollo Lucky 13 lifts off into space. By April Lucky 13th an oxygen tank explodes and the crew abandons the mission and Odyssey and moves into Aquarius. Two days later, on April 15th, a battery explodes in Aquarius. A day later a helium disk bursts. A day later, six days after liftoff, Aquarius splashes down in the Pacific ocean.
One of the most interesting facts I learned after reading Lost Moon was the Treaty on Principles Governing the Activities of States in the Exploration and Use of Outer Space. Article five of the document talks about ensuring the safe return of space travelers clause. In the event of an unplanned or off-target landing in hostile territories the space traveler would be safe and not be punished, imprisoned, or held responsible for the emergency landing in their territory.
Second interesting fact – astronauts are “star sailors.” I like that a lot.

Author fact: Jeffrey Kluger is a senior writer at Time magazine. Jim Lovell was also a Navy captain.

Book trivia: There is a great section of photographs in Lost Moon. The cover is of the blast off. “Because of the incredible speed of your rocket, your trip is short.” If you don’t know, don’t ask!

Nancy said: Pearl said “though you may have enjoyed the movie, don’t miss the book…it brings  a new dimension to the now familiar account of heroism” (Book Lust p 158).

BookLust Twist: from Book Lust in the chapter called “The Moon’s My Destination” (p 157).

The Dispossessed

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Le Guin, Ursula K. The Dispossessed. London: Orion Publishing, 2002.

Reason read: Le Guin died in January of this year. I just had to squeeze in one of her books in 2018 to honor her memory.

Shevek, a physicist, is researching something he calls his Ground Temporal Theory. He wants to unite his mother planet of Anarres with the sister planet, Urras. Anarres is an anarchist planet that has become isolated. Shevek’s people are in exile. With his invention of instantaneous communication, Shevek could potentially change society. Unfortunately, his own planet of Anarres is at war, making it impossible for him to progress on his Principle of Simultaniety. Hoping to find a more accepting atmosphere he travels to Urras where he is somewhat accepted. There he lectures, builds a relationship, and fathers a child while working on his theory, working towards free exchange between Urras and Anarres. Little does Shevek know but he has fallen into a trap.
As an aside, the range of different internal societies was interesting. For example, “propertarians” believe in the ownership of something whereas other societies don’t. On the planet Urras Shevek encounters a woman who enthralls him completely, but he can’t help but make feminism comparisons between her and the women on his planet of Anarres.

Probably my favorite part was when Shevek meets Takver. The attraction was instantaneous and Shevek came alive after meeting her. He has been awakened to a whole new life. This life leads him in interesting directions.

I always like it when I can play “six degrees of separation” between books. This time, in The Dispossessed there is a Dust with a capital D; a literal Dust that is consuming and controlling. Meanwhile in The Golden Compass the Dust, again with a capital D, is mysterious and confusing.

Line I liked, “It is hard, however, for people who have never paid money for anything to understand the psychology of cost, the argument of the marketplace (p 79).

Author fact: Le Guin has written fiction, science fiction, short stories, poetry, nonfiction, and has acted as editor on several projects.

Book trivia: The Dispossessed won a Hugo Award in 1975. 

Nancy said: Pearl considers The Dispossessed a “great read” but she did not say anything more than that (Book Lust p 215). Additionally, Pearl makes no mention that The Dispossessed is part of a series (Hainish Cycle #6). 

BookLust Twist: from Book Lust in the chapter “Science Fiction, Fantasy, and Horror” (p 213).

Subtle Knife

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Pullman, Philip. The Subtle Knife. Scholastic UK, 2007.
Pullman, Philip. The Subtle Knife. New York: Listening Library, 2000.

Reason read: to continue the series started in November in honor of National Writing Month.

In The Golden Compass Pullman introduced his readers to the possibility of more than one universe. He hinted there were actually three – the one we were in currently, a completely different universe and a third being a combination of the two. In The Subtle Knife we experience those different worlds first hand as Lyra and her new friend, Will Parry, move between them to escape their enemies. In The Golden Compass readers were also introduced to daemons. Now, we learn that people without daemons are without free will. They lack fear and imagination so they make perfect soldiers for the evil Mrs. Coulter. In addition to Mrs. Coulter, the otherworld of Cittagazze hides other enemies. Soul-eating Specters haunt the streets while children run wild without daemons or parents and rule Lord-of-the-Flies style. 
As Lyra and Will travel from world to world they discover the Subtle Knife, a blade that can cut through anything. It’s power has yet to be fully understood.

Author fact: Pullman helped perform the audio version of The Subtle Knife.

Book Audio trivia: The Subtle Knife won an Audie Award in 2000. 

Nancy said: The Subtle Knife is an “epic battle btween good and evil” (Book Lust p 209).

BookLust Twist: from Book Lust in the chapter called “Romans-Fleuves” (p 209).

Golden Compass

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Pullman, Philip. His Dark Materials Book One: The Golden Compass New York: Alfred A. Knopf, 1995.

Reason read: November is National Writers Month and this month we are celebrating a writer of fantasy.

The Golden Compass seemingly takes place in Oxford, England, but there is an alternate universe at play. Young wild child Lyra Belacourt isn’t afraid of much, especially an alternate universe. But in the beginning of The Golden Compass all Lyra cares about is getting into the Retiring Room of Jordan College, a room where, if women are not allowed, then children definitely are not. Tell Lyra she can’t do something and of course, that’s all she wants to do. She lives in a world where shape-shifting spirit animals called daemon familiars are the norm. Every person has a daemon and when they die their daemon fades away like a wisp of smoke. Lyra’s daemon familiar is Pantalaimon, a fiercely protective companion who can be a moth, bird, mouse,  ermine…whatever the situation requires. Pantalaimon won’t fix on a permanent shape until Lyra is older, closer to adulthood. But, I digress. Back to Lyra and the Retiring Room. She and Pantalaimon find a way to sneak into the room and eavesdrop on a secret meeting between her uncle and college officials. Uncle Asriel tells a tale of danger and mystique involving Dust in the North. Soon Lyra finds herself more than eavesdropping. Because of unknown talents she is pulled into a terrible world of evil scientists, kidnapped children, witch clans, and armored fighting bears. In The Golden Compass you will meet Gobblers, Tartars, Windsuckers, Breathless Ones, gyptians, Nalkainers, and many others, but it is Lyra and her daemon who will captivate you.

Author fact: Pullmann graduated from Oxford University with a degree in English. This is the third book in less than thirty days that mentions Oxford University.

Book trivia: Pullman took “His Dark Materials” from John Milton’s Paradise Lost in Book II. Also, The Golden Compass is the first book in a three volume set. The other two books are also on my list.

Nancy said: Nancy describes the overarching theme of Pullman’s His Dark Materials. She then goes on to say Pullman’s “finest invention was the daemon” (Book Lust p 209).

BookLust Twist: from Book Lust in the chapter called “Romans-Fleuves” (p 208).

Foolscap, or, the Stages of Love

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Malone, Michael. Foolscap, or, the Stages of Love. Boston: Little, Brown and Company, 1991.

Reason read: Malone celebrates his birthday in November. Read in his honor.

Meet Theo Ryan, the product of the union between a famous actor and singer. Despite his parents’s lime lights, all he wants to do is quietly teach Renaissance drama at a North Carolina university and write in his spare time. All that goes out the window when he agrees to write the authorized biography for Joshua “Ford” Rexford, an insanely popular playwright, womanizer and drunk. Nothing about Theo Ryan’s life will ever be the same after Rexford infiltrates his quiet existence. Suddenly, Theo is an actor, a singer, and he’s about to unleash his own work of art on the world, a fantastic play he’s kept private for years…
Quote I liked, “Atop the Coolidge Building Dean Buddy Tupper, Jr. stood at his post by the huge window, watching his enemies below” (p 94).

A digression: Winifred Throckmorton is a retired Oxford don. I just finished reading The Oxford Book of Oxford edited by Jan Morris. Interestingly enough, my opinion of Ms. Throckmorton was slightly tainted by this fact.
Another aside, Malone has a character who raps his overly large ring on his desk to emphasize a point. I have to wonder if the writers from “House of Cards” stole that.

Author fact: Over and over I have read that Malone writes a completely different book every time. what you loved in a previous book might not show up in the next book, but somehow you end up loving the next book just the same.

Nancy said: Nancy did not say anything specific about Foolscap in Book Lust. In More Book Lust Pearl describes the plot.

BookLust Twist: from Book Lust in the chapter called “Southern Fiction” (p 222). Also, from More Book Lust in the chapter “Michael Malone: Too Good To Miss” (p 160).

Martin Dressler

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Millhauser, Steven. Martin Dressler. New York: Random House, 1996.

Reason read: November is a fascinating time to be in New York City.

Martin Dressler, the ambitious son of a cigar maker, has big dreams even as a young child. He starts by delivering cigars for his father and finds an ingenious  way to make profits soar. As a teenager, he starts his career employed as a young hotel bellhop. He catches the eye of the hotel owner and soon becomes his secretary and mentor. As a young man he falls under the spell of a mother and her two grown daughters while building hotels of his own. One daughter becomes his business partner when he delves into opening a chain of diners while the other daughter, Caroline, mystifies him with her silent, elusive personality. She reminds him of a girl he used to know…Strangely enough, he ends up marrying this shadowy, ghostly woman.
This is not a coming of age story. Readers watch as Martin goes through childhood and teenage years to adulthood without exposing friendships; it’s as if he doesn’t have any, puberty, or any other angst-y growing up tribulation. His personality is firmly grounded in business. There is a moment when Martin decides it is time for him to lose his virginity and almost without ceremony or fanfare, he visits a brothel. This becomes a matter of fact, once a week habit he continues into adulthood. Not much is made of sex either way. However, his wedding night is particularly uncomfortable.

What is especially fun to watch is late nineteenth century New York City growing up along side Martin. The street names change over the years. Buildings grow taller. Oil lamps are crowded out by electricity one by one. The Manhattan we know today competes with Martin’s metropolis of his dreams until they are both so large there isn’t room enough for the both of them. But, which New York lives on?

Quotes I found interesting, “She looked like a new painting, all wet and shiny, but already she was fading into the darkness between lamps” (p 138) and “Here in the other world, here in the world beyond the world, anything was possible” (p 292).

Author fact: at the time of publication, Millhauser taught at Skidmore College.

Book trivia: Martin Dressler won a Pulitzer Prize.

Nancy said: Pearl didn’t say anything specific about Martin Dressler in Book Lust, but in Book Lust To Go she hinted the book takes place in New York, but it’s not the Manhattan we know (Book Lust To Go p 236).

BookLust Twist: from Book Lust from the chapter called “New York, New York” (p 170). Also from Book Lust To Go in the chapter called “Travel To Imaginary Places” (p 236).

Ceremony

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Silko. Ceremony. New York: Penguin Books, 1986,

Reason read: November is American Indian Heritage month.

I like to compare reading Silko to drinking a icy cold glass of limoncello. It is not the kind of thing you gulp down in chug-a-lug like fashion. It is better to take in small sips of the scenes in order to let them slide over your subconscious and filter slowly into your brain. Think of it this way. It is as if you have to give the words time to mellow and ultimately saturate your mind.

First things first. When you get into the plot of Ceremony what you first discover is that Tayo is a complicated character. After being a prisoner of the Japanese during World War II, alcoholism, battle fatigue (now called post traumatic stress disorder), mental illness, and guilt all plague Tayo. It’s as if threads of guilt tangle in his mind, strangling his ability to comprehend reality, especially when other veterans on the Laguna Pueblo reservation turn to sex, alcohol and violence to cope. Friends are no longer friendly.
Next, what is important to pay attention to are the various timelines. There is the time before the war and the time after at the mental health facility with the timeline with Thought (Spider) Woman, Corn Woman, and Reed Woman. Each timeline dips back and forth throughout the story. Tayo struggles to reconcile what it means to be Native American, with all its traditions and beliefs, with the horrors of war and captivity. How does one as gentle as Tayo forgive himself for being a soldier? “He stepped carefully, pushing the toe of his boot into the weeds first to make sure the grasshoppers were gone before he set his foot down into the crackling leathery stalks of dead sunflowers” (p 155). He can’t even inadvertently harm a bug.
Interspersed between the plot are pages of lyrical poetry.
Throughout it all, I found myself weeping for Tayo’s lost soul.

Quotes I liked, “Somewhere, from another room, he heard a clock ticking slowly and distinctly, as if the years, the centuries, were lost in that sound. (p 98) and “But as long as you remember, it is part of the story we have together” (p 231).

Author fact: Silko was born in Albuquerque in 1948, the same year as my mother.

Book trivia: As I mentioned earlier, Silko’s poetry is part of the story.

Nancy said: Nancy said Leslie Marmon Silko is one of her favorite American Indian writers.

BookLust Twist: from Book Lust in the chapter called “American Indian Literature” (p 23).

Patience and Sarah

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Miller, Isabel. Patience and Sarah. Vancouver: Arsenal Pulp Press, 1969.

Reason read: Alma Routsong was born in November; read in her honor.

This is such a fascinating story. Isabel Miller learns of two real life pioneering women, Mary Ann Willson and her partner, known only as “Miss Brundage,” and has to write about them. Willson and Brundage set off to find a place where they could live as an openly homosexual couple. Their courage sparked a story in Miller and Patience and Sarah was born.
To meet the women: Sarah Dowling was raised as a boy; taught to shoot a gun and chop firewood like a man. In Patience’s mind, Sarah needed rescuing from that existence. Patience White was a demure and quiet painter, but it was she who started planting the seeds of running away early in her relationship with Sarah. “But could you take it pioneering with you?” Patience asked of the ax Sarah was wielding.
Patience and Sarah was originally published under the title, A Place For Us. The book ends with Patience and Sarah leaving their old lives behind to find a new place where they could be themselves as a couple. Their love endures ridicule and prejudice and even among themselves they harbor doubts. Sheer courage carries them forward.
Patience and Sarah could be considered the very first lesbian historical novel.

Lines I loved (and there were many), “Women might peck at her with their sharp mean noses” (p 18), “There would be no way out except through” (p 49), and, “…but as soon as he kissed me I knew I could not live a life where that happened all the time” (p 102).
Lines about love, “I keep thinking every shadow is you” (p 47), and “I felt my heart melt and drip off my fingertips” (p 105).

Author fact: Isabel Miller is a pseudonym for Alma Routsong. Alma took her mother’s maiden name (Miller) and an anagram of the word lesbia (Isabel) to form her pen name. Another interesting fact is that Isabel left her husband and four children. Luckily, they all forgave her.

Book trivia: The American Library Association honored Patience and Sarah with its first ever Gay Book of the Year Award in 1971. Another last piece of trivia: the book was made into an opera in 1998. That seems a little odd to me.

Nancy said: Pearl said it would be “interesting to compare” The Well of Loneliness by Radclyffe Hall to Miller’s Patience and Sarah. (Book Lust p 94).

BookLust Twist: from Book Lust in the chapter called “Gay and Lesbian Fiction: Out of the Closet” (p 93).