Tag: Neal Stephenson

System of the World

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Stephenson, Neal. System of the World: Vol III of the Baroque Cycle. HarperCollins, 2004.

Reason read: to finish the series started in honor of Stephenson’s birth month in October.

The System of the World can be called a historical novel. It is epistolary in nature, satirical, and a roman flueve all in one. Before we dig into the plot, a little book trivia. Stephenson was nice enough to remind us of the story thus far (from Quicksilver and The Confusion).
Back to the plot: We begin with Book Six: Solomon’s Gold. Daniel Waterhouse, founder of the institute we know today as MIT, has been sent back to London to resolve a feud between Gottfried Leibniz and Isaac Newton. The two brainiacs are squabbling over the invention of calculus. To utter anything about calculus, much less pinpoint who invented it, is to commit a grand faux pas of epic proportions. Jack Shaftoe is back as Jack the Coiner. Historically, the Whigs and Tories are about to face off. The irreconcilable dispute between science and religion rages (very reminiscent of “Inherit the Wind” by Lawrence and Lee). There are moments of sly humor that you might miss if you are not careful. My favorite: one of Mr. Threader’s spiels is the equivalent of the legal fine print on a contract.

Line I liked, “Daniel felt something very strange was happening to his face: he was smiling” (p 165).

Author fact: not to stereotype bald heads and beards but pictures of Stephenson on the internet make me think he would make a great bad guy in an action film.

Book trivia: System of the World bears the same title as a book of Isaac Newton’s. Another piece of trivia: System of the World won a Locus Award.

BookLust Twist: from More Book Lust in the chapter called “Neal Stephenson: Too Good To Miss” (p 214).

Confusion

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Stephenson, Neal. The Confusion. Harper Perennial, 2005.

Read read: to continue the series started in October in honor of Stephenson’s birth month.

The Baroque series continues. I suppose we should be grateful that Stephenson did not want to confuse us too much with two tales running back to back. The decision to synchronize Juncto and Bonanza keeps the reader firmly planted in the correct timeframe. The year is 1689 and Jack Shaftoe is longing for escape from a slave ship. The King of the Vagabonds a.k.a. Half-Cocked Jack always has a plan that does not disappoint. Full of adventure (and misadventure), Jack’s scheming will take him around the world to places like Egypt, India, Japan, Algiers, and Mexico. Meanwhile in Europe, the Countess de la Zeur (Eliza) is desperately trying to get back her stolen fortune. Newton and Liebniz are up to their usual tricks.
All in all, The Confusion is an age old-tale of being lured into a trap for love and money. When will we ever learn?

Quote to quote, “The plan does not allow for finding gold where we expected silver” (p 357).

Author fact: there are a few interviews with Stephenson out there in which he explains the writing process for the Baroque series.

Book trivia: True to form, The Confusion has plenty of sex, violence and humor to entertain even the most jaded reader.

BookLust Twist: from More Book Lust in the chapter obvious called “Neal Stephenson: Too Good To Miss” (p 214).

Quicksilver

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Stephenson, Neal. Quicksilver. Perennial, 2003.

Reason read: Neal Stephenson celebrates a birthday in October. Read in his honor.

The timeframe is 1660 – 1688 and Europe is transforming itself into a culture of scientific thinkers. Alchemy and imagination. Burgeoning financial complexities and modernized social developments abound. [Side note: the experiments on dogs was really hard to read. And I’m not a dog person.] Quicksilver follows real-life historical figures in real-life events. The glint in a crow’s eye. The cough of a cholera-infected child. Fine grains of dirt that cling to a man’s boots as he strides across a courtyard. The tremble of a drop of water as it rolls down a soot-covered windowpane. The hair of a rat as it scurries under a table. The details of Quicksilver are even finer than this; an overabundance of details. I hope you stub your toes on the sly humor that pops up in between the verbose narrative.
Additional facts about Quicksilver: it is exactly one third of the Baroque Cycle, Stephenson’s trilogy. Quicksilver in and of itself is in three separate parts. The second section follows the adventures of Jack Shaftoe. The third involves a slave who ties the characters of the first two sections together. As an aside, Eliza’s story had me scratching my head. I felt that Stephenson had more to say about her than he was letting on. The writing of Cryptonomicon and the reading about Isaac Newton and Gottfried Leibniz inspired Stephenson to write Quicksilver.

Author fact: Stephenson wrote Quicksilver, all 930 plus pages of it, by longhand.

Book trivia: This might be a no-brainer for some, but read Peter Ackroyd’s London: the Biography before Quicksilver. Certain historical events and characters will come into sharper focus when you meet up with them in Quicksilver. For example, I enjoyed reading about the fictional account of the Great Fire of 1666 from Ackroyd’s storytelling perspective.

BookLust Twist: from More Book Lust in the obvious chapter called “Neal Stephenson: Too Good To Miss” (p 214).