Goethe, Johann Wolfgang von. Sorrows of Young Werther. Boston: Frances A. Niccolls & Co., 1902.
There are so many little facts about this 134 page story that I just loved! First, I find it enticing that this eighteenth-century novel was written anonymously. It was if it really was meant to be autobiographical. There are many similarities between Young Werther and Johann Goethe. Another interesting tidbit about The Sorrows of Young Werther is that the story was both banned and embraced in eighteenth-century Germany.
To put it simply, Sorrows of Young Werther is about a young, impressionable artist who moves to a new, yet fictional town. He is enamored with his surroundings and shares his new-found joy with his friend, Wilhelm, through enthusiastic, vividly descriptive letters. For the first month the letters contain glorious accounts of the landscape, the sights, the sounds, and the people – everything around him. After that first month though, Werther’s entire focus centers on a young woman he met at a party. It’s obsession at first sight and he can think of nothing else but to be with her constantly. Unfortunately, Werther’s affections are doomed as the object of his affection, Charlotte, is already engaged to be married to a “worthy” gentleman. In an effort to remain near to Charlotte, Werther befriends her husband-to-be. Things becomes complicated (as they also do in this kind of situation). Of course this love triangle cannot last and ultimately ends in tragedy.
Telling lines: “We should deal with children as God deals with us, – we are happiest under the influence of innocent delusions” (p 35), “…a man under the influence of violent passion loses all power of reflection, and is regarded as intoxicated or insane” (p 47), and “I sometimes cannot understand how she can love another, how she dares love another, when I love nothing in this world so completely, so devotedly, as I love her, when I know only her, and have no other possession” (p 81). In these three quotes we see Young Werther growing more and more obsessed with Charlotte. It can only end badly and as we see on the very last page, it does, “The body was carried by labourers. No priest attended” (p 135).
BookLust Twist: From Book Lust in the chapter called, “Epistolary Novels: Take A Letter” (p 79).

Nick Bantock’s trilogy evokes very romantic feelings for me. Way before Book Lust the first offering in the trilogy, Griffin & Sabine was given to me by a secret lover. 23 years old, I was in lust/love with the bearer, and I think initially as a direct result, the book won my instant favor as well. Later, I determined it was an aphrodisiac for the mind as I repeatedly poured over each gloriously illustrated page (also by Bantock). I was as careful and as loving as a caress. The delicious unfolding, opening, and reading of letters and postcards was as tantalizing and seemingly illicit as my affair. Never mind the storyline of ill-fated lovers, destined to never be together, however passionately in love. That wasn’t only what excited me. The artwork drew me in and captivated me to no end. If candles, soft music, and wine stir passion through sight, sound and palate then Griffin & Sabine is for the artistic intellect.