Tag: 2010

“Hospital”

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Shapiro, Karl. “Hospital.” Poems 1940 – 1953. New York: Random House, 1953.

Maybe it’s because I have been watching HBO’s miniseries, “The Pacific.” Whatever the reason I have become more in tune with World War II literature. Both fiction and nonfiction. Written about vets. Written by vets. When I first picked up Karl Shapiro’s Poems 1940 – 1953 I had a feeling these poems would center around war, specifically World War II and the Pacific Theater. I wasn’t that far off. For the Book Lust Challenge I had to read “Hospital.” Scanning the table of contents I passed poetry with such titles as “Elegy for a Dead Soldier”, “The Gun”, Homecoming”, “V-Letter”, and “Troop Train” so it didn’t surprise me that “Hospital” had a wounded military feel to it. After a little more research I discovered that yes, Shapiro did serve in World War II, specifically in the Pacific.

There is nothing obvious in “Hospital” that screams war, and yet there is a frantic need to answer the questions of death. Where does one go after life has ended? Who deserves to die? And what is to become of the soul? Pain is addressed early. Nurses controlling and caring.

Favorite line, “These reached to heaven and inclined their heads
While starchy angels reached them into beds…” (p 78).

BookLust Twist: From More Book Lust in the chapter, “Good Things Come in Small Packages” (p 103). Here’s the funny thing – Shapiro’s poem, “Hospital” is only mentioned to explain the title of the small package: Fabulous Small Jews by Joseph Epstein (which I will read in May).

The Yearling

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Rawlings, Marjorie Kinnan. The Yearling. New York: Charles Scribner’s Sons, 1939.

I cannot tell you how excited I was to get a copy of The Yearling with illustrations by N.C. Wyeth. It’s the edition I remember from my childhood, with “Penny Tells the Story of the Bear Fight” (p54) being my favorite. I remember thinking it was the perfect illustration of story-telling and could easily take place in a fish house on a remote island.

The Yearling is tragic. It’s the story of Jody Baxter, a twelve year old boy growing up in Florida in the late 1800s. Jody’s family is poor. While living remotely is a blessing for privacy it is hard on employment and sustainable nourishment. The Baxters depend on their farm animals for food in the leaner months. It’s this food supply that drives the story of The Yearling. First, there is the emergence of Old Slewfoot, a bigger than life grizzly bear that manages to kill the family’s prized sow. This sow, Betsy, would have been responsible for offspring that could have sustained the family through the upcoming long winter months. Then, later in the story, there is the dilemma of Flag. Through a series of events young Jody has come to adopt a fawn, a pet he has dearly wanted. As this fawn grows it creates conflict within the family. He begins to eat their hard earned corn supply and the corn, like Betsy’s offspring, was supposed to feed the Baxter family throughout the colder months. Ma Baxter is the iron will of the family. She sees the trouble the family is in are in if Flag continues to eat them out of house and home. When she takes matters into her own hands Jody childishly runs away. His return is one of adult understanding. This is ultimately a story of emerging maturity, of new knowledge and acceptance of sacrifice.

Favorite line: Penny Baxter, Jody’s father is about to set out to hunt Old Slewfoot. He tells his wife, “Don’t look for us ’til you see us” (p 26). This reminded me of a saying I first heard on Monhegan, “Hard tellin’ not knowing.” Classic old timer wisdom.

BookLust Twist: From More Book Lust in the chapter called, “Florida Fiction” (p 89). I have to admit, aside from the alligator jerky there was little to remind me of Florida…

Armful of Warm Girl

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Spackman, William M. An Armful of Warm Girl.New york: Alfred A. Knopf, 1978.

Barely 130 pages, this was a silly little book. I found myself rereading sentences because I wasn’t sure what I just read. The entire text seems to be written in a tongue-in-cheek manner. To sum up the plot of An Armful of Warm Girl, it is about a man who, after being divorced by his wife, flees to New York City where he hasn’t been in over seventeen years. There he bounces from place to place looking for a substitute for his wife. He has many to chose from since upon his arrival to New York he is instantly attracted to just about every young girl in a skirt. After re-establishing a relationship with one such woman he is pointedly pursued by yet another woman. In the end he has to decide between the two.

I didn’t really have any favorite quotes. There is a great deal of gushing and carrying on in the dialogue. It would have been funny to quote some of that, but out of context it really wouldn’t have made much sense. For a sample of what I mean go to page six when Nicholas Romney rings up his adult daughter in New York. She can hardly believe her “darling daddy” is in town…without mummy.

BookLust Twist: From More Book Lust in the chapter called, “And the Award for Best Title Goes To…” (p 13.) I love the title of this book, but it would have been more appropriate to call it “Which Girl is the Warm Armful?”

Making of a Quagmire

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Halberstam, David. The Making of a Quagmire. New York: Random House, 1964.

The only way American citizens were in touch with the Vietnam War, at all, was through the eyes of reporters. They were responsible for bringing the fighting as well as the politics of South Vietnam into the forefront of public awareness. They were credited for keeping the public more informed than in the dark. It has been said that not many could cite what we were fighting for “in the jungle.” Not many more could find Vietnam on a map. Yet, with the publishing of the Making of a Quagmire David Halberstam sets up to explain just how involved the U.S. was before the conflict erupted. In a comprehensive manner he explains our country’s commitment to the political struggle in South Vietnam. Despite pressure on all political sides Halberstam never compromised his view of the crisis. He refused to publish propaganda to support either side. The Making of a Quagmire is simply unflinching and honest.

Most interesting quote: “In many areas the war had come to a virtual halt because vital units were practicing for the parade” (p 45). I find this interesting because Halberstam goes on to say, “It seemed unbelievable, but it was true; the public was not to be allowed to watch the ceremonies” (p 46).

BookLust Twist: From Book Lust in the chapter simply called, “Vietnam” (p 238). Also in More Book Lust in the chapter called, “David Halberstam: Too Good To Miss” (p 112). Interestingly enough in both chapters Nancy Pearl gives Halberstam’s book the complete title of  The Making of a Quagmire: America and Vietnam During the Kennedy Era yet nowhere on my copy of  Making of a Quagmire is that subtitle printed.

Mountains Beyond Mountains

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Kidder, Tracy.  Mountains Beyond Mountains: the Quest of Dr. Paul Farmer, a Man Who Would Cure the World. New York: Random House, 2003.

This was given to me as a gift, a well-timed, meaningful gift. I added it to the February list in honor to the Haitian people.

Mountains Beyond Mountains can be seen as a biography about Dr. Paul Farmer within the context of his love for Haiti. Mountains Beyond Mountains can also be seen as a travel book, a great way to learn about Haiti’s culture and climate, it’s people and politics. Haiti is a conflicted country so there is a lot to tell. Kidder is sensitive to Farmer’s intense passion for medicine and does not diminish the magnitude of sacrifices Farmer has made for it. Relationships and health suffer when Farmer single-minded tenacity neglects everything else.

There were a lot of really good quotes so my advice is just this: read it for yourself.

BookLust Twist: From More Book Lust in the chapter called, “Guilt-Inducing Books” (p 110).

Jennifer Government

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Barry, Max. Jennifer Government. New York: Doubleday, 2003.

Jennifer Government is fast paced and thrilling. Max Barry has everything from corporate greed, kidnapping, the NRA, and of course, murder. Set in the plausible near future there is a level of sexiness to the way Barry writes. He makes his characters move around each other in a cat and mouse manner, always flirting while outsmarting each other. In the center is Jennifer Government. She lives in a world where people take the place of their employment as their last names (Hack Nike and Jennifer Government and Billy NRA to name a few), 911 won’t respond to emergencies unless the capability for payment can be established, and taxes are outlawed. Jennifer could be the next Laura Croft, fighting old demons and new crimes. So, when her daughter is kidnapped things get personal. But, that’s the climax of the story. It all starts with Nike cooking up a marketing scheme to build of street cred for a new line of $2,500 sneakers by committing murder…

 Favorite quotes, “but he liked New Zealand, he really did. At first he was apprehensive; it was so far away, tucked down in the bottom of the world like something Australia coughed up” (p 22), and “Companies claimed to be highly  responsive, Jennifer thought, but you only had to chase a screaming man through their offices to realize it wasn’t true” (p 285).

Then there is this favorite scene: Hack is trying to tell the police his girlfriend might have killed someone with a toaster. The agent is not listening, arguing with Hack for not having an appointment (p 69-70). It’s an amusing scene but it gets even funnier. Hack finally gets to see a different agent. Hoping to be taken seriously he again tries to report the murder. Only this time the new agent is preoccupied with the capabilities of the toaster. “Can you do bagels in that?” he asks. I can just see the scene played by Nicholas Cage (as Hack) trying desperately to get someone to check on an alleged murder and Steve Martin as the second agent distracted by a bagel-toasting toaster.

I love that there is a Max in Max Barry’s story. It’s a small part, but a highly effective one.

BookLust Twist: From More Book Lust in the chapter called, “Plots for Plotzing” (p 183).

Goodnight, Nebraska

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McNeal, Tom. Goodnight, Nebraska. New York: Vintage, 1999.

This could have been a movie for me. It is the coming of age, and redemptive story of Randall Hunsacker. Although he is just a teenager Randall has been sent to Goodnight, Nebraska to turn his life around. He has escaped a violent past and left behind a broken family in Salt Lake City. Redemption is not what Randall is seeking, at least not at first. Goodnight is a small tight-knit community and Randall’s inclusion is not readily welcomed. He rebels with ridicule in letters to his sister and remains a mystery in school. The only place Randall allows himself to feel anything is by being violent on the football field. Over the course of ten years Randall slowly starts to settle down with a wife and an occupation. It is during this time that Randall realizes redemption is what he needed all along.

My one complaint? At one point the story breaks away from Randall and follows his wife, Marcy, when she decides she needs a fresh start. After Randall starts drinking and becomes progressively violent she leaves Randall behind and escapes to California. There is no real explanation for Randall’s behavior and you almost want the marriage to fall apart.

Favorite lines – one really short and one really long: “Me. I believe in me” (p 126), and “…there are some kinds of love, the ones we’re all after, that are meant for open air and natural light, but there are other kinds too, more than we’d like to think, that come out of the dark and drag us away and tear parts from our bodies, kinds of love that work in their own dim rooms, and harbor more sad forms of intimacy and degradation and sustenance that those standing outside those rooms can ever dream of” (p 260).

BookLust Twist: From more Book Lust in the chapter called, “The Great Plains: Nebraska” (p 108).

Wall of the Sky

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Lethem, Jonathan. The Wall of the Sky, the Wall of the Eye: stories. New York: Harcourt, Brace & Co., 1998.

I like that way Nancy Pearl describes Lethem’s style of writing. Basically she says (in Book Lust) you never get the same book twice. Even within his short stories in The Wall of the Sky, the Wall of the Eye you don’t get the same short story twice. Nothing is the same. Even the style of writing is different. Like a box of chocolates with only one candy containing chocolate…

Here’s a list of the short stories:

  • The Happy Man ~ a weird sort of deal-with-the-devil story about a man who is dead, but isn’t.
  • Vanilla Drunk ~ a story that mentions Michael Jordan over 40 times.
  • Light and the Sufferer ~ brothers, an alien, drugs and New York City. What’s not to love?
  • Forever, Said the Duck ~ a virtual party where virtually no one is who they say they are.
  • Five Fukcs ~ I have no idea how to describe this story. It’s all about getting screwed over…
  • The Hardened Criminal ~ a very strange story about a man who ends up in the same prison cell as his father…only his father is built into the cement wall.
  • Sleepy People ~ there is a group of people who sleep through anything…including sex.

Because of Lethem’s copyright statement I am not going to quote favorite lines (and yes, I had a few). Just leave it that I liked the entire book (even though I would have liked more description about the Sufferer from “Light and the Sufferer”).

BookLust Twist: From Book Lust in the chapter called, “Jonathan Lethem: Too Good To Miss” (p 145).

Turtle Diary

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Hoban, Russell. Turtle Diary. New York: Random House, 1975.

I love Russell Hoban’s work. When Turtle Diary didn’t arrive at the library in time for my surgery I promised myself I would read it anyway – no matter when it came in. It was supposed to be a February book in honor of two things – Hoban’s birth month and a birthday gift to myself (being about sea turtles and all). Instead I read it in one day on March 2nd.

Turtle Diary is alternating diary entries about a singular subject. Two lonely Londoners are captivated by three sea turtles at the London Zoo. William G. and Neaera H.  both write about how lonely they look and what it would be like to free them from captivity. Soon their fascination turns to a mutual obsession and wordlessly they begin to hatch a plan…with the inside help of a senior zoo keeper. What is remarkable about William and Neaera is their ability to rationalize their off-kilter worlds. The way they think, feel, and interact with the relationships around them is poignant and sad.

Favorite lines from William: “There must be a lot of people in the world being wondered about by people who don’t see them any more” (p 16), ” Maybe I’m just one of those people so accustomed to being miserable that they use the material of any situation to fuel their misery” (p 68), and “No place for the self to sit down and catch its breath” (p 95).

Favorite lines from Neaera: “I live alone, wear odds and ends, I have resisted vegetarianism and I don’t keep cats” ( 11), “I’m always afraid of being lost, the secret navigational art of the turtles seems a sacred thing to me” (p 31), and “Polperro seemed to me like a streetwalker asking for money to maintain her virginity” (p 38). Someone else had underlined that sentence, too.

PS ~ this was made into a movie, too.

BookLust Twist: From More Book Lust in the chapter called, “Russell Hoban: Too Good To Miss” (p 113).

Certain World

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Auden, W. H. A Certain World: a commonplace book. New York: Viking Press, 1970.

Commonplace books are, in my opinion, an easy way to “write” a book. Compile passages, find poems, collect essays and whatnot, make a few comments about why these selections were made and what they mean to the writer and suddenly a book is born. Someone produced a commonplace book. I think I would enjoy them more if the compiler took the time to respond to every inclusion. Why are these poems important? Did you agree with that essay? W.H. Auden definitely could have added more personal commentary and perspective to round out A Certain World.

From Michael Alexander to Andrew Young W.H. Auden includes such well-known authors as William Blake, Anton Chekhov, Thomas Hardy, and Henry David Thoreau. In addition to excerpts, poetry, plays, and essays Auden includes riddles, puns, epithets, and jokes. A wide range of subjects like sex, birds, God, machines, time, commas, and Eskimos are mingled with emotions like rage, love, dejection and hope. An eclectic and entertaining mix of topics are compiled. The sole regret is that very few include commentary on their importance to the author.

BookLust Twist: From More Book Lust in the chapter called, “Commonplace Books” (obviously), (p 52).

Warriors Don’t Cry

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Beals, Melba Pattillo. Warriors Don’t Cry: A Searing Memoir of the Battle to Integrate Little Rock’s Central High. New York: Pocket Books, 1994.

If you stop and think about it, 1957 was not that long ago. Think about the span of a lifetime, on average. Think about the course of history and how slowly it moves. 1957, given all that, was yesterday. While we do not have clear lines of segregation that we did back then (water fountains, bathrooms and backs of buses to name a few) we still have the invisible lines that separate white from black. If that were not the case we wouldn’t have the rash of “firsts” that we have had recently: first black coach to win the Superbowl, first black President of the United States…These firsts would have happened years ago if the invisible line didn’t still exist to a certain degree.

I cannot imagine Melba Patillo Beals’s life. One of the scariest scenes for me was when she first tried to go to Central High after desegregation was declared. The hatred and violence she described seemed subhuman, barbaric even. Could we really live in a society that contained so much hatred? The obvious answer is yes, and we still do.

True to Beals’s title, Warriors Don’t Cry is a “searing memoir of the battle to integrate.” Every day was a struggle. Civil rights were hardly observed in a civil manner. Utter hatred spawned uncontrolled violence. For Melba Beals this hatred was not something she read about or glanced at on the television. She live it in every step she took. She experienced it first hand simply because of the color of her skin. How brave of her to write it all down! How lucky for us she decided to remember it all! Warriors Don’t Cry is not an eye-opener. We have seen these things all along. Her memoir keeps it all in view.

While I didn’t find any quotes that struck me one way or another I was moved by Melba’s experience with her “own” people. In addition to whites who were having an extremely hard time accepting integration, there were a fair number of blacks who didn’t want it either. Melba was making enemies on both sides of the color divide.

BookLust Twist: From More Book Lust in the chapter called, “Civil Rights and Wrongs” (p 49).

Hiding Place

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Azzopardi, Trezza. The Hiding Place. New York: Atlantic Monthly Press, 2000.

    I have to start by saying I would love to meet William Gedney just to ask him about the photograph on the cover of The Hiding Place. I guess Francine Kass (who designed the cover) would be more appropriate to ask of these questions. Nevertheless, here are the things I would ask of either:

    1. The girls are in the kitchen obviously paring something (apples? potatoes?). Why do they all have one leg up; why are they standing like storks?
    2. The painting of the Last Supper – was that meant to be symbolic since the girls are standing in a kitchen?
    3. There is a fourth pair of feet and evidence of a little knee behind the child leaning on the refrigerator. Who is she and why isn’t she more visible? I took this to be Dolores, the narrator of The Hiding Place. She is the youngest daughter and paid attention to the least. More symbolism?

    The Hiding Place by Trezza Azzopardi is sad, sad, sad. Dolores Gauci is the youngest of six daughters born to Maltese immigrants Frankie and Mary. Her view on the world is both tragic and innocent. She is at once stoic and childish; solemn and naive. What Dolores sees is a family slowly dismantled by a gambling and always losing father. As her siblings are bartered away Dolores must face a grim childhood with fewer and fewer protections as even her mother’s will to survive slips away. Serving as the backdrop for the Gauci family is the 1960s landscape of Cardiff, Wales, an immigration town populated with citizens hardened enough to do just about anything to survive.

    Favorite lines: “Her fury travels down the spoon and into Luca’s dinner. I am breast-fed: I get rage straight from the source” (p 22), “As with all truth, there is another version” (p 75), and “She’ll be scrubbing the steps again, probably – it’s a job best done in anger” (p 126).

    BookLust Twist: From More Book Lust in the chapter, “The Immigrant Experience” (p 123).

    Company of Three

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    O’Connor, Varley. Company of Three. Chapel hill: Algonquin Books, 2003.

    There is mystery that surrounds Company of Three. At face value it is the story of three actors struggling to see their name in lights on Broadway. New york City in the 1970s is a hub for creative activity such as dance and the theater and Robert, Patrick and Irene stand in the spotlight, ready as ever for their close ups. Company of Three follows their successes, their failures, their struggles. It examines their friendships and love affairs and what they mean to one another. Ultimately, it is the story of how far they would go for their careers and for each other.

    In truth, it is that friendship that has me scratching my head. At one point in the story the three friends vow to always be there for one another and someday run a theater together. They even seal the deal in blood. Yet, despite their close bond and the pact they have made, Patrick keeps some very dark secrets from his friends. Curiously, he lies continuously so his connection to Robert and Irene is questionable.

    Best quote (and why I think people take up acting): “Acting was not the departure from myself that I thought it would be, but rather a journey into the very parts of myself I thought I would rescue me from” (p 57).

    BookLust Twist: From More Book Lust in the chapter called, “All the World’s a Stage” (p 7).

    Why Things Bite Back

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    Tenner, Edward. Why Things Bite Back: Technology and the Revenge of Unintended Consequences. New York: Alfred A. Knopf, 2006.

    I first became interested in Why Things Bite Back when I thought of the title in relation to health and flu vaccinations. The more aggressively we try to fight the ills of the seasonal flu the more resilient the virus gets.  Now with the vast-reaching and rapid spread of the H1N1 virus Why Things Bite Back seems even more telling.

    Edward Tenner takes an in-depth look at the technology that first set out to make our lives easier, more convenient, and faster: technologies that include chemistry, invention, ingenuity and just plain luck. The advances science and medicine don’t come without fault and failure. It’s these drawbacks that Tenner describes as “revenges.” Seat belts that save adults but kill children, for example. The unexpected thrill to Tenner’s book is that it isn’t dry and didactic. There is actual humor hidden in the irony.

    My favorite line (for obvious reasons), “…what are we to make of stepping from office elevators into our cars and driving to health clubs to use treadmills (a feature of nineteenth-century prisons)…” (p 10).

    BookLust Twist: From More Book Lust in the chapter called, “Dewey Deconstructed: 300s” (p 66).

    Fire Next Time

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    Baldwin, James. The Fire Next Time. New York: Dial Press, 1963.

    The Fire Next Time is a slim yet powerful 120 pages. Baldwin does not waste a single page on empty words or phrases. Every sentence is an argument for America to beware of “the fire next time.” He implores the reader to take a page from history and not turn a blind eye to it; we must change the course of racial inequality in order to survive. Even though The Fire Next Time was published not even ten years after the integration of Little Rock’s (Arkansas) Central High Baldwin’s fiery words hold true today.

    The title, The Fire Next Time, is drawn from a “recreation of the Bible in a slave song” – ‘God gave Noah the rainbow sign, no more water, the fire next time’ (p 120), yet there are several examples of such warning scattered throughout the entire book. This warning is in a couple of my favorite quotes.

    “But, in the end, it is the threat of universal extinction hanging over all the world today that changes, totally and forever, the nature of reality and brings into devastating question the true meaning of man’s history” (p 71), and “Life is tragic simply because the earth turns and the sun inexorably rises and sets ans one day, for each of us, the sun will go down for the last, last time” (p 105).

    BookLust Twist: From Book Lust in two chapters: “African American Fiction: He Say (p 10), even though it isn’t fiction, and again in the chapter “Essaying Essays” (p 81).