Category: BookLust II

Cruddy

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Barry, Lynda. Cruddy. New York: Simon & Schuster, 1999.

From the very first pages you want to know what this Cruddy book is all about. First, you are introduced to sixteen year old Roberta Rohbeson via her bizarre suicide note. Then, hoping to shed some light on the situation, you read chapter one which is only seven sentences long which says nothing about anything. Then you encounter chapter two and read the word “Cruddy” nineteen times in the first paragraph. Funky, funky, funky was all I could say. I was not prepared for what happened next. Little did I know I would end up saying sick, sick, sick by the end of the book.

Cruddy is told from the perspective of Roberta Rohbeson at two different times in her life; as an eleven year old troubled little girl and as a sixteen year old angry teenager. Her story is tough and tragic and tinged with terrible humor. As an eleven year old she is thrust into the raging, alcohol-blurred world of her father who refuses to see her as his daughter. Instead, Roberta is not only his son, called Clyde, but his accomplice. When he discovers her in the backseat of his getaway car he takes her on a murderous journey across the desert fueled by hatred for his suicide-dead father who left him nothing.
As a sixteen year old Roberta is strung out on drugs and driven by abandonment. She befriends a group of outcast suicidal drug dealers who do nothing but fuel her craziness. One boy in particular, Turtle, gets Roberta to tell her sad tale.

This was a book I found myself wondering about long after I put it down. Was Roberta modeled after anyone Lynda knew? Where did she come up with such a violent, messed up plot? What was the acceptable age range for this book? Would parents cringe if they knew their kid was reading this under the covers late at night?

Lines that got me: Roberta’s father’s motto: “Expect the Unexpected and whenever possible BE the Unexpected!” (p 142), “He was explaining how perfect it would be because he could kill me right in the concrete ditch itself and when the water came it would gush me and all the evidence away” (p 163), and my personal favorite, “There is a certain spreading blankness that covers the mind after you kill someone” (p 273).

Author Fact: Lynda Barry was born on January 2nd, 1956 and is a cartoonist (among many other things).

Book Trivia: This was called a novel in illustration but only the start of each chapter has an illustration (creepy illustration).

BookLust Twist: From Book Lustand More Book Lust . From Book Lust in the chapter called “Graphic Novels” (p 104), even though Cruddy isn’t a graphic novel. Also in More Book Lust in the chapter called “Teenage Times” (p 217). What Pearl should have called the category for this book was “Fukced up Teenage Times.”
Book Lust trivia – Lynda Barry and Cruddy were not mentioned in the index to Book Lust. In fact, only One! Hundred! Demons! made it into Book Lust’s index.

Breath, Eyes, Memory

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Danticat, Edwidge. Breath, Eyes, Memory. New York: Vintage Contemporaries, 1994.

Breath, Eyes, Memory is the  type of story that sucks you in deep. Like tar pit, quicksand deep. From the moment I started reading I didn’t want to put it down. It was the first book I picked up in the morning and the last book I put down at night for three days straight. I stood in line at the grocery store, pumping gas, and waiting in my doctor’s waiting room with Breath, Eyes, Memory in hand.
Edwidge Danticat does an amazing job blending the culture of Haiti with the culture of family with the dynamics of women intertwined. Breath, Eyes, Memory is the story of four generations of Haitian women. Sophie is at the center. As a new mother she is learning from her mother, grandmother and aunt what it means to be protective and watchful of her young daughter while daring to shrug off disturbing traditions that haunt all the women in her family. This is not a story for the faint of heart. While the harsh realities of Haiti’s Tonton Macoute are barely mentioned they are the root of Sophie’s mother’s nightmares. There is murder, cancer, mental illness, bulemia, abuse and even suicide to contend with within the pages of Breath, Eyes, Memory. In the end there is a certain kind of peace that only comes from a letting go.

One of the harder details to discern was Sophie’s age throughout the story. The timeline is a little abstract. She starts out as 12 years old but the reader only learns that after she has turned 18 and says she had been away from Haiti for six years. From there it becomes a little hazy again. Sophie admits it has been two years since she had last seen her mother, but how old she was when she left isn’t entirely clear. By the end of the story one can assume Sophie is 21-22 years old.

Favorite lines: “If I had the power then to shrink myself and slip into the envelope, I would have done it” (p 50), “He looked like the kind o fman who could buy a girl a meal without asking for her bra in return” (p 68), “You do not have to name something to make it yours” (p 136), and probably the most poignant line in the whole entire book, “It was up to me to make sure that my daughter never slept with ghosts, never lived with nightmares, and never had her name burnt in the flames” (203). For what Sophie means by that you will just have to read the book!

Author Fact: Ms. Danticat was born in Port-au-Prince and my birthday is exactly thirteen days later than Ms. Danticat’s.

Book Trivia: Oprah chose Breath, Eyes, Memory for her book club. I wonder just how much that boosted book sales.

BookLust Twist: From More Book Lust in the chapter “The Contradictory Caribbean: Paradise and Pain” ( p 55).

Goodbye, Columbus

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Roth, Philip. “Goodbye, Columbus.” Novels and Stories. 1959 – 1962. Ed. Ross Miller. New York: The Library of America, 2005. 7 – 108.

Neil Klugman is a 23 year old man living with his self martyred aunt and uncle in Newark, New Jersey while his asthmatic parents convalesce in Arizona. “Goodbye, Columbus” is told from his point of view and could be seen as a Jewish American coming-of-age story about Neil’s summer romance with wealthy, snobbish Brenda Patimkins. It is closer to the truth to say “Goodbye, Columbus” is a commentary on class. Neil and Brenda’s socioeconomic differences create subtle tensions between the couple until they discover their relationship is built on lust rather than love. This is most apparent when Neil says, “Actually we did not have the feelings we said we had until we spoke them – at least I didn’t, to phrase them was to invent them and own them” (p 19). I have to admit it took me a while to figure out where the title of the story came from. Turns out, Brenda’s brother would listen to what Neil referred to as the “Columbus record” before bed – a recording of his Ohio State sports career. Neil could hear a moaning of the words, “Goodbye, Columbus” over and over again.

Favorite lines: “…it was disturbing to Aunt Gladys to think that anything she served might pass through a gullet, stomach, and bowel just for the pleasure of the trip” (p 9)., and “Ther proposed toasts…Brenda smiled at them with her eyeteeth and I brought up a cheery look from some fraudulent auricle of my heart” (p 88).

Author fact: Philip Roth is so popular that in Texas there is an organization called the Philip Roth Society and it for the scholarly study and general appreciation of Roth’s work.

Book Trivia: Goodbye Columbus was made into a movie starring Richard Benjamin and Ali MacGraw. I was stunned by how many different actresses turned down the role of Brenda before Ali came along. Yet again, another movie I haven’t seen.

BookLust Twist: From More Book Lust in two different chapters. First, in the chapter called “Jersey Guys and Dolls” (p 130), then in the chapter called “You Can’t Judge a Book By Its Cover” (p 238). This last admission cracks me up because MY cover of “Goodbye, Columbus” is a photograph of Philip Roth’s face!

Best Nightmare on Earth

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Gold, Herbert. Best Nightmare on Earth: a Life in Haiti.New York: Prentice Hall Press, 1991.

I love reading books that hold hands. The Comedians by Graham Greene is mentioned a bunch of times in Hebert Gold’s Best nightmare on Earth. Because I had read (inadvertently) The Comedians before Nightmare I knew what Gold was talking about. I could relate and it just worked out that way. Funny how Pearl didn’t call these two books “companion reads” because they seem like they were meant to read together.
Herbert Gold discovered Haiti on a Fulbright Scholarship. This was to be the beginning of an addiction to a hellish paradise. For the next forty years Gold traveled between the States and the Caribbean trying this craving. Through Best Nightmare on Earth Gold does his best to explain this curious attraction while holding nothing back. He peels back the layers of politics and corruption to reveal exotic grace and mystery. Papa Doc (both father and son) rule the land while voodoo rules all. Gold’s descriptions of the violence, the celebrations, the loves and losses are as vivid as the realities of greed and poverty.

Favorite quotes, “Despite my yearning for privacy, I also needed sociability, the opening and the shutting of the mouth to utter companionable sounds” (p 112), “Wasn’t running something that human beings took up in hostile environments, in worlds of desert hunting and forest seeking, chasing animals, preening for partners, sometimes being chased?” (p 191), and “Proud despair is the mood of everyone” (p 199).

Author Fact: Herbert Gold was a member of the Beat Generation and dear friends with Allen Ginsberg.

Book Trivia: For those wanting to know more about Haiti (the good, the bad and the ugly) Best Nightmare on Earth is almost always listed in the bibliography.

BookLust Twist: From More Book Lust in the chapter called “The Contradictory Caribbean: Paradise and Pain” (p 55).

Crazy in Alabama

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Childress, Mark. Crazy in Alabama. New York: G.P. Putnam’s Sons, 1993.

Talk about crazy! This book drove me there! I called Made in America a book of multiple personalities. If that’s the case, Crazy in Alabama is a book of split personalities. Set in the 1960s, one half of the narration is dedicated to Lucille’s escapades in California. She’s seeking fame and fortune as a wannabe actress while on the run from the law with her husband’s decapitated head in a Tupperware container. The other half of the narration is from the perspective of Lucille’s nephew Peter Joseph (Peejoe). He’s in racially torn Alabama witnessing violence and civil unrest at its worst. While Lucille’s side of the story is insanely surreal, Peejoe’s is intensely serious. The disconnect between the two voices created a divide almost too big to ignore. Luckily, Childress pulls them together and makes the entire plot work…somehow.

Favorite lines: “She would miss her children but she had Chester’s head to keep her company” (p 37). Of course! Another favorite line, “My eye was the price I’d had to pay for seeing too much” (p 229). See the difference between Lucille and Peejoe’s worlds?

Author Fact: Mark Childress is also the author of three picture books for children.

Book Trivia: Crazy in Alabama was made into a movie starring Melanie Griffith in 1999. Haven’t seen it.

BookLust Twist: From More Book Lust in the chapter called Southern-Fried Fiction: Alabama (p 207).

Made in America

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Bryson, Bill. Made in America: an Informal History of the English Language in the United States. New York: William Morrow and Company, Inc., 1994.

Made in America has multiple personalities. It could be seen as a classification of American etymology, a short history of American culture, a collection of forgotten trivia, a handbook of conversation starters, a joke book of humor, or as most people see it, all of the above. The inside cover of Made in America sums up the book perfectly, “Bryson’s is a unique history, not only of American words, but of America through words.”

Favorite lines, “…Clark fared better. He became governor of the Missouri Territory and commanded it with distinction, though he never did learn to spell” (p122).

Favorite tidbits of information: Frederick Remington never saw a real cowboy and was too fat to ever get on a horse; foodcarts weren’t allowed to vend on residential streets so they moved to parking lots, removed their wheels and became restaurants; Sylvester Graham believed food with taste was immoral.

Book Trivia: You could call Made in America a history of American words or words describing an American history.
Author Fact: Bill Bryson once worked in a psychiatric hospital. Doing what? Making the patients laugh out loud when things got too manic?

Book Lust Twist: From More Book Lust in the chapter called “Bill Bryson: Too Good To Miss” (p 36).

Ruby

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Hood, Ann. Ruby. New York: Picador, 1998.

Olivia has lost her husband, David, to a reckless driver, killed while jogging along a country road. Olivia, only 37, is faced with immeasurable grief and the nagging guilt that she had something to do with his death. In an effort to move on with her life she resolves to sell their summer cottage and put the past behind her. Only she can’t. A pregnant, defiant, wayward teen has made herself at home in Olivia and David’s seemingly abandoned house. Within a few minutes of confronting her, Olivia begins to bond with Ruby, seeing more of herself in the teenager than she would like to admit. What Ruby and Olivia can admit to is the fact they need each other. From this point forward Ann Hood’s storytelling is a psychological dance between the needy yet tough Olivia and the tough yet needy Ruby. Both of them want something from the other. Both are willing to manipulate the other to get it. The story becomes a page turner because you want to know who wins.

I like books that make me wander off topic. I enjoy small tangents every now and again. Olivia mentions her plan of stenciling the words to “a William Carlos Williams poem about plums” on her cottage wall. After surfacing from the instant sadness of lost dreams the image made me want to reread the poem in question, ‘This is Just to Say.’ Of course after rereading ‘This is Just to Say’ I had to find and reread Flossie Williams’s reply to “Bill.” Together they are a poetic commentary on marriage; communication between husband and wife.

Favorite line-, “Better to share the blame than to carry it all alone” (p 19). I found this interesting because most people want to put the blame 100% on someone else, never mind sharing it.

Some nitpicking. The reader is first introduced to Olivia’s world after Olivia’s husband has been killed by a reckless driver. Because the tragedy has already occurred the reader is anticipating the demise. You never get a chance to fall in love with Olivia and David as a couple. As a result the impact of Olivia’s grief is diminished. You don’t end up feeling as sorry for her situation as you could if you had been confronted with the shock of loss at the same time.

BookLust Twist: From More Book Lust in the very first chapter called Adapting to Adoption (p 2). Nancy Pearl calls Olivia ‘Livia.’ Interesting. It must be a (another) typo because nowhere in the book does anyone call Olivia ‘Livia.’

PS~ A Review in Library Journal called Ann Hood “Barbara Kingsolver without the whimsy.” I think it’s the other way around. Barbara Kingsolver is Ann Hood without the whimsy. I don’t see Kingsolver as whimsy at all. The Lacuna and The Poisonwood Bible are far from whimsy!

On the Road

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Kerouac, Jack. On the Road. New York: Penguin Books, 1991.

Jean-Louis Lebris de Kerouac holds an air of mystery even to this day. For generations he has been regarded as one of coolest cats of the 1950s. On The Road was an overnight success and an instant cult classic. So it came as a great surprise to everyone when I admitted I hadn’t read it. It wasn’t required in any high school, college or grad school course. Somehow it missed my radar completely. Maybe I didn’t see myself as worthy. Even when Natalie Merchant wrote “Hey Jack Kerouac” I was not moved to know more about the man or the myth. Thank heavens for More Book Lust and this self-imposed challenge. There is a vibe just holding this book. Someone killed a mosquito on page 88; it’s flattened body pressed forever like a keepsake corsage.

On the Road is an anthem for the young, the restless, the daring. It taps into a longing for freedom, a desire to roam, a quest for life and all it has to offer. The language is nonchalant and haphazard giving the story a reckless vibe. Case in point, who says “balled the jack” anymore? Kerouac captures the days when you could take a flatbed truck, load it with a group of reckless youth and roar across the country hellbent for the coast of anywhere, exhilarated just to be alive.

Favorite lines: “I hope you get where you are going and be happy when you do” (p 30), “Central City is two miles high; at first you get drunk on the altitude, then you get tired, and there’s a fever in your soul” (p 53),  “I never saw so many snarls in all my born days” (p 62) and “Everybody goes home in October” (p 103). Favorite phrases, “mixing up our souls” (p 91) and “love is a duel” (p 101)

BookLust Twist: From  Book Lust in the chapter called Road Novels (p 202) and from More Book Lust in the chapter called The Beats and Their Generation (p 17).

Harmless People

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Thomas, Elizabeth Marshall. The Harmless People. New York: Alfred A. Knopf, 1970.

Elizabeth Thomas put a lot of heart and soul into the writing of The Harmless People. Her research was not done from a cold, calculating, scientific perspective. From the very first pages one can feel the intensity of the respect she has for the lives and cultures Kalahari Bushmen. Thomas seems driven to convey a message more important than all the others about the reclusive tribes and that is they are gentle people. Harmless. Their tribal name for themselves is Zhu twa si, meaning the harmless people. There are many occasions for Thomas to illustrate this. In order to study each Kalahari tribe Thomas first had to find them which proved to be difficult because they had a tendency to run and hide at the first sign of stranger intrusion. Even after finding these people she (and her crew of scientists and researchers) had to convince them she wasn’t there to create conflict or enslave them or steal from them. It took a great deal of time to gain their trust just so that Thomas could live among them.

Favorite lines, “…Bushmen would not try to fight because they have no mechanism in their culture for dealing with disagreements other than to remove the causes of the disagreements” (p 22), and “We would have liked to look around, but the best thing we could do was keep our big boots and our bodies away from their delicate, fragile, almost invisible community” (p 41).
Most disturbing moment? Believe it or not, when Thomas describes the killing, cooking and consumption of a turtle. I could barely read the words.

BookLust Twist: From More Book Lust in the chapter called, “Africa: a Reader’s Itinerary” (p 4).

Woman: an intimate geography

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Angier, Natalie. Woman: an Intimate Geography. Boston: Houghton Mifflin Company, 1999.

Angier’s style of writing is a cross between know-it-all scientist and folksy I’m-Going-To-Explain-It-All-To-You girlfriend. I happened to like the science with sass approach. It made reading about my personal landscape a great deal more interesting. It’s informative AND funny – my kind of read. Because let’s face it, who wants to pick up something that reads like a gross anatomy textbook? I want (and got) something with spunk and humor; for example, who knew ‘piglet’ was a vocal range? You wouldn’t think describing the physical attributes of the vagina could be interesting but when Angier describes it as, “a Rorschach with legs” you have to sit up and take notice. Amid education and explanation Angier periodically debunks myth and dispels rumor concerning the female form. The vagina is not dirty! She is on a one woman rampage to bring honor to her sex. While her sassy sexy tone dissuades some readers from thinking of Woman as a reference tool I, for one, am sorry it wasn’t written 30 years ago.

Confession: I skipped the chapter on breast feeding called, “Holy Water.”

Favorite lines, “The world needs more girl drummers” (p 206), and “We know it when we feel it [aggression]…and sometimes it feel nasty and sometimes it feels good” (p 262).

BookLust Twist: From More Book Lust in the chapter called, “Dewey Deconstructed: 600s” (p 72).

ps~ I love it when reading comes full circle. I started the month with Bonobo: the Forgotten Ape by Frans de Waal. In Woman: an Intimate Geography Angier cites de Waal and thanks him in her acknowledgments. Guess why – sex.

Bird Brains

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Savage, Candace. Bird Brains: the Intelligence of Crows, Ravens, Magpies, and Jays. San Francisco: Sierra Club, 1997.

This over-sized, beautiful and bold book on birds is entertaining on a multitude of levels. You don’t have to be an avid birder to appreciate Bird Brains for its witty, informative text and drop dead gorgeous photography. The premise for Bird Brains is the intelligence of the crow family. The argument for how smart they are is illustrated in the bird’s ability to adapt to changing conditions, ingenious nesting techniques, strategic enticing of a mate, uncanny voice recognition of their young, social nature such as showing off and much, much more. I was intrigued to learn of corvid “societies.” These birds congregate in avian clans. For example, the Jackdaws live in society regardless of the season and participate in communal activities such as feeding and roosting.

Here are a few other things I learned from reading Bird Brains. The green jay is absolutely gorgeous. Nutcrackers belong to the Crow family, as do Jays such as blue, green and pinyon.

Favorite line, “Prevented by its own prejudices and taboos from asking the most interesting questions, science was left with the most boring of answers” (p 19).

Favorite photograph: the crow “facing off” (the author’s description not mine) with a bald eagle on page 73. The eagle looks as though he is asking, “Seriously? You wanna mess with me? Really?!” and the crow is responding, “bring it on!” (to the cheers of his less brave comrades).

One thing I have always loved about ravens and crows is that they are seen as ominous creatures through literature (think Edgar Allan Poe), art (The Wyeth family’s Wondrous Strange collection), and song (Fairport Convention’s “Crazy Man Michael”). The shiny black birds are the perfect emblem of Halloween.

BookLust Twist: From More Book Lust in the chapter called, “Nature Writing” (p 174).

Last Time They Met

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Shreve, Anita. The Last Time They Met. Boston: Little, Brown and Company, 2001.

The story, divided into three parts, starts from the perspective of Linda Fallon at 52 years old. Widowed with two adult children Linda is a poet with a complicated past. Her tangled history is confronted when she encounters her former lover, Thomas Janes, at a literary festival. Thomas, also a poet, has gone on to become a legend of sorts after the drowning death of his young daughter drove him into seclusion. What the reader learns in Part I is that Linda and Thomas started a romance in highschool that ended badly.  Part II is from Thomas Janes’s perspective in Africa 25 years earlier than the festival. Linda, then 27, has married and is working for the Peace Corps when Thomas, also married, encounters her in an African marketplace. The fuzzy details of their teenage romance hinted at in Part I become a little more defined in Part II. The reader discovers a terrible accident allowed overly protective adults to separate the young highschool lovers and effectively dismantle their relationship by putting distance (and silence) between them. Part III is ten years prior to Africa. Thomas and Linda are 17 and in highschool. This final section brings the entire sage full circle. In all honesty my favorite way to read The Last Time They Met is front to back and then again, this time back to front. The tiniest of details become glittering and sharp when exposed by more supporting story.

Confession: this is a reread. As a rule, I have tried to read everything by Anita Shreve. She is definitely one of my favorite authors. Here’s the weird thing about rereading The Last Time They Met. I am remembering a scene that should have been in this book or at least I thought was in this book and there is another part to the story that sounds like something I read somewhere else. Confused? I know. I shouldn’t have said anything.

Favorite lines (and there are a few, bear with me), “The spirit sought and found the work, and discontent began when it could not” (p 5), “Thomas watched her walk away, all the blood in his veins following her” (p 125), and, “What’s imagined always worse than what is” (p 308).

BookLust Twist: From More Book Lust in the chapter called, “Tricky, Tricky” (p 222). Pearl lists a few books that play tricks on you. In honor of Halloween I read The Last Time They Met.

Heartbreak Hotel

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Siddons, Anne Rivers. Heartbreak Hotel. New York: Pocket Star Books, 2004.

Margaret Deloach (Maggie to her friends) is a good girl, a good, smart Southern girl who has everything going for her. She is popular and beautiful, a sister in the Kappa sorority and pinned to the ever handsome Boots Claiborne. Much is made of Maggie’s looks, her clothing, her sense of style. It isn’t until Maggie meets Hoyt Cunningham, a childhood friend of Boot’s, that Maggie’s moral compass and intelligence is exposed and challenged. Everything comes to a head when Maggie witnesses the brutal recapture of a black inmate from the county jail in Boot’s hometown. What makes this story so interesting is Heartbreak Hotel is a coming of age story set in the Civil Rights era South. It is lush with description, brimming with trouble. It is easy to see why it was a New York Times best seller.

While Maggie is admirable throughout the entire saga of Heartbreak Hotel I did have one small question. *Spoiler Alert* Maggie writes an opinion piece about segregation in Alabama. It coincides with the entrance of the state university’s first black student so racist tensions are already running high. Maggie’s piece strikes out at her finance’s family and the only way of life they had ever known for generations and generations. My question is this, how in the world did Maggie think she could write a front page article criticizing Boots and still have him as her husband? There is one scene that I find Maggie’s character to be completely unbelievable. Maggie’s column has made the front page only Boots hasn’t seen it yet. He has been away for a family funeral. When he returns they go to his fraternity for a party where Maggie is hopeful no one will mention the article to him. She even thinks she has a chance to tell him about it and “have a laugh over it.” I don’t know what she was thinking when everything up to that point indicates he will have a royal, violent meltdown.

Favorite lines: “And so reading remained one of Maggie’s small and constant rebellions” (p 11). I loved this line when I first read it and didn’t realize how much of a premonition it was to the tail end of the story. Another favorite line, “She passed a day in fitful, drugged sleep, in which deep snoring alternated with wild incoherent sobbings about guilt and blood and chewing gum and blonde whores and God” (138). That, my friends, is the epitome of a breakdown. Brilliant.

BookLust Twist: From More Book Lust in the chapter called, “Southern-Fried Fiction: Alabama” (p 206). Alabama became a state in the month of December but I chose to read Heartbreak Hotel in September as another Back to School honor book. I had a few days left in the month and this book was lying around the house so I read it.

Meaning of Everything

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Winchester, Simon. The Meaning of Everything: the Story of the Oxford English Dictionary. Oxford: Oxford University Press, 2003.

I suppose since Winchester’s The Meaning of Everything serves as a follow-up to The Professor and the Madman: a Tale of Murder, Insanity, and the Making of the Oxford English Dictionary I should link to the review of The Professor…here.

I hate to admit this, but I didn’t care for The Meaning of Everything. Okay, while I’m being honest I’ll go for broke – I didn’t get beyond page 19. There. I said it. I was bored. As a person deeply connected to reading you would think I would be intimate with words, especially the origin of words. I mean, words form sentences and sentences form paragraphs and paragraphs form pages and pages fill books, right? And books are what it’s all about, right? No. I guess the bottom line is I don’t care about where the word came from. The word, when it stands alone, is boring. How sad is that? I need words strung together into sentences. Those sentences need to be woven together to ultimately make a story interesting. This, however, was not.

BookLust Twist: From More Book Lust in the chapter called, “Dewey Deconstructed: 400s” (p 68).

Zarafa

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Allin, Michael. Zarafa: A Giraffe’s True Story, from Deep in Africa to the Heart of Paris. New York: Walker and Company, 1998.

I read this in honor of Napoleon being born in the month of August and even though Zarafa wasn’t exactly about Napoleon I was delighted by the tidbits of information that involved him: did you know the camel Napoleon rode while in Cairo was stuffed and put on display in a museum? (p 27) and Napoleon was such a big fan of books that he arranged for every guest at a banquet to receive translated copies of the Koran and Thomas Paine’s The Rights of Man (p 31)? Interesting. But probably the best story was about Napoleon’s reading habits while on the march. He would tear out the pages of a book, one by one, after he had read them – tossing them back to the soldiers behind him. The soldiers in turn would read the torn-out pages and the pass them back until the entire company had read the same book (p 32).

Zarafa is the story of a giraffe’s remarkable journey from Egypt to Paris. Charles X of France was presented with a young female giraffe as a gift (and political strategy) from the Ottoman Viceroy of Egypt, Muhammad Ali. I can only imagine what the people of 1845 France thought of this unusual gift. Michael Allin not only sets out to describe this giraffe’s amazing two and a half year journey but provide the political, economic and historical backdrop for the trip. What makes Allin’s account so enjoyable is his ability to make the supporting subject matter interesting. He gives Zarafa a personality, allowing for the humanization of her traits with such descriptors as “aloof dignity” and “orphaned.” This humanizing made it difficult to read the details of how Zarafa’s mother was murdered and how her pelt, teeth, tail, meat, etc became commodities.

Favorite lines, “Under Muhammad Ali, Egypt went from the Stone Age to the Enlightenment in a single personality” (p 37), “the traveler from the south is reluctant to proceed, homesick for immortal things” (p 86).

BookLust Twist: In both Book Lust and More Book Lust. From Book Lust in the chapter called, “Wild Life” (p 245). From More Book Lust in the chapter called “The Complex Napoleon” (p 53).