Aspects of the Novel

Forster, E. M. Aspects of the Novel. New York: Harcourt, Brace & Co., 1940.

I loved holding this book in my hands. Old and musty, it just felt right to read. There is an inscription on the inside cover, “Presented by Miss H. Miller’s Freshman English Classes, February 1941.” My father was four. My mother still had another seven years before even being born. But, anyway.
Aspects of the Novel came out of lectures Forster gave at Cambridge University in 1927. In these lectures Forester divides a novel into six crucial parts: story, people, plot, fantasy, prophesy and pattern and rhythym (counting as one element). Story asks the question what next. The trick is to keep the reader asking that very question. As soon as they can predict the next “they either fell asleep or killed him [the author].”  (p 46). There is a grave price for being predictable in literature.
In the element of character (or people as Forster refers to them) love is an emotion highly questioned. Love can be more complicated than food or sleep and Forster begs the question “How much time does love take?” (p 79). 
In the element of plot readers are not supposed to be asking what next, but rather, why? Why does this happen? They keep reading to find out more.
Fantasy and prophecy are the mythologies, the magic of writing. This is where the reader *thinks* the next twist in the plot should be obvious, but acutally isn’t. It’s the unbelievable made believable. 
My favorite elements are the combined Pattern and Rhythym. I like that Forster draws from art for the description of pattern and music for rhythym and continues with one of my favorite words, symmetry. “History develops, art stands still.” (p 244)

BookLust Twist: From More Book Lust, mentioned twice- Once in the chapter “Commonplace Books” (p 53) and again in the chapter called “The Writers Craft” (p 236).