Jane Eyre

Bronte, Charlotte. Jane Eyre. New York: Signet Classic, 1982.

Who hasn’t read Jane Eyre? Who hasn’t fallen in love with plucky, adventurous, moral, Jane? It’s a story everyone knows. When we first meet Jane she is ten years old and living with her deceased uncle’s family. She is despised by her aunt and cousins and considered lower than a servant (at least a servant earns her wages). As a result of Janes’s disharmonious and sometimes violent relationship with the Reed family Jane is sent away to a boarding school. From there Jane is trained as a governess and sent to the employ of Mr. Rochester. Because this is a romance it is obvious Jane and Mr. Rochester will fall deeply in love. Because this is a classic romance it is obvious there will be conflict. The conflict is Mr. Rochester is already married to a mentally ill and violent woman he keeps locked in an attic. Ever virtuous Jane leaves Mr. Rochester until telepathy steps in and Jane feels the need to rush back to Mr. Rochester. She arrives in time to see that Bertha has set the Thornfield mansion on fire and committed suicide. Mr. Rochester is blinded and loses a hand in the blaze. Jane promises to never leave Mr. Rochester again. Their love is triumphant and they live happily ever after. Of course, this is the much-condensed version!
The story of Jane Eyre has been widely criticized for its unrealistic episodes of ghosts and moments of 6th sense. Critics find it unbelievable that Jane is able to travel from one place to another as quickly and as efficiently as she does and it is downright miraculous that she finds a cousin who coincidentally has family wealth to bestow on her. Despite these criticisms Jane Eyre remains a lasting favorite. Obviously, there is a fan base willing to see the value of the suspension of belief.

Author Fact: Charlotte Bronte was one of six children born in the Bronte family. She tried her hand at being a governess (for ten years) before giving it up to write. She died at age 39 in pregnancy. Bummer.

Book Trivia: Jane Eyre has been transformed into movies, plays, operas, symphonies, ballets, and operas no less than 35 times. It has inspired countless retellings, spin-offs and songs. Its popularity resonates with young and old, men and women making it one of the best-loved classics ever.

BookLust Twist: Jane is very popular with Ms. Pearl. It is mentioned four different times between Book Lust and More Book Lust.. From Book Lust it is mentioned in the chapter called “Companion Reads” (p 64). I was to read Jane with Wide Sargasso Sea (of course) by Jean Rhys and The Eyre Affair by Jasper Fforde. Also in the chapter called “Romance Novels: “Our Love is Here To Stay” (p 204). From More Book Lust in two different chapters. First, in the chapter called “Brontes Forever” (p 34) and then again in the chapter called “Fractured Fairy Tales” (p 94).

Big Year

Obmascik, Mark. Big Year: A Tale of Man, Nature, and Fowl Obsession. New York: Free Press, 2004.

Have you ever tried to have a conversation with a birder when he or she can see, and be distracted by, the outside world? I have and in my experience it’s a lot like having a conversation with a new mother when she has one eye (and her full attention) on her runaway, get-into-everything toddler. It’s nearly impossible. Here’s an example – I was hiking with such a friend, a big time birder. He was explaining and detailing renovations on his house when all of a sudden he stopped in mid-sentence to listen to something my ears could not detect. Impulsively, he grabbed my arm and his eyes bugged out. “Did you hear that? That was a yellow-billed something-er-rather! Female!” Up whipped his binoculars while I stood there unsure of what I was missing out on. Awhile later he stopped again to whistle, listen intently, whistle again and smile, obviously forgetting he was interrupting himself. Again. To me it was like listening for a snowflake to land.
Even strangers try to rub their enthusiasm for all things feathered on our uninterested minds. My husband and I were hiking along the rocky coast of Monhegan. It was the day after a terrific storm had blown away so the waves were breathtaking. We met a pair of birders on the trail and paused to let them pass when suddenly a particularly large wave crashed upon the rocks behind them. The sound was thunderous and both Kisa and I gasped. “What?! what did you see?!” the birders eagerly asked scanning the tree lines, “did you spot a black-legged kittiwake? A great-tailed grackle?” Errrr, no. When we explained it was a rogue wave capable of dragging a tank out to sea the birders just stared at us. Luckily, they were soon distracted by the mating call of some brown spotted something-er-rather and we went on our way. This line from the introduction of Big Year illustrates this obsession perfectly, “There even were twitters about a new species of grouse…having sex in the sagebrush somewhere in the Utah high country” (p xi). Exactly.

Mark Obmascik likes birds, but he likes birders even better. In Big Year: A Tale of Man, Nature, and Fowl Obsession Obmascik chronicles a year of birding with several different hardcore birders and their quest for “the big year.” The Big Year, as explained by Obmascik, is a birder’s attempt to chronicle as many birds as possible within a solitary calendar year. There are many different strategies for obtaining the biggest “birds seen” list and competitors will stop at nothing to hone their strategies while sabotaging those of others. It’s cutthroat, surprisingly so. All for the sake of something so small. Competing birders will spend thousands of dollars, millions of minutes, and countless miles to trek across North America looking for elusive, rare, and unusual birds. To see one is an accomplishment, but to photograph one is triumph. To be known as the biggest list is the best of all. Obmascik delivers humor and respect when sharing these birding tales. You will never look at a common sparrow the same way again.

BookLust Twist: From More Book Lust in the chapter called “Living Your Dream” (p 157).

Carry Me Home

McWhorter, Diane. Carry Me Home: Birmingham, Alabama: the Climatic Battle of the Civil Rights Revolution. New York: Simon & Schuster, 2001.

There is no doubt Carry Me Home: Birmingham, Alabama: The Climactic Battle of the Civil Rights Revolution is testimony to McWhorter’s nineteen year mission. Her conviction to expose the truth is on every page. What makes Carry Me Home so compelling in the unflinching examination of McWhorter’s own family’s beliefs and involvements in the tumultuous time of civil unrest. Interjecting personal biography give the book a unique drama. The detail with which McWhorter writes allows readers to not just walk in the footsteps of history but experience as if they are walking side by side in real time.

Interesting lines: “One did not need to know what was wrong in order to know something was wrong” (p 27), and “Over the two decades of solitary toil, my driving aim had been to “solve” the church bombing, to bring the murderers if not to justice then at least to truth” (p 589).

I have to point out that a friend didn’t like the title of this book. He felt that the use of the word “climatic” was incorrect. Climatic for the era, maybe, but certainly not climatic for all time.

Book Trivia: Carry Me Home was compared to Parting the Waters by Taylor Branch by author David Herbert Donald, and by writers for the Boston Globe and The Nation. Also, Carry Me Home won a Pulitzer.

BookLust Twist: From More Book Lust in the chapter called “Civil Rights and Wrongs” (p 49).

Flaubert’s Parrot

Barnes, Julian. Flaubert’s Parrot. New York: Alfred A. Knopf, 1985.

I chose Flaubert’s Parrot in honor of February being Bird Feeding Month but really, Flaubert’s Parrot doesn’t have a whole lot to do with parrots, per se. Goeffrey Braithwait is a retired doctor looking to solve a mystery. Two different museums claim to have Flaubert’s muse, a stuffed parrot that sat on Flaubert’s desk while he wrote ‘Un Coeur simple.’ Dr. Braithwait calls himself an amateur scholar of Flaubert and yet he knows the smallest of details about the writer’s life which indicate a growing obsession. While the mystery of the two parrots is the token premise of the tale it takes on much more than that. First, it is revealed Dr. Braithwait would like to be an author. He wonders what it would be like to publish. This is a theme that runs concurrent with the search for the correct parrot. In time Dr. Braithwait’s wife suicide is revealed. He searches for meaning to her demise. There are multiple personalities of writing styles at play in the telling of Flaubert’s Parrot. First, an most obviously, is the fictional/factual biography of Flaubert. Then there is a “Dear Diary” approach to a literacy criticism of Flaubert’s work. The writing is sparse and humorous.

Flaubert’s Parrot had a few zingers that I liked: “Why does the writing make us chase the writer?” (p 12), I warned him of the dangerous tendency in this species to posthumously parthenogenesis” (p 22), and “Some people have a tender heart and a tough mind” (p 34).

Author Fact: Julian Barnes has a FaceBook page. Of course he does.

Book Trivia: Flaubert’s Parrot had two Booker Prize nominations.

BookLust Twist: From More Book Lust in the chapter called “Parrots” (p 183). Go figure.

King of the World

Remnick, David. King of the World: Muhammad Ali and the Rise of an American Hero. New York: Random House, 1998.

I realize David Remnick needed to set the scene, to establish the boxing backdrop in order for Cassius Clay’s story to be fully appreciated, but in my opinion three whole chapters equaling 68 pages was too much pre-story information. There was too much detail about the Floyd Patterson/Sonny Liston rivalry. To be fair, the long introduction established the dangerous culture of the mafia-driven boxing world before Cassius Clay entered it and how lucky he was to escape it. It clearly illustrated the mold Cassius Clay was about to break while simultaneously solidifying Liston and Clay’s animosity towards one another. I just wish it didn’t take three chapters to do it.

I think the entire story of Cassius Clay/Muhammad Ali can be summed up by one sentence late in the prologue, “He hit people for a living, and yet by middle age he would be a symbol not merely of courage, but of love, of decency, even a kind of wisdom” (p xvi). It is true Ali started out as a loud-mouthed, egotistical, “pretty” kid who could back up his bravado with a mean left hook. He hid his emotions under constant chatter. But, by the time the heart of Remnick’s biography leaves the story of Cassius Clay, Clay had barely become Muhammad Ali, had just beaten Sonny Liston in a November 22, 1965 fight to defend his heavyweight title, and was on the cusp of being a cultural icon. He had yet to sway the country as a force to be reckoned with. He would not become the beloved everyone thinks of today. It’s as if Remnick needs to write a King of the World: Part II and tell the rest of the story.

Line I liked: “The doctors of Maine may have been accustomed to a relatively low level of fitness” (p 250).

One of the coolest things about King of the World was learning that Ali trained in Chicopee Falls, MA and that his second bout with Liston happened in Lewiston, Maine. I had fun researching the Schine family and the different hotels they owned (including one in Northampton that is still in operation today). An inside joke – Robert Goulet sang the ‘Star Spangled Banner’ before the Ali/Liston fight. He couldn’t remember the words nor could he hear the orchestra! Glouleeeet!

Author Fact: David Remnick is a member of the New York Public Library Board of Trustees. He was born in Hackensack, New Jersey (one of my old stomping grounds), is fluent in Russian and has won a Pulitzer Prize,

Book Trivia: One of the best things about King of the World is the photo layout. Instead of having the traditional group of photographs clumped in the middle of the book Remnick’s photos are spread throughout the book, making each section a little present.

BookLust Twist: From More Book Lust in the chapter “Dewey Deconstruction: 700s” (p 74).

Cruddy

Barry, Lynda. Cruddy. New York: Simon & Schuster, 1999.

From the very first pages you want to know what this Cruddy book is all about. First, you are introduced to sixteen year old Roberta Rohbeson via her bizarre suicide note. Then, hoping to shed some light on the situation, you read chapter one which is only seven sentences long which says nothing about anything. Then you encounter chapter two and read the word “Cruddy” nineteen times in the first paragraph. Funky, funky, funky was all I could say. I was not prepared for what happened next. Little did I know I would end up saying sick, sick, sick by the end of the book.

Cruddy is told from the perspective of Roberta Rohbeson at two different times in her life; as an eleven year old troubled little girl and as a sixteen year old angry teenager. Her story is tough and tragic and tinged with terrible humor. As an eleven year old she is thrust into the raging, alcohol-blurred world of her father who refuses to see her as his daughter. Instead, Roberta is not only his son, called Clyde, but his accomplice. When he discovers her in the backseat of his getaway car he takes her on a murderous journey across the desert fueled by hatred for his suicide-dead father who left him nothing.
As a sixteen year old Roberta is strung out on drugs and driven by abandonment. She befriends a group of outcast suicidal drug dealers who do nothing but fuel her craziness. One boy in particular, Turtle, gets Roberta to tell her sad tale.

This was a book I found myself wondering about long after I put it down. Was Roberta modeled after anyone Lynda knew? Where did she come up with such a violent, messed up plot? What was the acceptable age range for this book? Would parents cringe if they knew their kid was reading this under the covers late at night?

Lines that got me: Roberta’s father’s motto: “Expect the Unexpected and whenever possible BE the Unexpected!” (p 142), “He was explaining how perfect it would be because he could kill me right in the concrete ditch itself and when the water came it would gush me and all the evidence away” (p 163), and my personal favorite, “There is a certain spreading blankness that covers the mind after you kill someone” (p 273).

Author Fact: Lynda Barry was born on January 2nd, 1956 and is a cartoonist (among many other things).

Book Trivia: This was called a novel in illustration but only the start of each chapter has an illustration (creepy illustration).

BookLust Twist: From Book Lustand More Book Lust . From Book Lust in the chapter called “Graphic Novels” (p 104), even though Cruddy isn’t a graphic novel. Also in More Book Lust in the chapter called “Teenage Times” (p 217). What Pearl should have called the category for this book was “Fukced up Teenage Times.”
Book Lust trivia – Lynda Barry and Cruddy were not mentioned in the index to Book Lust. In fact, only One! Hundred! Demons! made it into Book Lust’s index.

Breath, Eyes, Memory

Danticat, Edwidge. Breath, Eyes, Memory. New York: Vintage Contemporaries, 1994.

Breath, Eyes, Memory is the  type of story that sucks you in deep. Like tar pit, quicksand deep. From the moment I started reading I didn’t want to put it down. It was the first book I picked up in the morning and the last book I put down at night for three days straight. I stood in line at the grocery store, pumping gas, and waiting in my doctor’s waiting room with Breath, Eyes, Memory in hand.
Edwidge Danticat does an amazing job blending the culture of Haiti with the culture of family with the dynamics of women intertwined. Breath, Eyes, Memory is the story of four generations of Haitian women. Sophie is at the center. As a new mother she is learning from her mother, grandmother and aunt what it means to be protective and watchful of her young daughter while daring to shrug off disturbing traditions that haunt all the women in her family. This is not a story for the faint of heart. While the harsh realities of Haiti’s Tonton Macoute are barely mentioned they are the root of Sophie’s mother’s nightmares. There is murder, cancer, mental illness, bulemia, abuse and even suicide to contend with within the pages of Breath, Eyes, Memory. In the end there is a certain kind of peace that only comes from a letting go.

One of the harder details to discern was Sophie’s age throughout the story. The timeline is a little abstract. She starts out as 12 years old but the reader only learns that after she has turned 18 and says she had been away from Haiti for six years. From there it becomes a little hazy again. Sophie admits it has been two years since she had last seen her mother, but how old she was when she left isn’t entirely clear. By the end of the story one can assume Sophie is 21-22 years old.

Favorite lines: “If I had the power then to shrink myself and slip into the envelope, I would have done it” (p 50), “He looked like the kind o fman who could buy a girl a meal without asking for her bra in return” (p 68), “You do not have to name something to make it yours” (p 136), and probably the most poignant line in the whole entire book, “It was up to me to make sure that my daughter never slept with ghosts, never lived with nightmares, and never had her name burnt in the flames” (203). For what Sophie means by that you will just have to read the book!

Author Fact: Ms. Danticat was born in Port-au-Prince and my birthday is exactly thirteen days later than Ms. Danticat’s.

Book Trivia: Oprah chose Breath, Eyes, Memory for her book club. I wonder just how much that boosted book sales.

BookLust Twist: From More Book Lust in the chapter “The Contradictory Caribbean: Paradise and Pain” ( p 55).

Goodbye, Columbus

Roth, Philip. “Goodbye, Columbus.” Novels and Stories. 1959 – 1962. Ed. Ross Miller. New York: The Library of America, 2005. 7 – 108.

Neil Klugman is a 23 year old man living with his self martyred aunt and uncle in Newark, New Jersey while his asthmatic parents convalesce in Arizona. “Goodbye, Columbus” is told from his point of view and could be seen as a Jewish American coming-of-age story about Neil’s summer romance with wealthy, snobbish Brenda Patimkins. It is closer to the truth to say “Goodbye, Columbus” is a commentary on class. Neil and Brenda’s socioeconomic differences create subtle tensions between the couple until they discover their relationship is built on lust rather than love. This is most apparent when Neil says, “Actually we did not have the feelings we said we had until we spoke them – at least I didn’t, to phrase them was to invent them and own them” (p 19). I have to admit it took me a while to figure out where the title of the story came from. Turns out, Brenda’s brother would listen to what Neil referred to as the “Columbus record” before bed – a recording of his Ohio State sports career. Neil could hear a moaning of the words, “Goodbye, Columbus” over and over again.

Favorite lines: “…it was disturbing to Aunt Gladys to think that anything she served might pass through a gullet, stomach, and bowel just for the pleasure of the trip” (p 9)., and “Ther proposed toasts…Brenda smiled at them with her eyeteeth and I brought up a cheery look from some fraudulent auricle of my heart” (p 88).

Author fact: Philip Roth is so popular that in Texas there is an organization called the Philip Roth Society and it for the scholarly study and general appreciation of Roth’s work.

Book Trivia: Goodbye Columbus was made into a movie starring Richard Benjamin and Ali MacGraw. I was stunned by how many different actresses turned down the role of Brenda before Ali came along. Yet again, another movie I haven’t seen.

BookLust Twist: From More Book Lust in two different chapters. First, in the chapter called “Jersey Guys and Dolls” (p 130), then in the chapter called “You Can’t Judge a Book By Its Cover” (p 238). This last admission cracks me up because MY cover of “Goodbye, Columbus” is a photograph of Philip Roth’s face!

Best Nightmare on Earth

Gold, Herbert. Best Nightmare on Earth: a Life in Haiti.New York: Prentice Hall Press, 1991.

I love reading books that hold hands. The Comedians by Graham Greene is mentioned a bunch of times in Hebert Gold’s Best nightmare on Earth. Because I had read (inadvertently) The Comedians before Nightmare I knew what Gold was talking about. I could relate and it just worked out that way. Funny how Pearl didn’t call these two books “companion reads” because they seem like they were meant to read together.
Herbert Gold discovered Haiti on a Fulbright Scholarship. This was to be the beginning of an addiction to a hellish paradise. For the next forty years Gold traveled between the States and the Caribbean trying this craving. Through Best Nightmare on Earth Gold does his best to explain this curious attraction while holding nothing back. He peels back the layers of politics and corruption to reveal exotic grace and mystery. Papa Doc (both father and son) rule the land while voodoo rules all. Gold’s descriptions of the violence, the celebrations, the loves and losses are as vivid as the realities of greed and poverty.

Favorite quotes, “Despite my yearning for privacy, I also needed sociability, the opening and the shutting of the mouth to utter companionable sounds” (p 112), “Wasn’t running something that human beings took up in hostile environments, in worlds of desert hunting and forest seeking, chasing animals, preening for partners, sometimes being chased?” (p 191), and “Proud despair is the mood of everyone” (p 199).

Author Fact: Herbert Gold was a member of the Beat Generation and dear friends with Allen Ginsberg.

Book Trivia: For those wanting to know more about Haiti (the good, the bad and the ugly) Best Nightmare on Earth is almost always listed in the bibliography.

BookLust Twist: From More Book Lust in the chapter called “The Contradictory Caribbean: Paradise and Pain” (p 55).

Crazy in Alabama

Childress, Mark. Crazy in Alabama. New York: G.P. Putnam’s Sons, 1993.

Talk about crazy! This book drove me there! I called Made in America a book of multiple personalities. If that’s the case, Crazy in Alabama is a book of split personalities. Set in the 1960s, one half of the narration is dedicated to Lucille’s escapades in California. She’s seeking fame and fortune as a wannabe actress while on the run from the law with her husband’s decapitated head in a Tupperware container. The other half of the narration is from the perspective of Lucille’s nephew Peter Joseph (Peejoe). He’s in racially torn Alabama witnessing violence and civil unrest at its worst. While Lucille’s side of the story is insanely surreal, Peejoe’s is intensely serious. The disconnect between the two voices created a divide almost too big to ignore. Luckily, Childress pulls them together and makes the entire plot work…somehow.

Favorite lines: “She would miss her children but she had Chester’s head to keep her company” (p 37). Of course! Another favorite line, “My eye was the price I’d had to pay for seeing too much” (p 229). See the difference between Lucille and Peejoe’s worlds?

Author Fact: Mark Childress is also the author of three picture books for children.

Book Trivia: Crazy in Alabama was made into a movie starring Melanie Griffith in 1999. Haven’t seen it.

BookLust Twist: From More Book Lust in the chapter called Southern-Fried Fiction: Alabama (p 207).

Made in America

Bryson, Bill. Made in America: an Informal History of the English Language in the United States. New York: William Morrow and Company, Inc., 1994.

Made in America has multiple personalities. It could be seen as a classification of American etymology, a short history of American culture, a collection of forgotten trivia, a handbook of conversation starters, a joke book of humor, or as most people see it, all of the above. The inside cover of Made in America sums up the book perfectly, “Bryson’s is a unique history, not only of American words, but of America through words.”

Favorite lines, “…Clark fared better. He became governor of the Missouri Territory and commanded it with distinction, though he never did learn to spell” (p122).

Favorite tidbits of information: Frederick Remington never saw a real cowboy and was too fat to ever get on a horse; foodcarts weren’t allowed to vend on residential streets so they moved to parking lots, removed their wheels and became restaurants; Sylvester Graham believed food with taste was immoral.

Book Trivia: You could call Made in America a history of American words or words describing an American history.
Author Fact: Bill Bryson once worked in a psychiatric hospital. Doing what? Making the patients laugh out loud when things got too manic?

Book Lust Twist: From More Book Lust in the chapter called “Bill Bryson: Too Good To Miss” (p 36).

Ruby

Hood, Ann. Ruby. New York: Picador, 1998.

Olivia has lost her husband, David, to a reckless driver, killed while jogging along a country road. Olivia, only 37, is faced with immeasurable grief and the nagging guilt that she had something to do with his death. In an effort to move on with her life she resolves to sell their summer cottage and put the past behind her. Only she can’t. A pregnant, defiant, wayward teen has made herself at home in Olivia and David’s seemingly abandoned house. Within a few minutes of confronting her, Olivia begins to bond with Ruby, seeing more of herself in the teenager than she would like to admit. What Ruby and Olivia can admit to is the fact they need each other. From this point forward Ann Hood’s storytelling is a psychological dance between the needy yet tough Olivia and the tough yet needy Ruby. Both of them want something from the other. Both are willing to manipulate the other to get it. The story becomes a page turner because you want to know who wins.

I like books that make me wander off topic. I enjoy small tangents every now and again. Olivia mentions her plan of stenciling the words to “a William Carlos Williams poem about plums” on her cottage wall. After surfacing from the instant sadness of lost dreams the image made me want to reread the poem in question, ‘This is Just to Say.’ Of course after rereading ‘This is Just to Say’ I had to find and reread Flossie Williams’s reply to “Bill.” Together they are a poetic commentary on marriage; communication between husband and wife.

Favorite line-, “Better to share the blame than to carry it all alone” (p 19). I found this interesting because most people want to put the blame 100% on someone else, never mind sharing it.

Some nitpicking. The reader is first introduced to Olivia’s world after Olivia’s husband has been killed by a reckless driver. Because the tragedy has already occurred the reader is anticipating the demise. You never get a chance to fall in love with Olivia and David as a couple. As a result the impact of Olivia’s grief is diminished. You don’t end up feeling as sorry for her situation as you could if you had been confronted with the shock of loss at the same time.

BookLust Twist: From More Book Lust in the very first chapter called Adapting to Adoption (p 2). Nancy Pearl calls Olivia ‘Livia.’ Interesting. It must be a (another) typo because nowhere in the book does anyone call Olivia ‘Livia.’

PS~ A Review in Library Journal called Ann Hood “Barbara Kingsolver without the whimsy.” I think it’s the other way around. Barbara Kingsolver is Ann Hood without the whimsy. I don’t see Kingsolver as whimsy at all. The Lacuna and The Poisonwood Bible are far from whimsy!

On the Road

Kerouac, Jack. On the Road. New York: Penguin Books, 1991.

Jean-Louis Lebris de Kerouac holds an air of mystery even to this day. For generations he has been regarded as one of coolest cats of the 1950s. On The Road was an overnight success and an instant cult classic. So it came as a great surprise to everyone when I admitted I hadn’t read it. It wasn’t required in any high school, college or grad school course. Somehow it missed my radar completely. Maybe I didn’t see myself as worthy. Even when Natalie Merchant wrote “Hey Jack Kerouac” I was not moved to know more about the man or the myth. Thank heavens for More Book Lust and this self-imposed challenge. There is a vibe just holding this book. Someone killed a mosquito on page 88; it’s flattened body pressed forever like a keepsake corsage.

On the Road is an anthem for the young, the restless, the daring. It taps into a longing for freedom, a desire to roam, a quest for life and all it has to offer. The language is nonchalant and haphazard giving the story a reckless vibe. Case in point, who says “balled the jack” anymore? Kerouac captures the days when you could take a flatbed truck, load it with a group of reckless youth and roar across the country hellbent for the coast of anywhere, exhilarated just to be alive.

Favorite lines: “I hope you get where you are going and be happy when you do” (p 30), “Central City is two miles high; at first you get drunk on the altitude, then you get tired, and there’s a fever in your soul” (p 53),  “I never saw so many snarls in all my born days” (p 62) and “Everybody goes home in October” (p 103). Favorite phrases, “mixing up our souls” (p 91) and “love is a duel” (p 101)

BookLust Twist: From  Book Lust in the chapter called Road Novels (p 202) and from More Book Lust in the chapter called The Beats and Their Generation (p 17).

Harmless People

Thomas, Elizabeth Marshall. The Harmless People. New York: Alfred A. Knopf, 1970.

Elizabeth Thomas put a lot of heart and soul into the writing of The Harmless People. Her research was not done from a cold, calculating, scientific perspective. From the very first pages one can feel the intensity of the respect she has for the lives and cultures Kalahari Bushmen. Thomas seems driven to convey a message more important than all the others about the reclusive tribes and that is they are gentle people. Harmless. Their tribal name for themselves is Zhu twa si, meaning the harmless people. There are many occasions for Thomas to illustrate this. In order to study each Kalahari tribe Thomas first had to find them which proved to be difficult because they had a tendency to run and hide at the first sign of stranger intrusion. Even after finding these people she (and her crew of scientists and researchers) had to convince them she wasn’t there to create conflict or enslave them or steal from them. It took a great deal of time to gain their trust just so that Thomas could live among them.

Favorite lines, “…Bushmen would not try to fight because they have no mechanism in their culture for dealing with disagreements other than to remove the causes of the disagreements” (p 22), and “We would have liked to look around, but the best thing we could do was keep our big boots and our bodies away from their delicate, fragile, almost invisible community” (p 41).
Most disturbing moment? Believe it or not, when Thomas describes the killing, cooking and consumption of a turtle. I could barely read the words.

BookLust Twist: From More Book Lust in the chapter called, “Africa: a Reader’s Itinerary” (p 4).

Woman: an intimate geography

Angier, Natalie. Woman: an Intimate Geography. Boston: Houghton Mifflin Company, 1999.

Angier’s style of writing is a cross between know-it-all scientist and folksy I’m-Going-To-Explain-It-All-To-You girlfriend. I happened to like the science with sass approach. It made reading about my personal landscape a great deal more interesting. It’s informative AND funny – my kind of read. Because let’s face it, who wants to pick up something that reads like a gross anatomy textbook? I want (and got) something with spunk and humor; for example, who knew ‘piglet’ was a vocal range? You wouldn’t think describing the physical attributes of the vagina could be interesting but when Angier describes it as, “a Rorschach with legs” you have to sit up and take notice. Amid education and explanation Angier periodically debunks myth and dispels rumor concerning the female form. The vagina is not dirty! She is on a one woman rampage to bring honor to her sex. While her sassy sexy tone dissuades some readers from thinking of Woman as a reference tool I, for one, am sorry it wasn’t written 30 years ago.

Confession: I skipped the chapter on breast feeding called, “Holy Water.”

Favorite lines, “The world needs more girl drummers” (p 206), and “We know it when we feel it [aggression]…and sometimes it feel nasty and sometimes it feels good” (p 262).

BookLust Twist: From More Book Lust in the chapter called, “Dewey Deconstructed: 600s” (p 72).

ps~ I love it when reading comes full circle. I started the month with Bonobo: the Forgotten Ape by Frans de Waal. In Woman: an Intimate Geography Angier cites de Waal and thanks him in her acknowledgments. Guess why – sex.