I Remember Church Going

Larkin, Philip. “Church Going.” The Less Deceived. New York: St. Martin’s Press, 1965,

Larkin, Philip. “I Remember, I Remember.” The Less Deceived. New York: St. Martin’s Press, 1965.

The beginning of “Church Going” is the most fascinating. The author visits a church (not his first, nor his last) and describes what he sees and does in this latest church. There is a sense he doesn’t quite believe in the place or his unspoken reason for being there. There is a skepticism in his tone that suggests a deeper disbelief. It begins with the very first line, “Once I’m sure there’s nothing going on” [in the church] (p 28).

“I Remember, I Remember” is a little more straightforward but as equally honest. The speaker is traveling with a friend and discovers a forgotten place from childhood. Immediately, the remembering begins. My favorite line is delivered by the friend, “You look as if you wish the place in hell” (p 38). I can think of a few places in my life where I would have that look!

BookLust Twist: From More Book Lust in the chapter, “Poetry Pleasers” (p 189).

Noblest Roman

Halberstam, David. Noblest Roman. Boston: Houghton Mifflin, 1961.

Noblest Roman is Halberstam’s first book. It is also one of the only two works of fiction he wrote. He would go on to prefer writing nonfiction after One Very Hot Day. It makes me wonder about the artistic preference. Why switch from fiction to nonfiction – never to go back again? It’s like the musician who prefers classical music after years of performing heavy metal. Or the watercolor painter who switches to pencil halfway through his career.

Okay. I’m off track.

Noblest Roman takes place in the south (Mississippi) and is a sly commentary on state level elections and the crookedness that comes about in small, rural communities – especially when bootlegging and prostitution are involved. I found the plot to plod and character development to be contradictory. Everything moved too slow for my taste and while one might argue that is the southern way, I found myself sleeping at the wheel too often. It is curious to note that Noblest Roman was inspired by true Mississippi events. Maybe Halberstam wasn’t that far away from nonfiction after all.

Favorite lines: “He changed the subject from Little Bilbo’s woman because listening to the old man talk about her was almost as bad as listening to her in person” (p 10). Had to laugh at that one.
“By all rights he should have been tired and unshaven and rumpled, but he looked fresh and rested. The campaign did not show on him” (p 49).
‘”I’m an old man, Angelo. Before I had a wife. Now I have a wife and a doctor”‘ (p 106).

BookLust Twist: From More Book Lust in the chapter, “David Halberstam: Too Good To Miss” (p 112).

Why so Few Blacks Study Creative Writing

Eady, Cornelius. “Why So Few Blacks Study Creative Writing.” The Gathering of My Name. New York: Carnegie Mellon University Press, 1991.

Such a long title for such a short poem! Here are the tags words I used for this poem: teacher, education, writing, students, culture, and faith. To me this was all about a growing frustration of a teacher; frustration with his students and their lack of interest in writing. I could almost see the blank stares, the “I don’t get it attitude.” I don’t think this is a cultural problem, but a culture-less epidemic that spans illiteracy and disinterest.

BookLust Twist: From More Book Lust in the chapter called, “Poetry Pleasers” (p 189).

Cancer Come Get Me

Carver, Raymond. “What the Doctor Said.” All of Us, New York: Vintage Contemporaries, 2000.

“What the Doctor Said” is about a patient receiving word from his (?) doctor that he has cancer, a cancer so lethal the doctor “stopped counting” the tumors on one lung. You can’t pray but it won’t make a difference. It’s heart breaking and stark. The message is beyond clear. You. Are. Going. To. Die. No bones about it. No hope. No cure. No way out. Imagine that. You are D-E-A-D.

This poem is perfect timing for me. I have mentioned before I have signed up for a cancer walk. 60 miles in three days. The attitude is yeah-yeah another charity. I’ve even gotten an eye roll. I hear the words: So what? Big freakin’ deal. I shouldn’t take it personally, but it still amazes me. No one has asked how they can help. No one has asked ‘how can we donate to the cause?’ They can’t wrap their brains around the fact that this walk could save a life. This walk, this dollar donated might make a difference. It’s amazing. It’s as if the world has become cynical enough to say “you won’t make a difference so I won’t throw my money away.”

What happens when you get a life threatening illness? What happens when you are told you will die? How does it make you feel to have someone say it won’t help you? The attitude is “so why don’t you go ahead and die? It will be painful but just die because I can’t make a difference. I won’t make a difference.”

Drives me nuts.

Tract

Williams, William Carlos. “Tract.” The Collected Earlier Poems of William Carlos Williams. New York: New Directions, 1951.

This is an ashes to ashes, dust to dust kind of poem. Williams is pleading with his community to spare the glitz and glamour when it comes to burying the dead. He believes in sending a body back to the earth in the simplest way possible. A gentle return, if you will. He asks that his townspeople remember the person for who they were and not who they wanted to be. Do not remember them by the status they kept in society, but rather by the things the departed held dear. Share emotions like grief for they are the true gifts of mourning.

BookLust Twist: In More Book Lust in the chapter, “Poetry Pleasers” (p 189).

Astonishing Splashes of Colour

MorrallMorrall, Clare. Astonishing Splashes of Colour. New York:  Harper Collins, 2004.

This is the kind of book I could read a thousand times over. This is the style of writing I most identify with. Astonishing Splashes of Colour is so intimate and in-your-face I feel as if Morrall’s main character, Kitty, is leaning in to tell me deep and dark secrets, stories of embarrassing moments, and airing her dirty laundry with a wave of her hand and an air of factual nonchalance. She makes me squirm with her frankness, her vulnerability. Helpless and hopeless, Kitty is the me in the mirror.

Kitty is a thirty-something with something to hide. Her past has as many demons and devils as it does angels. Losing her mother at three years old, the knowledge of an older sister who ran away from home, the fact having four brothers who not only are disconnected from one another but only pretend to be connected to her, the frustrations of having a father who loses himself in painting and has episodes of pouting, the confusion of having an excessively neat husband who lives across the hall in a separate apartment, the heartbreak of a miscarriage Kitty insists on waiting for after school…then there are the colors. Kitty has the uncanny ability to see human emotion, human circumstance as a myriad of color. Her world is not black and white sane, but rather a rainbow of mental chaos. As if all this wasn’t enough everything turns out different from what one would expect. I couldn’t put it down…

Lines I can relate to: “I fight back a wave of giggles that threatens to ripple through me” (p 63). I laugh at inappropriate moments, too.
“I can’t decide which is worse, to not have a mother, or to not have children. An empty space in both directions. No backwards, no forwards” (p 65).
“I would have books around me even if I were blind. I need the smell” (p 138).

There are, of course, many more lines I could quote. This novel, this flash of brilliance definitely resonated with me.

BookLust Twist: From More Book Lust in the chapter called, “Sibs” (p 201).

Table Talk

table talk
Stevens, Wallace. “Table Talk.” Opus Posthumous. New York: Alfred A. Knopf, 1957.

I like the first line best, “Granted, we die for good.” I can just imagine two people sitting around a kitchen table talking about why they like certain things and how it all matters only when you are alive. While all poetry can be manipulated to suit the reader, I believe that Wallace’s philosophical nature comes through in “Table Talk.” There is an awareness to the good things in life; the joys of being alive. It’s almost as if this poem is more than good timing.

BookLust Twist: From More Book Lust in the chapter “Poetry Pleasers” (p 189).

I Go Back

Olds, Sharon. “I Go Back to May 1937.” The Gold Cell. New York: Alfred A. Knopf, 1987.

I must have read “I Go back to May 1937” a dozen times. It’s so personal, so haunting, so intriguing. The narrator (presumably Olds) wishes she could go back to the time just before her parents got married just so she could stop them from getting that together. She wants to warn them of the hurt they will cause each other and their child. Instinctively you want to know more – hurt each other how? Physically? Mentally? Is she talking about divorce? She does say “he is the wrong man.” But!But.But, to stop her parents from falling in love and getting married is to undo her very existence. It’s a dilemma of curious proportions.

BookLust Twist: From More Book Lust in the chapter, “Poetry Pleasers” (p 189).

Bethlehem Road Murder

Gur, Batya. Bethlehem Road Murder. New York: Harper Collins, 2004.

I have a confession to make. Bethlehem Road Murder is the last book in a series recommended by Pearl. I should have read this one last. Dead last. Instead I read it first. Oh well.

I read Bethlehem Road Murder at the same time as The Concubine’s Tattoo and immediately I was struck by a huge similarity between the two stories (besides the fact they are from the same chapter in More Book Lust). Both books are centered around the murder of a woman. Both women were strikingly young and beautiful. Both women had experience as fighters (one in the army, one as a samurai). Both women had secret lovers and complicated histories. Both women were in the early stages of pregnancy at the time of death (which always throws a wrench into the question of motive).

Bethlehem Road Murder takes place in Jerusalem in a community locked in the ancient culture of Israeli society. They have their own way of governing; their own way of thinking. In the middle of this community lies a mystery. A beautiful woman is brutally murdered. Chief Superintendent Michael Ohayon must investigate the crime and solve the mystery while keeping within in line with the constraints of the rules of a close-knit community. Political and religion tensions between Jews and Arabs only serve to complicate the case. Of course, no murder mystery would not be complete without a little romantic intrigue and psychological guess work. Gur does not disappoint.

Favorite lines: “Each time he stood over a corpse…he imagined he felt every bone of his body and his skull laughing derisively beneath his flesh” (p 7). “Don’t you know that all real estate agents are crooks?” (p 9). I had to laugh at that one because just having gone through the process of buying a house for the first time my realtor is a saint!

Note: I think this was the first book I have ever read that included a no-nonsense account of most every detail of an autopsy.

BookLust Twist: In More Book Lust in the chapter called, “Crime is a Globetrotter: Israel” (p 58).

Concubine’s Tattoo

Rowland, Laura Joh. The Concubine’s Tattoo. New York: St. Martin’s Press, 1998.

In addition to being a great 17th century Japanese murder mystery The Concubine’s Tattoo is a commentary on honor and relationships. Sano Ichirois the shogun’s investigator who has recently celebrated an arranged marriage. In both his professional and personal life Sano must balance a code of conduct that is morally, politically and, of course, honorably sound. Sano’s latest case (on the night of his wedding no less) is the murder of the shogun’s favorite concubine. Entwined in this murder are complications concerning an heir, long standing cultural differences and rivalries. Rowland displays Sano’s progress on the case through the eyes of Sano’s new wife Reiko, his enemy Chamberlain Yanagisawa, his partner Hirata, and Sano himself as well as many other fascinating characters. One of the best enjoyments of Rowland’s book is her vivid, descriptive use of imagery. The details are so sensuous and alluring. They exquisitely cater to all five senses. Here are two quotes I particularly liked, “Her voice was a husky murmur that insinuated its way into Hirata’s mind like a dark, intoxicating smoke” (p 86), and “The cold air had a lung-saturating dampness” (p 166). 

One other detail I thought I should point out – Rowland is not afraid to describe vivid sex scenes of varying natures. Man on man, woman on woman, husband and wife, illicit seductions, and even rape. The scenes while reminiscent of lusty bodice-rippers are not overly flowery or “heaving.”

BookLust Twist: In More Book Lust in the chapter called, “Crime is a Globetrotter: China” (p 60).

Powers That Be

Halberstam, David. The Powers That Be. New York: Alfred A Knopf, 1979.

When I told a friend I was reading this as my last February book his eyes lit up – said that Halberstam was one of his favorites, “for the sheer irony of him.” Whatever that means.

Despite its heft (being 771 pages long), The Powers That Be was an extremely entertaining read. But, I have to confess I ran out of February and didn’t finish it in time. Back to the book: Halberstam’s style of writing is intimate. It is as if he is taking his reader into his confidences – leaning in to tell the reader secrets in a hushed, yet knowledgeable voice. His prose is not gossipy, but rather matter of fact. Yet, there is a hint of society tell-all about it. In one particular section Halberstam states Edward Murrow was “ungodly handsome” (p 40), but then does not offer proof by way of pictures or real description. The reader simply has to take his word for it (luckily I’m old enough to remember what Murrow looked like). Halberstam deftly wraps the political and economic climates around the historical who, what, where, when and why of all media giants. Events like the Great Depression, World War II, the Cold War, Communism, and Vietnam all played a crucial part in influencing print, radio and television communications. How the world received information changed all landscapes – political, economic, social, forever.

BookLust Twist: Mentioned twice in More Book Lust. First in the chapter called, “The Fourth Estate” (p 92) and in the chapter, “David Halberstam: Too Good To Miss” (p 112).

Cult of Personality

Paul, Annie Murphy. The Cult of Personality: How Personality Tests are Leading Us to Miseducate Our Children, Mismanage Our Companies, and Misunderstand Ourselves. New York: Free Press, 2004.

Okay. How many of us think of a well toned guy with long hair jumping around in bright colored spandex when we hear the words “cult of personality”? Am I the only one who thinks fondly back to Living Colour days? Probably. I’m showing my age.

At any rate, the book The Cult of Personalityby Annie Murphy Paul is compelling. Fearing it to be a dry, psychology “talk-shop” laden lecture on personality tests I read it along side a fictional psycho-babble book. Oddly enough, I found the nonfiction just as interesting as the fiction. Paul’s book didn’t need the fictional bells and whistles to be a page-turner. Paul has a style of writing that is reminiscent of Halberstam such that you feel as if you are getting good society gossip (like the details of a juicy affair) along with the cut and dried information on how a test was conceived.

BookLust Twist: In More Book Lust in the chapter called, “Dewey Deconstructed” (p 62).

March 2009 is…

March is going to be the month of new leaves. Hopefully, some on the trees but more for me. I am hoping to change some things along the way. Here’s hoping at least. March is also a number of great birthdays (Atty, rock on with your bad five year old self!). I was thinking March was music, but I’m rethinking that (although, Rebecca has come home). Needless to say, March is also a new address that’s keeping me really, really, really busy! *Quick house update: we got the washer/dryer hooked up, hung temp curtains, got the phones rewired, got another phone for man town, picked up a dehumidifier, unpacked all the house boxes, organized the kitchen, and got the cat to hang out in more than one room!*

Here’s what is on the list for March:

  • Concubine’s Tattoo by Laura Joh Rowland ~ in honor of March being the best month to visit Japan.
  • Daniel Plainway by Van Reid ~ in honor of Maine becoming a state in March
  • Drowning Season by Alice Hoffman~ in honor of Alice’s birth month
  • Famished Road by Ben Okri ~ in honor of March being African Writers Month
  • Bethlehem Road Murder by Batya Gur ~ in honor March being the best month to visit Israel

If there is time:

  • Industrial Valley by Ruth McKenney
  • Lone Star by T.R. Fehrenbach

And for fun it is:

  • Dewey the Library Cat by Vicki Myron (a Christmas gift I have been dying to read)

For the Early Review Program it is:

  • When the Time Comes by Paula Span (a nonfiction about preparing for the aging of your parents).

Bedtime for Frances

Hoban, Russell. Bedtime for Frances. New York: Scholastic, 1960.

Sometimes it is difficult to reread something from your childhood. I hate to admit that. Really. To me, that implies a loss of something special. I hit a roadblock when I reread Bedtime for Frances. Simply put, it is a cute little story about a badger that can’t fall asleep. She finds many reasons to stay awake: she needs kisses from her parents, she needs another glass of water, she hears a monster, and she sees a monster. The list goes on and on. This isn’t a badger only phenomenon. As a kid I can remember not wanting to go to sleep and finding a million reasons why I shouldn’t. Once I overheard my parents watching a program in the other room. It was Billy Joel talking about piano lessons. When he demonstrated the exercises he remembered from childhood I jumped out of bed and came running; for those were the very same exercises I had been practicing just the day before. But, back to the problem with rereading some books for kids. Instead of finding Frances cute or even laughable I was annoyed with her dare I say, childish antics. I identified more with the parents who wanted to eat their cake, drink their tea and watch television in peace. I couldn’t understand why they gave into every little Frances whim and request! In the end Frances fell asleep despite having a real life distraction to really keep her awake.

BookLust Twist: From More Book Lustin the chapter, “Russell Hoban: Too Good To Miss” (p 113).

A Reconstructed Corpse

Brett, Simon. A Reconstructed Corpse. Toronto: World Wide Books, 1996.

Just to hold this book in my hands was fun. It’s one of those pocket-sized paperbacks with a loaded cover. Depicted is a foggy night. A not so put-together man walks by an overturned metal garbage can. A large brown paper package tied with white cords and blood dripping from it has presumably spilled from the canister. Among the debris is broken egg shells, a worn shoe that has seen better days and an empty bottle. As if the title can’t tell you, you know by the illustration it’s a murder mystery.

Simon Brett’s A Reconstructed Corpse is a fun mystery. Charles Paris, a down and out actor, has been hired to play the role of a missing man on a true crime series called “Public Enemies.” Think re-enactment shows like “Unsolved Mysteries” or more recently, “America’s Most Wanted.” Charles’s role goes from that of a missing man to a presumed murdered man when body parts start showing up each week…right before airing. It’s a little too mysterious for Charles and soon he finds himself not only playing the dead man, but amateur detective on the side.

Phrases that caught my attention: “…fastidiously groomed and languid to the point of torpor” (p 9). “he put everything grittily – he was constitutionally incapable of speaking without grit” (p 29). He shoehorned a smile on to his face” (p 31).

I think my only complaint would be the silliness over identifying the body parts. The missing man’s wife was asked to look at the arms through plastic and she made an affirmative identification based on a fake Rolex watch. Whatever happened to DNA evidence?

 

BookLust Twist: From More Book Lust in the chapter, “All the World’s a Stage” (p 8).