Dastgir, Rosie. A Small Fortune. New York: Riverhead Books, 2012.
On the surface A Small Fortune is about a lonely man who obtains an inheritance from a recent divorce. The dilemma is not what Harris should do with the money; there are plenty of family members who all feel entitled to at least a portion of it. First, there is the family back home in Harris’s native Pakistan. Then there is his struggling nephew who can’t find happiness with any employment venture. While she hasn’t asked there is also his fiercely independent and completely Westernized eighteen year old daughter four hours away in London. The real struggle arises when Harris impulsively hands over a majority of the inheritance to the least deserving yet most conniving cousin. When Harris realizes his mistake and then wants the money back he cannot summon the authority to demand its return. Amidst all this turmoil Harris wrangles with starting over as a single parent to a secretive daughter while trying to juggle a new relationship with a woman equally as independent as his daughter. Harris’s entire personality has to undergo a transformation in order for him to cope.
The majority of the time I was reading A Small Fortune I had this nagging thought that wouldn’t shake loose. The main character, Harris, reminded me of someone else in fiction. Someone epic. It bothered me that I couldn’t put my finger on who that other character could be; I couldn’t pin her/him down. So, I started a list of characteristics for Harris: fatherly, over-protective, slightly unlikeable, scheming, paranoid, eager to please, impetuous…And then it dawned on me. Garp. T.S. Garp from The World According to Garp. Dastir’s Harris could be related to Garp, a half-brother of sorts. Throughout A Small Fortune Harris is so wishy-washy I wanted to slap him several times over. The fact that Dastgir was able to create a character that evoked such emotion in me is a testament to her writing ability. Harris really did annoy me that much.
My favorite character was Harris’s daughter, Alia. She hovers between obligatory concern for her father and resentment because he hinders her freedom to be modern. Her independence as a western girl is compromised by his old world culture.