Continental Drift

continental driftBanks, Russell. Continental Drift. New York: HarperPerennial, 2007.

This book was spellbinding.
Thing on LibraryThing: Russell Banks really knows how to tell a good story. On the surface, it’s about Bob Dubois and his downward spiral. Bob is a New Hampshire man who seems to have it all: a wife, two kids, a decent job, a house, a boat to take out on the weekends and even a girlfriend on the side. His problem: greed. He is a man who compares himself too often to the people around him: his brother, his best friend. He doesn’t let go of grudges or jealousies all that easily. Feeling like the man who has nothing to lose, he gives up everything to move to Florida for a “fresh start.” His tale is just the vessel for Banks to describe a society fueled by the overwhelming need for more and more. Excess is not enough. Bob soon learns the meaning of “good enough” when his life spins out of control.
One of my favorite parts is about halfway through the book, the two brothers, Bob and Eddie, are trying to have a conversation. Each one takes a turn to say something then the other responds. Only they aren’t talking about the same thing. Bob is trying to explain to Eddie that he (Eddie) needs to take away a handgun because Bob doesn’t understand himself anymore. He’s afraid of what would happen if the gun stays in his possession. Eddie responds that he has ulcers and his epilepsy has come back. Bob says he doesn’t want to kill anyone and Eddie reponds that he hates fukcing his wife. It’s comical and sad.

My favorite quotes:
“He’s never skied on water before; in fact, he’s never skied on any kind of surface, despite having been raised where people drive from cities hundreds of miles away just so they can spend a few hours careening down mountains on slats strapped to their feet” (p150). Having gone to school in “ski country” yet never skied, I can identify with this!
“She and her father never speak of the event again, not to each other and not to anyone else. There’s nothing to say about it to each other that is not already fully understood, so they remain silent about it, almost as if it never happened” (p 176). Can’t you just see this scene in a movie?
“There’s a mixture of passivity and will that he does not understand. They risk everything, their homes, their families, forsake all they know, and then strike out across the open sea for a place they’ve only heard about” (p 340). What struck me about this quote is where it’s coming from: Bob. Doesn’t he realize he’s just like them?

BookLust Twist: From More Book Lust and the chapter “It Was a Dark and Stormy Novel” (p 129). Pearl isn’t kidding. I’m surprised this hasn’t been made into a movie yet.

Catcher in the Rye

IMG_0672Salinger, J.D. The Catcher in the Rye. New York: Bantam, 1985.

How many times have you read this book? I’ve lost count. Because I ran out of things to read over the weekend (Continental Drift wasn’t in yet) I picked this one back up. We have it at home because, ironically, my husband stole it from his high school. What an appropriate book to walk out with (he never cared for school either). Everyone should have a copy of Catcher in the Rye no matter how they get their hands on it.

I didn’t write a review for LibraryThing. What more could I say that hasn’t already been said by 200 people (and risk getting one of those “not a review” things)?
Holden Caufield is a contradiction in terms. He gets annoyed or hates everyone around him pretty easily, yet he hungers for attention, companionship, and isn’t afraid to admit his shortcomings. He swears frequently yet is offended by a “fukc you” on the wall of his kid sister’s school. I’ve read reviews claiming Holden has “mental issues” or is “a brat.” But, consider the circumstances – he’s a 16 year old kid who just got kicked out of another preppy boarding school. His parents aren’t really involved in his life and his still grieving over the loss of his brother (to leukemia). I wasn’t perfect at 16 and I think if I had been just a little braver, I would have been a little more rebellious, too.

BookLust Twist: From Book Lust twice: once in “Boys Coming of Age” (p 45) and again in “100 Good Reads, Decade by Decade: 1950s (p 177).

Funny side story: on the morning I decided to reread Catchermy husband was playing with my ipod, getting my music ready for the race. I stood there, book in hand, listening to itunes’ 30 second sample of “We Didn’t Start the Fire” by Billy Joel (thanks, Manda!) and heard the line about Catcher in the Rye. Spotting the coincidence I showed kisa the book. It freaked him out a little, especially when I told him I had no idea he was going to play the clip, nor that Catcher would be mentioned in that brief 30 seconds.

Bluest Eye

IMG_0663 Morrison, Toni. The Bluest Eye. New York: Plume, 1970.

The LibraryThing Review:
“Because The Bluest Eye doesn’t have a traditional storyline plot the reader is free to concentrate on the complexities of the characters. The entire work is like a patchwork quilt of human suffering. Each character a different patch of sadness and survival. With each square, the ugly underbelly of society is exposed: poverty, racism, rape, incest, abuse, violence…Toni Morrison is the eye that never blinks in the face of such harsh subjects.”

These are the quotes that stopped me short. “They did not talk, groan or curse during these beatings. There was only the muted sound of falling things, and flesh on unsurprised flesh” (p 43). It’s the word ‘unsurprised’ that speaks volumes.
“He urges his eyes out of his thoughts to encounter her” (p 49). Another way of describing a deep-seeded prejudice.

One aspect of this novel that caught me up was the narrator hearing certain words in colors like light green, black and red. I have done the same thing with my imagination. I see words as certain shades or hues. Aside from the colors, this was a hard book to read and I can’t say anything that hasn’t already been said.

BookLust Twist: From More Book Lust and the chapter called “Big Ten Country: The Literary Midwest (Ohio)” (p 29).

Dalva

Harrison, Jim. Dalva. New York: E.P. Dutton, 1988.Dalva

What I wrote on LibraryThing:
There are two elements that make this story compelling: the characters and the sweeping shadow of history under which they live. Dalva is supposed to be the main character, but her story is told through the richness of the other characters. Michael, the alcoholic professor bumbling his way through Dalva’s history in attempt to reach tenure; Duane, Dalva’s teenage half Sioux love; Dalva’s mother, Naomi; Uncle Paul and the diaries of her great-grandfather, the missionary who first came to Nebraska.

There are more quotes than this, but here are my favorites:
“You are at an age when you are not to yourself as you are to others” (p 51).
“I rehearsed my entire life and heard my heart for the first time” (p 56). Who hasn’t done this at least once?
“It’s not what turns one on, but what turns one on the most strongly” (p 61). Good explanation for the fickle.
“There was a loud noise that turned out to be my yelling, which I managed to do while running backwards” (p 115). Just a really funny image.
“In these semi-angry moods or after she had a few drinks she owned the edge of a predator” (p 122). Aren’t we all?
“Nebraska strikes one as a place where it never occurs to the citizens to leave” (p 126). I think that’s why I don’t know of anyone from Nebraska.
“Some wise soul said that grownups are only deteriorated children” (p 257).
“My mind so clear it shivered inside” (p 296).

The one thing I didn’t care for was the sense of false advertising I got from the description of the book – “this is the story of Dalva’s search for her lost son who was given away for adoption.” Out of a 324 page book it wasn’t until page 221 that Dalva has a serious dialogue about finding her son. Up until then it isn’t mentioned barely at all. That only leaves 103 pages for the story of searching. In truth, I found the first 221 pages were spent explaining Dalva’s past and the important people in her life. They all have stories to tell and fascinating ones at that!
BookLust Twist: From More Book Lust actually twice – once in the chapter “The Great Plains: Nebraska” (p 108) and again in “Men Channeling Women” (p 166).

Wrack + Ruin

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Lee, Don. Wrack and Ruin. New York: W.W. Norton, 2008

My March Early Review book.Here’s the LibraryThing review:
Funny and witty. Sarcastic and insightful characters who are well developed but have a sense of mystery about them. Great one-liners. It’s hard to believe it takes place over one long Labor Day weekend because so many different things happen. The plot is complicated with many different fast moving subplots. Take this one to the beach because it’s fun.

I love it when the cover of a book takes me in, makes me wonder. My cover of Wrack and Ruinis of a oversized, plain white dinner plate cracked completely in half. On the plate, surviving the plate’s demise is a single brussel sprout, whole and healthy. Behind the gaping crack of the plate is, presumably, Lyndon’s oceanside brussel sprout farm.
Aside from plot, the characters fascinated me. Where did Lee come up with these people? There are more than I can mention, but here are some of my favorites:

  • the pot smoking, dreadlocked, amputee surfer.
  • the aging, kung fu expert, alcoholic Asian actress.
  • the fiery, impulsive, twice divorced mayor of Lyndon’s town who dabbles in small business ownerships
  • her equally fiery daughter who wants to be a musician & get laid before college
  • the shiatsu woman who smells of chocolate ice cream
  • the prissy, germaphobic, narrow-minded brother

Then, there are the funny catch-phrases that definitely caught my eye:

  • “garden-variety curmudgeons” (p 3). I picture a whole bunch of plants with sour faces…
  • “she was raising an asshole” (p 78). What mother says that?
  • “I’m a little underemployed these days” (p 132). Hmmm…can that be a new check box between employed and unemployed on a survey?

All in all, this was a great book. I would like to read it again because there are details I’m sure I missed!

Carter Clay

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Evans, Elizabeth. Carter Clay: a Novel. New York: HarperFlamingo, 1999.

The LibraryThing review:
The premise of Carter Clay is a guilty conscience. Instantly, I was brought back to Charles Dickens because same could have said for Great Expectations. In Great Expectations, Pip becomes a gentleman through the generosity of a convict Pip was forced to help earlier in his life. When he first finds out, he is disappointed his benefactor isn’t someone more appropriate to society’s standards. In Carter Clay there is a similar parallel. Carter Clay is a homeless drunk who accidentally plows his van into a family, killing the father and seriously wounding the mother and daughter. His guilt and sense of debt drive him to be close to his victims, to care for them as penance. Additional factors, such as the man who wants to kill him, complicate the plot.
While I was impressed by the way Evans tells the story, weaving past and present through the different voices, I didn’t find her writing quotable. Nothing grabbed me in that way. Character development was my favorite. From flashbacks you got a sense of how everyone used to be before the accident. But, those flashbacks are subjective to human emotion and the desire to remember things a certain way which may or may not reflect reality. I found the psychology of what has or hasn’t changed for each character very interesting.

BookLust Twist: From More Book Lust and the chapters “Florida Fiction” (p 90) because most of the plot (and accident) happens in Florida, and “Teenage Times” (p 217) because Jersey, the daughter paralyzed in the accident, is a central character.

Great Expectations

Dickens, Charles. Great Expectations. New York: Oxford University Press, 1998.

Believe it or not, I had never read this before. Not in high school, not in college, not in fun. Go figure. It’s a classic which translated (back in the day) into the assumption of being boring. It was written in 1861 which translated into practically a foreign language (ekerval?). All that translated into me being narrow minded. Great Expectations is wonderful. It opens with Pip (our young main character) encountering an escaped convict in a field. The convict threatens bodily harm if Pip can’t produce some food and, of course, a file. Why was Pip targeted? His brother-in-law is a blacksmith. Of course he is going to have instruments strong enough to tackle something like…leg irons. So, it starts out pretty exciting and not at all unrealizable.

Here are some of my (early) favorite quotes from Pip’s life with his sister and her husband, Joe:
“She concluded by throwing me – I often served as a connubial missle- at Joe, who, glad to get hold of me on any terms, passed me onto the chimney and quietly fenced me up there with his great leg” (p 7).
“My sister having much to do, was going to church vicariously; that is to say, Joe and I were going” (p 20). While Pip’s sister is seen as cruel I cannot help but find humor in both these passages.
After Pip decides to become a gentleman he makes an observation that struck me: “So, throughout life, our worst weaknesses and meannesses are usually committed for the sake of the people whom we most despise” (p 206). Estrella, his love interest, has another observation akin to Pip’s: “I’ll tell you what real love is…It is blind devotion, unquestioning self-humiliation, utter submission, trust and belief against yourself and against the whole world, giving up your whole heart and soul to the smiter…! (p 227).

The LibraryThing review:
A classic from Charles Dickens. All of the characters are so well developed that the reader cannot help but drawn into their individual plots. From Pip, the blacksmith apprentice turned gentleman in the making (and the hero of our story) to Miss Havisham, a wealthy woman locked away in self-induced seclusion. “

BookLust Twist: From Book Lust and the chapter “A Dickens of a Tale” (p 72). It’s funny that Pearl laments about Dickens having to be a high school mandatory read that students had to “choke down” because many of the reviews I have read recently about Great Expectations mention having to read it in this manner.

Baby Sister for Frances

BabySisterForFrancisHoban, Russell. A Baby Sister for Frances. New York: Scholastic, 1992.

Who doesn’t remember this one from their childhood? Originally published in 1964 this was a standard in my young life. I don’t remember if my parents bought this for me in preparation for my sister’s arrival, but I was certainly old enough to be skeptical (and more than a little jealous) of the little bundle everyone kept cooing over. This book would have made sense for that reason alone.

LibraryThing Review:
This is childrens’ book classic. Told from the point of view of a badger, Frances is jealous of her new baby sister, Gloria. Gloria seems to be distracting enough that mama badger is forgetting to do the laundry and shop for groceries. As a result, Frances feels neglected and needs to be noticed. Accepting a new sibling can be hard on anyone, even badgers.

There must be hundreds of self help books out there, all tackling the tricky question of sibling rivalry and what to do when a new baby comes along. All parents need to do is read A Baby Sister for Frances and they’ll be reminded of how the older child often feels diminished, neglected. Hoban hit that one on the head. How Frances “runs away” is hilarious. I know I did the same thing – only I think I didn’t run away long enough to be missed!
My favorite part is when Frances “calls” her parents from under the dining room table then comes “home” singing a rhyme. Very cute.

BookLust Twist: From More Book Lust and the chapter “Russell Hoban: Too Good To Miss” (p 113).

Defiant Hero

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Brockman, Suzanne. The Defiant Hero. New York, Ivy Books, 2001.

I am not a big fan of romance novels. I’m just not into the language they all seem to require. While the plot of The Defiant Hero is riveting, I am more than a little bored by how good looking the three pivotal couples are. The women are all drop dead gorgeous, “impossibly beautiful” with amazing legs, eyes, breasts, you name it… while the men are chiseled, rugged, handsome, can cry on command, etc, etc. These people are so achingly beautiful and yet…there is something keeping every couple apart. They either hate one another, or are suspicious of each other, or something.
Okay, first the plot (The LibraryThing version): Meg is a translator for a European embassy. Her daughter and grandmother get kidnapped by an “Extremist” group. Meg’s love interest is Navy SEAL Lieutenant John. He’s called in by the FBI to help Meg. She specifically asks for him. Alyssa and Sam are the second couple – Alyssa is FBI and Sam is Navy SEAL – both involved with getting Meg because she has become a kidnapper herself. The third couple is Meg’s grandmother and her past. She reminisces about her first husband while being held captive by the “Extremists.” Got all that? In between the macho FBI/kidnapping violence there is a good amount of romance novel sex – the pantie ripping, throbbing kind.
My favorite quotes:
“Unfortunately, though, penises came attached to men. And therein lay one of her biggest problems” (p 9).
“He was gazing at her as if she were a gourmet delicacy the chef had just presented” (p 218).
“He was supposed to spend the night cuffed to a woman he craved more than oxygen” (p 260).

BookLust Twist: From Book Lust and the chapter ” Romance Novels: Our Love is Here to Stay” (p 203). Obviously chosen in honor of Valentine’s Day. Wanna know something else that’s cheesy? I waited until 2/14 to crack it open, too. It was a fast and fun read!

Bridget Jones

IMG_0570Fielding, Helen. Bridget Jones’ Diary. New York: Penguin, 1996.

When I first learned this chick-lit was on my list I didn’t know whether to groan or grin. But, after pages and pages of stuffy political biographies I knew I’d need a fluffy change. I just didn’t expect it to be so funny! Luckily, my good friend let me borrow it…Here’s the LibraryThing Review:
Bridget Jones is a likable 30-something Londoner. A little on the plump side (so she thinks) and more than a little single (so everyone keeps pointing out), her year long diary takes the reader on a journey through her attempts at weight loss and dating. While her weight gain is more that her ultimate loss and her initial love interest cheats on her, Bridget triumphs with humor and a naivete that is undeniably charming. Obsessive and narcisstist characteristics aside, Bridget could be any woman’s best friend. A delightful (quick) read.

My favorite lines:
“I know what her secret is: she’s discovered power” (p 58).
“Love the friends, better than extended Turkish family in weird headscarves any day” (p 74).
“There’s nothing worse than people telling you you look tired. They might as well have done with it and say you look like five kinds of shit” (p 92).
“By 11:30 Sharon was in full and splendid auto-rant” (p 108).

The only disappointment was a discrepancy with dates. On Wednesday, March 15 Bridget writes “only two weeks to go until birthday” yet, on Tuesday, March 21 she claims it’s her birthday. Two weeks from the 15th is the 29th or at least the 28th. Even if she is counting work weeks it would have been the 25th. Not sure what to think of that. Then there is the time she spends doing something. How is it possible to spend 230 minutes inspecting your face for wrinkles? I’ve done the math. That’s nearly 4 hours – unless London has more minutes to an hour than we do…(ps~ I’m being a snob here. Of course I know Bridget isn’t spending that much time on one activity…)
Another weirdness is that Bridget makes reference to Goldie Hawn and Susan Sarandon a lot. I couldn’t figure out what the reference was all about considering The Banger Sisters didn’t come out until 2002. I’m thinking she meant Thelma and Louise but in that case she didn’t mean Goldie Hawn, but rather Geena Davis. Whatever.

BookLust Twist: From Nancy Pearl’s Book Lust in the chapter called, you guessed it, “Chick-Lit” (p 53).

Dancing to “Almendra”

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Montero, Mayra; translated by Edith Grossman. Dancing to “Almendra” : A Novel. New York: Picador, 2005.

Can I say the cover alone got me? I’m not a big fan of hippos and there, on the cover is a dead hippo. Brilliant. Or, as someone else told me recently, “hippos are jerks.” But, that is either here nor there as far as the plot of Dancing to “Almendra” is concerned.

Here is the benign review I put on LibraryThing:This is a convoluted tale about a young reporter looking to make it big in pre-Castro Cuba’s world of journalism. Characters are drawn as tragic, eccentric, needy and sometimes self-absorbed.
At the center is Joaquin Porrata, the weak-willed entertainment reporter, sent to cover the death of a hippo at the zoo. He finds himself entangled in a much darker plot. There is the mafia (to which the death of the hippo is directly related), eccentric circus performers with leprosy and amputations, a zoo keeper with too many nicknames who chops up horses as food for the zoo carnivores, prostitution, violence, and even a murder that hits closer to home than Joaquin bargained for.
On the other side of the story is Yolanda (she also has other names). As the one-armed, former assistant to a magician with leprosy, her story is just as tragic. While Joaquin and Yolanda’s stories do not mesh well with the plot, the telling of both sides enhances the story of their romance.
Because I read a translation of Dancing to Almendra I cannot be sure Mayra Montero’s language is all her own. While the voice moves masterfully between Joaquin and Yolanda, direct translations could be lost in description.

Not too exciting but I’m paranoid I’m not a team player. More on that later.

Favorite (weird) line: “with a voice like hysterical glass” (p 4). What, exactly, does that mean?

Alburqueque

alburquerque1.jpg

Anaya, Rudolfo. Alburquerque. Alburquerque: University of New Mexico Press, 1992.

My final book of January – chosen to celebrate the month New Mexico became a state. Anaya’s Alburquerque is rich with the culture of New Mexico’s Mexican population. In the center is Abran Gonzalez, a young ex-boxer from Barelas. Upon discovering he is adopted he sets out to learn as much as he can about his birth parents. It is crucial to his understanding of who he really is. Swirling around Abran there is magical realism, cutthroat politics, deep rooted culture, rich history, and tragic romance.
My one complaint – I don’t know why Anaya has Abran have a chance meeting with his birth father in the very first chapter. It seemed a little too coincidental and more than a little cheesy. He is able to come full circle with the same characters at the end. Like I said, a little cheesy.

BookLust Twist: From Book Lust in the chapter simply called, “New Mexico” (p 167).

The Dollmaker

Arnow, Harriette. The Dollmaker. New York: Avon, 1972.

Weighing in at 599 pages this book truly can be called a saga. It’s the story of Gertie Nevens, a simple country woman from Kentucky during World War II. After her husband moves to Detroit, Michigan to find work in the factories, Gertie follows with her five children. Life in the city is cold, dirty, and unkind. Gertie learns of prejudices against “hillbillies” and the importance of the word “adjust”. There is tragedy and triumph with human frailty constantly hanging in the balance. At times I couldn’t believe the hard times Gertie and her family faced. It almost seemed too much to bear. Gertie’s strongest moments are in the very beginning of the book when she has to save her baby from a life threatening illness. After moving from Kentucky it’s as if the city steals Gertie’s strength and spirit.

“…for after the bright whiteness of the hot little room, the cold rain and dark were like old friends” (p 38).
The government owed them at least one man who could fix anything and never got drunk” (p 108).
“‘Are you busy?…Yes and no…I’m in the worst kind of business – tryen to make up my mind'” (p 260).
“She stood, her mind, as always, stumbling around, picking up words, laying them down” (p 538).

BookLust Twist: From More Book Lust and the chapter “Big Ten Country: The Literary Midwest” & the section ‘Michigan’ (p 26).

Funnies (with spoiler)

funniesLennon, J. Robert. The Funnies. New York: Riverhead, 1999.

Tim Mix’s father wrote a comic strip based on his family. Growing up, this comic strip was a source of embarrassment to Tim. Yet, when his father passes away and Tim’s only inheritance is the very comic strip he hated, he decides to try his hand at taking over the strip. Tim is a sarcastic, barely ambitious man who is terrible at conversation, worse at relationships both personal and with his family. This is a formula that always works – the unlikable, unlikely hero goes through a metamorphosis and comes out a pretty decent guy. In the end he doesn’t succeed with the funnies, but he gets the girl.

“This time the pause was longer, a nice slack length of rose to hang the conversation with” (p 52).
“I pushed gently at the sore spot in me and it hurt enough for me to turn away as I talked” (p 132).”
“Susan offered me a bite of her corn dog. I refused, still queasy from the Centrifuge of Death, but didn’t tell her this, and I feared that this rebuff without explanation would give offense. Then I came to my senses and simply let it go. It was a wonderful feeling, like dropping off a box at the Goodwill” (p 155).
And my favorite quote, “I let happiness run its course through me, knowing that it wouldn’t last, but also knowing it would always be there somewhere waiting for me, if I made the effort to find it. This understanding seemed an almost criminally excessive piece of good fortune, but for the time being I accepted it without question” (p 274). For some reason this reminded me of me.

BookLust Twist: From Book Lust twice. Once in the chapter called “Brothers and Sisters” (p 46), and “Families in Trouble” (p83).

Thousand Acres

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Smiley, Jane. A Thousand Acres. New York: Fawcett Columbine, 1991.

I’ll admit it. It took me forever to even want to read this book even though it has been sitting on my book shelf for months, right within easy reach. I tried picking up Moo a few times and something made me keep putting it down. I have no clue why. I assumed A Thousand Acres would be the same difficult to pick up experience. I was wrong. Once I got into it, Thousand Acres was fascinating, troubling and oh so true to family life. I’ve never lived on a farm. I’ve never set foot in Iowa, but thanks to Smiley I knew exactly what both would be like.
One thing I didn’t understand, nor will I ever, is how a family can so completely and utterly fall apart. By the end of the book not one family is intact and it’s all because of a thousand acres.

“You shouldn’t think somethings changed just because you haven’t seen it in thirteen years” (p 11).
“It was exhausting just to hold ourselves at the table… You felt a palpable sense of relief when you gave up and let yourself fall away from the table and wound up in the kitchen getting something, or in the bathroom running the water and splashing it on your face” (p 101).

BookLust Twist: From More Book Lust and the chapter called “Big Ten Country: The Literary Midwest (Iowa)” (p 27) and Book Lust in the chapter “Growing Writers” (p 107). Personally, I think Pearl also could have put this in her “Families in Trouble” chapter. Not to give anything away but…who tries to poison her own sister? Who does that?