Living High

Burn, June. Living High: an Unconventional Autobiography. New York: Duell, Sloan and Pearce, 1941.

I like books that make me ask questions. I like books that leave me wanting more. Not more of the story. Usually, the ending is adequate enough and I don’t need to know more about that. I am left wanting to know more about the author, about the life of the author at that time. Such was the case with June Burn. When I read Living High I held in my hands a first edition copy signed by June herself. Maddeningly, there were no pictures to guide my imagination. How old was she when she finished Living High? Where were her parents? What did she looked like? I pictured a fiery redhead with an unmatchable zest for life. But, I wanted the truth of who she was.

Living High is called an “Unconventional Autobiography” and I would have to agree. Not because it doesn’t cover a life from the sunrise of birth to the sunset of death, but because it has a moral to the story. There is a lesson to be learned within Living High’s pages and that lesson is live life to the fullest. Enjoy every single moment of each and every day. June is elegant and adventurous when describing living on the gumdrop island of Sentinel off Puget Sound with her husband, Farrar; or remembering walrus hunting and dogsledding in Alaska; or later, bombing around the west coast in the Burn’s Ballad Bungalow with Farrar and two kids (named North and South, I kid you not).

Best quotes: “Be thrifty with the things that count and you won’t have time to worry about whether your wallet is fullor not” (p 7), “To go on an island and pull the ladder up after us and live, untroubled by anything – that would be heaven” (p 11), and “the wind came howling out of the north, with icicles in its whiskers” (p 150). My favorite is, “When you walk you are somewhere at every step” (p 264).

Interesting side note: June changed her name and so did her second son, South. One day he decided he was Bobby or Bob.

BookLust Twist: From More Book Lust in the chapter called, “Living High in Cascadia” (p 149). Go figure.

Don’t Look Back

Fossum, Karin. Don’t Look Back. Orlando: Harcourt, Inc. 2002.

This is one of those mystery books you read on a rainy Saturday afternoon in one sitting. The story flows in a simplistic but compelling manner; An easy read with a great story line. As someone from LibraryThing once said suggested for a genre, “a bring-to-the-beach kind of book.” In that case Don’t Look Back was summer fare read too early (for me). It is the mystery of the death of a teenage girl. Known throughout her small town she was loved by nearly everyone. How could someone so charming, so lovable, so perfect die so young? Inspector Sejer is the lead investigator on the case. With calm and quiet tenacity he unravels a seemingly sweet life only to reveal lies and suspicions. This is the kind of mystery that keeps the pages turning as things become more and more complicated. Originally written in Norwegian and translated by Felicity David, Don’t Look Back urges the reader to keep turning the pages until compulsively, the entire book has been read from cover to cover.

Favorite lines: “Puberty was a really rough time. She was a sunbeam until she turned thirteen, then she began to snarl. she snarled until she was fourteen, then she began to bark” (p 71). ”

BookLust Twist: From More Book Lust in the chapter, “Crime is a Globetrotter: Norway” (p 59).

Edited to add: I read this back in 2009 but what I just discovered five years later is that it is also included in Book Lust To Go in the chapter called “Norway: the Land of the Midnight Sun” (p 163). So there!

Slow Dancing on Dinosaur Bones

Witt, Lana. Slow Dancing on Dinosaur Bones. New York: Scribner, 1996.

I don’t understand the title of this book. It should have been something about ghosts or Indians or something like that. Aside from the random primordial slime comment, dinosaurs don’t really factor into the title, figuratively or literally. And aside from the title confusion I loved, loved, loved this book! It provided me with laughs, cries, anger, confusion, fear, and even triumph. It was the kind of book that I couldn’t put down, yet I was terribly afraid of what would happen next.

Slow Dancing on Dinosaur Bones is a quirky story about a small town community. There is Gilman, the singing, bootlegging, gruff-but-loveable mechanic; Gemma, the town beauty with a viper’s heart; Ten-Fifteen, Gilman’s best friend; Tom, the from-out-of-town philosopher-turned-carpenter; and Rosalyn, the torch singer with a nasty secret. It’s that secret that supplies the suspense. Rosalyn has an ex-lover looking for her. Fearing harm, her friends hide her and take turns protecting her and falling in love with her. Meanwhile, to add to the drama there is a big, nasty, corporate coal company threatening to drill on Gilman’s land and a skeleton waiting in a prayer chamber for a shot of whiskey. There’s good old fashioned sabatoge and danger mixed with ancient love and laughter.

Best moments: “He remembered the exact moment he had decided to leave the beach and look for trouble, this decision coming from his belief that something and nothing are the same thing” (p 85).
“Sometimes you want to ask a person something, but it can’t be said in words, and you don’t know if he would understand it, anyway, so you think of other things to say, except the words won’t come out because they are trapped behind the question you want to ask” (p 114).
“I confused her when I gave her a glimpse of who I really am. Maybe a person should never try to be honest to their parents” (p 119).

BookLust Twist: From More Book Lust in the chapter called, “Small-Town Life” (p 202).

Quartered Safe Out Here

Fraser, George MacDonald. Quartered Safe Out Here: a Recollection of the War in Burma. New York: Akadine Press, 2001. 

I was hoping to take this on my 60 mile cancer walk – thinking I would have quiet nights to read and recuperate. No such thing. I never opened a page. Instead, I took it home to Monhegan and on the second to last day got it read. Confession: no small feat because I found it dull, dull, dull.

Quartered Safe Out Here is George MacDonald Fraser’s “memoir” about being in Burma as a 19 year old soldier in World War II. While it’s a vivid and honest first hand account about being in the thick of battle, I found it slow moving and tiring. Fraser takes great pains to get every accent phonetically spelled out – so much so that the written page looks like a foreign language at times. But, it wasn’t the accents that I found the most tiresome. It was the fact that nearly every every other page contained a footnote containing a special explanation or definition. Fraser could have added another 50 pages if the footnotes were included in the body of the text. Probably the scene that held my attention the best was when Fraser was looking in bunkers for ‘Japs.’ His innocence to the danger is touching.

BookLust Twist: From More Book Lust in the chapter ” Living Through War” (p 154).

Off Keck Road

Simpson, Mona. Off Keck Road. New York: Alfred A. Knopf, 2000.

I didn’t realize this book is a novella. 167 pages long. A piece of cake to read on a quiet Sunday. The sad thing is I didn’t really get into it, despite it being a quick read. The story starts off being about Bea Maxwell but then veers away to take in other members on and off Keck Road. The character placement seems jumbled. New characters appear without clear introduction or connection to Bea. I felt I needed a chart to keep characters straight. However, character development was brilliant, intimate even. When we first meet Bea, she is a college girl, home on vacation in the 1950s. She has certain definable traits that stay with her throughout the rest of the novella, ending in the 1980s. It’s a portrait of a woman who never leaves her small town. Her life never really takes her beyond Green Bay, Wisconsin’s city limits without reeling her back in.

Favorite lines, “He was the kind of man who ceded his place in traffic. He never asserted himself in conflicts over lanes or parking spaces” (p 80).

BookLust Twist: From More Book Lust in the chapter, “Big Ten Country: The Literary Midwest (Wisconsin).
Also in the chapter, “Two, or Three, Are Better Than One” (p 226). Note: in this chapter Pearl suggests reading Off Keck Road together with Our Kind: a Novel in Stories by Kate Walbert; two stories about the lives of women.

Speak

Anderson, Laurie Halse. Speak. New York: Scholastic, 2003.

You have to admire Melinda. From day one of school she is harrassed and hated. She storms through the first marking period of high school, gnashing her teeth and muttering to herself. She has no friends and is openly tormented by everyone from peers to parents. Melinda has a secret that not only eats away at her little at a time, but by the end of the third marking period, steals away her voice until she is practically mute. While she puts on a good act of wit and sarcastic humor on the outside, inside she is a girl trapped by confusion and fear. As her grades plummet and her family life slowly falls apart, Melinda struggles to keep her sanity. Speak took me only a few hours to read. Anderson does an amazing job capturing the voice of a tormented teen. She portrays the relationships every young adult has to endure: teachers, principals, parents, ex-best friends…with such honesty I found myself cringing…

Favorite funny parts: “Our boys are unbeatable as long as they are the only team on the floor” (p 76). “We are reading The Scarlet Letter one sentence at a time, tearing it up and chewing on its bones” (p 100). And one sad line: “I stuff my mouth with old fabric and scream until there are no soulds left under my skin” (p 162).

BookLust Twist: From Book Lust in the chapter “Best for Teens” (p 23).

Jameses

Lewis, R.W.B. The Jameses: a Family Narrative. New York: Farrar, Straus & Giroux, 1991.

Having read Lewis’s biography of Edith Wharton I knew what to expect when reading about the Jameses. Lewis approaches his subjects with an air of authority and an eye on detail and The Jameses: a Family Narrative was no different. Lewis covers the James family from 18th century Ireland up to the death of novelist Henry James in 1916. It is an impressive cast of characters. At best I could relate to Henry James, Sr., a man who railed against any model of institutionalized or organized religion. He spent a better part of his life on a quest to understand God, spirituality, and redemption. At times I found the rest of the narrative drawn out and too expansive. I have to admit, I did not finish.

Favorite quotes: “With Burnet as his agent, James bought Syracuse for $30,000” (p 12). Imagine that.

BookLust Twist: From More Book Lust in the chapter, “Literary Lives: The Americans” (p 144).

Colette

Hirsch, Edward. “Colette.” On Love. New York: Alfred A. Knopf, 1998.

 Probably the thing that grabbed me first about “Colette” is the fact it’s a mother talking to her daughter about marriage. The dos and don’ts on love. For a man writing from the female perspective it’s pretty cynical. There is a hint of humor when the mother mentions “one of her husbands” implying she hasn’t been all that expert on relationships either.

Favorite line: “Never underestimate the mysteries of love” (p 84)

BookLust Twist: From More Book Lust in the chapter, “Poetry Pleasers” (p 189).

I Remember Church Going

Larkin, Philip. “Church Going.” The Less Deceived. New York: St. Martin’s Press, 1965,

Larkin, Philip. “I Remember, I Remember.” The Less Deceived. New York: St. Martin’s Press, 1965.

The beginning of “Church Going” is the most fascinating. The author visits a church (not his first, nor his last) and describes what he sees and does in this latest church. There is a sense he doesn’t quite believe in the place or his unspoken reason for being there. There is a skepticism in his tone that suggests a deeper disbelief. It begins with the very first line, “Once I’m sure there’s nothing going on” [in the church] (p 28).

“I Remember, I Remember” is a little more straightforward but as equally honest. The speaker is traveling with a friend and discovers a forgotten place from childhood. Immediately, the remembering begins. My favorite line is delivered by the friend, “You look as if you wish the place in hell” (p 38). I can think of a few places in my life where I would have that look!

BookLust Twist: From More Book Lust in the chapter, “Poetry Pleasers” (p 189).

Noblest Roman

Halberstam, David. Noblest Roman. Boston: Houghton Mifflin, 1961.

Noblest Roman is Halberstam’s first book. It is also one of the only two works of fiction he wrote. He would go on to prefer writing nonfiction after One Very Hot Day. It makes me wonder about the artistic preference. Why switch from fiction to nonfiction – never to go back again? It’s like the musician who prefers classical music after years of performing heavy metal. Or the watercolor painter who switches to pencil halfway through his career.

Okay. I’m off track.

Noblest Roman takes place in the south (Mississippi) and is a sly commentary on state level elections and the crookedness that comes about in small, rural communities – especially when bootlegging and prostitution are involved. I found the plot to plod and character development to be contradictory. Everything moved too slow for my taste and while one might argue that is the southern way, I found myself sleeping at the wheel too often. It is curious to note that Noblest Roman was inspired by true Mississippi events. Maybe Halberstam wasn’t that far away from nonfiction after all.

Favorite lines: “He changed the subject from Little Bilbo’s woman because listening to the old man talk about her was almost as bad as listening to her in person” (p 10). Had to laugh at that one.
“By all rights he should have been tired and unshaven and rumpled, but he looked fresh and rested. The campaign did not show on him” (p 49).
‘”I’m an old man, Angelo. Before I had a wife. Now I have a wife and a doctor”‘ (p 106).

BookLust Twist: From More Book Lust in the chapter, “David Halberstam: Too Good To Miss” (p 112).

Why so Few Blacks Study Creative Writing

Eady, Cornelius. “Why So Few Blacks Study Creative Writing.” The Gathering of My Name. New York: Carnegie Mellon University Press, 1991.

Such a long title for such a short poem! Here are the tags words I used for this poem: teacher, education, writing, students, culture, and faith. To me this was all about a growing frustration of a teacher; frustration with his students and their lack of interest in writing. I could almost see the blank stares, the “I don’t get it attitude.” I don’t think this is a cultural problem, but a culture-less epidemic that spans illiteracy and disinterest.

BookLust Twist: From More Book Lust in the chapter called, “Poetry Pleasers” (p 189).

Cancer Come Get Me

Carver, Raymond. “What the Doctor Said.” All of Us, New York: Vintage Contemporaries, 2000.

“What the Doctor Said” is about a patient receiving word from his (?) doctor that he has cancer, a cancer so lethal the doctor “stopped counting” the tumors on one lung. You can’t pray but it won’t make a difference. It’s heart breaking and stark. The message is beyond clear. You. Are. Going. To. Die. No bones about it. No hope. No cure. No way out. Imagine that. You are D-E-A-D.

This poem is perfect timing for me. I have mentioned before I have signed up for a cancer walk. 60 miles in three days. The attitude is yeah-yeah another charity. I’ve even gotten an eye roll. I hear the words: So what? Big freakin’ deal. I shouldn’t take it personally, but it still amazes me. No one has asked how they can help. No one has asked ‘how can we donate to the cause?’ They can’t wrap their brains around the fact that this walk could save a life. This walk, this dollar donated might make a difference. It’s amazing. It’s as if the world has become cynical enough to say “you won’t make a difference so I won’t throw my money away.”

What happens when you get a life threatening illness? What happens when you are told you will die? How does it make you feel to have someone say it won’t help you? The attitude is “so why don’t you go ahead and die? It will be painful but just die because I can’t make a difference. I won’t make a difference.”

Drives me nuts.

Tract

Williams, William Carlos. “Tract.” The Collected Earlier Poems of William Carlos Williams. New York: New Directions, 1951.

This is an ashes to ashes, dust to dust kind of poem. Williams is pleading with his community to spare the glitz and glamour when it comes to burying the dead. He believes in sending a body back to the earth in the simplest way possible. A gentle return, if you will. He asks that his townspeople remember the person for who they were and not who they wanted to be. Do not remember them by the status they kept in society, but rather by the things the departed held dear. Share emotions like grief for they are the true gifts of mourning.

BookLust Twist: In More Book Lust in the chapter, “Poetry Pleasers” (p 189).

Astonishing Splashes of Colour

MorrallMorrall, Clare. Astonishing Splashes of Colour. New York:  Harper Collins, 2004.

This is the kind of book I could read a thousand times over. This is the style of writing I most identify with. Astonishing Splashes of Colour is so intimate and in-your-face I feel as if Morrall’s main character, Kitty, is leaning in to tell me deep and dark secrets, stories of embarrassing moments, and airing her dirty laundry with a wave of her hand and an air of factual nonchalance. She makes me squirm with her frankness, her vulnerability. Helpless and hopeless, Kitty is the me in the mirror.

Kitty is a thirty-something with something to hide. Her past has as many demons and devils as it does angels. Losing her mother at three years old, the knowledge of an older sister who ran away from home, the fact having four brothers who not only are disconnected from one another but only pretend to be connected to her, the frustrations of having a father who loses himself in painting and has episodes of pouting, the confusion of having an excessively neat husband who lives across the hall in a separate apartment, the heartbreak of a miscarriage Kitty insists on waiting for after school…then there are the colors. Kitty has the uncanny ability to see human emotion, human circumstance as a myriad of color. Her world is not black and white sane, but rather a rainbow of mental chaos. As if all this wasn’t enough everything turns out different from what one would expect. I couldn’t put it down…

Lines I can relate to: “I fight back a wave of giggles that threatens to ripple through me” (p 63). I laugh at inappropriate moments, too.
“I can’t decide which is worse, to not have a mother, or to not have children. An empty space in both directions. No backwards, no forwards” (p 65).
“I would have books around me even if I were blind. I need the smell” (p 138).

There are, of course, many more lines I could quote. This novel, this flash of brilliance definitely resonated with me.

BookLust Twist: From More Book Lust in the chapter called, “Sibs” (p 201).

Table Talk

table talk
Stevens, Wallace. “Table Talk.” Opus Posthumous. New York: Alfred A. Knopf, 1957.

I like the first line best, “Granted, we die for good.” I can just imagine two people sitting around a kitchen table talking about why they like certain things and how it all matters only when you are alive. While all poetry can be manipulated to suit the reader, I believe that Wallace’s philosophical nature comes through in “Table Talk.” There is an awareness to the good things in life; the joys of being alive. It’s almost as if this poem is more than good timing.

BookLust Twist: From More Book Lust in the chapter “Poetry Pleasers” (p 189).