I like staring at the art on my walls. I’m not sure if it’s a sense of pride or a sense of person that keeps me standing still. If I don’t know the artist, I certainly know the image. In most cases I know both, for they are all portrayals, stills if you will, of my island life. Stories in frames. My home in intimate detail. My history in watercolor, oil and pencil. My memory lane matted and framed. Neimic, Stone (Jr. & Sr.), Barnes, Larson, Johnson, Bush, Tihansky, Caroll, Brooks, Wyeth, Drexler to name some. A little bit of everyone. The cliffs, the ocean, the harbor, the woods, in town, out of the way. Most of me is represented in art.
We have a whole room dedicated to art, shrine-like and stark. Off white walls, red trim. It’s not a room of comfort and coziness. You can’t sit down and enjoy the images and I like it that way. It’s my private sanctuary. I walk around the room and gingerly touch the frames, evoking home like a seance. I think about other art I want to own. Original Brooks, Wyeth, Neimic. Call me crazy, but I’d like the cemetery under a cerulean blue sky. In real life I have sanctuary among the headstones so why not in wet paint?



Bank, Melissa. The Girls’ Guide to Hunting and Fishing. New York: Penguin, 2000.
I started last night not knowing where I was going. When you’re on a treadmill you never know where you are going to end up. We are all gerbils going nowhere, but the emotional, mental end of the journey is a different story. Luckily for me it ended up being my best run in nine months. I rediscovered the elusive runners’ high. I was drowning in the electric buzz for hours afterwards.
Nick Bantock’s trilogy evokes very romantic feelings for me. Way before Book Lust the first offering in the trilogy, Griffin & Sabine was given to me by a secret lover. 23 years old, I was in lust/love with the bearer, and I think initially as a direct result, the book won my instant favor as well. Later, I determined it was an aphrodisiac for the mind as I repeatedly poured over each gloriously illustrated page (also by Bantock). I was as careful and as loving as a caress. The delicious unfolding, opening, and reading of letters and postcards was as tantalizing and seemingly illicit as my affair. Never mind the storyline of ill-fated lovers, destined to never be together, however passionately in love. That wasn’t only what excited me. The artwork drew me in and captivated me to no end. If candles, soft music, and wine stir passion through sight, sound and palate then Griffin & Sabine is for the artistic intellect.

I was wondering what I did on my birthday last year. Why didn’t I write about it? Where was I that I wouldn’t say something, anything? Florida. Tampa…no, Brandon, to be exact. That’s where I was. I remember now. I practiced five minutes of yoga and ran two miles in the morning. B made me breakfast. Humidity was fun for me. That same weekend J & I set sail for the Caribbean. Dave and Friends, Sunshine and sand. G. Love & funk. Buffets and booze. No wonder I didn’t write.
Commager, Henry Steele, ed. The Blue and the Gray: From the Battle of Gettysburg to Appomattox.2nd ed. New York: Merridian, 1994.
I couldn’t find my shirt and didn’t want to practice topless. I didn’t think Now & Zen would appreciate it. So. So, I skipped class for the 3rd week in a row. I needed this class. I really, really needed this class. My solution was to try a little restorative yoga at home. My favorite instructor was right – what I was avoiding was exactly what I needed. It’s cold in my yoga “studio” so I wore a sweatshirt; a blessing in disguise. As I hung over in a standing forward bend the hood fell over my head and stayed. From then on, every pose was shrouded in private purple. It was bliss to stay in each pose for at least fuller minutes. There was darkness and warmth in my hood. I needed this. Child’s pose -> extended child’s pose -> star pose -> seated straddle forward bend -> seated forward bend (probably the most relaxing of all poses. I let my stomach and chest rest full weight on my legs and almost fell asleep) -> supine twist -> child’s pose to end.