Dream Sean Away Rowe Lodge

Every once in a while it’s great to break of out the crate and do something a little different. Kisa, Aimless and I wandered off to Becket last night. Not Ball player Beckett or the Waiting for Godot kind… but the place that hides the Dream Away Lodge.
I could spend a whole blog on where we went, but I’d rather talk about why we went – Sean Rowe. I do have to say a few words about DAL, though. From the very beginning it was a kind of kismet experience. Aimless was talking about going somewhere because her friend worked with someone who happened to be the girlfriend of someone performing. Kisa and I were going to that same place simply because of that someone performing. Unplanned plans. We decided to carpool. We both forgot the directions. DAL is advertised as the place impossible to forget, impossible to find. That’s nearly accurate because the place is out there – in the middle of nowhere out there. Once you’re there, you’re there and you know it. It’s a farmhouse, a restaurant, a bar, a hippie hangout, a family experience, a speakeasy and maybe once a brothel. From every corner of the room, covering every wall, art and artifacts stare back at you (I swear I saw Gehring). Dogs roam freely among diners, cats wait for behind the ear scratches. Fresh flowers on every table, mismatched plates at your elbows. Wander from room to room with your coffee, maybe kick off your shoes in front of the fire. Listen to the music as long as you respect the tip jar.

Like I said, we were there for Sean and *that* voice. I was too shy to reintroduce myself from the night with Soul Session so I lurked on the fringe of requests and compliments and just smiled. “Remember me?” just seemed too lame an utterance, especially when the answer would have been “no.”
‘Alone’ is one of my favorite songs. I could have asked him to sing that one three or four times…in a row. Might have annoyed some members of the audience, but I wouldn’t have minded! I’m always amazed that one guy with one guitar comes out with so much sound. I love the illusion of hearing trains and drums and heatbeats, all phantoms to reality. Sean has a new song…I don’t know the name of it – but it’s about crashing a car. It’s intense, mesmerizing and dangerous. I could have stayed all night. Surrounded by homemade pillows and a crackling fireplace, I let the music invade my ears, tangle with my brain and thrill my heart only to escape in the cool night air, uncaptured and unconfined for another time.

I want to go back to DAL – eat dinner with the dogs at my knee, sit by the fire with a glass of Merlot and feel at home, lost in Becket.

Miss You Finally Revealed

I love it when the answering machine blinks good news. Kisa & I came home last night to the message “Miss You is done and I wanted you to have a copy as soon as possible. I’m in town…” A little while later I had five copies of the long awaited album in my hands. I can’t even begin to explain how excited I am about Miss You. We were given demos no – teases back in 2004 and it’s been nothing but anticipation since. I don’t think I can explain how excited I was to not only get a signed copy of Miss You, but another copy of Live at Turks. But, more on Turks another time. This is all about Rebecca Correia’s newest album, Miss you!
Set list (with comments and favorite lines):

  • Miami (I love that the first word on the entire album is ‘Kyle’) “It felt damn good to be hit on.” Kisa likes the part about taking off her top…typical.
  • Miss You – (I’m used to this one because of the demo but I miss Kyle singing backup from the live shows.) “Tracing circles again looking for a good time and a good friend.”
  • Under – (is there a little laugh at the end? I love the references to the ocean. It reminds me of home.) “Morning comes and I’m further away from myself it seems.”
  • Yours – (sounds like a choir of backup singers. Love the seduction of the bass.) “I keep running over all the reasons why I miss you.”
  • Screaming One – (one of my favorite songs – sultry guitar solo – wicked lyrics) “It’s like the things you forget when you forget to be yourself for a while.”
  • Better Day – (The song I want to call ‘Rain’. Love the mandolin!) “No sleep for the weary, no dreams for the restless.”
  • Walking Backwards – (with Matt Cusson. Funky keyboards) The song is too short for a favorite line. I would have to quote the entire thing!
  • Quiet Hands – (what can I say? Rebecca’s voice is really rich and all I can think about is September 18th. This version is just Rebecca and her guitar. It’s perfect.) “Colors fade but I am not afraid this time when love is made between your heart and mine.”
  • Elizabeth – (My heart breaks whenever I hear this song. Love, love, love the bass but the lyrics get me more.) “In the dark I cry pondering the reasons why. Mother it’s your ghost I live with all the time.”
  • Nothing Left to Take – (Mozus’s guitar is haunting in this.”Behind these eyes of complacency, decency I give up this skin.”
  • No Apologies – (Drums! This is my favorite drum song. I couldn’t tell you why. I just hear the drums in perfection.) “You are my legs when I’m running faster towards the edge and I’m falling out.” “Heaven is aware and looks away.”
  • Wanting – (I love the conversation between cello and piano.) “Haunted by your ghost, your touch so cold…” and “I’ll be the quickest road to love you’ve ever known.”

Ophelia Revisited

NatalieI go through phases. Musically obsessed, I will listen to one artist over and over again until something takes me off course. I am not exactly sure what dictates this audio gorging, but I’ve always been this way. Ask my mother and she’ll tell you about an ABBA cassette I wore out in the 7th grade. Get me hooked on something and I don’t give it up. Won’t give it up. Ever since kisa was able to get bootlegs of BubbleGum I have been in his audience for months now. Sometimes I’m the back, absently humming along. Other times I’m right up in the front row, screaming my heart out. Daily doses of BubbleGum. Two nights ago I watched Any Given Thursday back to back with a New York show from earlier this year, trying to reconcile 2002 with 2007. I still can’t believe it’s the same guy! Just last night kisa found a secret show, something recorded at 1am. Intriguing.
Recently though, thanks again to kisa, I’m back to my Natalie obsession. Almost like coming full circle. It started in 1998 and most recently came around again when my knight put a gigantic, humungous pair of headphones on my head and said something about Noise Blocking Technology. The latest. I couldn’t hear him. Not one word. “Your lips move but I can’t hear what you’re saying.” His mistake was pushing play and letting the cd spin. I couldn’t hear him, didn’t want to hear him… for Natalie had begun to sing.
I admit it. I have missed this voice. I have missed the anger, the passion that always bubbles up from somewhere secret when her lyrics hit me. Tonight I relived Live in Concert (1999). Natalie has always conquered the tough subjects in her songs. I could sense the rage simmering as Natalie sang, “there’s a world outside this room and when you meet it promise me you won’t meet it with your gun taking aim” (Gun Shy, 1987). She was talking to her baby brother about joining the military but all I could think about was Cho Seung-Hui. What made him meet his world with a gun taking aim – just days before the anniversary of Columbine? Would this tragedy get to Natalie as much as 4/20/1999 did? Would she write about Seung-Hui as she had about Harris and Klebold? Tell me. What makes someone’s hatred so untouchable, his alienation so absolute? When does taking aim become the only answer to desperation? I’m hoping Natalie explores the unexplicable because it’s time to hear her voice again, to hear her ask the tough questions.