Rebels of Ireland

Rutherfurd, Edward. The Rebels of Ireland. Doubleday, 2006.

Reason read: to continue the series started in May.

This is the sequel to the Princes of Ireland. The Rebels of Ireland follow six families through history but before doing so, Rutherfurd takes the time to catch the reader up by giving a recap of The Princes of Ireland. Once caught up historically, Rutherfurd focuses on deep character development of the families and their political involvements in Ireland’s struggle for independence.
Throughout history, differences in religion have been dangerous. A tale as old as time and will never change. I found it interesting when a character used the pulpit to announce his declaration of war. Everyone in the church knew what his sermon would be, but none expected the vehemence of his words.
Another notable moment: looking for the staff of St. Patrick.
The Rebels of Ireland is well researched. Rutherfurd consulted the National Library of Ireland as well as other national offices in Ireland to make sure he had his history accurate.
Word to the wise: do not try to read two different Irish historical novels in one month. All month long I was getting Rutherfurd mixed up with Flanagan and Flanagan confused with Rutherfurd.

Author fact: Edward Rutherfurd’s real name is Francis Edward Wintle.

Book trivia: The Rebels of Ireland contains a map of Ireland, a map of the Dublin region and a map of the city of Dublin.

Nancy said: Pearl said nothing specific about The Rebels of Ireland except it is a historical novel.

BookLust Twist: from Book Lust To Go in the chapter called “Ireland: Beyond Joyce, Behan, Beckett and Synge” (p 110).

Unless

Shields, Carol. Unless. Read by Joan Allen. Harper Collins, 2002.

Reason read: Shields celebrates a birthday in June. Read in her honor.

How do you carry on with your life when one of your children is mentally ill and choosing to live on the streets for no apparent reason? I read a review where someone called Unless whiney and self-indulgent. I’m sorry but if I had a loved one “lost” like that, I too would be fixated on their wellbeing. Are they getting enough food to eat? Where are they going to go when the temperatures are minus ten degrees (not including wind chill factor) or one hundred and two (in the shade)? Reta Winters is trying to be a mother to her two other teenage daughters while thinking these things about a third, her eldest. She is a wife going through the motions with her trilobite-obsessed husband. She is a translator while trying to write her own second novel. She is an aging woman, trying to stay relevant in the youth-obsessed world around her.
There is a little trickery going on with Unless. Like mirrors angled so images are reflected to infinity, Unless is a story about a woman writing about a woman writer who is writing about a woman writer. The nesting dolls of feminism. Then there is the carefully disguised biography of her mentor, Danielle. Danielle is at once a strong holocaust survivor and a fragile French woman who relies on Reta for writing support. Finally, there is the mystery of why eldest daughter, Nora, insists on sitting out on a street corner with a sign that simply reads “Goodness.”

Author fact: Shields died when she was only 68 years old, shortly after Unless was published. My audio had an interview with Ms. Shields and I was struck by how oddly she spoke. I have to wonder if she was ill at the time of the interview.

Book trivia: Chapters are titled with adverbs and conjunctions. If I read more carefully I probably would have seen how each word tied back into the storyline.
Audio trivia: at the end of the reading of Unless Carol Shields answers some questions. I have to admit I was distracted by her strange manner of halting speech.

Playlist: Mozart, Sinatra, Beethoven, and Bach.

Nancy said: Pearl did not say anything specific about Unless.

BookLust Twist: from More Book Lust in the chapter called “Carol Shields: Too Good To Miss” (p 197).

I Capture the Castle

Smith, Dodie. I Capture the Castle. St Martin’s Griffin, 1948.
Smith, Dodie. I Capture the Castle. Read by Toby Jones and Holliday Grainger. BBC4 Radio, 2016.

Reason read: A long time ago we stayed in a castle. It was June and very romantic.

Teenage Cassandra writes in her diary like a typical girl. She makes observations about not-so typical situations, like the fact her family lives in poverty in a rundown English castle. Her dream is to become a famous author so to practice she recounts the lives of her family with sharp and witty commentary. As she says, “contemplation seems to be about the only luxury that costs nothing” (p 25). At the onset, the name of the game seems to be to marry off sister Rose to the highest bidder; and that man seems to be American Simon Cotton. Poor Rose cannot even find a suitable dress for dinner let alone charm her future husband over a decent meal. I Capture the Castle is more than a dating game, it is the story of society’s opinion of a woman’s place. It says something about the attitudes about feminine decorum.
One of my favorite moments was when Simon and his brother Neil spotted Rose and Cassandra in ratty fur coats. To avoid anyone seeing them in such shambles Neil pretends they are a bear and “kills” it before mother can see. How perfectly ridiculous yet, there is an air of social grace in the midst of destitution.

As a personal aside, I could relate when Cassandra was seduced with the help of music. I have been there myself, both as seducer and seduced. Music can say a lot without saying anything at all…if you know what I mean.

Author fact: Dodie is Dorothy Gladys Smith, born in 1896. I Capture the Castle is her first novel, but she is also responsible for the Disney story of the One Hundred and One Dalmatians, inspired by Pongo, Smith’s own Dalmatian.

Book trivia: I Capture the Castle was made into a movie “most romantic” but before that, it was a play in 1954. Confessional: I have been saying I captureD (past tense) the castle for days now.

Audio trivia: the BBC4 Radio version is a big production with a full cast complete with music.

Playlist: “Green Sleeves”, “The Isle of Capri”, “Blow the Man Down”, “God Save the King”, Handel’s “Air from the Water Music”, Debussy’s “Water Music” and “Clair de Lune”, La Cathedrale Engloutie”, “La Terrasse Des Audiences au Clair de Lune”, Bach’s “Lover” and “Sheep May Safely Graze”.

Nancy said: Pearl admitted it was hard not to smile when reading the first line of I Capture the Castle. What was that first line? Read the book to find out.

BookLust Twist: from Book Lust in the chapter called “First Lines to Remember” (p 86).

End of the Hunt

Flanagan, Thomas. End of the Hunt. Dutton, 1994.

Reason read: to finish the series started in April.

Flanagan’s End of the Hunt picks up where Tenants of Time left off; right after the Easter Rebellion. So begins the birth of the IRA (Irish Republic Army). Flanagan weaves intimate portraits of widow Janice Nugent as she tries to find love again; Patrick Prentiss as he navigates the world as a World War I amputee; and Frank Lacy, a contradiction in character with his weapons and Virgil in hand. Character development is so on point you swear you have met these people before. Meshed with real historic events and people, it is easy to see why End of the Hunt is a best-seller.

As an aside, how can you be historically deliberate and accurate and yet only coincidentally name actual people? I realize the coincidence phrase is a standard blurb to cover an author’s ass, but either these people were a part of history or they weren’t.

Line I liked, “Dublin is a city of half sentence” (p 7).

Author fact: At the time of publication, Flanagan divided his time between Long Island (New York) and Ireland.

Book trivia: End of the Hunt is the final book in the Irish trilogy and has been compared to Leon Iris’s Trinity.

Playlist: “Lead, Kindly Light”, “Sean O Dwyer”, “Slievenamon”, and “A Nation Once Again”.

Nancy said: Pearl called the entire trilogy “magnificent” and End of the Hunt “good.”

BookLust Twist: from Book Lust in the obvious chapter called “Historical Fiction From Around the World” (p 113) and again in the chapter called “Irish Fiction” (p 125). Funny how none of the other books in the trilogy are mentioned in this chapter.

Sweet Cheat Gone

Proust, Marcel. Remembrance of Things Past: The Sweet Cheat Gone. Vol. 6. Translated by C.K. Scott Montcrieff. Chatto & Windus, 1961.

Reason read: to continue the series started in November for National Writing Month. Obviously, I have skipped a month or two.

If The Fugitive was all about keeping Albertine hostage, The Sweet Cheat Gone is her escape. Albertine’s departure sets the stage for volume six. Proust has this way of capturing obsession and grief in all their painful intricacies. You know that moment, right before coming fully awake when you thinks maybe yesterday has all been some kind of horrible nightmare? But then remembrance brings back the horror with a vengeance. Yesterday’s reality is today’s truth. Proust’s narrator is constantly remembering the times he bused Albertine’s love. He couldn’t tell her she reminded him of paintings of other female forms because he didn’t want her to think of female nude bodies. His jealousies were that strong. After her departure, he is inconsolable; able to pick up his grief right where he left off before sleep; as if he had never closed his eyes. He repeatedly fixates on how to return the escaped Albertine back to him. If you don’t believe me, count the times Albertine’s name appears on every page. It got to the point where I wanted to please take this man out behind the barn and put him out of his misery.
It is so cliché to say, but you really do not know what you have until it is gone. Proust’s narrator is no different. He enjoyed hurting Albertine while she was in his possession, but upon hearing of her death he fixates on all the times he took her for granted or thought her company to be a nuisance. Her charms, her innocence was something to be scoffed at until she vanished. Now that he has lost her everything she touched (including “the pedals of the pianola she pressed with golden slippers”) becomes all too precious. He knows he has abused her and admits as much in the way he describes her departure as flight, escape, gone, and on the run. His obsession grows worse when he thinks her dead. He couldn’t even read newspapers because the mere act of opening and lifting one to his eyes brought back memories of Albertine doing the same.
In volume two there is a return to M. de Guermantes and Gilberte. Everything remains the same. Our nameless narrator is still looking for love wherever he can find it. His mother is unwilling to let him see just how much she loved him and that bothers him.

Quotes to ponder, “An impression of love is out of proportion to the other impressions of life, but it is not when it is lost in their midst that we can take account of it” (p 107) and “We wish to be understood, because we wish to be loved, and we wish to be loved because we are in love” (p 111). This last sentence is probably my all time favorite quote of Proust’s.

Author fact: For the first volume I told you Proust’s full name. In the second review I explained where the term romans-fleuve came from. In the third review I mentioned Proust spent a year in the army. In the fourth review I mentioned the influence of Flaubert, but by the fifth review I had run out of things to say (either that or I just forgot to add an author fact). Now, in this sixth review, my author fact is Proust was also an essayist. I won’t be reading any of his essays.

Book trivia: Sweet Cheat Gone is also called The Fugitive or Albertine Gone. So many different titles, I can’t keep track! Another tidbit of info: in the French text Albertine Disparue volume one ends before chapter two, “Mademoiselle De Forcheville.” It is at this time that the obsession with Albertine abruptly ends. She is not mentioned on every page life the first volume.

Nancy said: Pearl said absolutely nothing about this volume of Remembrance of Things Past.

BookLust Twist: from Book Lust in the chapter called “Romans-Fleuves” (p 208).

Boy’s Own Story

White, Edmund. A Boy’s Own Story. Iconic Books, Open Road Media. 2000.
White, Edmund. A Boy’s Own Story. Vintage International, 1982.

Reason read: June is Pride Month.

First published in 1982, A Boy’s Own Story‘s main character has been compared to Teddy Roosevelt and characters from Lolita and Huckleberry Finn. The first in a trilogy and supposedly autobiographical in nature, A Boy’s Own Story introduces themes of desire, coming of age, and identity. The book’s nameless young narrator navigates his own sexuality in an age when parents simply warn their children about predators who seem “oversexed” and “take advantage of younger boys.” Our hero fights his homosexual tendencies while wondering why the adult camp counselor doesn’t rub his back in the middle of the night. Torn between propriety and passion, he struggles to find normalcy in his desires. Will his feelings for other boys fade in time? It this something to grow out of? In an effort to “change” he first seeks the advice of a priest. When that does not work, he convinces his father to send him to an all-boys boarding school. Maybe being in the presence of so many males would normalize his sexuality and set him straight? Not so. Next came a psychiatrist. Maybe he can address the psychological aspects of being attracted to men? Ultimately, he is looking for a way to have sex with a man and then disown him so to disavow his homosexuality. The secret to his longing is power which makes A Boy’s Own Story all at once poignant and sad.

Line I liked, “The subject of this book might be that brief eloquence between the fantasies of a dream-bound child and his implementing through charm, sexuality, his wits” (p 6). The saddest sentence in the book, “I had spent so much of my childhood sunk into a cross-eyed, nose-picking turpitude of shame and self-loathing, scrunched up in the corner of a sweating leather chair on a hot summer day, the heat having silenced the birds, even the construction workers on the site next door, and delivering me up to the admonishing black head of the fan on the floor slowly shaking from left to right, right to left to signal its tedious repetition of no, no, no, and to exhale the faintly irritating vacillations of its breath” (p 126).

Author fact: White lists Proust as one of his influences. I love it when I’m reading a connection to another book.

Book trivia: A Boy’s Own Story is autobiographical.

Playlist: “Dies Irae”, Juliette Greco, “Nothing Like a Dame”, Odetta, “Pat Boone’s “Twixt Twelve and Twenty”, “Now is the Hour”, “Zip-a-Dee Doo-Dah”, “Kitten on the Keys”, “I’ll Be Seeing You in Apple Blossom Time”, “The Tennessee Waltz”, Haydn, Mozart, Beethoven, Brahms, Liberace, Schubert’s “Unfinished”,

Nancy said: Pearl said Boy’s Own Story was “set prior to Stonewall” (Book Lust p 94). For those who don’t know, Stonewall refers to the Stonewall Rebellion or Stonewall Uprising; a riot in the early morning of June 28th, 1969. Police violently raided an establishment known as Stonewall. The community in and around Greenwich Village, New York, protested the attack.

BookLust Twist: from Book Lust in the too-short chapter called “Gay and Lesbian Fiction: Out of the Closet” (p 93). There are so many other great novels Pearl could have mentioned (like Annie On My Mind by Nancy Garden).

Blue Bowl

Minot, George. The Blue Bowl. Alfred A. Knopf, 2004.

Reason read: June is National Family Month.

On the surface The Blue Bowl is the story of Simon Curtis, accused of killing his father. It is an open and shut case for the prosecution. Simon blamed his father for his mother’s death because he heard her exclaim she would kill herself if his father didn’t stop drinking; Simon wanted his father’s money; when Simon wasn’t squatting in his father’s Maine house (when his father wasn’t there), he was living as ghost with his father in Massachusetts. Maine or Massachusetts, it didn’t matter. His father didn’t want him in either place. If his father knew Simon was disobeying him and squatting in either house he never let on. Are you supposed to like Simon? He has no social graces, an anarchist attitude, lazy, barely cognizant of the world around him, tags along uninvited, lies, scams and steals. As the trial progresses you want him to be guilty.
I have to admit, The Blue Bowl was a little annoying. Because of Minot’s style of writing I wasn’t sure in which house Simon was squatting, Maine or Massachusetts. It seemed like both at one point. I know the death happened in Manchester, Massachusetts and the trial took place in Boston, but then there are all these other connections to Maine. Everyone in Boston seemed to have something or someone somewhere in Maine.
Then there was the issue with the word “like.” I am not a fan of repetition. Like is everywhere. Like like like.
Run on sentences are not my thing either. Holy marathon run-on sentences. It is if Minot has so many thought running through his head and, afraid of losing them, spits them out in a stream of consciousness.

But here is a spoiler. I figured out who killed dad pretty early on. The Blue Bowl opens with the first person narrative of Simon’s nameless brother. He relays how Simon came to visit him in New York and then backtracks to tell the story of the murder, “starting with the aftermath.” The reader is given a ppe-show montage of Simon’s family, but here is thing thing – this first-person brother never inserts himself into the story. Who is he? How come he never came to Simon’s trial? He tells Simon’s story in third person narrative but never breaks in to say where he fit in. Because this “nameless” brother has something to hide.

Author fact: Minot lived in New York City at the time The Blue Bowl was published and leonine is a favorite word of his.

Book trivia: I don’t think it is a spoiler alert to say that the title of the book, the blue bowl, doesn’t really come into frame until the very end of the book. The Blue Bowl is the only work of Minot’s in LibraryThing.

As an aside, it was cool to see so many Maine names I knew. I decided to track them: Babbidge, Bangor, Blue Hill, Burnt Island, Camden Hills, Georges Bank, Iron Point, Isle au Haut, Thorofare, Little Thorofare, North Haven, Rockland, Thomaston, Portland, Mullen’s Head, Belfast, Rockport, Camden Hills,
As an another aside confessional, I never thought about the phrase “man-child” until a friend used it to describe someone with whom I was desperately in lust. I couldn’t understand his hot-cold nature and his loose grasp on reality. Simon is that same man-child.

Playlist: “American Pie”, “Allelujah”, Bee Gees’ “Lonely Days”, Billy Joel, Bob Dylan, Bob Marley, Chopin’s “Nocturnal”, “Coconut”, Counting Crows (as an aside, I thought it ridiculously funny that Minot described the line “I need a raincoat” as whiney), James Taylor, Jimi Hendrix, “Lean On Me”, Mick Jagger, Neil Diamond, Neil Young’s “Helpless”, Pete Townsend, “Rock of Ages”, Three Dog Night’s “Jeremiah”, and the Who.

Nancy said: when talking about the Minot siblings as writers, Pearl said they each offered their own perspective on growing up in a large, dysfunctional family, but nothing specific about each individual author.

BookLust Twist: from More Book Lust in the chapter called “All in the Family: Writer Dynasties” (p 5).

At Weddings and Wakes

McDermott, Alice. At Weddings and Wakes. Farrar Straus Giroux, 1992.

Reason read: June is a very popular month for weddings…to the point where it is almost cliché.

Time is handled in a “This Is Us” fashion: time goes backwards and forwards in At Weddings and Wakes. Time moves through memory and observation and seems incrementally slow. This is the story of what it means to be Irish-American in New York, told from the point of view of Lucy Dailey’s school-aged children. Again, I was reminded of “This Is Us.” The viewpoints are poignant and sad, tender and true to life. This Is Life. Lucy dutifully brings her children from Long Island to see her sisters and stepmother in Brooklyn. The three generations of family all have a rich bittersweet history to tell. Aunt Veronica needs alcohol to numb her grief. Aunt Agnes is nothing but sharp-tongued and career driven. But, the sweetness and light is found with Aunt May, a former nun in the midst of a romance with mailman.
McDermott is a master at displaying human emotions and behaviors in a way that you swear the characters are in your life; just ghosts who have just passed into another room while you weren’t looking.
As an aside, can I just say how much I love the slug scene that appears in the beginning of the book and then returns at the end?

Line I liked, “She inherited her mother’s easy access to regret” (p 52) and “The need to disagree rose in her like appetite” (p 87).

Author fact: I am reading five McDermott books. I cannot wait for That Night and Child of My Heart. I have already read Charming Billy and The Bigamist’s Daughter .

Book trivia: this should have been a movie.

Setlist: “All the Things You Are” by Jerome Kern, “Wild Irish Rose”, “I’ll Be Seeing You”, “I’ve Been Working On the Railroad”, “Rambling Wreck From Georgia Tech”, and “The Caissons Go Rolling Along”.

Nancy said: Pearl did not say anything specific about At Weddings and Wakes.

BookLust Twist: from Book Lust in the chapter called “A…is for Alice (p 1).

Grow Your Business with ChatGPT

Kelley, Steve. Grow Your Business with ChatGPT: The 5-Step Al Blueprint to Generate More Revenue by Automating and Optimizing Your Business Processes Using Artificial Intelligence. Kindle Edition, 2023.

Reason read: as a member of the Early Review Program for LibraryThing I am occasionally asked to review interesting books. My institution is getting into ChatGPT and so I thought I would expand my horizons a little with this review.

Confessional: I didn’t read the fine print about how this book would be delivered. Yes, I knew it was an e-book. Yes, I knew the author would send me a link. No, I didn’t know it would be an Amazon-only product (brought to you by Kindle). I don’t own a Kindle. What if I didn’t even have an Amazon account? I have to log into Amazon as if I am shopping in order to read Grow Your Business with ChatGPT. Amazon’s bots must think I’m doing a lot of browsing, but I never seem to buy anything.

Second Confessional: I don’t have a business from which to generate more revenue. I don’t have a business to automate. I don’t have a business process to optimize. I chose Grow Your Business with ChatGPT: The 5-Step Al Blueprint to Generate More Revenue by Automating and Optimizing Your Business Processes Using Artificial Intelligence because I wanted to come at it from the perspective of someone who is interested in starting a business. A business to automate and optimize and certainly from which to generate more revenue (who doesn’t want that).

I found Grow Your Business with ChatGPT to be very straightforward and dare I say, fun? Kelley writes with a conversational tone when his subject matter could be very dry and technical. Confessional Number Three: I did skip some parts, but only when he told me I could. There is a lot of sound advice and solid information in the parts I did read. In truth, I think Grow Your Business with ChatGPT is best suited for the audience Kelley intended – the folks already in business; the people wanting to stay well ahead of the curve.

Berserk

Mercy, David. Berserk: My Voyage to the Antarctic in a Twenty-Seven Foot Sailboat. Lyons Press, 2004.

Reason read: June is the month to celebrate the ocean. Nothing celebrates the ocean more than sailing on it.

From the very onset, David Mercy is a little berserk. Who signs up to sail to the Antarctic with two other men he met only a week earlier? Mercy does. He agrees to travel in a twenty-seven foot sailboat with a twenty-one year old Norwegian and an immature Argentine. The book opens with the three of them, practically strangers, in the middle of a hurricane off Cape Horn. But Mercy is no stranger to adventure – he has already been to the Congo, Outback of Australia, Tibet, China, India, the Bering Sea, and Mexico. He has been on every continent save one. Antarctica. Mercy is not tethered to the normal trappings of adulthood – no job to clock, no romantic or plutonic relationships to miss, pets nor even a vehicle to look after; nor is he afraid to try new things (like touring the La Paz prison system with a cocaine-dealing inmate). This is the perfect time to sail to the Antarctic with a couple of strangers. What could possibly go wrong?
Aside from the adventure it was to reach the Antarctic, Mercy’s story is primarily about getting along (mostly not) with his shipmates. His rash choice to travel with these men is a little suspect. “Jarle had seemed competent enough in the ten minutes we had spent together” (p 31). Sure. Then there’s whiney Manuel. This man wants to go home at the first sight of whitecaps or hard labor. Stating the obvious, the infighting begins immediately. I don’t know about you, but I would think it a red flag to travel to the Antarctic (or anywhere) with someone who has never heard of Shackleton. Just saying.

As an aside, I am not a fan of inconsistencies. Mercy says “I undress, stripping off my wet clothes” but several sentences later someone “grabs me by the collar of my Richard III sweater” (p 5). What gives? Did he undress or not? Is it that I don’t understand what a Richard III sweater is? As an another aside, Mercy seems fashion-centric. Besides the Richard III sweater (whatever that is), he is wearing a Peruvian llama-wool cap. But, I digress. Back to inconsistencies. At one point he dons a Viking helmet but a few sentences later he was forced to cover his head to protect his scalp from dive-bombing skuas. Wait. I thought he was already wearing something to protect himself? What happens when the writing skills do not match the caliber of the adventure begging to be told? You sigh and move on because, overall, it’s such a great story.

Author fact: Berserk is Mercy’s only work in LibraryThing. He calls himself a director and producer of film.

Book trivia: Berserk contains no photography even though they all took turns with a camera. Bummer. I would have liked to see the whales or at least a penguin.

Playlist: AC/DC’s “High Voltage”, Iron Maiden’s “Rime of the Ancient Mariner”, Metallica’s “Sanitarium” and “Unforgiven”, James Hatfield, Grateful Dead, and Red Hot Chili Peppers.

Nancy said: Pearl said “Here are some books about sailors whose grasp of the fundamentals is much better than mine…and many of whose outcomes were far worse” (Book Lust To Go p 201).

BookLust Twist: from Book Lust To Go in the chapter called “See the Sea” (p 201).

Everything All at Once

Catudal, Steph. Everything All at Once. Harper Collins, 2023.

Reason read: Team Rivs!

Celebrity is a weird thing. I first learned of Tommy “Rivs” Puzey when my husband bought me a new treadmill and it came with a free subscription to some training thing called iFit, a catalog of pre-recorded training/workout videos. I was a once-upon-a-time long distance runner, sidelined by injury and in desperate need of a comeback. Running was my therapy, truly the only way I could clear the mental fog caused by the everyday world that could cloud my wellbeing. One of my first workouts was with a strange, very tall, bearded man who walked and ran on tiptoe and called himself Rivs. He always wore a hat, tripped a lot and had many sayings that would soon become mantras (don’t get dead being one of my favorites). In addition to giving great advice about getting back into running, Rivs talked geology, anthropology, architecture, physiology, linguistics and history like a soft-spoken nutty professor. He couldn’t run by a plant without naming it or sometimes tasting it. I learned more about Portugal by running “with” Rivs than had I been there with a flag-yielding group tour guide. Aside from his didactic nature, I couldn’t help but be drawn in by Rivs; a guy who tries to eat an unripe olive straight from the tree (bitter!), or licks rocks to taste for salt, or is humble enough to not edit out the part when he falls on his ass while running down a steep hill. (Stay vertical!) Kind and considerate. In one session, calling himself rude, he actually apologized for eating a persimmon he knew his viewers could not taste. Who does that? I’m sure I’m not alone when I say I tried to finish every series Rivs shot (except Japan eludes me to this day). So, when I got the news Rivs was deathly ill (good old Instagram) I was floored. Like millions of other avid fans, I followed his case and condition as best as social media would allow. Once he was well enough to reach out to the world, we all, from every corner of the earth, anxiously awaited the words “not today.” We willed the words Not Today to show up every. single. day. I know I would feel a sense of despair when a few days would go by without those two simple words that held so much weight. I found myself praying for a complete stranger. And I am one of the faithless.
Then came Steph. Beautifully broken but brave Steph. As his wife, she became the lifeline for us Rivs fanatics. Team Rivs. She filled us in on treatments and prognosis. Her words were the balm despite the potential for permanent bruising. I fell in love with her lyrical fragility. Her words were at once stark and orchestral. A single cello note held low and sweet in orchestral medical chaos.
But, oh how I digress. Steph’s book, Everything All at Once, is what I’m here to talk about.

Reading Everything All at Once, it is as if Steph Catudal takes off all of her clothes, stands before you, and shamelessly points out every emotional battle scar she has ever acquired over the years. In the vehicle that is Everything all At Once and without fear she describes the historic places where her childhood cut and coming of age left invisible burn marks. With total honesty she appears to leave nothing out. The rage, the rebellion, the overwhelming urge to self-destruct. She courageously shows you her biggest wound: how she coped with the pain of losing her father to cancer. She embraced drug-fueled recklessness as a mechanism to forget; a secret seething rage. She didn’t know who she was without the destructive behavior of addiction. Her healing is a story in itself but wait, there is more. Her youth is only a preface to a bigger disaster of the heart. When her husband of twelve years develops a cancer so rare only ten other people had its diagnosis (and didn’t survive), Steph acquires the ultimate damaging scar only love can inflict. He is expected to die. How many times can medical professionals and hospital chaplains tell you this before you believe it? Expect it? Steph had to wish end of life in order to be in the same hospital room as her husband. I don’t want to spoil the rest of the book. I spent way more time explaining its importance than reviewing it. In a nutshell, Steph is a rare bird, rising from the ashes of a past that should have killed her. Instead, she emerges stronger, more resilient, and dare I say, even more badass?

As an aside: as soon as I read these words from Steph, I knew I wasn’t crazy for having a connection to Rivs, a complete stranger: “Once Rivs let you in, it was almost impossible not to love him. To not be changed by him.” I want to tell Steph this: you don’t have to be let in. You don’t have to know Rivs at all. You can be a stranger, a nameless and faceless fan on a treadmill, listening to him babble on about bitter olives and basalt tile and it will have an inexplicable impact on your life. Losing weight, trying to get fit, recovering from illness, striving for mental health, keeping the demons at bay. Whatever the reason for getting on the treadmill, it’s personal. Rivs somehow reaches through the technology with humble grace and holds you up, keeps you going. Eyes Up. Without telling you he tells you; you are not alone.

Playlist: Pink Floyd’s “Comfortably Numb” and Mason Jennings

Broken Soul

Krompinger, Keith. Broken Soul. Archway Publishing, 2023.

Reason read: someone practically threw this at me and dared me to read it.

Very. Dramatic. Language. I dare you to count the number of pages that do NOT include references to violence, sex, drugs, devils or demons. You will lose count because if someone isn’t being tortured or raped, he or she is dying a very violent (and very graphic) death. But, wait. There’s more. The women have lots of crimson hair, they must be undressed and stared at for a little while before they are “sexually raped”, tortured, and finally put out of their misery with a brutal murder. Oh wait. I forgot to mention the cannibalism. People being eaten alive on some strange Caribbean island.
Unfortunately, the violence is laid on so thick there is very little character development. As each person met a horrible fate, I didn’t care. Go ahead. Dress the women in weird outfits before painting their bodies with symbols, raping them and then eating them alive, body part by body part. I shrugged off the rape and torture as if was a breakfast scene with pancakes and eggs. I didn’t know any victim well enough to want them to live. Even when someone had their jugular bitten out, I shrugged with indifference. I couldn’t tell you the plot if I tried other than to say some guy is haunted by his wife’s murder. He is being called to revenge by a demon (or something with red eyes in the mirror) while his teenage daughter has her own coping mechanisms with drugs.

Here are my questions: there is a scene when the “good guys” enter a building with guns ablazing. They kill four people with a double barreled shotgun, but afterwards two people are heard talking upstairs. Are those people deaf? Didn’t they hear the blasts? Wouldn’t they be yelling or running or yelling while running?

Is it normal for someone to rush to a crime scene with enthusiasm? Cops are fueled by adrenaline, yes. But enthusiasm?

Do the women have mirrors in their jungle captivity? Because they all seem to know about the paint marked on their faces.

Poison Heart Death Club. Is that anything like Lonely Hearts Club Band?

I don’t really understand the timeline: 10/12/10 5am, 3:30am, 11:45am. 11/8/05 11:23pm, 2:45pm, 6:24pm. Is this still 11/8/05? The hours ticking by down give me a sense of suspense, but this timeline is all over the place. I lost track.

How often do you hear someone say the word ravished?

What is a Kailua drink?

Why “parts of her heart” in her mouth? Why not her whole heart stuffed in her mouth and only parts could be seen?

The characters do a lot of smirking no matter what the situation.

Confessional: I left Broken Soul in a recycling bin in New York City.

Little Prince

Saint-Exupery, Antione de. The Little Prince, 75th Anniversary Edition. Translated by Richard Howard. Editions Gallimard, 2018.

Reason read: July is considered Children’s Book Month.

The preface to this review is that I somehow picked up the 75th anniversary edition of The Little Prince. In addition to reading a cute short story designed for children of all ages, I am reviewing the history, making, and perceptions of the classic tale. It includes Saint Exupery’s biography, tons of beautiful photographs, and fourteen appreciation essays. Really cool. The story of The Little Prince starts with a downed aviator (probaly Saint-Exupery himself), trying to fix his plane. He encounters a young boy, “the Little Prince” who asks him to draw him a picture. From there, the story blooms into a tale about a child’s relationship with adult realities. The child ends up being more mature than the adults he encounters. Grownups always need explanations.

As an aside, it brought a shiver to my spine when the Little Pricne asked the pilot if he fell out of the sky for that is how Saint-Exupery died.

Quotes I liked, “One must command from each what each can perform” (p 111) and”You risk tears if you let yourself be tamed” (p 153). This last line reminds me of Natalie Merchant’s line, “To pick a pick a rose you ask your hands to bleed.”

Author fact: to look at Saint-Exupery is to hear a French accent. His face is oh so France.

Book trivia: the French version of The Little Prince was translated by Vali Tamm and published in April 1946, two years after Saint-Exupery’s death. The 75th anniversary edition was supposed to have a free audio download, but the url didn’t work. I found another version (or maybe it’s the same one) on YouTube for the 70th anniversary.

Nancy said: Pearl said Saint-Exupery is best known for The Little Prince.

BookLust Twist: from Book Lust in the chapter called “Flying Above the Clouds” (p 89). In theory, The little Prince should not have been included in this chapter unless you call living on a tiny planet flying high above the clouds…

Wanderlost

Patton, Natalie Toon. Wanderlost: Falling From Grace and Finding Mercy in All the Wrong Places. Paraclete Press, 2022.

Reason read: As a reviewer for LibraryThing’s Early Review Program, I was chosen to read Wanderlost.

Confessional number one: I couldn’t help but think of Gilbert’s Eat Pray Love the entire time I was reading Wanderlost. In a nutshell: Woman goes through difficult divorce. In order to heal she needs a spiritual overhaul and so travels as far away from her American life as her wallet can handle. Woman finds love and comes to find home in her heart. The end. Both women are funny and a tiny bit scandalous. Both have a deep understanding of religion, history and culture. Both develop friendships and relationships which sustain them and even mature them. One might complain about the heavy emphasis of religion in Wanderlost, but all signs point to this being about faith, losing and gaining it: the church on the cover, the religious publishing company that made Wanderlost possible, and Toon’s own description of the book, “once-golden girl finds herself kicked out of church…” From all of these clues one might perceive a religious theme. Confession number two: when Patton dives into the subject of religion, her tone turns didactic. she loses the personal (and humorous) voice and becomes a lecturer.

Confessional: because I am not deeply religious, I couldn’t understand why Patton’s mom could get a divorce and not be rejected by her church. Dad smoked pot before it was acceptably legal. How did Natalie’s church of choice not care about these transgressions?
Another confessional: I couldn’t decide if I liked the use of brand names. While it lent an authenticity to time and place, it alienated me when I wasn’t familiar with the product.

Author fact: Patton has a cat named Genghis Khan, according to the back cover of Wanderlost.

Book trivia: every chapter is a title of a song but not every song gets credit.

Playlist: “Amazing Grace”, Bad Company, the Beatles’ “Let It Be”, Brandi Carlile’s “the Story”, Billy Idol’s “Dancing with Myself”, Bob Dylan’s “Blowin’ in the Wind”, Cat Steven’s “Moon Shadow” and “Morning Has Broken”, “C’est La Vie”, “Don’t Stop Believin'”, “Daylight and Darkness”, Diana Ross, Dolly Parton’s “Nine to Five”, Emmy Lou Harris, Elton John’s “Candle in the Wind”, “Fairest Lord Jesus”, Florence and the Machine’s “Dog Days are Over”, Gilberto Gil, Grateful Dead’s “Fire on the Mountain”, AURORA’s “Into the Unknown”, Hootie’s “Hold My Hand”, “Hark! The Heralds Sing”, “I Came to the Garden Alone”, “In a World of My won”, “Jingle Bells”, Joni Mitchell’s “River”, John Denver’s “Country Roads”, Marisa Monte, “Mary Did You Know?”, Nora Jones’s “Don’t Know Why”, “On the Road Again”, Patsy Cline’s “Crazy”, “Roll another Number”, “Strangers in the Night”, Simon and Garfunkel’s “Bridge Over Troubled Waters”, Tom Jobin, U2, “Wayfaring Stranger”, and “Who’ll Stop the Rain”,

Little Life

Yanagihara, Hanya. A Little Life. Penguin Random House, 2015.

Reason read: two reasons really. One, because I needed a book for the Portland Public Library Reading Challenge in the category of “A book published in the last ten years [I] think will be a classic.” Two, because my sister sent this in the mail. If you know the book then you know it is over 800 pages. I can’t believe she mailed it to me. I (selfishly) would have waited until she was in town if the roles were reversed.

To be one hundred percent honest, A Little Life disturbed me though and through. While on the surface the story follows the lives of four college friends, they all have serious issues that border on all-out tragedy. Living in New York and trying to make a go of different careers, it is terrifying to watch their weaknesses chew them up and spit them out one by one. At the same time, there is something unnervingly beautiful about their friendships despite vastly different upbringings. At the center is Jude. Beautifully broken Jude. At times I wanted to hurl his story out the window in seething frustration. He doesn’t want to talk about his life. He is a mystery. He can’t talk about his parents of ethnic background for fear of betrayal. He can’t navigate stairs and needs an elevator. He cuts himself to the point of suicidal. He’s not white and doesn’t mention his childhood. He’s always in pain, wearing leg braces or using a wheelchair. His injury is not from an accident but something deliberate. He is a glutton for punishment beyond human sanity. He went to same law school as his friend Malcolm’s dad. He is the most beautiful of the group; and the most sly. He doesn’t like to be touched. Yet, he is a loyal-to-the-core friend. Like a many-layered onion, the reader peels back the mystery that is Jude. When you get to his core you’ll wish you hadn’t. The abuses he suffers are so numerous and varied; each one more horrifying than the next that you have to ask yourself, how much trauma can one soul take?
Jude’s loyal and loving friends:
Willem: He is always hungry. He is good looking but not as beautiful as Jude. He is from Wyoming and both of his parents are dead. He’s not a big drinker or drug user. He works in a restaurant and his brother, Hemming, is disabled. He’s also an actor who, in the beginning, gets mediocre parts. His fame is a source of wonderment.
J.B (Jean-Baptiste): Like Willem, he is always hungry. He lives in a loft in Little Italy and works as a receptionist. He fancies himself an artist that works with hair from a plastic bag. His mother pampers him ever since his father died. Internally, he competes with his peers. He is sleeping with Ezra and has an artist studio in Long Island City. He is the proverbial “I don’t have a drug problem” denying man. He can’t give up his college days. They all can’t.
Malcolm: He never finishes his Chinese takeout, but he always orders the same thing. He lives with his parents and has a sister named Flora. He is taking a class at Harvard.
Digging into the meaning of friendship there was one concept that had me rattled. The potential for friends to outgrow one another. I have experienced it and Dermot Kennedy wrote a whole song about it, but I don’t think anyone has written about it so eloquently as Yanagihara.
Here is another confessional: this took me ages and ages and ages to read. There is a lot going on with many, many characters. Like extras in a movie, these people don’t amount to much, but at the time they were introduced I couldn’t be sure. I wanted to commit every single one to memory, but the parade of people was dizzying: Andy, Annika, Adele, Ana, Avi, Alex, Ali, Charlie, Carolina, Caleb, Clement, Clara, Dean, David, Dominick, Ezra, Emma, Fina, Findlay, Gabriel, Gillian, Harold, Hera, Henry, Isidore, Jansz, Jason, Jackson, Joseph, Jacob, Julia, Kerrigan, Lawrence, Luke, Lionel, Liesl, Lucien, Laurence, Merrit, Massimo, Marisol, Meredith, Nathan, Oliver, Peter, Phaedra, Pavel, Robin, Richard, Roman, Rhodes, Sally, Sonal, Sullivan, Sophie, Topher, Thomas, Treman, Zane. I could go on and on.

Quote to quote, “He could feel the creature inside of him sit up, aware of the danger but unable to escape it” (p 138).

Playlist: Haydn Sonata No. 50 in D Major.

Author fact: Yanagihara graduated from Smith College. Too cool.

Book trivia: Little Life is Yanagihara’s second book.