Gelb, Arthur. City Room. G.P. Putnam’s Sons, 2003.
Reason read: a long time ago I read somewhere that February was scholastic journalism month. This is journalism in February.
City Room takes place in a time in America’s history when you could jot down your resume on the back of an index card while racing to an interview in a sputtering New York City taxi cab. There is an innocence to the era in which Gelb got his start. As the story of City Room goes on, Gelb reveals so many interesting behind-the-scenes details about life at the Times. For example, the strategic military censorship came back to haunt the paper when the American public belatedly learned of the true atrocities of World War II; especially the genocide in the German concentration camps of Buchenwald. Or how he scooped the Julius and Ethel Rosenberg executions. His front row seat to the Papp/Moses battle over the free Shakespeare theater in Central Park made for fascinating reading. His interest in the arts brought Gelb and John F. Kennedy together. And speaking of Kennedy, here is something I did not know. The New York Times was in the practice of writing obituaries for people before they died. Although The Times did not have an advance obituary for President Kennedy because he was so young when he was assassinated. Everyone collectively thought they had more time. Didn’t we all? Other scoops of The Times: the Transit-Authority strike, the first Pope’s visit to the United States, the largest power outage in history, the obtaining possession of Pentagon papers regarding the Vietnam War, and pervasive police and city hall corruption. When you put in forty-five years at one paper you can accumulate a lot of stories.
Gelb was grateful for early mentors. Enough so that he included a short biography of Mr. Fairbanks, a man who gave Gelb a chance at The Times. Gelb also reveals a wicked sense of humor. The story about sending the same pound cake back and forth between couples was hilarious.
Quote to quote, “Abe and I knew that every once in a while, the story of a single individual came along that symbolized a deep, sometimes disturbing truth about human nature and life in New York” (p 376).
As an aside, I thought it was cool to see the inclusion of Myrna Loy. You don’t hear much about her. Another aside, on Grover Loud’s advice to Arthur Gelb, I want to visit Sebasticook Lake in Maine. Nope. Never been there.
Author fact: Gelb’s opinions are dated. Plumbers, don’t take offense when he implies people in your profession are dim witted. Gelb was ninety when he passed in 2014. Another interesting fact: Gelb spent 45 years with The New York Times. He never worked anywhere else.
Book trivia: there are no photographs, no illustrations in City Room. This was such a disappointment because there is a fantastic description of a photograph taken during the blackout but it is not included. It would have been cool to see.
Playlist: “Auld Lang Syne”, Barbra Streisand, The Beatles, Benny Goodman, Bill “Bojangles” Robinson, Billie Holiday’s “Strange Fruit”, Bob Dylan, Bud Freeman, Burl Ives, Cab Calloway, Canned Heat, Creedence Clearwater Rival, Country Joe and the Fish, “Deres a Man Goin’ Roun’ Takin’ Names”, “Dixie”, Ethel Waters, Frank Sinatra, George Harrison, “Hail to the Chief”, Janis Joplin, Jascha Heifetz, Jimi Hendrix, John and Lucy Allison, John Coltrane, Joseph Marais, Josh White, Ledbetter, Leopold Godowsky, Lena Horne’s “When It’s Sleepytime Down South”, Louis Armstrong, Mahalia Jackson, “Marseillaise”, Meat Loaf, Mick Jagger, Miff Mole, Miles Davis, Mischa Elman, Mugsy Spanier, the National Anthem, Nina Simone, Odetta, Paul Robeson’s “Mandy”, Pee Wee Russell, Pete Seeger, Rolling Stones, “Shenandoah”, Sly and the Family Stone, Stan Keaton, Stepin Fetchit, Tchaikovsky, Theodore Bikel, Woody Guthrie’s “Talkin’ Dust Bowl Blues”, Vladimir Horowitz playing Chopin’s Polonaise Fantaisie, and “You Are My Sunshine”.
Nancy said: Pearl called City Room interesting.
BookLust Twist: from More Book Lust in the chapter called “The Fourth Estate” (p 93).
~*LunaSea*~ 