Tag: book lust i

Les bouts de bois de Dieu

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Ousmane, Sembene. God’s Bits of Wood. Trans. Francis Price. Botswana: Heinmann, 1960.

God’s Bits of Wood has multiple layers. At face value it is a story of a Western African 1947-8 railroad strike. The story focuses on several key players but the most important individuals are Ibrahima Bakayoko, a locomotive engineer who becomes the union leader during the strike, and on the other side of the conflict, Dejean, the French colonial manager. Because the story takes place in several different areas (Bamako, Thies and Dakar) the overall impact of the strike is generalized to a population. The story reaches past an African railroad strike in order to analyze clashes that go beyond worker/employer relations. The social economic and political contexts are analyzed and illustrated. It is more than a description of the initiatives of the railroad workers versus the initiatives of the colonial administration. Feminists have a field day with re-imagining gender relations as the women of West Africa transform themselves into powerful members of society – the social function to the story as it pertains to Sengal and Africa as a whole.

I have to admit it was driving me nuts that I didn’t understand the title “God’s Bits of Wood.” I needed to know what it meant. I was picturing a forest, a campfire, a dilapidated shack. All things wood…in bits. I was happy to learn, early on, that the wood of  God’s bits of wood are actually people. Gotcha.

Favorite lines: “And the men began to understand that if times were bringing forth a new breed of men, they were also bringing forth a new breed of women” (p 34). I think that sums up the entire book.
Other favorite lines: A line from Hadrame, “This strike is a war if eggs against stones!” (p 42).

Author fact: It was interesting to read that Ousmane has been a fisherman, a plumber, a bricklayer, an apprentice mechanic, a docker, as well as a trade union leader and a filmmaker in addition to be a successful writer.

BookLust Twist: From Book Lust in the chapter called “African Literature in English” (p 16).

Flint

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Eddy, Paul. Flint. New York: G.P. Putnam’s Sons, 2000.

Flint starts with violence. The plot itself is a little complicated but the writing is superb. Grace Flint is the proverbial Nancy Drew only not as wholesome. Okay, she swears a lot and she has a plastic face. She is the literary answer to silver screen’s Laura Croft. Dark and dangerous. Working as an undercover agent, Grace is exposed during a particularly dangerous sting operation and nearly beaten to death. That’s how Flint begins. The rest of the book fills in the gaps of who Grace really is (tough, beautiful, haunted) and who she isn’t (social, secure, stable). It follows her on her quest for revenge (because, of course, she survives the beating) as the men who framed her nip at her heels. There are many twists and turns to Flint and it gets a little complicated at times, but the writing and character development keep you on the edge of your seat.

Most frightening “movie moment” is on page 64. I can picture the scene perfectly: A man on the the run from the law must flee again. He needs to get on the move again and soon. As he is just about to feed his dogs he wonders who should take care of them when he runs. He wonders if he shouldn’t them instead.

Best conundrum: Grace is having sex with her separated husband who has a child out of wedlock with another woman. “If your husband cheats on the mother of his bastard son…does that mean you are having an affair?” (p 88).

Author Fact: I was shocked to learn Paul Eddy died of an infection after suffering an aneurysm at the age of 64. He was in the process of writing another thriller and had already written over 60,000 words. Bummer.

BookLust Twist: From Book Lust in the chapter called “Action Heroes” (p 5).

Blind Descent

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Barr, Nevada. Blind Descent. New York: G.P. Putnam’s Sons, 1998.

This was the perfect book for a curl up on a snowy, sleeting, icing kind of weekend. The plot is fast paced and uncomplicated so I was able to read it in just two days. Barr’s attention to detail and description of caves and caving had me riveted. Anna Pigeon is a park ranger who has been called to help with a friend’s rescue from a subterranean cave. Anna is extremely claustrophobic and therefor not an experience caver. The location in the cave where her friend was injured is so difficult to get to I questioned why she was allowed to accompany rescue personnel on this dangerous mission. It seemed implausible that she would be allowed to participate just because her injured friend requested her. When rescue turns into murder Anna is determined to solve the mystery. Because Anna Pigeon is a reoccurring character in other Nevada Barr books her character development evolves a little at a time and the reader never gets the full picture of Anna from one book. One other detail I was bothered by was Anna was convinced her friend, Freida, has been murdered and yet she spends a great deal of time concentrating on a second murder of someone she just met. I would have thought the focus would have been more on her friend.

Favorite lines, “Gravity seemed more virulent when one’s back was turned to it” (p28) and “Where there was humor there was a fighting chance of remaining sane” (p 65).
A sign of the times (1990s), “Having babies out of wedlock was an epidemic among the poor and a fashion trend among the rich” (p 128).

Author Fact: Nevada Barr spent time as an actress and, like Anna Pigeon, as a park ranger.

BookLust Twist: From Book Lust in the chapter called “I Love a Mystery” (p 118).

Postscript ~ Did I mention that I can’t stand it when someone marks up a library book? Someone went through the entire book and changed every male specific word to a more politically correct alternative. Take the word “gunman” for example. Someone crossed it out and wrote “shooter” above it. “Rifleman”  was changed to “Killer.” You get the picture. I find this altering of the text offensive. If Barr wanted to write without gender bias she would have. I practically gloated when I found one “man” unchanged on page 102.

Jane Eyre

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Bronte, Charlotte. Jane Eyre. New York: Signet Classic, 1982.

Who hasn’t read Jane Eyre? Who hasn’t fallen in love with plucky, adventurous, moral, Jane? It’s a story everyone knows. When we first meet Jane she is ten years old and living with her deceased uncle’s family. She is despised by her aunt and cousins and considered lower than a servant (at least a servant earns her wages). As a result of Janes’s disharmonious and sometimes violent relationship with the Reed family Jane is sent away to a boarding school. From there Jane is trained as a governess and sent to the employ of Mr. Rochester. Because this is a romance it is obvious Jane and Mr. Rochester will fall deeply in love. Because this is a classic romance it is obvious there will be conflict. The conflict is Mr. Rochester is already married to a mentally ill and violent woman he keeps locked in an attic. Ever virtuous Jane leaves Mr. Rochester until telepathy steps in and Jane feels the need to rush back to Mr. Rochester. She arrives in time to see that Bertha has set the Thornfield mansion on fire and committed suicide. Mr. Rochester is blinded and loses a hand in the blaze. Jane promises to never leave Mr. Rochester again. Their love is triumphant and they live happily ever after. Of course, this is the much-condensed version!
The story of Jane Eyre has been widely criticized for its unrealistic episodes of ghosts and moments of 6th sense. Critics find it unbelievable that Jane is able to travel from one place to another as quickly and as efficiently as she does and it is downright miraculous that she finds a cousin who coincidentally has family wealth to bestow on her. Despite these criticisms Jane Eyre remains a lasting favorite. Obviously, there is a fan base willing to see the value of the suspension of belief.

Author Fact: Charlotte Bronte was one of six children born in the Bronte family. She tried her hand at being a governess (for ten years) before giving it up to write. She died at age 39 in pregnancy. Bummer.

Book Trivia: Jane Eyre has been transformed into movies, plays, operas, symphonies, ballets, and operas no less than 35 times. It has inspired countless retellings, spin-offs and songs. Its popularity resonates with young and old, men and women making it one of the best-loved classics ever.

BookLust Twist: Jane is very popular with Ms. Pearl. It is mentioned four different times between Book Lust and More Book Lust.. From Book Lust it is mentioned in the chapter called “Companion Reads” (p 64). I was to read Jane with Wide Sargasso Sea (of course) by Jean Rhys and The Eyre Affair by Jasper Fforde. Also in the chapter called “Romance Novels: “Our Love is Here To Stay” (p 204). From More Book Lust in two different chapters. First, in the chapter called “Brontes Forever” (p 34) and then again in the chapter called “Fractured Fairy Tales” (p 94).

Belly of Paris

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Zola, Emile. The Belly of Paris. Los Angeles: Sun & Moon Press, 1996.

The “Belly of Paris” is quite literally a giant receptacle of food merchants. It is a humungous food market brimming with a wide array of delicacies of all shapes and sizes. In the first 50 pages I counted no less than sixty different types of food described in colorful detail. The word ‘vegetable’ alone appears over twenty times. Everything from fruits to fish, vegetables to cheese is laid out before the reader. Like the true anatomy of a stomach, from this belly of bounty wastes, filth and toxins are dispelled. There is a clash of the glorious and the gory. All of this in incredible detail serves as the backdrop to the story of Florent.
Florent has escaped from exile to return to his beloved Paris. On the verge of starvation he finds himself in a sea of food in Les Halles Centrales. From there he makes his way to his half-brother’s butcher shop that specializes in pork products. At this point Florent must decide how to live as a fugitive and a man always on the run. As he re-establishes himself in the community he is caught up in jealousies and dramas and must constantly struggle to survive.
Above all else, Belly of Paris is a story of contrasts – the richness of the market’s abundance versus the poverty and fifth of the lower classes who shop there.

Line that best illustrates Florent being swallowed by the Belly of Paris, “And at last he came to a standstill, quite discouraged and scared at finding himself unable to escape from the infernal circle of vegetables, which now seemed to dance around him, twining clinging verdue about his legs” (p 42).

Book Trivia: The Belly of Paris is the third in a series of twenty books that make up Les Rougon-Macquart. The series analyzes the effects family relations and economic status have on one family.

I will be honest. I am a little irritated I didn’t do my homework concerning Belly of Paris. I should not have read Ernest Alfred Vizetelly’s translation. From what I have read his version is not a true or exact translation. Now I am wishing I read Mark Kurlansky’s version because it received better reviews. It bothers me to think I am not reading Le Ventre de Paris as it was written. Never mind. It’s my fault for not studying French beyond first year.

BookLust Twist: From Book Lust in the chapter called “Dickens of a Tale” (p 73).

Ain’t Nobody’s Business

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Wesley, Valerie Wilson. Ain’t Nobody’s Business If I Do.New York: Avon, 1999.

While Kisa drove from 42 8′ 55″ N/72 36′ 29″ W to 44 6′ 13″ N/69 6′ 33″ W I read Ain’t Nobody’s Business If I Do. Four straight hours until I ran out of daylight and I ran out of words. It was the kind of reading that had me asking what would happen next. Not because the story had me on the edge of my seat in suspense, but because I had grown to care about all the characters and truly wanted to know how all their lives worked out. The biggest emotion everyone had in common was the desperate need to find the true meaning of love. Then there was the telling of how they went about finding that love.

First, there is 44 year old Hutch who ups and leaves his wife Eva, at two in the morning. He has no idea why he has to leave but he also knows there is no way he can stay. As he says, he lost his joy. No one is more baffled by Hutch’s behavior than Hutch himself, but leave he must. Eva, his second wife of ten years, oscillates between sheer rage and utter despair as she copes with a huge house she hasn’t a clue for to maintain. Hutch runs to Donald, his best friend, who is constantly cheating on his seemingly perfect wife yet Donald’s seemingly perfect wife seems like a perfect match for Hutch, especially in his confused state of mind. Eva seems best suited for her own daughter’s ex-boyfriend. It’s a merry-go-round of emotions and relationships and no relationship combination is spared: mother-daughter, father-son, best friends, lovers, old married couples, newlyweds…Everyone is looking for something just out of reach and ignoring what’s right in front of them.

Favorite line, “Raye’s eyes could always shake loose his truth” (p 41).

Two observations: The story starts out with Eva’s aunt hoo-doo magic. There is mention of dried twigs and a Vick’s VapoRub smell. I would have liked that hoo-doo to be more present throughout the story. Also, Wesley always seemed to be one stop ahead of me. Eva works as a librarian. She started out as a volunteer then asked for a paying position and got it. I questioned where was library school and the formal degree. In the very next chapter Eva’s boss is urging Eva to go to library school. There is another scene where Eva’s car breaks down and she is left stranded on the side of the road. I immediately wanted to know where her car phone and/or AAA membership was. Wesley explained those details soon enough, as if she was reading my mind.

BookLust Twist: From Book Lust in the chapter called “African American Fiction: She Say” (p 13). The “She” in question being the authors.

Another Song About the King

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Stern, Kathryn. Another Song About the King. New York: Random House, 2000.

Silvie Page has the kind of mother we all dread having. The kind of mother we probably already have memories of. The kind of mother that loves us to death. Outwardly appearing to have our best interests in mind but really are so caught up in themselves that their intentions are inwardly mean and controlling. Best friends forever as a way to minimize and manipulate. Silvie’s mother, Mimi, is just that woman. When Silvie was a child it was in the way Mimi wanted Silvie to be just like her, only just not as pretty or talented.  It’s in the way she phones an adult Silvie (with a calling code that meant she should pick up no matter what) only to say ‘wear red on your first day on the job.’ All of Silvie’s life her mother has kept her in emotional limbo – one minute loving and sweet, the next competitive and conniving. Silvie tries different tactics to “escape” her mother’s grasp, starting with changing how she addresses her mother from mom to Mimi, as a way to distance herself from a blood relation. Throughout Sylvie’s life there is another shadow that looms just as large. Elvis. Mimi has an ongoing obsession with a date she had with Elvis when she was 16. It is her worst kept secret, one that in times of stress, she hauls out and elaborates on until finally the lie is bigger than the truth. She even has blue suede shoes and a crimson cape to illustrate her never-wavering loyalty to the king.
There is so much more to Another Song About the King than meets the eye. Beyond a complicated mother-daughter relationship there is an element of self-discovery and forgiveness. I couldn’t put it down.

Lines that snagged me: “I was successful in the womb – obedient and nimble, turning somersaults in those jelly seas of color and sleep” (p 9), “I’d come to lose my mother and find myself, to put some distance between her dreams and mine” (p 24), and, “But, I was sure I would lose, and winning, I knew in my bones, would raise the stakes with my mother in a game I didn’t want to play” (p 81). There were many, many more tantalizing lines, but I’ll let you find them.

Author Fact: Another Song About the King is Kathryn Stern’s first novel.

BookLust Twist: From Book Lust in the chapter called “Elvis On My Mind ” (p 78).

Two in the Far North

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Murie, Margaret E. Two in the Far North. New York: Alfred A. Knopf, 1962.

Murie starts her first book, Two in the Far North with a look back at her first visit to Alaska when she was nine years old in the year 1911. The writing is full of exuberance and excitement. Her enthusiasm oozes from the pages and offers a unique perspective on the birth of an Alaskan frontier town from a child’s point of view. As she grows into an adult and returns from college the emphasis shifts to marriage (1924) and following her biologist husband as he does field research in the untamed parts of her beloved Alaska. On each expedition you can tell she never loses that joy from exploring everything that makes Alaska unique. (I can’t even tell you how many times she uses the word ‘happy’ to describe everyone and everything around her.) Murie’s chronicle of life in the Alaskan wilderness is honest and passionate from start to finish.

Favorite lines, “There was one wonderful spring when people had to move out of  their houses on Front Street, and rowboats were the thing, but this was fun only for the children” (p 54), “A rocking chair and a bed with springs are to be enjoyed whenever met” (p 210), and “If man does not destroy himself through his idolatry of the machine, he may learn one day tp step gently on his earth” (p 357).

Favorite Murie illustrations: p 167, p 195, and p201.

Author Fact: Margaret Murie had so many interesting facts about her I couldn’t chose just one. For starters, she lived to be 101! She studied at Simmons College in Boston for a short time (one year). There is a movie about her life called “Arctic Dance.”

Book Trivia: Two in the Far North is Murie’s first book and it is illustrated by her husband, Olaus.

BookLust Twist: From Book Lust in the chapter called “Alaska” (p 17). Duh.

Cruddy

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Barry, Lynda. Cruddy. New York: Simon & Schuster, 1999.

From the very first pages you want to know what this Cruddy book is all about. First, you are introduced to sixteen year old Roberta Rohbeson via her bizarre suicide note. Then, hoping to shed some light on the situation, you read chapter one which is only seven sentences long which says nothing about anything. Then you encounter chapter two and read the word “Cruddy” nineteen times in the first paragraph. Funky, funky, funky was all I could say. I was not prepared for what happened next. Little did I know I would end up saying sick, sick, sick by the end of the book.

Cruddy is told from the perspective of Roberta Rohbeson at two different times in her life; as an eleven year old troubled little girl and as a sixteen year old angry teenager. Her story is tough and tragic and tinged with terrible humor. As an eleven year old she is thrust into the raging, alcohol-blurred world of her father who refuses to see her as his daughter. Instead, Roberta is not only his son, called Clyde, but his accomplice. When he discovers her in the backseat of his getaway car he takes her on a murderous journey across the desert fueled by hatred for his suicide-dead father who left him nothing.
As a sixteen year old Roberta is strung out on drugs and driven by abandonment. She befriends a group of outcast suicidal drug dealers who do nothing but fuel her craziness. One boy in particular, Turtle, gets Roberta to tell her sad tale.

This was a book I found myself wondering about long after I put it down. Was Roberta modeled after anyone Lynda knew? Where did she come up with such a violent, messed up plot? What was the acceptable age range for this book? Would parents cringe if they knew their kid was reading this under the covers late at night?

Lines that got me: Roberta’s father’s motto: “Expect the Unexpected and whenever possible BE the Unexpected!” (p 142), “He was explaining how perfect it would be because he could kill me right in the concrete ditch itself and when the water came it would gush me and all the evidence away” (p 163), and my personal favorite, “There is a certain spreading blankness that covers the mind after you kill someone” (p 273).

Author Fact: Lynda Barry was born on January 2nd, 1956 and is a cartoonist (among many other things).

Book Trivia: This was called a novel in illustration but only the start of each chapter has an illustration (creepy illustration).

BookLust Twist: From Book Lustand More Book Lust . From Book Lust in the chapter called “Graphic Novels” (p 104), even though Cruddy isn’t a graphic novel. Also in More Book Lust in the chapter called “Teenage Times” (p 217). What Pearl should have called the category for this book was “Fukced up Teenage Times.”
Book Lust trivia – Lynda Barry and Cruddy were not mentioned in the index to Book Lust. In fact, only One! Hundred! Demons! made it into Book Lust’s index.

Night Before Christmas

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Moore, Clement Clarke. A Visit From St. Nicholas. Mount Vernon: Peter Pauper Press, 1950.

When I was a child no five words filed my head with more wonder than, “Twas the night before Christmas…” On Christmas Eve my sister and I would crowd around the cb radio and listen to a local fisherman read Moore’s famous poem. When did he start this tradition, I have no idea. When did he stop, I haven’t the faintest. But while I was young and believed with a capital B I hung on his every word.

Who doesn’t know the rest of that first line, “Twas the night before Christmas”? It has got to be the most recited, most beloved poem of Christmas and all year round. I went years without knowing who wrote it but could recite it line for line.

Here’s the basic premise for a poem you all know by heart. It’s the night before Christmas and an overly observant man is just getting ready for bed. He makes comments about how still the house is, how the kids are sleeping, and so forth when suddenly he hears something. His wife must be a heavy sleeper for only the man hears a commotion outside. A portly man driving a sleigh with a herd of deer leading the way flies across the sky. They land on the roof and enter the house via the chimney. Somehow this doesn’t faze the homeowner at all. He takes his time describing the intruder and accepts the gifts he leaves. I suppose the detailed description would come in handy for the police should the homeowner later report the odd event. When the little man has finished unpacking his sack he disappears up the chimney again and drives out of sight exclaiming my favorite line, “Happy Christmas to all and to all a Good Night!” (p 16).

Author Fact: Moore was a professor at Columbia and taught Oriental and Greek literature.

Book Poem Trivia: Since A Visit From St. Nicholas was first published anonymously there is some controversy surrounding the true author. Interestingly enough, Nancy Pearl doesn’t give any author credit.

BookLust Twist: From Book Lust in the chapter called “Christmas Books for the Whole Family” (p 55). I have a confession to make. Because Nancy Pearl called it “The Night Before Christmas” and not “A Visit From St. Nicholas” I am assuming they are one and the same.

ps~ the version I borrowed from the library had sign language as an accompaniment to the story. Very cool.

Palace Thief

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Canin, Ethan. The Palace Thief: Stories. New York: Random House, 1994.

What can I say about The Palace Thief that hasn’t been said before? The writing is brilliant. Being only 202 pages long I burned through it in a matter of days. The Palace Thief is comprised of four short stories, Accountant, Batorsag and Szerelem, City of Broken Hearts and The Palace Thief. Each story centers around a main character who is always male, always a little egocentric, always misguided, and always more than a little lonely and misunderstood. Canin’s style is to give you a peep show sampling of these characters and the lives try to lead. As the reader you are allowed only a negotiated proximity to what really makes each man tick. It’s teasing and tantalizing and because the stories are that good you find yourself forgiving Mr. Canin for this.
I don’t think this is a spoiler of any sort to question if Canin speaks Hungarian on a regular basis.

Favorite line: From City of Broken Hearts: “It was just that Wilson could never figure out when it was all right to ask” (p 112). Wilson is a man too wrapped up in his own selfishness and vanity to understand his philanthropic son. This line resonated with me because I know we have all had family members we want to grill but we never seem to figure out when is the best time (if ever).

Author Fact: Ethan Andrew Canin has no shortage of occupations. When he isn’t writing he is teaching…or practicing medicine. Biographies claim he has a BA in English or a BA in Engineering from Stanford (hey, both degrees start with ‘eng’).

Book Trivia: Two of the short stories were made into movies. Batorsag and Szerelem was made into a movie called ‘Beautiful Ohio’ in 2006 and the title story, Palace Thief was made into a movie called “The Emperor’s Club” in 2002. I have yet to see either one.

BookLust Twist: From Book Lust in the chapter called “Growing Writers” (p 107).

Apology

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Plato. Dialogues of Plato: Apology, Crito, Phaedo, Symposium, Republic. Trans. Jowett. New York: Washington Square Press, Inc., 1962.

It has been argued long and hard that Plato’s Apology is the true account of the trial of Socrates. As a witness to the trial he transcribes Socrates’s speech in his own defense as he faces his accusers. The court affidavit states Socrates is a “doer of evil; does not believe in the gods of the State, but has other new divinities of his own.” He is, through his own philosophies, corrupting the youth of Athens. Despite his eloquent and passionate speech Socrates is found guilty and sentenced to death by hemlock. Apology covers the trial, the verdict and the sentencing.

I find it interesting that while Plato does not reveal the number of votes that warranted a guilty verdict Socrates states, “but now, had thirty votes gone over to the other side, I should have been acquitted”  (p 32). Found guilty by only 30 votes! Another interesting moment is when Socrates confronts one of his accusers, Meletus. Socrates gets him to contradict the affidavit by admitting he thinks Socrates is an atheist. How can Socrates be both an atheist and someone who worships personal deities?

Favorite lines: “I admit that I am eloquent” (p 5), and “…I was really too honest a man to be a politician…” (p32).

BookLust Twist: From Book Lust in the chapter called What a Trial That Was! (p 243).

Brothers and Sisters

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Campbell, Bebe Moore. Brothers and Sisters. New York: G.P. Putnam’s Sons. 1994.

Discrimination is discrimination. When asked about Brothers and Sisters Campbell said if a person of color is ignored by a white waitress it is just as psychologically damaging as if the person of color is made to sit at the back of the bus. I see her point but there is a small part of me that has to ask two questions. One, is the person of color being ignored because of skin color or is the person of color being ignored by a really bad waitress? Two, does a book like Brothers and Sisters bring attention and awareness or fuel the fires of racism? I was talking to someone yesterday about the holocaust. Being German he was complaining that his country, “beats a dead horse” when remembering and making up for the atrocities of World War II. He feels that the constant reminders actually keep hate alive and if the powers that be let history slide into hazy remembrance “it wouldn’t be such a big deal.”I disagree but I have to admit it is an interesting point.

It took me a few pages to get into Brothers and Sisters. The introductions of the characters is exaggerated ; their personalities are inflated beyond reality. I found them to be too stereotypical. The need to illustrate the main character, Esther Jackson, as perfect is overdone. In the first chapter Esther  is described as “efficient, tall, large breasted, slim hipped, strong, coordinated, powerful, smooth cocoa-colored skinned, muscular legged, pleasant faced, professional, congenial, full lipped, beautiful, meticulous, painfully perfect, impeccable, devoted to duty, well-enunciated, precise.” Yet, it is hard to like her because when it comes to dealing with white people she has these attributes, “rage, anger, venomous, hostility, violent, frowning.” She becomes wild-eyed and shaking at times. The opinions and racism Esther demonstrates are so vehement I have to wonder if they aren’t a reflection of the author’s feelings.

Esther Jackson is trying to make a career for herself at a downtown Los Angeles bank right after the April 1992 riots. She currently works in middle management but dreams of climbing higher. She knows that because of the color of her skin she must work twice as hard as her white counterpart to climb the corporate ladder. Despite the unfairness of the situation Esther herself practices prejudices when it comes to relationships and friendships. Beyond skin color she screens for financial status. Her motto is “no romance without finance.” But, when she allows herself to become friends with a white woman and finds herself dating a poor man things get complicated. In Brothers and Sisters you meet all kinds of characters with personal problems with society. The politics and backstabbing of all involved was fascinating. The entire story was a game of cat and mouse but exactly who was chasing who keeps you guessing.

Author Fact: Bebe Moore Campbell died at the age of 56 from brain cancer.

Book Trivia: Brothers and Sisters was written to encourage discussion about discrimination.

BookLust Twist: From More Book Lust twice. First, in the chapter called “African American Fiction: She Say (p 12). Then, in the chapter called California, Here We Come (p 50).

The Healing

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Jones, Gayl. The Healing.Boston: Beacon Press, 1998.

I was not a fan of The Healing for several reasons. I have nothing against Gayl Jones as an author, I just don’t care for first person stream of consciousness. First and foremost, page structure is annoying. Because it is a stream of consciousness there aren’t traditional paragraph structures and page endings. It was hard to find a place to stop reading in between chapters and I’m a snippet reader. I pick up a book in line at the grocery store, as a passenger in a car, while waiting for a meeting to begin. It’s hard to read stream of consciousness in those situations. Maybe that it’s the point but I found the narrative to be a bit blah blah blah-ish, repetitious and tedious. Check out how many times the word ‘town’ was used on page seven or how may times the word ‘men’ was mentioned in the first paragraph of chapter two. Such repetition is just not my style.
Harlan Jane Eagelton is a faith healer with a colorful past. Her history of being a rock star’s manager, a hair dresser and a turtle in another life make for some wonderful storytelling (if you can get past the repetition). Harlan is smart, yet her country-bumpkin manner of speaking isn’t fooling anyone, least of all the reader. Nuggets of knowledge are firmly wedged between the bumpkin babble. Case in point – in rambling about odds and ends she inserts the names of Inuit and Inupiag peoples of Alaska with a clear understanding of the difference. Another key element to Harlan’s story is that she tells it backwards. You begin with her current occupation as a faith healer and work backwards to fill in the gaps.

Favorite lines, “She craved but never trusted the applause” (p 150). Isn’t that the way of all rock stars? “Who screwed whom before who caught whom screwing whom before who screwed whom?” (p 178). I found the vocabulary funny, my favorite word being ‘flibbertigibbets.’

BookLust Twist: From Book Lust in the chapter called, “African American Fiction: She Say” (p 13).

Balsamroot

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Blew, Mary Clearman. Balsamroot: a Memoir. New York, Viking: 1994.

Mary Blew wants people to know about her life. She wants people to know the wilds of Montana as her ancestors found it, cultivated it, endured it, survived it. However, Balsamroot is more than about Blew’s life and the personal landscape of her people. Balsamroot is about family ties. The ties that keep generations together and what tears them apart. When Blew first introduces her daughter, Elizabeth, I am sad for them. Mary makes it clear she has lost touch with her eldest daughter – hasn’t seen her in years. She doesn’t hide the fact Elizabeth is a complete stranger to her; asking “Am I really her mother?” (p 19). It dawned on me I could be Elizabeth. I could slip away from my mother and sister just as easily. I could let years and distance come between us as. It’s as easy as all that. The stories within Balsamroot bounce around a lot. Early homesteading stories and mingled with a present day pregnancy and musings about Blew’s own attempts at motherhood. It is a running commentary on growing old from the perspective of the baffled, frustrated caregiver. Dementia robs an entire family of more than just the mind and its memories. The past and present are entwined into one beautiful story.

Favorite lines, “Or I imagined my aunt falling through the hole in her mind” (p 15), “She and I talk, in the private coded language of two women who have known each other, and most of each other’s secrets for twenty years…” (p 144), and “I’m not invisible, it’s just that nobody sees me” (p 156).

Maybe this seems too intrusive, but I would have liked Blew to include photographs, especially of her Auntie.

BookLust Twist: From Book Lust in the chapter called, “Montana: In Big Sky Country (p 156).