Tag: march

Bluest Eye

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IMG_0663 Morrison, Toni. The Bluest Eye. New York: Plume, 1970.

The LibraryThing Review:
“Because The Bluest Eye doesn’t have a traditional storyline plot the reader is free to concentrate on the complexities of the characters. The entire work is like a patchwork quilt of human suffering. Each character a different patch of sadness and survival. With each square, the ugly underbelly of society is exposed: poverty, racism, rape, incest, abuse, violence…Toni Morrison is the eye that never blinks in the face of such harsh subjects.”

These are the quotes that stopped me short. “They did not talk, groan or curse during these beatings. There was only the muted sound of falling things, and flesh on unsurprised flesh” (p 43). It’s the word ‘unsurprised’ that speaks volumes.
“He urges his eyes out of his thoughts to encounter her” (p 49). Another way of describing a deep-seeded prejudice.

One aspect of this novel that caught me up was the narrator hearing certain words in colors like light green, black and red. I have done the same thing with my imagination. I see words as certain shades or hues. Aside from the colors, this was a hard book to read and I can’t say anything that hasn’t already been said.

BookLust Twist: From More Book Lust and the chapter called “Big Ten Country: The Literary Midwest (Ohio)” (p 29).

Dalva

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Harrison, Jim. Dalva. New York: E.P. Dutton, 1988.Dalva

What I wrote on LibraryThing:
There are two elements that make this story compelling: the characters and the sweeping shadow of history under which they live. Dalva is supposed to be the main character, but her story is told through the richness of the other characters. Michael, the alcoholic professor bumbling his way through Dalva’s history in attempt to reach tenure; Duane, Dalva’s teenage half Sioux love; Dalva’s mother, Naomi; Uncle Paul and the diaries of her great-grandfather, the missionary who first came to Nebraska.

There are more quotes than this, but here are my favorites:
“You are at an age when you are not to yourself as you are to others” (p 51).
“I rehearsed my entire life and heard my heart for the first time” (p 56). Who hasn’t done this at least once?
“It’s not what turns one on, but what turns one on the most strongly” (p 61). Good explanation for the fickle.
“There was a loud noise that turned out to be my yelling, which I managed to do while running backwards” (p 115). Just a really funny image.
“In these semi-angry moods or after she had a few drinks she owned the edge of a predator” (p 122). Aren’t we all?
“Nebraska strikes one as a place where it never occurs to the citizens to leave” (p 126). I think that’s why I don’t know of anyone from Nebraska.
“Some wise soul said that grownups are only deteriorated children” (p 257).
“My mind so clear it shivered inside” (p 296).

The one thing I didn’t care for was the sense of false advertising I got from the description of the book – “this is the story of Dalva’s search for her lost son who was given away for adoption.” Out of a 324 page book it wasn’t until page 221 that Dalva has a serious dialogue about finding her son. Up until then it isn’t mentioned barely at all. That only leaves 103 pages for the story of searching. In truth, I found the first 221 pages were spent explaining Dalva’s past and the important people in her life. They all have stories to tell and fascinating ones at that!
BookLust Twist: From More Book Lust actually twice – once in the chapter “The Great Plains: Nebraska” (p 108) and again in “Men Channeling Women” (p 166).

Carter Clay

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IMG_0624
Evans, Elizabeth. Carter Clay: a Novel. New York: HarperFlamingo, 1999.

The LibraryThing review:
The premise of Carter Clay is a guilty conscience. Instantly, I was brought back to Charles Dickens because same could have said for Great Expectations. In Great Expectations, Pip becomes a gentleman through the generosity of a convict Pip was forced to help earlier in his life. When he first finds out, he is disappointed his benefactor isn’t someone more appropriate to society’s standards. In Carter Clay there is a similar parallel. Carter Clay is a homeless drunk who accidentally plows his van into a family, killing the father and seriously wounding the mother and daughter. His guilt and sense of debt drive him to be close to his victims, to care for them as penance. Additional factors, such as the man who wants to kill him, complicate the plot.
While I was impressed by the way Evans tells the story, weaving past and present through the different voices, I didn’t find her writing quotable. Nothing grabbed me in that way. Character development was my favorite. From flashbacks you got a sense of how everyone used to be before the accident. But, those flashbacks are subjective to human emotion and the desire to remember things a certain way which may or may not reflect reality. I found the psychology of what has or hasn’t changed for each character very interesting.

BookLust Twist: From More Book Lust and the chapters “Florida Fiction” (p 90) because most of the plot (and accident) happens in Florida, and “Teenage Times” (p 217) because Jersey, the daughter paralyzed in the accident, is a central character.

Great Expectations

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Dickens, Charles. Great Expectations. New York: Oxford University Press, 1998.

Believe it or not, I had never read this before. Not in high school, not in college, not in fun. Go figure. It’s a classic which translated (back in the day) into the assumption of being boring. It was written in 1861 which translated into practically a foreign language (ekerval?). All that translated into me being narrow minded. Great Expectations is wonderful. It opens with Pip (our young main character) encountering an escaped convict in a field. The convict threatens bodily harm if Pip can’t produce some food and, of course, a file. Why was Pip targeted? His brother-in-law is a blacksmith. Of course he is going to have instruments strong enough to tackle something like…leg irons. So, it starts out pretty exciting and not at all unrealizable.

Here are some of my (early) favorite quotes from Pip’s life with his sister and her husband, Joe:
“She concluded by throwing me – I often served as a connubial missle- at Joe, who, glad to get hold of me on any terms, passed me onto the chimney and quietly fenced me up there with his great leg” (p 7).
“My sister having much to do, was going to church vicariously; that is to say, Joe and I were going” (p 20). While Pip’s sister is seen as cruel I cannot help but find humor in both these passages.
After Pip decides to become a gentleman he makes an observation that struck me: “So, throughout life, our worst weaknesses and meannesses are usually committed for the sake of the people whom we most despise” (p 206). Estrella, his love interest, has another observation akin to Pip’s: “I’ll tell you what real love is…It is blind devotion, unquestioning self-humiliation, utter submission, trust and belief against yourself and against the whole world, giving up your whole heart and soul to the smiter…! (p 227).

The LibraryThing review:
“A classic from Charles Dickens. All of the characters are so well developed that the reader cannot help but drawn into their individual plots. From Pip, the blacksmith apprentice turned gentleman in the making (and the hero of our story) to Miss Havisham, a wealthy woman locked away in self-induced seclusion. “

BookLust Twist: From Book Lust and the chapter “A Dickens of a Tale” (p 72). It’s funny that Pearl laments about Dickens having to be a high school mandatory read that students had to “choke down” because many of the reviews I have read recently about Great Expectations mention having to read it in this manner.

A is for Alibi

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Grafton, Sue. A is for Alibi. New York: Henry Holt & Co., Inc. 1982.

My mother-in-law was surprised to see me reading a Sue Grafton mystery. Mysteries have never been my thing. I don’t think she was convinced even when I explained that it was a Book Lust recommendation. I kept saying things like “I have to…” and “it’s on my list…” and still I got the skeptical stare. I’ve decided to loan her my “lists” in other words, my Lust books because I also have to read the F & Q books from Grafton.

I was struck by how much I have in common with Kinsey Millhone, Grafton’s main character. She dedicates Sundays to herself. I used to dedicate Friday with the same to do list: “laundry, housecleaning, grocery shopping. I even shaved my legs to show that I still had some class.” (p82) Kinsey runs even though she’s not good at it. She has conversations with her body when she runs. Me, too – although I could call mine arguments and not conversations. She’s big on breakfast. She drives fast. She even feels the same way I do about dogs if not plants. “I don’t know a lot about houseplants, but when all the green things turn brown, I’d take that as a hint.” (p. 33) Me, I’m a plant person. I may kill one or two along the way but if one dies I consider it suicide, taking one for the team.

Seriously, similarities aside I liked Sue Grafton’s first “alphabet” mystery. Kinsey is cool, as she should be. The mystery she was trying to solve had all the important gun on the table elements: murders, clues, infidelities, suspicions, low lifes, and more sex. My only disappointment? I had the culprit picked out before the end. Why? He was too good to be true.

BookLust Twist: Pearl has a huge mystery list in Book Lust. A is for Alibi comes from the chapter called, I Love a Mystery” (p 117).

7 1/2 Cents (with Spoiler)

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Bissell, Richard.  71/2 Cents. Boston: Little, Brown & Co., 1953.Bissell

This was a fun read. I loved the wit, the humor of Bissell’s main character, Sidney Sorokin. He’s the new superintendent of the Sleep Tite Pajama factory in lovely, just-not-Chicago, Junction City, Iowa. With a sharp sense of humor he tells his story of romance and industry, ulcers and alcohol.  
The “gun on the table” in 7 1/2 Cents  is an unavoidable strike if the workers don’t get a 7 1/2 cent raise. At the center of the controversy is Sid’s girl, Babe. She’s a worker in the Sleep Tite factory and the ring leader for a industry-ending slow down. She’s beautiful, smart and funny. Of course she leads Sid around by the you-know-what. He’s so smitten he not only gets her her 7 1/2 cent raise he proposes to her in the end. You many think I spoiled the entire story, but I didn’t. There’s more to the book that inspired the musical “The Pajama Game.”

BookLust Twist: From the chapter “The Book Lust of Others” in More Book Lust (p.34). 7 1/2 Cents was mentioned as an aside. Bissell’s other book, “High Water” was the featured read in the chapter.

Children of the Souls

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MacKenzie, Jeanne. The Children of the Souls; a Tragedy of the First World War. London: Chatto & Windus, 1986.WW2

When I first read about Children of the Souls; a Tragedy of the First World War in Book Lust I was excited to read it. Nancy Pearl described it as a book that “looks at the effects of World War I on a group of upper-class intellectuals” (p 251). Thanks to Tufts University I was able to borrow this book for a month and I needed a month just to even get into the story. Children of the Souls is sectioned into two parts. Part one sets up the lives of the intellectuals, The Souls. For the first 137 pages there is barely a mention of tragedy and even less of war (and the book is only 262 pages long). Like Pearl said these are the wealthy, the upper-class of England and author MacKenzie goes on and on about their schooling (all at Cambridge), their parties and socialite psychologies. I had a good laugh over the language when thinking of it in 21st century terms, “no one has molested me at all yet,” (p33) and, “I think there is something obscene about him, like the electric eel at the Zoo…” (p106).
It was hard to think of these people as tragic when one of their weddings was described as such, “With eight bridesmaids wearing dresses copied from Botticelli’s ‘Primavera’ the splendour was almost regal and overwhelming” (p112) and the description of their social lives is as follows- “parties of all kinds were now the warp and woof of their lives.” (p132)

Parts I and II are separated by photographs of the Souls. I studied their faces, thought about their lives. I couldn’t relate. They lived in a time I’ll never see, in a country to which I haven’t been. Their pictures were as foreign to me as green skinned aliens. I couldn’t even imagine a conversation between us. I’m sure it was the wealth, the high society that built the barrier and limited my imagination.

Part II introduces the politics behind World War I. Let the seriousness begin! What surprised me the most was how quickly everyone died. The first half of the book doesn’t mention the war and the second half is spent killing everyone off, one by one. I was disappointed I didn’t have more about how they experienced the war. Did their intelligence help them? Their wealth couldn’t save them.

BookLust Twist: From Book Lust and the straightforward chapter about, “World War I Nonfiction” (p 251).

36 Children

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36 childrenKohl, Herbert. 36 Children. New York: New American Library, 1967.

I read this one in two days. Not only is it a short book, but it’s a simple read; a good read. As I read it I wondered if anyone ever tried to make a movie of it. Everyone loves those “based on a true story” dramas and this one has all the tantalizing details. Kohl is white and young and thinks outside the box when teaching (think Dead Poets Society). His students are angry black teenagers from wrong side of the tracks (if you can call poverty stricken East Harlem the “wrong side”). Kohl reaches them through creativity, sensitivity and an unwillingness to conform. There’s even romance involved since it was at this time Kohl meets his future wife. It takes him time to earn the students’s trust but…by the time he does his bonus is friendship. The kids respond to him; soon the teaching and learning works both ways between students and teacher. One of my favorite parts was when the kids put together a newspaper and distribute it school-wide. When they receive criticism (narrow minded, of course) they continue to produce the paper. They just don’t distribute it to the powers that be.
Another unique detail of 36 Children that I adored is Kohl’s inclusion of his students’s letters and stories (complete with illustrations). He gives them vitality and personality by including more than his view of them. It’s as if to say “you don’t think these kids are talented? Don’t take my word for it. Read for yourself, then!” There is imagination and intelligence…and potential in every word.
It’s not a fairytale story. It doesn’t have the happily-ever-after ending. Kohl learns that one year with the students isn’t enough. The “System” is bigger than he bargains for and it can easily undo all the good (= trust) he has established. In some cases that’s exactly what happens. It’s win-some, lose-some.

BookLust Twist: From Book Lust in the chapter called, “Teachers and Teaching Tales” (p 231).

Death of the Ball Turret Gunner

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JarrellJarrell, Randall. “The Death of the Ball Turret Gunner.” The Complete Poems.  New York: Farrar, Straus & Giroux, 1969. 144.

Randall Jarrell has a section in his Complete Poems just for gunners. While this poem is only five lines long, it packs a punch. Evoking images of motherhood and innocence, twisting to violence and death. It is a journey. The last line so disturbed me. Read for youself and see. For once I will not spoil it by spelling it out.
I will be honest, having never faced any war of a political nature, I looked up turret just to make sure it matched what my mind was seeing. It did. That didn’t make reading this emotional poem any easier.

BookLust Twist: From More book Lust’s chapter on Poetry Pleasers (p188).