Tag: 2011

“Two Tramps in Mud Time”

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Frost, Robert. “Two Tramps in Mud Time.” Collected Poems, Prose, and Plays. New York: Library of America, 1984. pp 251-252.

Too many people have tried to analyze Frost’s poem, “Two Tramps in Mud Time,” giving me license to not even try.  Long, rambling, didactic essays have been written explaining Frost’s position on charity, society, and the psychological differences between need versus want. I will refrain. Instead I will look at the poem for what it meant to me. At first blush I took the poem personally. The words “mud time” in the title made me think of Monhegan. We have a whole season dedicated to muck and mire and mud – early spring when everything is thawing more quickly than the sun can dry up. This runoff of excessive, exuberant water creates deep, thick, oozing traps of mud. The kind of mud you sink 4-5″ inches in; strong enough to suck a man’s Bean boot right off his foot.
Then, there is Frost’s description of a fickle spring. I can relate. Here it is, a week into spring and we have a snow storm on our doorstep. April Fools we are for living in New England. If you don’t like the weather, wait a minute – as they say.

Another aspect of “Two Tramps in Mud Time” that I took to heart is the concept of loving your work so much that work is not the operative word to describe your actions. The narrator is chopping wood. Not because it is a necessity – winter is over. It is April and presumably he wouldn’t need to light another fire again until fall. No. He enjoys the physical labor of chopping wood. Love what you do. Do what you love. It’s something my father has (countless times) drummed into my head. But, along come two unemployed tramps, looking to take the narrator’s work away from him. They need the work whereas the narrator wants the work. Herein lies the psychological babble about questioning obligation, confronting humanity with charity.

BookLust Twist: Book Lust in the introduction (p xi).

Bear Went Over the Mountain

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Kotzwinkle, William. The Bear Went Over the Mountain. New York: Doubleday, 1996.

If you remembered I had already tried a Kotzwinkle book and failed, kudos to you. Because I didn’t. At first glance I thought The Bear Went Over the Mountain was a book for kids. The cover sure looked that way and the plot definitely looked that way. I should have known this was something I wasn’t going to be able to wrap my brain around. Call me rigid. Call me StickIntheMud, but I really, really couldn’t enjoy The Bear Went Over the Mountain because I have no ability to half suspend belief.

Here’s the premise: Miserable University of Maine professor, Arthur Bramhall, has written a book he hopes will save him from teaching ever again. He thinks the manuscript is a winner and will make him millions. Unfortunately, the story goes up in flames when his secluded farmhouse goes up in flames. Never mind. He rewrites it practically word for word only this time it’s better. In order to avoid another book ablaze he hides it in a briefcase under a tree…only to have a bear steal it. The bear reads the manuscript and knows a good story when he sees it. He travels to New York to hawk the book and ends up making movie deals and having sex with humans. While the bear (Hal Jam) becomes more human, the professor (Arthur Bramhall) becomes more animal after the loss of his manuscript.

I will admit The Bear Went Over the Mountain solicited a giggle here and there but for the most part I found myself scolding the stupid humans for not being able to recognize a bear wearing pants and a clip-on tie.

Author Fact: William Kotzwinkle lives on a island off the coast of Maine, according to the inside flap of The Bear Went Over the Mountain. All I know is that island isn’t Monhegan.

BookLust Twist: From Book Lust in the chapter simply called “Humor” (p 116) and again, in “My Own Private Dui” (p 165) another chapter in Book Lust.

“Exorcist of Notre-Dame”

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Kirby, David. “The Exorcist of Notre-Dame.” The House of Blue Light. Baton Rouge: Louisiana State University Press, 2000. pp 75-77.

This poem made me sad. Maybe it’s because the narrator wants to talk to an exorcist about seeing someone who reminded him of his dead dad. Maybe it’s because the narrator doesn’t speak French so even if he wanted to he wouldn’t be able to communicate effectively with the exorcist. So, technically, there are two different disappointments at play here – missing one’s father and the inability to communicate. I can relate to both but connect on a deeper level with the loss of a father. There is a little reprieve from the sadness when the narrator imagines the exorcist trying to describe him: “a stuttering sort of spastic hillbilly zombie hayseed type person” (p 77).

BookLust Twist: From Book Lust in the chapter called “Kitchen Sink Poetry” (p 138).

Flint’s Law

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Eddy, Paul. Flint’s Law. New York: G.P. Putnam, 2002.

The first thing one needs to understand about Flint’s Law is that it is a continuation of Paul Eddy’s Flint but, really, it is not necessary to read Flint before Flint’s Law. Eddy does a great job hand-holding the reader through details carried over from Flint. However, I’ll admit, it is my opinion that Flint’s Law is far more enjoyable with the details of Flint already in the memory bank.

Flint is Grace Flint and she is spunky, rebellious, and a little unethical as an undercover agent. Like the opening to Flint, Flint’s Law opens with an undercover sting operation going wrong. Only this time someone else is paying the price for the blunder and to all concerned, it’s Grace’s fault. The failed sting leads everyone to believe there is a leak and somehow Grace is involved. In order to clear her name, keep her job, and seek revenge, Grace must put aside any trust she has for those in her inner circle. Anyone and everyone are now suspect. As usual Eddy takes us on a multi-country journey: Croatia, France, Germany to name a few. As usual the plot is complicated (with over 30 different characters mentioned by name it is hard to keep them all straight). As usual, Grace compels us to keep reading to find out what happens next.

This book produces more questions than it does answers. Consider this: When we leave Grace in Flint’s Law Grace knows she is pregnant, her arch enemy has gotten away (again), and she has left her husband for dead somewhere, floating, in the middle of the Atlantic ocean. What will Grace do about the baby? Her lifestyle hardly allows for motherhood and let’s face it, Grace isn’t all that nurturing. What will become of Grace’s elusive enemy? Will he haunt her for the rest of her life? And, what of that sea-stranded husband? No one saw him drown so did he really die? Finally, the biggest mystery of all, carried over from Flint – who killed Grace’s mom? Guess I’ll have to read Flint’s Code to find out!

BookLust Twist: From Book Lust in the chapter called “Action Heroines” (p 6).

Cosi Fan Tutti

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Dibdin, Michael. Cosi Fan Tutti. New York: Pantheon Books, 1996.

You know those books that are described as romps? This is one of those books. Not uproariously funny, but definitely entertaining through and through. Do I dare call this a murderous and mysterious comedy or a comedic murder mystery? To me, Cosi Fan Tutti is one and the same. It’s a twist on Mozart’s opera of the same name. Everything has been twisted – the plot, the characters, the outcome.

Aurelio Zen himself is a man of mystery. I found myself asking, “is this guy for real?” more than once. For starters, he works for the Ministry in Rome but asked for a transfer to Naples to avoid doing any real police work. In addition, in his private life he goes by the name Alfonso Zembla only because a deaf widow misheard his introduction at a party and he never bothered to correct her. He takes advantage of the alias because it’s fun. When this same widow asks Zen/Zembla to help dissuade her daughters from marrying beneath their status (to believed Mafia associates) he is more than happy to help…except his real job needs him. Several VIPs have gone missing and there is a havoc being wreaked by a couple of garbage truck crews. It only gets more bizarre from there.

Book Trivia: Cosi Fan Tutti isn’t a series per se, but Aurelio Zen is a reoccurring character. He’s considered an antihero. Makes sense.

Author Fact: Dibdin died in 2007 but one last ‘Zen’ book was published after his death in 2007. Interesting.

BookLust Twist: From More Book Lust in the chapter called “Ciao Italia” (p).

Raising Holy Hell

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Olds, Bruce. Raising Holy Hell. New York: Harry Holt & Company, 1995.

At first glance this book scared the crap out of me. For starters, the cover. It’s an illustration based on a photograph of John Brown. It’s blurry and staring and Mr. Brown looks like he’s on fire. Maybe he is? I’m not sure. Then there’s a blurb from Robert Olen Butler on the back, “…is a brilliant novel about the complexities of hatred…the hatred of hatred…” The hatred of hatred sounds, well, harsh. But it’s the truth.

Defending Raising Holy Hell: I have to say this upfront. I read this along side Cloudsplitter by Russell Banks so I find myself making comparisons instead of writing a review strictly about Raising Holy Hell. Since I have such a persistent problem I think I should list the comparisons, if only to get them out of my system and move on:

  1. Cloudsplitter is long – well over 700 pages whereas Raising Holy Hell is barely over 300.
  2. Cloudsplitter is long winded – long sentences, long chapters, heavy with words and details. Raising Holy Hell is choppy – pages of lists, pages with 2-3 simple quotes. One page contained less than a dozen words “One year before the Ferry. One year and counting down” (p 196).
  3. Cloudsplitter is told from the point of view of Owen Brown, John Brown’s third son. Raising Holy Hell comes at the reader from every angle. Told from the point of view of wives, sons, interviews, prayers, articles, diaries, etc. It’s this last point I want to focus on the most.

Raising Holy Hell is unique. Bruce Olds tells John Brown’s story from every direction. Quotations, mythology, folk tales, court transcripts, lists, poetry,  diary entries, letters, interviews, Bible quotes, historical data, advice, agreements, and the perspectives of stepmother, father, first wife, second wife, eldest son, younger sons, daughters, neighbors, friends, Frederick Douglass, past Presidents, all piece together to tell not only the tale of Harper’s Ferry, but of the biography of John Brown, the man. Perfect for someone with a short span of attention!

Book Trivia & author fact: Raising Holy Hell is Bruce Olds’s first book but not his last.

BookLust Twist: From Book Lust in the chapter called “Biographical Novels” (p 38).

Cloudsplitter

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Banks, Russell. Cloudsplitter. New York: Harper Collins, 1998.

Aside from its daunting size (well over 700 pages) this was fascinating to read. Owen Brown, the third of John Brown’s sons, tells the story of his father’s controversial life, beginning with Owen’s own childhood. Cloudsplitter opens with a written apology to Miss Mayo, a young Columbia University student who had been rebuffed by Owen after she traveled to his remote mountainside home in Altadena, California in hopes of inviting him to a reception. After chasing Miss Mayo away Owen is feeling the pressures of mortality, for he is not a young man anymore, and decides to tell his entire story from start to finish. While he is apparently ambivalent to his father’s tragic path of life he is deeply reflective and apologetic, detailing the process of how his father become of of history’s most complex antislavery agitators and martyrs. Owen desperately wants to appear open and honest by saying, “I will tell all” over and over again. Seeing as how Cloudsplitter is told from the point of view of John Brown’s surviving son it is safe to say the story was not meant to be yet another retelling  of the famous yet failed raid on Harper’s Ferry specifically. It is more accurately an illustration of how one man’s religious beliefs can grow to become the catalyst for one of the most well known events in history, in this case, the anti-slave movement. While Banks’ style of writing is, at times, rambling and contradictory (a reflection of Owen’s ability to tell the story) he is able to seamlessly weave nonfiction into fiction; reality into imagined to create a vivid political and cultural 19th century landscape.

One of the reoccurring themes of Cloudsplitter is guilt, guilt driven by religion, guilt driven by family obligation and guilt driven by society. As the child of John Brown, Owen is pulled in many different directions by his guilt and it apparent in every story he tells.

Profound lines: “I was, during those first few weeks…precariously balanced between opposing commitments which were set to create the shape of the rest of my life, and I knew that not to chose between them would lead me inescapably to a resolution that expressed not my will, but my father’s” (p 199), “It was the year that Lyman Epps and I finished our elaborate dance, and I went howling into the wilderness, leaving wreckage and smoldering ruin behind me” (p 536), and “Our specialty would be killing men who wished to own other men” (p 549).

BookLust Twist: From Book Lust in the chapter called “Biographical Novels” (p 38).

ps~ I have read four out of five of the Russell Banks books on my list.

Cross Creek

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Rawlings, Marjorie Kinnan. Cross Creek. New York: Charles Scribner’s Sons, 1942.

Cross Creek is an examination of place, first and foremost. The early pages remind me of conversations tourists have had with us Islanders; as natives who have stubbornly defended our “inconvenient” and “curious” ways of life. Cross Creek is a rural parse of Florida where alligator, snake and toad hunting is the norm. The bugs bite more than the snakes and Marjorie Kinnan Rawlings is in the thick of it all. Set in the early 1940s when racial inequality was at an all-time low Rawlings’s story is cringe inducing and belly splitting. Her employees are one step away from slaves and she views them as such. Poverty is a way of life in Cross Creek and yet Rawlings embraces it. Her humor outweighs the poor and the prejudice. If you need proof, read the chapter called “A Pig is Paid For” (p 97). How Rawlings blithely explains the pleasure of shooting her neighbor’s pig is funny.
Cross Creek is full of one-liners. Here are a few to illustrate what I mean. “Madness is only a variety of mental nonconformity and we are all individuals here” (p 2), “It is always bewildering to change one’s complete way of life” (p 18), and “I do not understand how any one can live without some small place of enchantment to turn to” (p 37). My favorite line comes after Rawlings conquers her fear or snakes, “I had done battle with a great fear, and the victory was mine” (p 174).

Author Fact: Marjorie Kinnan Rawlings is a big deal to the people of northeast Florida. In 1983 Universal Pictures released a movie of her life. In 2007 her home at Cross Creek was declared National Historic Landmark (for $6 you can enter the national park named after her and have a guided tour of her house). In 2008 the United States Postal Services released a Marjorie Kinnan Rawlings commemorative stamp.

BookLust Twist: From Book Lust in the chapter called “100 Good Reads: Decade By Decade (1940s)” (p 177), and also in More Book Lust in the chapter called “Florida Fiction” (p 89), which is misleading because Pearl is including Rawlings in the chapter because of The Yearling, which is fiction and mentions Cross Creek which is not.

Les bouts de bois de Dieu

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Ousmane, Sembene. God’s Bits of Wood. Trans. Francis Price. Botswana: Heinmann, 1960.

God’s Bits of Wood has multiple layers. At face value it is a story of a Western African 1947-8 railroad strike. The story focuses on several key players but the most important individuals are Ibrahima Bakayoko, a locomotive engineer who becomes the union leader during the strike, and on the other side of the conflict, Dejean, the French colonial manager. Because the story takes place in several different areas (Bamako, Thies and Dakar) the overall impact of the strike is generalized to a population. The story reaches past an African railroad strike in order to analyze clashes that go beyond worker/employer relations. The social economic and political contexts are analyzed and illustrated. It is more than a description of the initiatives of the railroad workers versus the initiatives of the colonial administration. Feminists have a field day with re-imagining gender relations as the women of West Africa transform themselves into powerful members of society – the social function to the story as it pertains to Sengal and Africa as a whole.

I have to admit it was driving me nuts that I didn’t understand the title “God’s Bits of Wood.” I needed to know what it meant. I was picturing a forest, a campfire, a dilapidated shack. All things wood…in bits. I was happy to learn, early on, that the wood of  God’s bits of wood are actually people. Gotcha.

Favorite lines: “And the men began to understand that if times were bringing forth a new breed of men, they were also bringing forth a new breed of women” (p 34). I think that sums up the entire book.
Other favorite lines: A line from Hadrame, “This strike is a war if eggs against stones!” (p 42).

Author fact: It was interesting to read that Ousmane has been a fisherman, a plumber, a bricklayer, an apprentice mechanic, a docker, as well as a trade union leader and a filmmaker in addition to be a successful writer.

BookLust Twist: From Book Lust in the chapter called “African Literature in English” (p 16).

Bold Vegetarian

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Kirchner, Bharti. The Bold Vegetarian: 150 Inspired International Recipes. New York: HarperPerennial, 1995.

A cookbook chock full of information beyond ho hum vegetarian recipes. Eggplant is listed in the index but you won’t find a recipe for Eggplant Parmesan. Special recognition must be made to the word “international” in the subtitle because The Bold Vegetarian takes you on a culinary adventure around the world. Oh, the places you will go! In no particular order:

  • China
  • Spain
  • Italy
  • India (this is a given because Kirchner is a renowned author of Indian cookbooks).
  • Korea
  • France
  • Japan
  • Caribbean
  • Africa
  • Thailand
  • Greece
  • Middle East
  • Germany
  • Mexico
  • United States, and because food is subject to the literal and cultural melting pot,
  • International (in other words, who knows where it originated!)

In addition to great recipes that sound different and exciting, Kirchner adds serving suggestions to create entire menus. She offers variations to make a dish vegan instead of vegetarian. She includes anecdotes, illustrations, and trivia to spice up the pages (pun intended). There are even a few notes for the Grow It At Home gardener. All recipes are simple to follow. Cooking directions are aided by a glossary of terms (just in case someone doesn’t know how to blanch, grill or simmer) and a “pantry” list although the term pantry is misleading because I would never consider storing ghee or feta in a traditional pantry. To say these are ingredients to have on hand would be a better way to phrase it. One other small detractor – no nutritional information. In this health-aware age knowing what you eat is all the rage, especially when it comes to foreign foods made from scratch.

Meals I am most looking forward to making:

  • Curry Gyozas (p 38),
  • Chipotle Chickpeas (p 150),
  • Plum Kuchen (p 254)

BookLust Twist: From More Book Lust in the chapter called “Fiction for Foodies” (p 88). Even though this is a straight up cookbook Pearl mentioned it because the author, Bharti Kirchner, also wrote a fiction called Pastries: a Novel of Desserts and Discoveries (to be read later).

Flint

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Eddy, Paul. Flint. New York: G.P. Putnam’s Sons, 2000.

Flint starts with violence. The plot itself is a little complicated but the writing is superb. Grace Flint is the proverbial Nancy Drew only not as wholesome. Okay, she swears a lot and she has a plastic face. She is the literary answer to silver screen’s Laura Croft. Dark and dangerous. Working as an undercover agent, Grace is exposed during a particularly dangerous sting operation and nearly beaten to death. That’s how Flint begins. The rest of the book fills in the gaps of who Grace really is (tough, beautiful, haunted) and who she isn’t (social, secure, stable). It follows her on her quest for revenge (because, of course, she survives the beating) as the men who framed her nip at her heels. There are many twists and turns to Flint and it gets a little complicated at times, but the writing and character development keep you on the edge of your seat.

Most frightening “movie moment” is on page 64. I can picture the scene perfectly: A man on the the run from the law must flee again. He needs to get on the move again and soon. As he is just about to feed his dogs he wonders who should take care of them when he runs. He wonders if he shouldn’t them instead.

Best conundrum: Grace is having sex with her separated husband who has a child out of wedlock with another woman. “If your husband cheats on the mother of his bastard son…does that mean you are having an affair?” (p 88).

Author Fact: I was shocked to learn Paul Eddy died of an infection after suffering an aneurysm at the age of 64. He was in the process of writing another thriller and had already written over 60,000 words. Bummer.

BookLust Twist: From Book Lust in the chapter called “Action Heroes” (p 5).

Blind Descent

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Barr, Nevada. Blind Descent. New York: G.P. Putnam’s Sons, 1998.

This was the perfect book for a curl up on a snowy, sleeting, icing kind of weekend. The plot is fast paced and uncomplicated so I was able to read it in just two days. Barr’s attention to detail and description of caves and caving had me riveted. Anna Pigeon is a park ranger who has been called to help with a friend’s rescue from a subterranean cave. Anna is extremely claustrophobic and therefor not an experience caver. The location in the cave where her friend was injured is so difficult to get to I questioned why she was allowed to accompany rescue personnel on this dangerous mission. It seemed implausible that she would be allowed to participate just because her injured friend requested her. When rescue turns into murder Anna is determined to solve the mystery. Because Anna Pigeon is a reoccurring character in other Nevada Barr books her character development evolves a little at a time and the reader never gets the full picture of Anna from one book. One other detail I was bothered by was Anna was convinced her friend, Freida, has been murdered and yet she spends a great deal of time concentrating on a second murder of someone she just met. I would have thought the focus would have been more on her friend.

Favorite lines, “Gravity seemed more virulent when one’s back was turned to it” (p28) and “Where there was humor there was a fighting chance of remaining sane” (p 65).
A sign of the times (1990s), “Having babies out of wedlock was an epidemic among the poor and a fashion trend among the rich” (p 128).

Author Fact: Nevada Barr spent time as an actress and, like Anna Pigeon, as a park ranger.

BookLust Twist: From Book Lust in the chapter called “I Love a Mystery” (p 118).

Postscript ~ Did I mention that I can’t stand it when someone marks up a library book? Someone went through the entire book and changed every male specific word to a more politically correct alternative. Take the word “gunman” for example. Someone crossed it out and wrote “shooter” above it. “Rifleman”  was changed to “Killer.” You get the picture. I find this altering of the text offensive. If Barr wanted to write without gender bias she would have. I practically gloated when I found one “man” unchanged on page 102.

Jane Eyre

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Bronte, Charlotte. Jane Eyre. New York: Signet Classic, 1982.

Who hasn’t read Jane Eyre? Who hasn’t fallen in love with plucky, adventurous, moral, Jane? It’s a story everyone knows. When we first meet Jane she is ten years old and living with her deceased uncle’s family. She is despised by her aunt and cousins and considered lower than a servant (at least a servant earns her wages). As a result of Janes’s disharmonious and sometimes violent relationship with the Reed family Jane is sent away to a boarding school. From there Jane is trained as a governess and sent to the employ of Mr. Rochester. Because this is a romance it is obvious Jane and Mr. Rochester will fall deeply in love. Because this is a classic romance it is obvious there will be conflict. The conflict is Mr. Rochester is already married to a mentally ill and violent woman he keeps locked in an attic. Ever virtuous Jane leaves Mr. Rochester until telepathy steps in and Jane feels the need to rush back to Mr. Rochester. She arrives in time to see that Bertha has set the Thornfield mansion on fire and committed suicide. Mr. Rochester is blinded and loses a hand in the blaze. Jane promises to never leave Mr. Rochester again. Their love is triumphant and they live happily ever after. Of course, this is the much-condensed version!
The story of Jane Eyre has been widely criticized for its unrealistic episodes of ghosts and moments of 6th sense. Critics find it unbelievable that Jane is able to travel from one place to another as quickly and as efficiently as she does and it is downright miraculous that she finds a cousin who coincidentally has family wealth to bestow on her. Despite these criticisms Jane Eyre remains a lasting favorite. Obviously, there is a fan base willing to see the value of the suspension of belief.

Author Fact: Charlotte Bronte was one of six children born in the Bronte family. She tried her hand at being a governess (for ten years) before giving it up to write. She died at age 39 in pregnancy. Bummer.

Book Trivia: Jane Eyre has been transformed into movies, plays, operas, symphonies, ballets, and operas no less than 35 times. It has inspired countless retellings, spin-offs and songs. Its popularity resonates with young and old, men and women making it one of the best-loved classics ever.

BookLust Twist: Jane is very popular with Ms. Pearl. It is mentioned four different times between Book Lust and More Book Lust.. From Book Lust it is mentioned in the chapter called “Companion Reads” (p 64). I was to read Jane with Wide Sargasso Sea (of course) by Jean Rhys and The Eyre Affair by Jasper Fforde. Also in the chapter called “Romance Novels: “Our Love is Here To Stay” (p 204). From More Book Lust in two different chapters. First, in the chapter called “Brontes Forever” (p 34) and then again in the chapter called “Fractured Fairy Tales” (p 94).

Belly of Paris

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Zola, Emile. The Belly of Paris. Los Angeles: Sun & Moon Press, 1996.

The “Belly of Paris” is quite literally a giant receptacle of food merchants. It is a humungous food market brimming with a wide array of delicacies of all shapes and sizes. In the first 50 pages I counted no less than sixty different types of food described in colorful detail. The word ‘vegetable’ alone appears over twenty times. Everything from fruits to fish, vegetables to cheese is laid out before the reader. Like the true anatomy of a stomach, from this belly of bounty wastes, filth and toxins are dispelled. There is a clash of the glorious and the gory. All of this in incredible detail serves as the backdrop to the story of Florent.
Florent has escaped from exile to return to his beloved Paris. On the verge of starvation he finds himself in a sea of food in Les Halles Centrales. From there he makes his way to his half-brother’s butcher shop that specializes in pork products. At this point Florent must decide how to live as a fugitive and a man always on the run. As he re-establishes himself in the community he is caught up in jealousies and dramas and must constantly struggle to survive.
Above all else, Belly of Paris is a story of contrasts – the richness of the market’s abundance versus the poverty and fifth of the lower classes who shop there.

Line that best illustrates Florent being swallowed by the Belly of Paris, “And at last he came to a standstill, quite discouraged and scared at finding himself unable to escape from the infernal circle of vegetables, which now seemed to dance around him, twining clinging verdue about his legs” (p 42).

Book Trivia: The Belly of Paris is the third in a series of twenty books that make up Les Rougon-Macquart. The series analyzes the effects family relations and economic status have on one family.

I will be honest. I am a little irritated I didn’t do my homework concerning Belly of Paris. I should not have read Ernest Alfred Vizetelly’s translation. From what I have read his version is not a true or exact translation. Now I am wishing I read Mark Kurlansky’s version because it received better reviews. It bothers me to think I am not reading Le Ventre de Paris as it was written. Never mind. It’s my fault for not studying French beyond first year.

BookLust Twist: From Book Lust in the chapter called “Dickens of a Tale” (p 73).

Big Year

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Obmascik, Mark. Big Year: A Tale of Man, Nature, and Fowl Obsession. New York: Free Press, 2004.

Have you ever tried to have a conversation with a birder when he or she can see, and be distracted by, the outside world? I have and in my experience it’s a lot like having a conversation with a new mother when she has one eye (and her full attention) on her runaway, get-into-everything toddler. It’s nearly impossible. Here’s an example – I was hiking with such a friend, a big time birder. He was explaining and detailing renovations on his house when all of a sudden he stopped in mid-sentence to listen to something my ears could not detect. Impulsively, he grabbed my arm and his eyes bugged out. “Did you hear that? That was a yellow-billed something-er-rather! Female!” Up whipped his binoculars while I stood there unsure of what I was missing out on. Awhile later he stopped again to whistle, listen intently, whistle again and smile, obviously forgetting he was interrupting himself. Again. To me it was like listening for a snowflake to land.
Even strangers try to rub their enthusiasm for all things feathered on our uninterested minds. My husband and I were hiking along the rocky coast of Monhegan. It was the day after a terrific storm had blown away so the waves were breathtaking. We met a pair of birders on the trail and paused to let them pass when suddenly a particularly large wave crashed upon the rocks behind them. The sound was thunderous and both Kisa and I gasped. “What?! what did you see?!” the birders eagerly asked scanning the tree lines, “did you spot a black-legged kittiwake? A great-tailed grackle?” Errrr, no. When we explained it was a rogue wave capable of dragging a tank out to sea the birders just stared at us. Luckily, they were soon distracted by the mating call of some brown spotted something-er-rather and we went on our way. This line from the introduction of Big Year illustrates this obsession perfectly, “There even were twitters about a new species of grouse…having sex in the sagebrush somewhere in the Utah high country” (p xi). Exactly.

Mark Obmascik likes birds, but he likes birders even better. In Big Year: A Tale of Man, Nature, and Fowl Obsession Obmascik chronicles a year of birding with several different hardcore birders and their quest for “the big year.” The Big Year, as explained by Obmascik, is a birder’s attempt to chronicle as many birds as possible within a solitary calendar year. There are many different strategies for obtaining the biggest “birds seen” list and competitors will stop at nothing to hone their strategies while sabotaging those of others. It’s cutthroat, surprisingly so. All for the sake of something so small. Competing birders will spend thousands of dollars, millions of minutes, and countless miles to trek across North America looking for elusive, rare, and unusual birds. To see one is an accomplishment, but to photograph one is triumph. To be known as the biggest list is the best of all. Obmascik delivers humor and respect when sharing these birding tales. You will never look at a common sparrow the same way again.

BookLust Twist: From More Book Lust in the chapter called “Living Your Dream” (p 157).