I Remember Church Going

Larkin, Philip. “Church Going.” The Less Deceived. New York: St. Martin’s Press, 1965,

Larkin, Philip. “I Remember, I Remember.” The Less Deceived. New York: St. Martin’s Press, 1965.

The beginning of “Church Going” is the most fascinating. The author visits a church (not his first, nor his last) and describes what he sees and does in this latest church. There is a sense he doesn’t quite believe in the place or his unspoken reason for being there. There is a skepticism in his tone that suggests a deeper disbelief. It begins with the very first line, “Once I’m sure there’s nothing going on” [in the church] (p 28).

“I Remember, I Remember” is a little more straightforward but as equally honest. The speaker is traveling with a friend and discovers a forgotten place from childhood. Immediately, the remembering begins. My favorite line is delivered by the friend, “You look as if you wish the place in hell” (p 38). I can think of a few places in my life where I would have that look!

BookLust Twist: From More Book Lust in the chapter, “Poetry Pleasers” (p 189).

Death Comes for the Archbishop

Cather, Willa. Death Comes for the Archbishop. New York: Alfred A. Knopf, 1929.

Father Vaillant and Father LaTour are two friends on a quest. Death Comes for the Archbishop is their story of the attempt to establish a diocese in New Mexico – a landscape fraught with corruption and a complete breakdown of religious morality. On their travels we meet other notable characters such as Padre Martinez and Dona Isabella. They add violence and greed and drama and intrigue to an otherwise seemingly simple story of a religious quest.
While Death Comes for the Archbishop is Cather’s self proclaimed “best written book” I had never heard of it before the Challenge. In the beginning it seemed like an easy, quick read but after I got into it I realized it had amazing depth and powerful symbolism.

Impressionable quotes:
“When they were tramping home, Father Joseph said that, as for him, he would rather combat the superstitions of a whole Indian Pueblo than the vanity of one white woman” (p 219), and “…it was the Indian manner to vanish into the landscape, not to stand out against it” (p 265).

BookLust Twist: From Book Lust in the chapter”New Mexico” (p 167).

Celestial Music

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Gluck, Louise. “Celestial Music.” The Oxford Book of American Poetry. Ed. by David Lehman. Oxford: Oxford University Press, 2006. 991.

I want to call this ‘Friends Argue then Agree to Disagree.’ For it is about (I think), two people seeing life differently. While they focus on the subject of religion (one believes in God, the other doesn’t), it is a metaphor for how each of them sees life as a whole – living, dying, coping with everything in between. It’s poignant. As the two friends walk they come across a dying catapillar. One friend can hardly stand to watch it fall victim to a swarm of ants while the other can. In the end, they know they are both right. As they should be.

My favorite line, “The love of form is a love of endings.”

BookLust Twist: From More Book Lustin the chapter “Poetry Pleasers” (p 189).

Yet Do I Marvel

On These I Stand
Cullen, Countee. “Yet Do I Marvel.” On These I Stand: An Anthology of the Best Poems of Countee Cullen. New York: Harper & Brothers, 1927.

This is Cullen’s first poem of On These I Stand and if order was of important to him, Cullen made a wise decision. The imagery in this first poem is so powerful! How many of us have looked at the atrocities of this world and wondered, if there really is a God, why he would allow such horrible things to happen? Cullen does the same thing – only he takes his “religion” to a whole new level citing the less than savory Greek gods of mythology, evil doer Tantalus & forever doomed Sisyphus. And yet. Yet, Cullen concedes the god he knows must be good to allow him, a black man, to sing with poetry.  

BookLust Twist: From More Book Lust in the chapter “Poetry Pleasers” (p 188).