Accidental Connoisseur

Accidental ConnoisseurOsborne, Lawrence. The Accidental Connoisseur: An Irreverent Journey Through the Wine World. New York: Fair Point Press, 2004.

Even though I don’t know much about wine and I probably wouldn’t have picked up this book if it weren’t for the challenge, I had to admit this: ILMAO. Lawrence Osborne has a great deal of fun with the punny, the witty, and the downright funny. Right off the bat, on page four, he had me giggling with “all drinks came under the Arabic word alcohol, essentially reducing them to a level of chemical sin, and none of them could be bought on Sunday.” Especially since we had downed a wine called Evil on vacation, thanks to Stacey. See below for the proof.

Even if you aren’t a wine drinker or even a wine liker, Osborne’s writing will amuse you. He has phrases that are somewhat identifiable as my own, “when the happiness of drinking overwhelms you, you cannot resist it” (p 21) and “Wine is 99% psychological, a creation of where you are and with whom” (p 22). This makes me sound wildly alcoholic, but bear with me a second. Think of any great seduction scene. Who is usually front and center (along with soft music and sexy candlelight)? Partners in  crime – a wine bottle and two wine glasses. I found that a glass of wine is definitely more pleasurable when enjoyed in the presence of good friends and equally good scenery.
Seriously, I learned a lot from this short book. For example, how you space the vines in each row determines the complexity of a wine (according to one grower). The theory is plants with less crowding don’t have to compete for sunlight and growth space. They are more relaxed and get this, less stressed out. You see, the more stressed out a plant is, the more psychotic it is. It’s this aggrivated state that develops the complexity of flavor. Got it? I learned a new wine word, too: terroir. Makes me think of ‘terror’ but whatever.

Other favorite parts: “”what do you taste?” “Grapes,” I said. “Good. That’s what’s in it!”” (p 97)

“If wine is sex, ” I said, “this is like yoga.”
“Yoga? You’re saying it’s like yoga?”… I’m not sure I get you there. You mean athletic?”
“Virtuous. Unsexy.”
“Ah, you mean American!” (p 101)

But, probably my favorite line is an obvious one, “Wine summons ghosts out of the cupboard” (p 228).

BookLust Twist: From More Book Lust in the chapter “A Holiday Shopping List” (p 115). It’s true that I would buy this for the wine lover that I know, only I don’t think he drinks and reads. Is that a problem?
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1968: The Year That Rocked the World

1968Kurlansky, Mark. 1968: The Year That Rocked the World. New York: Ballentine Books, 2004.

The year before I came into being. What an amazingly troubled yet vibrant time. There is very little that Kurlansky doesn’t cover. Everything you want to know about what changed world views is here. My favorite chapters were about the civil rights movement and the protesting that went on. From sit-ins and the feminist movement to Freedom Rides and every raised sign in between. Talk about voicing your opinion! Here are my favorite quote on the subject: “The protesters can be nonviolent, but they must evoke a violent reaction. If both sides are nonviolent, there is no story” (p. 38). For this very reason women had a hard time getting their January protest march on Washington documented. They weren’t violent enough.
The harder chapters to read were about politics and the Vietnam war, two very unavoidable subjects for 1968. Both carried the weight of violence and unbridled hatred. The Chicago convention in August…”miraculously, the clubbings in Chicago killed no one…At the same time, Vietnam had its worst week of the summer, with 308 Americans killed, 1,134 wounded, and an estimated 4,755 enemy soldiers killed” (p286).

BookLust Twist: In the chapter “The 1960s in Fact & Fiction” (p 179) from More Book Lust.

Gift from the Sea

GiftsLindbergh, Anne Morrow. Gift From the Sea. New York: Vintage Books, 1991.

I have to say this is something every woman should read annually. The words and their meaning will change every single time and they will be different for every reader. In the simpliest of terms Gift From the Sea uses seashells, (whelk, moon shell, oyster) all gifts from the sea, as metaphors for life, vehicles for deeper thoughts. On vacation (ironically on an island, like me) Anne picks seashells and ponders religion, relationships, growing old, being young, nature, love and marriage…She picks at nagging thoughts like scabs, letting them bleed, revealing raw emotion and a tender heart. Here are a few of my favorite quotes:

“…I think best with a pencil in my hand” (p 9). I agree!
“…I have shed the shell of my life for these few weeks of vacation” (p 22). Since I was on vacation when I read that I had to smile because it happens to me, too.
“…social life is exhausting; one is wearing a mask” (p 32). Very true! Couldn’t have said it better myself.
“And since our communication seems more important to us than our chores, the chores are done without thinking” (p 100).

I read this in an afternoon. Gulls cried overhead, sea air salted my skin, waves crashed in the distance. It was the perfect setting for Gift from the Sea.

BookLust Twist: From the chapter called “Journals and Letters: We Are All Voyeurs at Heart” (p 130). I swear on everything holy I did NOT have More Book Lust with me when I wrote this review. I was still home without any of my Pearl books. So, I was incredibly surprised to read these words from Pearl, “Some of us still reread them yearly to remind ourselves of what’s important in this frantic world” (p 131). Pearl is referring to everything written by Lindbergh, but I had the exact same thought specifically about Gift from the Sea. Gift from the Sea is also in Book Lust in the chapter, “100 Good Reads, Decade by Decade” (p 175).

Under the Tuscan Sun

Mayes, Frances. Under the Tuscan Sun: At Home in Italy. New York: Broadway Books, 1997.Under the Tuscan Sun

Under the Tuscan Sun was made into a movie I have never seen, nor do I think I ever want to. I don’t see how the richness of Mayes’s Italy comes to life on the silver screen. I can’t picture the blood, sweat and tears of rebuilding a house; the glorious smells of garden fresh cooking; the love and laughter of enjoying one’s surroundings in moving pictures. I don’t see how Mayes’s  lush language is communicated. Really. Tuscan Sun is the journey of a woman (with the help of her second husband) to rebuild a Tuscan farmhouse. While she struggles with culture, language barriers and politics she falls in love with her Italian life. Try as I might I can’t see it as a movie. Okay, so now maybe I’ve convinced myself to see it out of curiosity!
I think I’m having trouble picturing a movie because I read Under the Tuscan Sun in my own personal paradise – by the dying light of fiery sunsets with the cadance of the surf as my only distractions. To say that I devoured Under the Tuscan Sun is an understatement. During the day I read it between hiking, eating, and breathing in my own love affair with a place. Every single time Mayes gushed about her Italian home I wanted to challenge her. I wanted to boast that it was I, not she, who was living the perfect life. On page 86 she says, “Where you are is who you are. The further inside you the place moves, the more your identity is intertwined with it. Never casual the choice of place is the choice of something you crave.” I found that quote so profound to my place I had to choke back tears. It is hard to explain arriving on Monhegan and reading those words on the very first night home. I had arrived to the only place my soul knows intimately. The only place where my whole being breathes a sigh of relief. Home is who I am, for sure. Later, I bought a guestbook for our rental cottage and wrote Mayes’s same words on the inside cover.

BookLust Twist: From More Book Lust in the chapter called “Ciao, Italia” (p 46). I like that Pearl describes Mayes adventure as a “love affair” (p 47). We’re both on the same page with this book.

My love affair:
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Autobiography of a Face

AutobiographyGrealy, Lucy. Autobiography of a Face.New York: HarperCollins, 2003.

I had all the right conditions to finish this book in two days – traveling, vacationing, but most of all, fascination. I couldn’t put it down. On the surface Autobiography of a Face is the tragic story of one woman’s struggle with cancer and journey through recovery. Only her struggle isn’t as an adult. She is a child. Confronting Ewing’s sarcoma at age nine Lucy battles through radiation therapy and chemotherapy. Her tone can only be described as matter of fact as she recounts the loneliness and pain after countless surgeries to correct the deformity of losing a third of her jaw. Deeper than that, Autobiography is about rising above the cruelty of others, shaking off the superficial prejudices of what supposedly makes a face beautiful. Lucy is defiant and remarkably stoic in her recollections of childhood taunts, adult avoidance, and across the board lack of social acceptance.
Critics call this book the vehicle with which to free oneself from self loathing and fears of rejection. It is a message to stop wallowing in self pity and live with dignity – no matter what. It’s also a call to be human and have real emotions as Lucy admits, “and as much as I wanted to love everybody in school and waft esoterically into the ether when someone called me ugly, I was plagued with petty desires and secret, evil hates” (p 181).

My favorite quote: “speaking seemed like something one could grow tired of” (p 77).

Lucy’s story ends with her getting published, finding friendships and getting on with her life. Yet, there is a darkness to it all. She is criticized for not telling the whole truth. There is mystery surrounding her untimely death in 2002. Her story leaves you asking what happened and wanting more. What the book doesn’t tell you is that her multiple surgeries led to an addiction to pain meds and subsequently, heroin. She died of an overdose at the age of 39. There is more drama after death, but I’ll leave that for you to figure out.

BookLust Twist: From More Book Lust and the chapter “Other People’s Shoes” (p 181). I can’t even begin to imagine being in Lucy’s shoes.

The African Cookbook

African CookbookSandler, Bea. The African Cookbook: Menus and Recipes From Eleven African Countries and the Island of Zanzibar. New York: Citadel Press Book, 1993.

This is a gorgeous cookbook. Not just for the recipes and menus, but also for the art. The illustrations by Diane and Leo Dillon are amazing. My personal favorite introduces the recipes of Tanzania (p. 57).
In the first half of the cookbook the recipes cover all the regions of African cooking. In addition each chapter has a section on the culture of the region, how meals are served (traditionally) and how you, the American cook, can pull off your own Tanzanian, South African or Liberian meal. The second half of the cookbook covers additional recipes. Chapters are gouped by product – fish, poultry, beef, starch, etc.
Something else I find interesting is the nontraditional layout of each recipe. You won’t find a list of ingredients and then preparation instructions. Instead, each ingredient is presented as needed in the preparation instructions. Something I am never good at is reading through the entire recipe before starting and with The African Cookbook that step would be imperative.

BookLust Twist: From More Book Lust in the chapter “Africa: A Reader’s Itinerary” (p4).

Second Sex – Failed

Second sexde Beauvoir, Simone. The Second Sex. New York: Alfred A. Knopf, 1971.

Okay, I admit it. I got two paragraphs into the translator’s preface then skipped to the author’s introduction. There, I got as far as page v . Mind you, the introduction starts on page v. Then, I skipped to chapter one, got as far as paragraph three where I promptly fell asleep. I couldn’t get a single page entirely read. Not a one. Here and now I’m evoking the BookLust 50 page rule and admiting defeat with The Second Sex (see Book Lust Rules). Women everywhere hate me now for what I’m about to say.

I am not a diehard feminist. I have strong beliefs in what a woman can and can’t do. I’ve said before that women are more cerebral than men. They frequently change their minds, then change them back again. This makes them flighty, indecisive. Not exactly the type of person I would want in combat. The ability to drive a car? Please, don’t even get me started! I could go on, but I don’t think I can take the hate mail.
My second reason for not wanting to finish (or even properly start) Second Sex is the fact that it was written in 1952 (from a treatise written three years earlier, in 1949). Much has changed for women since that time. We’re more accepted in the corporate world, the political realm & even the far reaches of outer space. It’s becoming more acceptable for women to be the bread winners while their husbands stay at home with the kids. One might argue that reading Second Sex would be good from a historical standpoint. True, but I’m just not that interested in standing in that light.
My third reason for not reading Second Sex is purely a selfish one. The book is long – over 750 pages! I just don’t see myself devoting my entire summer vacation to something that reads like a textbook.

BookLust Twist: From More Book Lust in the chapter, “I Am Woman – Hear Me Roar” (p 120). Pearl calls de Beauvoir a pioneer  of the women’s movement. I’ll take her word for it.

Note: This makes the seventh book I have given up on since starting the Book Lust Challenge.

Anne Frank

Anne FrankFrank, Anne. Anne Frank: Diary of a Young Girl. New York: Doubleday, 1995.

I was prompted to reread Anne Frank: Diary of a Young Girl after reading the New York Times article about her cousin, Bernhard “Buddy” Elias, donating 25,000 letters, photos and other documents to the Anne Frank House. What an amazing thing to do. I’m sure Hans Westra, director of the Anne Frank House, is…well…psyched. Imagine the historical value of such a gift! It’s a gift for all humanity and truthfully, it’s worth is immeasurable. Anne Frank died when she was 16 years old. Her “dates” are 1929 – 1945 and that alone devastates me. My heart was caught in my throat when I opened my copy of Diary of a Young Girl and saw her handwriting staring back at me. Everyone knows Anne’s story so I won’t bother with a “review” per se, except to say I simply cannot believe there are people out there who feel her diary is a fraud!

Probably the hardest thing about reading Diary of a Young Girl was the fact I was painfully aware of dates. I knew she was arrested and taken from the Annex on August 4th, 1944. As soon as her diary entries had the “1944” date I started to despair. It was like counting down to death row. It was different when I read this as a child. Anne Frank was a character to me. I couldn’t put reality to her words, flesh and blood to her black and white photo. This time it was different, tragically so. I found myself wiping away tears whenever she mentioned “the end being near.”

What fascinates me about Anne Frank first and foremost is her dedication to telling her truth. She started her diary for herself but, after hearing first hand accounts of life under German occupation were needed, she decided to edit her diary for publication. After her death her father combined both versions and created what we all have read, The Diary of a Young Girl. I never knew there were versions A, B & C.

Two of my favorite quotes, about writing, appear on the same page, “I have an even greater need to get all kinds of things off my chest” and “paper has more patience than people” (p. 6). I couldn’t agree more. 
“Memories mean more to me than dresses” (p 20) and “Will the reader please take into consideration that this story was written before the writer’s fury had cooled?” (p 120) indicate I would have gotten along with Miss Frank “swimmingly”. Seriously.

BookLust Twist: I would have thought Pearl would have a chapter on the Holocaust and this would be included in it. However, I’m relieved it’s in the chapter “100 Reads, Decade by Decade” (p. 177) from Book Lust.

Aspects of the Novel

Aspects of the novelForster, E. M. Aspects of the Novel. New York: Harcourt, Brace & Co., 1940.

I loved holding this book in my hands. Old and musty, it just felt right to read. There is an inscription on the inside cover, “Presented by Miss H. Miller’s Freshman English Classes, February 1941.” My father was four. My mother still had another seven years before even being born. But, anyway.
Aspects of the Novel came out of lectures Forster gave at Cambridge University in 1927. In these lectures Forester divides a novel into six crucial parts: story, people, plot, fantasy, prophesy and pattern and rhythym (counting as one element). Story asks the question what next. The trick is to keep the reader asking that very question. As soon as they can predict the next “they either fell asleep or killed him [the author].”  (p 46). There is a grave price for being predictable in literature.
In the element of character (or people as Forster refers to them) love is an emotion highly questioned. Love can be more complicated than food or sleep and Forster begs the question “How much time does love take?” (p 79). 
In the element of plot readers are not supposed to be asking what next, but rather, why? Why does this happen? They keep reading to find out more.
Fantasy and prophecy are the mythologies, the magic of writing. This is where the reader *thinks* the next twist in the plot should be obvious, but acutally isn’t. It’s the unbelievable made believable. 
My favorite elements are the combined Pattern and Rhythym. I like that Forster draws from art for the description of pattern and music for rhythym and continues with one of my favorite words, symmetry. “History develops, art stands still.” (p 244)

BookLust Twist: From More Book Lust, mentioned twice- Once in the chapter “Commonplace Books” (p 53) and again in the chapter called “The Writers Craft” (p 236).

Zelda: A biography

ZeldaMilford, Nancy Winston. Zelda: A biography. New York: Harper & Row, 1970.

I want to be Zelda. Zelda as a young girl, that is. From the time she was a small child and all through her teens she was a strong-will, independent, defiant, do-as-I-like girl. She was wild and free, not confined to WhatWillTheyThinkOfMe thoughts. We do have something, one thing in common, “Zelda did not have the knack for forming close friendships with girls her own age” (p16). I can relate but unlike Zelda, it’s not to say the similarity didn’t cause me considerable angst.

Zelda, as Mrs. F. Scott Fitzgerald, seem to have it all. As a couple, they roamed America and Europe carefree and extravagantly. One of their friends made a prediction, “I do not think the marriage can succeed. Both drinking heavily. Think they will be divorced in 3 years” (p67). Even parenting didn’t slow down the partying. Scottie, their daughter was pawned off on nannies most of the time.
In the summer of 1929 Zelda quietly went mad. “…Zelda sank more deeply into her private world, becoming increasingly remote from Scott and Scottie” (p 155). Her turmoil during a stay in a mental institute is well documented through letters to Scott. It was heartbreaking to read and I decided I didn’t like F. Scott and maybe I didn’t want to be Zelda anymore. But, what I am now is fascinated with Zelda’s life. I want to read her book, Save Me the Waltz. I suppose it will have to wait until after the BLC.

Probably the thing that disturbed me the most about this biography is F. Scott. He blatently took Zelda’s life as subject matter for most, if not all, of his novels. When Zelda tried to do the same thing he became jealous and domineering, demanding she edit certain parts (which she does). It’s as if he is unable to accept the possibility that his wife has talent as a writer. The inequality in their relationship speaks volumes.

BookLust Twist: From Book Lust and the chapter “People You Ought to Meet” (p 183). She called the book “compelling” and I would say she forgot to add “tragic” because by the end of Milford’s biography of Zelda I was heartbroken.

Autobiography of an Unknown Indian

AutobiographyChaudhuri, Nirad. The Autobiography of an Unknown Indian. Los Angeles: University of California Press, 1968.

I admitted defeat with Autobiographyby page 92. Maybe I was spoiled by all the easy reading over the vaca. Maybe I just couldn’t wrap my brain around Chaudhuri’s lengthy descriptions. Maybe it was the subject matter. I don’t know. I do know that I literally fell asleep every time I cracked open this book.
From the very beginning I was confused about the nature of this story. Fiction? Nonfiction? It’s the first hand account of an Indian growing up in Kishorganj, India. A memoir of sorts. It sounds nonfiction because he refers to the Chaudhuri family off and on and he goes to great length to describe everything – the huts his family lived in, the landscape, the weather, the townspeople, the politics, the culture, even the animals. Chaudhuri lost me in the chapter about his mother’s ancestral village. It was more of the same. 
But, the reading wasn’t all dry. Littered in between the descriptive are little stories about childhood and memories. Those little pieces were fun and added color to the overall plot. 

BookLust Twist: From More Book Lust in the chapter called “India: A Readers Itinerary.” Nancy puts Autobiography under fiction but it reads as dry as non. What cracked a smile on my face is when Nancy described it as an “exceptionally informative.” She wasn’t kidding.

13 Days to Glory

13 daysTinkle, Lon. 13 Days to Glory: The Siege of the Alamo. New York: Macgraw-Hill, 1958

“Remember the Alamo!” is all that I remember from my Texas history lessons. No matter. Reading 13 Days to Glory has brought me up to speed. Tinkle wrote 13 Days based on letters and newspaper reports and gives a day by day and even hour by hour account of the siege. I now can tell you where the phrase “Remember the Alamo” originated from, the time of year (February), the weather (cold), and characters (Jim Bowie, Davey Crockett, William Travis & Santa Ana to name a few), too.

Set up as a historical novel with character thoughts and feelings, 13 days also includes photography of portraits and of course, the Alamo then and now. The picture of the Alamo church next to the San Antonio medical arts center is impressive.
The siege was incredibly brutal. Santa Ana wanted every Texan dead – no surrenders, no escapes and he got what he wanted. Every Alamo defender was killed and unceremoniously burned. But, in defense of the Mexican General, Tinkle doesn’t spend much time telling his side of the story. It’s all about about keeping the legends of the Alamo alive. It makes me want to travel to Texas just to stand beside the legendary structure and lay a hand on its stone walls.

BookLust Twist: From Book Lust and the chapter called “Texas: A Lone Star State of Mind” (p233).

1916 (with spoilers)

1916Llywelyn, Morgan. 1916: A Novel of the Irish Rebellion. New York:Tom Doherty Assoc., Inc., 1998.

It should tell you something that I read this book in less than two weeks. What it should tell you I’m not exactly sure. I did enjoy myself, though. I think, for starters, it’s about a country I long to visit, a country I have heard much about. I also think this was a clever tale. The truth wrapped in fiction or is it fiction wrapped in the truth?

Right off the bat the story is intriguing. Our hero, Edward “Ned” Halloran survives the sinking of the Titanic. His survival is “lucky” because as a citizen of Clare County, Ireland he should have been in steerage with the other third-class Irish. The only reason why he and his family were in second class is because their passage was arranged by Ned’s sister’s fiancee, a White Star employee. The family was going to her wedding in New York City. After the tragedy, once back in Ireland, a series of events allows Ned to get involved with a group of men calling themselves the Irish Republic. It’s history from here on out. The struggle for Irish independence is painful and poetic.

I liked the characters well enough. Ned seemed to be a bit too good to be true, though. Easily liked, good looking, ambitious, intelligent, poetic, noble, a true gentleman, yadayadayada. I got sick of his self-righteousness off and on throughout the entire story. What was a pleasurable constant, however, was Llywelyn’s writing. Here’s a sampling of my favorite phrases:
“Life had scraped him to the bone.” (p 138)
“It’s the only place my skin fits me.” (p 201) My husband will tell you that sounds like Monhegan….
“An Irish solution for an Irish problem: pretend it does not exist.” (p 268)

Llywelyn also fits in other stories, but not as completely as I would have liked. The reader gets a glimpse into Ned’s sister, Kathleen’s life as a married woman living in America. You get sucked into enough to care about her when her husband gets abusive or when she begins an illicit affair with a priest. Sadly, Kathleen’s chapter is never closed. You get an indication that her true love will return to her but you don’t know if the reunion is successful. Alexander Campbell had a strong hold on his wife…

BookLust Twist: From More Book Lust and the chapter called, “Digging up the past through literature.” (p 79)

Don’t Tell Mama!

Dont Tell MamaBarreca, Regina. Ed. Don’t Tell Mama! The Penguin Book of Italian American Writing. New York: Penguin. 2002.

I like reading anthologies in between the longer stuff. It makes both books read faster, if that makes sense. Don’t Tell Mama! is a mix of stuff it takes me forever to read and the stuff I could read all day. True to days of our lives, some stories are better than others. One of my favorite stories was from Louise DeSalvo, from Vertigo. It’s a simple story about bringing a man home for dinner and having reason to be angry at mom. Looking back on the scene, Louise says “If I could do that night over, I would remember these things and I would look across the table at my mother and say, Thank you. Thank you very, very much” (p 140). It touched me because there have been many times in my life when I’ve tried to please someone and thought my mother was playing the fool, going overboard to the point of embarrassing. Now, I realize she was nervous for me; wanted the best for me; anxiousness led to exaggeration. Another quote that hit home for me was, “self-loathing became my second skin” from Mary Saracino’s Ravioli & Rage story (p 488). Been there, done that. Or. “So whenever I was being chased, I’d head straight for the library. The library became my asylum, a place where I could go crazy and be myself without my family finding out” from Fred Gardaphe’s The Italian-American Writer: An Essay and an Annotated Checklist (p 222).
But, it’s not all doom and gloom. There are stories of humor, too. Chris Mellie Sherman’s story, “How to Marry an Italian-American Man” (p 496) is better described as what to do with him once you’ve landed an Italian-American husband. It’s damn funny and worth reading outloud to your spouse, Italian descent or not.

BookLust Twist: From Book Lust chapter simply called “Italian American Writers” (p132).

1959

Davis, Thulani. 1959. New York: Grove Weidenfeld. 1992.1959

Part novel, part historical rampage 1959 is 100% rich in descriptive imagery. 1959 is the story of Katherine “Willie” Tarrant, a coming of age girl growing up in racially divided Turner, Virginia. She has all the typical angst of any twelve year old – boys, makeup, popularity, daydreams driven by movies and celebrity fanfare. Woven into Willie’s world is the climate of the times. Segregation and integration push-pull of a racially divided era. While some of Davis’s story is told in first person from Willie’s point of view, much of the political, historical meat of the story is third person – conversations Willie overhears, meetings she eavesdrops on and situations she couldn’t have possibly been in. (Like during a sex scene and towards the end of the novel when Cole gets shot on a desolate road outside Turner.) There were times when I couldn’t believe a twelve year old was my guide, “With each grind your thighs would become sex weapons blowing away his cool” (p56). What kid speaks like that? “Death brought out banquets as if the mourners were starved by their loss, and yet the grievers never ate” (p 195).
What made this book such a page turner for me (I read it in less than a week) was the tension of the times. It builds slowly with the talk of school integration and builds after eight black college boys sit at a white only Woolworth’s counter, quietly demanding service. Davis masterfully weaves fictional characters with the undeniable historical truth of what really happened. I could hear the dogs bark, feel the sting of hate, see the bravery in the protester’s faces. Even though school integration didn’t happen for another six years, 1959 proved to be the catalyst for change and Davis captured it brilliantly.

BookLust Twist: From More Book Lust in the chapter called, “Southern-Fried Fiction: Virginia” (p 209).