Ginzberg, Natalia. The City and the House. New York: Seaver, 1987.
Reason read: April is Letter Writing Month. The City and the House is epistolary.
Giuseppe leaves Italy for Princeton, New Jersey where his newlywed brother has promised him a teacher of Biology position. Cousin Roberta keeps him up to date on what has happened to his apartment since the new neighbors moved in. She also supplies very gossipy reports on the doings of Giuseppe’s movie-maker son, Alberico and exlover, Lucrezia. But, Giuseppe and Roberta are not the only ones in communication. Letters confirming and denying gossip and truth fly back and forth between various friends, lovers, and family. The different perspectives remind me of Michael Dorris’s Yellow Raft in Blue Water.
Confessional: In the beginning I had to keep a notebook of all the characters writing back and forth to one another; the correspondence of family members referencing other family members, neighbors, and friends all flowed back and forth like a storm-tossed tide. But like any written correspondence there are gaps in information and speculation fills those gaps. Is Lucrezia in love with Ignazio Fegiz? She can barely stand to write his name. Hints becomes reality. It was interesting to see the cycle of relationships, people moving back to one another while others move on entirely.
Quotes to quote, “Two people can get along very well without having anything to talk about (p 36) and “Once you’ve reached a certain age you realize that either you stand on your own two feet or you’ve had it” (p 70).
Author fact: Ginzburg was an Italian Communist.
Book trivia: The City and the House is Ginzburg’s last novel.
Nancy said: Pearl said if the literary technique of tales told in letters The City and the House is a good one.
BookLust Twist: from Book Lust in the chapter called “Epistolary Novels: Take a Letter” (p 79).