Tag: february

Bread and Jam for Frances

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Hoban, Russell. Bread and Jam for Frances. New York: Harper Collins, 1993.

Okay. A confession first and foremost. I am fortunate enough to work in a library. While it’s an academic I often can find books for the Book Lust Challenge in our collection. Since we have an Early Childhood reading program that means we have most of Russell Hoban’s books as well; specifically his ‘Frances’ series. Normally it isn’t big deal to grab a children’s book off the shelf, read it at lunch and return it without fanfare. Not so this time. Our copy of Bread and Jam for Frances is over-sized which means walking around with it isn’t as inconspicuous as I would have liked. You can’t exactly slip out from the stacks with a 2′ x 1′ book in your hand without being noticed. It’s not like I can hold it up and announce I’m reading War and Peace, the large print version.

Unlike an earlier Hoban review (Bedtime for Frances) I enjoyed rereading this childhood favorite, Bread and Jam for Frances. This time around I identified with wanting too much of a good thing. Frances the Badger only wants to eat bread and jam. Morning, noon, and night it’s the only meal she will stomach. This time when her parents give in to her every whim the lesson is soon learned. You can have too much of a good thing. I feel the same way about Chipotle restaurant being in my back yard. When it was all the way across the country and harder to get to going there was a treat. Like Christmas. Having the big burritos I obsess over just down the road diminishes their specialness, their chocolate-cakeness, if you will. Frances learns this the hard way, too. While her family is enjoying such delicacies as veal Frances is clearly missing out only she doesn’t know it until the repetition of bread and jam finally gets to her. Soon she too is enjoying lobster salad sandwiches like the rest of her family.

Cute moment in the book: Frances questioning her food: “string” bean, for one. I wished she would have asked her parents where veal comes from. I would have loved their answer to that!

Today is my birthday and it seemed more than appropriate to read something from my childhood.

BookLust Twist: From More Book Lust in the chapter called “Russell Hoban: Too Good To Miss” (p 113). PS ~ Only two more books to read from this chapter of More Book Lust.

Belly of Paris

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Zola, Emile. The Belly of Paris. Los Angeles: Sun & Moon Press, 1996.

The “Belly of Paris” is quite literally a giant receptacle of food merchants. It is a humungous food market brimming with a wide array of delicacies of all shapes and sizes. In the first 50 pages I counted no less than sixty different types of food described in colorful detail. The word ‘vegetable’ alone appears over twenty times. Everything from fruits to fish, vegetables to cheese is laid out before the reader. Like the true anatomy of a stomach, from this belly of bounty wastes, filth and toxins are dispelled. There is a clash of the glorious and the gory. All of this in incredible detail serves as the backdrop to the story of Florent.
Florent has escaped from exile to return to his beloved Paris. On the verge of starvation he finds himself in a sea of food in Les Halles Centrales. From there he makes his way to his half-brother’s butcher shop that specializes in pork products. At this point Florent must decide how to live as a fugitive and a man always on the run. As he re-establishes himself in the community he is caught up in jealousies and dramas and must constantly struggle to survive.
Above all else, Belly of Paris is a story of contrasts – the richness of the market’s abundance versus the poverty and fifth of the lower classes who shop there.

Line that best illustrates Florent being swallowed by the Belly of Paris, “And at last he came to a standstill, quite discouraged and scared at finding himself unable to escape from the infernal circle of vegetables, which now seemed to dance around him, twining clinging verdue about his legs” (p 42).

Book Trivia: The Belly of Paris is the third in a series of twenty books that make up Les Rougon-Macquart. The series analyzes the effects family relations and economic status have on one family.

I will be honest. I am a little irritated I didn’t do my homework concerning Belly of Paris. I should not have read Ernest Alfred Vizetelly’s translation. From what I have read his version is not a true or exact translation. Now I am wishing I read Mark Kurlansky’s version because it received better reviews. It bothers me to think I am not reading Le Ventre de Paris as it was written. Never mind. It’s my fault for not studying French beyond first year.

BookLust Twist: From Book Lust in the chapter called “Dickens of a Tale” (p 73).

Big Year

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Obmascik, Mark. Big Year: A Tale of Man, Nature, and Fowl Obsession. New York: Free Press, 2004.

Have you ever tried to have a conversation with a birder when he or she can see, and be distracted by, the outside world? I have and in my experience it’s a lot like having a conversation with a new mother when she has one eye (and her full attention) on her runaway, get-into-everything toddler. It’s nearly impossible. Here’s an example – I was hiking with such a friend, a big time birder. He was explaining and detailing renovations on his house when all of a sudden he stopped in mid-sentence to listen to something my ears could not detect. Impulsively, he grabbed my arm and his eyes bugged out. “Did you hear that? That was a yellow-billed something-er-rather! Female!” Up whipped his binoculars while I stood there unsure of what I was missing out on. Awhile later he stopped again to whistle, listen intently, whistle again and smile, obviously forgetting he was interrupting himself. Again. To me it was like listening for a snowflake to land.
Even strangers try to rub their enthusiasm for all things feathered on our uninterested minds. My husband and I were hiking along the rocky coast of Monhegan. It was the day after a terrific storm had blown away so the waves were breathtaking. We met a pair of birders on the trail and paused to let them pass when suddenly a particularly large wave crashed upon the rocks behind them. The sound was thunderous and both Kisa and I gasped. “What?! what did you see?!” the birders eagerly asked scanning the tree lines, “did you spot a black-legged kittiwake? A great-tailed grackle?” Errrr, no. When we explained it was a rogue wave capable of dragging a tank out to sea the birders just stared at us. Luckily, they were soon distracted by the mating call of some brown spotted something-er-rather and we went on our way. This line from the introduction of Big Year illustrates this obsession perfectly, “There even were twitters about a new species of grouse…having sex in the sagebrush somewhere in the Utah high country” (p xi). Exactly.

Mark Obmascik likes birds, but he likes birders even better. In Big Year: A Tale of Man, Nature, and Fowl Obsession Obmascik chronicles a year of birding with several different hardcore birders and their quest for “the big year.” The Big Year, as explained by Obmascik, is a birder’s attempt to chronicle as many birds as possible within a solitary calendar year. There are many different strategies for obtaining the biggest “birds seen” list and competitors will stop at nothing to hone their strategies while sabotaging those of others. It’s cutthroat, surprisingly so. All for the sake of something so small. Competing birders will spend thousands of dollars, millions of minutes, and countless miles to trek across North America looking for elusive, rare, and unusual birds. To see one is an accomplishment, but to photograph one is triumph. To be known as the biggest list is the best of all. Obmascik delivers humor and respect when sharing these birding tales. You will never look at a common sparrow the same way again.

BookLust Twist: From More Book Lust in the chapter called “Living Your Dream” (p 157).

Night Soldiers

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Furst, Alan. Night Soldiers. Boston: Houghton Mifflin, 1988

I have to admit this took me a little time to get into. The story starts off in 1934 with a violent bang. Khristo Stoianev is a Bulgarian teenager who witnesses the brutal beating and subsequent killing of his younger brother, Nikko. Nikko, only 15 years old, was used as an example of a growing power. Using this tragedy as a vehicle for change, Khristo is drawn into the NKVD, the Soviet intelligence service. From there he is sent to serve in the Spanish Civil war (although it is curious to note during his training he was taught English and French, not Spanish). Meanwhile,the political arena is heating up. Nazi Germany and Soviet Russia are arm wrestling over real estate in Eastern Europe. Stalin is starting to purge the undesirables and this is to include Khristo so he flees to France.
Furst paints a stunning picture of eleven years of Eastern European history complete with French underground guerrilla operations, lavish love affairs, the never ending quest for power and multidimensional aspects of war.

Most telling line, “But these were political times, and it was very important to think before you spoke. Nikko Stoianev spoke without thinking, and so he died” (p 3).
Favorite line, “The nasty scene at the Finnish embassy refused to leave his mind, and he and Andres had decided to drawn their war in a bottle of Spanish gin” (p 161).

Author fact: Alan Furst was born on February 20th, 1941. He has an ongoing love affair with Paris.

BookLust Twist: From Book Lust in the chapter called  “World War II Fiction” (p 253) even though WWII isn’t the focal point of the the story.

Carry Me Home

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McWhorter, Diane. Carry Me Home: Birmingham, Alabama: the Climatic Battle of the Civil Rights Revolution. New York: Simon & Schuster, 2001.

There is no doubt Carry Me Home: Birmingham, Alabama: The Climactic Battle of the Civil Rights Revolution is testimony to McWhorter’s nineteen year mission. Her conviction to expose the truth is on every page. What makes Carry Me Home so compelling in the unflinching examination of McWhorter’s own family’s beliefs and involvements in the tumultuous time of civil unrest. Interjecting personal biography give the book a unique drama. The detail with which McWhorter writes allows readers to not just walk in the footsteps of history but experience as if they are walking side by side in real time.

Interesting lines: “One did not need to know what was wrong in order to know something was wrong” (p 27), and “Over the two decades of solitary toil, my driving aim had been to “solve” the church bombing, to bring the murderers if not to justice then at least to truth” (p 589).

I have to point out that a friend didn’t like the title of this book. He felt that the use of the word “climatic” was incorrect. Climatic for the era, maybe, but certainly not climatic for all time.

Book Trivia: Carry Me Home was compared to Parting the Waters by Taylor Branch by author David Herbert Donald, and by writers for the Boston Globe and The Nation. Also, Carry Me Home won a Pulitzer.

BookLust Twist: From More Book Lust in the chapter called “Civil Rights and Wrongs” (p 49).

Ain’t Nobody’s Business

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Wesley, Valerie Wilson. Ain’t Nobody’s Business If I Do.New York: Avon, 1999.

While Kisa drove from 42 8′ 55″ N/72 36′ 29″ W to 44 6′ 13″ N/69 6′ 33″ W I read Ain’t Nobody’s Business If I Do. Four straight hours until I ran out of daylight and I ran out of words. It was the kind of reading that had me asking what would happen next. Not because the story had me on the edge of my seat in suspense, but because I had grown to care about all the characters and truly wanted to know how all their lives worked out. The biggest emotion everyone had in common was the desperate need to find the true meaning of love. Then there was the telling of how they went about finding that love.

First, there is 44 year old Hutch who ups and leaves his wife Eva, at two in the morning. He has no idea why he has to leave but he also knows there is no way he can stay. As he says, he lost his joy. No one is more baffled by Hutch’s behavior than Hutch himself, but leave he must. Eva, his second wife of ten years, oscillates between sheer rage and utter despair as she copes with a huge house she hasn’t a clue for to maintain. Hutch runs to Donald, his best friend, who is constantly cheating on his seemingly perfect wife yet Donald’s seemingly perfect wife seems like a perfect match for Hutch, especially in his confused state of mind. Eva seems best suited for her own daughter’s ex-boyfriend. It’s a merry-go-round of emotions and relationships and no relationship combination is spared: mother-daughter, father-son, best friends, lovers, old married couples, newlyweds…Everyone is looking for something just out of reach and ignoring what’s right in front of them.

Favorite line, “Raye’s eyes could always shake loose his truth” (p 41).

Two observations: The story starts out with Eva’s aunt hoo-doo magic. There is mention of dried twigs and a Vick’s VapoRub smell. I would have liked that hoo-doo to be more present throughout the story. Also, Wesley always seemed to be one stop ahead of me. Eva works as a librarian. She started out as a volunteer then asked for a paying position and got it. I questioned where was library school and the formal degree. In the very next chapter Eva’s boss is urging Eva to go to library school. There is another scene where Eva’s car breaks down and she is left stranded on the side of the road. I immediately wanted to know where her car phone and/or AAA membership was. Wesley explained those details soon enough, as if she was reading my mind.

BookLust Twist: From Book Lust in the chapter called “African American Fiction: She Say” (p 13). The “She” in question being the authors.

Flaubert’s Parrot

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Barnes, Julian. Flaubert’s Parrot. New York: Alfred A. Knopf, 1985.

I chose Flaubert’s Parrot in honor of February being Bird Feeding Month but really, Flaubert’s Parrot doesn’t have a whole lot to do with parrots, per se. Goeffrey Braithwait is a retired doctor looking to solve a mystery. Two different museums claim to have Flaubert’s muse, a stuffed parrot that sat on Flaubert’s desk while he wrote ‘Un Coeur simple.’ Dr. Braithwait calls himself an amateur scholar of Flaubert and yet he knows the smallest of details about the writer’s life which indicate a growing obsession. While the mystery of the two parrots is the token premise of the tale it takes on much more than that. First, it is revealed Dr. Braithwait would like to be an author. He wonders what it would be like to publish. This is a theme that runs concurrent with the search for the correct parrot. In time Dr. Braithwait’s wife suicide is revealed. He searches for meaning to her demise. There are multiple personalities of writing styles at play in the telling of Flaubert’s Parrot. First, an most obviously, is the fictional/factual biography of Flaubert. Then there is a “Dear Diary” approach to a literacy criticism of Flaubert’s work. The writing is sparse and humorous.

Flaubert’s Parrot had a few zingers that I liked: “Why does the writing make us chase the writer?” (p 12), I warned him of the dangerous tendency in this species to posthumously parthenogenesis” (p 22), and “Some people have a tender heart and a tough mind” (p 34).

Author Fact: Julian Barnes has a FaceBook page. Of course he does.

Book Trivia: Flaubert’s Parrot had two Booker Prize nominations.

BookLust Twist: From More Book Lust in the chapter called “Parrots” (p 183). Go figure.

Mountains Beyond Mountains

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Kidder, Tracy.  Mountains Beyond Mountains: the Quest of Dr. Paul Farmer, a Man Who Would Cure the World. New York: Random House, 2003.

This was given to me as a gift, a well-timed, meaningful gift. I added it to the February list in honor to the Haitian people.

Mountains Beyond Mountains can be seen as a biography about Dr. Paul Farmer within the context of his love for Haiti. Mountains Beyond Mountains can also be seen as a travel book, a great way to learn about Haiti’s culture and climate, it’s people and politics. Haiti is a conflicted country so there is a lot to tell. Kidder is sensitive to Farmer’s intense passion for medicine and does not diminish the magnitude of sacrifices Farmer has made for it. Relationships and health suffer when Farmer single-minded tenacity neglects everything else.

There were a lot of really good quotes so my advice is just this: read it for yourself.

BookLust Twist: From More Book Lust in the chapter called, “Guilt-Inducing Books” (p 110).

Wall of the Sky

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Lethem, Jonathan. The Wall of the Sky, the Wall of the Eye: stories. New York: Harcourt, Brace & Co., 1998.

I like that way Nancy Pearl describes Lethem’s style of writing. Basically she says (in Book Lust) you never get the same book twice. Even within his short stories in The Wall of the Sky, the Wall of the Eye you don’t get the same short story twice. Nothing is the same. Even the style of writing is different. Like a box of chocolates with only one candy containing chocolate…

Here’s a list of the short stories:

  • The Happy Man ~ a weird sort of deal-with-the-devil story about a man who is dead, but isn’t.
  • Vanilla Drunk ~ a story that mentions Michael Jordan over 40 times.
  • Light and the Sufferer ~ brothers, an alien, drugs and New York City. What’s not to love?
  • Forever, Said the Duck ~ a virtual party where virtually no one is who they say they are.
  • Five Fukcs ~ I have no idea how to describe this story. It’s all about getting screwed over…
  • The Hardened Criminal ~ a very strange story about a man who ends up in the same prison cell as his father…only his father is built into the cement wall.
  • Sleepy People ~ there is a group of people who sleep through anything…including sex.

Because of Lethem’s copyright statement I am not going to quote favorite lines (and yes, I had a few). Just leave it that I liked the entire book (even though I would have liked more description about the Sufferer from “Light and the Sufferer”).

BookLust Twist: From Book Lust in the chapter called, “Jonathan Lethem: Too Good To Miss” (p 145).

Certain World

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Auden, W. H. A Certain World: a commonplace book. New York: Viking Press, 1970.

Commonplace books are, in my opinion, an easy way to “write” a book. Compile passages, find poems, collect essays and whatnot, make a few comments about why these selections were made and what they mean to the writer and suddenly a book is born. Someone produced a commonplace book. I think I would enjoy them more if the compiler took the time to respond to every inclusion. Why are these poems important? Did you agree with that essay? W.H. Auden definitely could have added more personal commentary and perspective to round out A Certain World.

From Michael Alexander to Andrew Young W.H. Auden includes such well-known authors as William Blake, Anton Chekhov, Thomas Hardy, and Henry David Thoreau. In addition to excerpts, poetry, plays, and essays Auden includes riddles, puns, epithets, and jokes. A wide range of subjects like sex, birds, God, machines, time, commas, and Eskimos are mingled with emotions like rage, love, dejection and hope. An eclectic and entertaining mix of topics are compiled. The sole regret is that very few include commentary on their importance to the author.

BookLust Twist: From More Book Lust in the chapter called, “Commonplace Books” (obviously), (p 52).

Warriors Don’t Cry

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Beals, Melba Pattillo. Warriors Don’t Cry: A Searing Memoir of the Battle to Integrate Little Rock’s Central High. New York: Pocket Books, 1994.

If you stop and think about it, 1957 was not that long ago. Think about the span of a lifetime, on average. Think about the course of history and how slowly it moves. 1957, given all that, was yesterday. While we do not have clear lines of segregation that we did back then (water fountains, bathrooms and backs of buses to name a few) we still have the invisible lines that separate white from black. If that were not the case we wouldn’t have the rash of “firsts” that we have had recently: first black coach to win the Superbowl, first black President of the United States…These firsts would have happened years ago if the invisible line didn’t still exist to a certain degree.

I cannot imagine Melba Patillo Beals’s life. One of the scariest scenes for me was when she first tried to go to Central High after desegregation was declared. The hatred and violence she described seemed subhuman, barbaric even. Could we really live in a society that contained so much hatred? The obvious answer is yes, and we still do.

True to Beals’s title, Warriors Don’t Cry is a “searing memoir of the battle to integrate.” Every day was a struggle. Civil rights were hardly observed in a civil manner. Utter hatred spawned uncontrolled violence. For Melba Beals this hatred was not something she read about or glanced at on the television. She live it in every step she took. She experienced it first hand simply because of the color of her skin. How brave of her to write it all down! How lucky for us she decided to remember it all! Warriors Don’t Cry is not an eye-opener. We have seen these things all along. Her memoir keeps it all in view.

While I didn’t find any quotes that struck me one way or another I was moved by Melba’s experience with her “own” people. In addition to whites who were having an extremely hard time accepting integration, there were a fair number of blacks who didn’t want it either. Melba was making enemies on both sides of the color divide.

BookLust Twist: From More Book Lust in the chapter called, “Civil Rights and Wrongs” (p 49).

Hiding Place

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Azzopardi, Trezza. The Hiding Place. New York: Atlantic Monthly Press, 2000.

    I have to start by saying I would love to meet William Gedney just to ask him about the photograph on the cover of The Hiding Place. I guess Francine Kass (who designed the cover) would be more appropriate to ask of these questions. Nevertheless, here are the things I would ask of either:

    1. The girls are in the kitchen obviously paring something (apples? potatoes?). Why do they all have one leg up; why are they standing like storks?
    2. The painting of the Last Supper – was that meant to be symbolic since the girls are standing in a kitchen?
    3. There is a fourth pair of feet and evidence of a little knee behind the child leaning on the refrigerator. Who is she and why isn’t she more visible? I took this to be Dolores, the narrator of The Hiding Place. She is the youngest daughter and paid attention to the least. More symbolism?

    The Hiding Place by Trezza Azzopardi is sad, sad, sad. Dolores Gauci is the youngest of six daughters born to Maltese immigrants Frankie and Mary. Her view on the world is both tragic and innocent. She is at once stoic and childish; solemn and naive. What Dolores sees is a family slowly dismantled by a gambling and always losing father. As her siblings are bartered away Dolores must face a grim childhood with fewer and fewer protections as even her mother’s will to survive slips away. Serving as the backdrop for the Gauci family is the 1960s landscape of Cardiff, Wales, an immigration town populated with citizens hardened enough to do just about anything to survive.

    Favorite lines: “Her fury travels down the spoon and into Luca’s dinner. I am breast-fed: I get rage straight from the source” (p 22), “As with all truth, there is another version” (p 75), and “She’ll be scrubbing the steps again, probably – it’s a job best done in anger” (p 126).

    BookLust Twist: From More Book Lust in the chapter, “The Immigrant Experience” (p 123).

    Company of Three

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    O’Connor, Varley. Company of Three. Chapel hill: Algonquin Books, 2003.

    There is mystery that surrounds Company of Three. At face value it is the story of three actors struggling to see their name in lights on Broadway. New york City in the 1970s is a hub for creative activity such as dance and the theater and Robert, Patrick and Irene stand in the spotlight, ready as ever for their close ups. Company of Three follows their successes, their failures, their struggles. It examines their friendships and love affairs and what they mean to one another. Ultimately, it is the story of how far they would go for their careers and for each other.

    In truth, it is that friendship that has me scratching my head. At one point in the story the three friends vow to always be there for one another and someday run a theater together. They even seal the deal in blood. Yet, despite their close bond and the pact they have made, Patrick keeps some very dark secrets from his friends. Curiously, he lies continuously so his connection to Robert and Irene is questionable.

    Best quote (and why I think people take up acting): “Acting was not the departure from myself that I thought it would be, but rather a journey into the very parts of myself I thought I would rescue me from” (p 57).

    BookLust Twist: From More Book Lust in the chapter called, “All the World’s a Stage” (p 7).

    Why Things Bite Back

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    Tenner, Edward. Why Things Bite Back: Technology and the Revenge of Unintended Consequences. New York: Alfred A. Knopf, 2006.

    I first became interested in Why Things Bite Back when I thought of the title in relation to health and flu vaccinations. The more aggressively we try to fight the ills of the seasonal flu the more resilient the virus gets.  Now with the vast-reaching and rapid spread of the H1N1 virus Why Things Bite Back seems even more telling.

    Edward Tenner takes an in-depth look at the technology that first set out to make our lives easier, more convenient, and faster: technologies that include chemistry, invention, ingenuity and just plain luck. The advances science and medicine don’t come without fault and failure. It’s these drawbacks that Tenner describes as “revenges.” Seat belts that save adults but kill children, for example. The unexpected thrill to Tenner’s book is that it isn’t dry and didactic. There is actual humor hidden in the irony.

    My favorite line (for obvious reasons), “…what are we to make of stepping from office elevators into our cars and driving to health clubs to use treadmills (a feature of nineteenth-century prisons)…” (p 10).

    BookLust Twist: From More Book Lust in the chapter called, “Dewey Deconstructed: 300s” (p 66).

    Fire Next Time

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    Baldwin, James. The Fire Next Time. New York: Dial Press, 1963.

    The Fire Next Time is a slim yet powerful 120 pages. Baldwin does not waste a single page on empty words or phrases. Every sentence is an argument for America to beware of “the fire next time.” He implores the reader to take a page from history and not turn a blind eye to it; we must change the course of racial inequality in order to survive. Even though The Fire Next Time was published not even ten years after the integration of Little Rock’s (Arkansas) Central High Baldwin’s fiery words hold true today.

    The title, The Fire Next Time, is drawn from a “recreation of the Bible in a slave song” – ‘God gave Noah the rainbow sign, no more water, the fire next time’ (p 120), yet there are several examples of such warning scattered throughout the entire book. This warning is in a couple of my favorite quotes.

    “But, in the end, it is the threat of universal extinction hanging over all the world today that changes, totally and forever, the nature of reality and brings into devastating question the true meaning of man’s history” (p 71), and “Life is tragic simply because the earth turns and the sun inexorably rises and sets ans one day, for each of us, the sun will go down for the last, last time” (p 105).

    BookLust Twist: From Book Lust in two chapters: “African American Fiction: He Say (p 10), even though it isn’t fiction, and again in the chapter “Essaying Essays” (p 81).