Black Tents of ArabiaPosted: 2018/12/30
Raswan, Carl R. The Black Tents of Arabia: My Life Among the Bedouins. Boston: Little, Brown, and Company, 1935.
Reason read: The movie, Lawrence of Arabia, was released in December of 1962.
Raswan spent more than twenty years with different Bedouin tribes of Arabia. He went along with them hunting, raiding, battling and surviving as they migrated across the unforgiving arid desert. He submersed himself in the Ruala tribe, learning their customs and traditions on an intimate level. This intimacy and his passion for Arabian horses helped him escape enemy clutches when they were ambushed more than once. How he managed to avoid certain death was beyond me.
Raswan’s language has the ability to take the reader on his adventurous journey. In Black Tents of Arabia he had a way of describing sights and sounds that brought his wild experiences to life. Here’s one of my favorites, “In our tumble-down car there were now no less that seven men: Ibrahim, Ali, two Bedouin rafiqs, two soldiers, and myself; also a gazelle, a greyhound, and two hens. We were packed like sardines: we had to hold on to anything that we could and change grips when the hand threatened to go to sleep. But with thirteen arms interlaced (Ibrahim’s free arm controlled the steering-wheel) we prevented the car from falling apart, nor could any passenger fall out without the knowledge of the others” (p 122).
Quote I needed to quote: Here’s an example of romance in the desert. Faris says to his love, “The blade of my dagger reminds me that I shall never be at peace until the slender blossom bends before the storm of my love” (p 61).
Author fact: Raswan took all of the photographs featured in Black Tents of Arabia.
Book trivia: There are a generous number of photographs in Black Tents of Arabia. I counted over 65 photographs and they are remarkable.
Nancy said: Pearl said Black Tents of Arabia is “a hymn of joy and affection for the nomadic life” (p 25).
BookLust Twist: from Book Lust To Go in the chapter called Arabia Deserta” (p 23).