Langer, Adam. Ellington Boulevard: a Novel in A-Flat. Spiegel and Grau, 2008.
Reason read: September is when the New York Gypsy Festival usually happens.
Ike Ambrose Morphy has been away from his beloved Manhattan for seven months while he cared for his dying mother in Chicago. In that short time, the New York he knew has changed dramatically. The off-limits parts of Central Park he used to frequent with his dog, Herbie Mann, are now patrolled by police. Right away you know Ike is headed for trouble. The hole in a particular fence he used to sneak through is no longer there so he has to cut a new hole. His carrying a tool for that? That’s new. The cop who caught him gives him a hard time about trespassing. That is also new. Even more disturbing, there are people in his apartment when he finally arrives back home; the place where he has never needed a lease or contract. It is no longer his apartment just as it is no longer his New York. Welcome to Ellington Boulevard. But Ellington Boulevard isn’t just Ike’s story. Readers will meet the buyer, her husband, the real estate agent (an out of work actor playing the part of a real estate salesperson even though his heart isn’t really in it), the broker and a bunch of other interesting characters. Readers will also get a few lessons in music history (like the inventor of the B-flat clarinet, Iwan Muller).
My initial complaint? Some of the characters in Ellington Boulevard were very cliché: stereotypical descriptions of the haves and have-nots. Mark Masler is a good example of that. My only other complaint about Ellington Boulevard? In a city as vast as the Big Apple is, I was surprised Herbie Mann’s world was so small. What are the chances that his current owner and previous owner would run in the same circles?
As an aside, I love any author that slips in a little Dr. Seuss (who remembers Gertrude McFuzz?).
Author fact: I am only reading two books by Adam Langer. I finished Crossing California earlier in the Challenge.
Book trivia: Ellington Boulevard uses real N.Y.C. locations like the Jacob K. Javits Convention Center and the Untermyer Fountain to name a couple.
Setlist: 50 Cent, “Air Algiers” by Country Joe McDonald, Bruce Springsteen, Black Sabbath, Barry Manilow, Busta Rhymes, Beethoven, Beatles, Buddy Holly, Benny Goodman, Bob Dylan’s “Hard Times in New York Town,” “Conquering the City,” Cole Porter’s “I Happen To Like New York,” the Damage Manual’s “Sunset Gun,” Dave Matthews, Dokken, Easy-E, Eric Dolphy, the Game, Gil Scott-Heron’s “Blue Collar,” “Angola, Louisiana,” and “Winter in America,” “Hava Nagilah,” Hendrix, Herbie Mann, “Here I Go Again On My Own,” Ice Cube, ” (I Believe) I Can Fly,” “(I Wanna) Soar,” “(I’m a) Love Man,” “In the Court of the Crimson Kings,” John Mayer, Janis Joplin, John Lennon, Keith Moon, King Crimson, Kurt Cobain, Kool & the Gang, Leonard Bernstein’s “Conquering the City,” Lake & Palmer, “A Little Night Music,” LL Cool J, Lou Reed’s “NYC Man,” “A Love Supreme,” Mozart, Mahavishnu Orchestra, “Merrily We Roll Along,” Moby, Mongo Santamaria, Nirvana, Nas, N.W.A., “Our time,” Ornette Coleman, Patti Smith, Paul McCartney, Peter Frampton, Peggy Lee, the Pogues, Procul Harem, the Prodigy, “Raisins and Almonds,” “Rough Boy,” Rovner!, Snoop Dogg, “Straight Outta Compton,” Sun Ra, Sidney Bechet, “Sunride, Sunset,” “(To Dream) The Impossible Dream,” Tupac’s “Resurrection,” U2’s “Yahweh,” “Where the Streets Have No Name,” and “Crumbs From Your Table,” “Winds of Change,” “Wheels On the Bus (Go Round and Round),” “I’ve Seen All Good People” by Yes, “(You Are the) Wings Beneath My Wings,”
BookLust Twist: from Book Lust To Go in the chapter called “New York City: a Taste of the Big Apple” (p 151).