Lou Reed: Notes from the Velvet Underground

Confessional: I had a really hard time reading about Lou Reed. I had always heard stories about his despicable character and was hoping most of it was a lot of bunk; I wanted it to be that Lou felt he had to keep up a persona cultivated by his involvement with Andy Warhol and the drug infested 1960s. I was wrong. He was a dick seemingly from birth.
There is no doubt Sounes is very sympathetic towards Reed and his less than admirable character. He made excuses for his bad behavior throughout the entire book, calling Reed a “provocateur extraordinaire” as early as the high school years. It is very obvious Lou loved to push buttons early on and did not care in the very least about the consequences. It was if he had a bone to pick with the entire world and spent his entire life trying to get even. He was a troublemaker. He was mean. He acted strange. He was often cranky. Drugs made him even more paranoid than he naturally was. He was a chauvinist and had a thing against women. He welcomed violence against women and had a habit of smashing, shoving, smacking, slapping them. At times Sounes seems conflicted. He states Reed clearly meant to project an image by being a prick, but in the very same sentence admits Reed was the person he projected (p 160).
Reed and his “provocateur extraordinaire” personality aside, Sounes’s exhausted research and attention to detail jumps out of every page of the biography. You can smell the grit of New York’s grungy streets and feel the beer soaked stickiness of the music scene. Warhole, Nico, Bowie, Iggy…they all live and breathe with vibrancy in Lou Reed. It’s as if Sounes bottled their souls and that alone makes the read worth it.


October Late

I am so frigging late with this it’s not even funny. Here are my excuses: I was home-home the first weekend in October. I am hosting an art show. I’m trying to hire a new librarian. And. And! And, I have been running. Only 13.25 miles so far but it’s a start, right? I’m thrilled to be putting one foot in front of the other. But, here are the books:

Fiction:

  • October Light by John Gardner – in honor of October being in the the title of the book and the fact that it takes place in Vermont, a place that is simply gorgeous in the fall.
  • Jamesland by Michelle Huneven – in honor of October being Mental Health Awareness month.
  • Long Day Monday by Peter Turnbull – in honor of police proceedurals.
  • The Axe by Sigrid Undset – in honor of the fact I needed a translated book by a woman for the Portland Public Library challenge. Weak, I know.
  • Isabel’s Bed by Elinor Lipman – in honor of Lipman’s birth month.

Nonfiction:

  • Wyoming Summer by Mary O’Hara – in memory of O’Hara dying in October.
  • An Obsession with Butterflies: Our Long Love Affair by Sharman Apt Russell – in honor of Magic Wings opening in October and the fact that Monhegan was inundated with monarch butterflies for the month of September. We even saw a few while we were home.

Series Continuation:

  • Running Blind by Lee Child – started in honor of New York becoming a state in July (where Lee Child lives). However, big confessional: I am reading this out of order. My own fault completely.

LibraryThing Early Review:

  • Notes from the Velvet Underground by Howard Sounes

August Gusted

When I look back at August my first thought is what the hell happened? The month went by way too fast. Could the fact that I saw the Grateful Dead, Natalie Merchant (4xs), Trey Anastasio, Sirsy, and Aerosmith all in the same month have anything to do with that? Probably. It was a big month for traveling (Vermont, Connecticut, NYC) and for being alone while Kisa was in Charlotte, Roanoke, Erie, Chicago, Indianapolis, and Colorado. And. And, And! I got some running done! The treadmill was broken for twenty days but in the last eleven days I eked out 12.2 miles. Meh. It’s something. Speaking of something, here are the books:

Fiction:

  • African Queen by C.S. Forester
  • Antonia Saw the Oryx First by Maria Thomas
  • Shine On, Bright and Dangerous Object by Laurie Colwin
  • Strong Motion by Jonathan Frazen
  • Beauty by Robin McKinley
  • Bronx Masquerade by Nikki Grimes

Nonfiction:

  • American Chica by Marie Arana
  • Florence Nightingale by Mark Bostridge
  • Secret Life of Lobsters by Trevor Corson

Series continuation:

  • Die Trying by Lee Child
  • Foundation’s Edge by Isaac Asimov

Early Review cleanup:

  • Filling in the Pieces by Isaak Sturm
  • Open Water by Mikael Rosen

Bear Comes Home

Zabor, Rafi. The Bear Comes Home. New York: W.W. Norton & Company, 1979.

Reason read: May is Music month.

In a nutshell:The Bear Comes Home is a story about a talking, walking, pants-wearing, saxophone-playing bear. Wrap your brain around that for a moment and then consider this: the bear is an avid reader, talks philosophy and emotionally and physically loves a woman. I knew from the inside flap this book was going to be an interesting read, especially when I read, “a vexed, physically passionate and anatomically correct inter-species love affair with a beautiful woman named Iris.” Um. Okay. It’s the “anatomically correct” piece that really puts it into perspective. But! Trust me when I say this is a deep book. I mean deeeep. Zabor is a little long winded when it comes to subjects he is passionate about. There are pages and page about jazz music and the musicians who perfected it, but somehow the entire thing works. The Bear is a little too angsty but considering his circumstances, stuck in the human world, who could blame him?

As an aside, I have two Natalie connections to this book. This time “Dancing Bear” from Leave Your Sleep (of course) and the mention of the song “But Not For Me” which Natalie has covered.
Another aside, I loved, loved, loved the musical references. Mention of Prince’s Black Album made me swoon (been missing him a lot lately).

Line to like, “It had to do with the heaviness of obsession” (p 363).

Author fact: Zabor is a musician as well as an author. Obviously.

Book trivia: Bear Comes Home features a few real life musicians. Obviously. Another piece of trivia: it won the PEN Faulkner award.

Nancy said: Pearl said Bear Comes Home is a “slightly different take on music in fiction” (Book Lust p 164).

BookLust Twist: from Book Lust in the chapter called “Music and Musicians” (p 164).


Spring Pages

I will be traveling for part of May so who knows how many books I’ll be able to read for this month. Here is the list I will attempt:

Fiction:

  • Man in the Gray Flannel Suit by Sloan Wilson – in honor of May being Wilson’s birth month.
  • Ethel and Ernest by Raymond Briggs – in honor of Graphic Novel month being in May.
  • Mariner’s Compass by Earlene Fowler – in honor of May is Museum Month.
  • Bear Comes Home by Rafi Zabor- in honor of May being Music Month.
  • Morbid Taste for Bones by Ellis Peters – in honor of the first Thursday in May being Prayer Week.
  • Master and Commander by Patrick O’Brian – in honor of my father’s birth month. As a kid he read this book.
  • Five Children and It by E. Nesbit – in honor of May being Nesbit’s birth month.

Nonfiction:

  • Farthest North by Fridtjof Nansen – in honor of Peary’s birth month being in May. From one explorer to another.

Series continuations:

  • Prelude to Foundation by Isaac Asimov – to continue the series started in January in honor of Asimov’s birth month.
  • Barchester Towers by Anthony Trollope – to continue the series started in honor of Trollope’s birth month in April.

Why the Grateful Dead Matter

Benson, Michael. Why the Grateful Dead Matter. New Hampshire: University Press of New England, 2016.

Reason read: Early review for LibraryThing.

I decided to write this review a little differently. Instead of waiting until I had read the entire thing before commenting I decided this time I would write comments as I went. Here’s what happened:

I have to admit, I found some of Benson’s writing a little hokey. When he said, “there’s an app for that” I practically groaned out loud. So, this is how it’s going to be I thought out loud.

The structure of Why the Grateful Dead Matter is a little chaotic. That is to say, there is no real structure to the chapters. Just open the book and read. Doesn’t matter where you start. Doesn’t matter where you end.

This is essentially an argument without hard facts. Don’t expect an authoritarian narrative. No works cited. No in-depth research. It’s as if this book blossomed from a late night debate (possibly fueled by alcohol?); a debate with a friend about why, 50 years later, the Grateful Dead are doing a Farewell Tour. Picture it: the debate turned into Why The Grateful Dead Matter conversation. The reasons why they matter come fast and furious from Benson, political debate style, until someone says, “Man, you should write that s–t down!” And he does.

The chapter on Ripple being so zen is flimsy and without substance. It started off as a strong argument and somehow got off topic at the end. It petered out feebly when one of the last examples of zen is the Grateful Dead playing a benefit for the Zen Center. There is little substance in regards to HOW the music is “zen” and yet, the chapter on the instruments being custom made was well organized and detailed. Benson knows their equipment and knows it well.

This is one for the fans. Read this if you already love the music and just want to share in the common interest. Read this book if you already know why the Grateful Dead matter and you just want to agree, possibly shouting “Exactly! Right on, man!”

As an aside, I just bought my husband the compilation “30 Trips” for his birthday. I’m hoping Trips will contain the versions of songs Benson mentions as outstanding in Why the Grateful Dead Matter. Here is a partial list of the songs I need to find:

  • Wharf Rat 12/31/78 (particularly Jerry Garcia’s guitar solo)
  • China Cat Sunflower 1971 (Bucknell University)

Author fact: Benson is all over with place with his interests. According to the back cover, he writes about music, sports, crime, film, the military, and politics.

Book trivia: the early review copy I received had photographs in it, some I had never seen before. Very cool.


March Musings

What can I say about March? Personally, it’s the St. Patrick’s Day 10k road race. I’ve been injured so it’s hard to anticipate how well I will or won’t do. I went for my first outdoor run this weekend and ran 7.5 with a steady sub-10 pace. That felt strong! Happy girl! And speaking of strong, here’s what’s on deck for the books:

  1. Naked Lunch by William Burroughs – in honor of Jack Kerouac’s birth month. Jack and William were friends…
  2. Family Man by Jayne Ann Krentz – in honor of Krentz’s birth month
  3. The Brontes by Juliet Barker – in honor of March being literature month (over 1,000 pages!)
  4. Means of Ascent by Robert Caro – to continue the series started in honor of Presidents Day being in February (EB)
  5. Gilead by Marilynne Robinson – in honor of Maine becoming a state in March
  6. The Assistant by Bernard Malamud – Malamud died in March.
  7. Half of a Yellow Sun by Chimamanda Adichie – in honor of the Academy Awards being in February and March (HOAYS was made into a movie)

For Fun:

  1. Confessional: still reading Center of the World by Jacqueline Sheehan

For LibraryThing:

  1. I am supposed to receive Why the Grateful Dead Matter by Michael Benson as a January Early Review book sometime in the month of March…As an aside, there are a few other books I haven’t received and feel bad that I never read or reviewed them. I am sure they have all been published by now and so (I can’t believe I’m saying this) I’m going to see if a library has them. If they do, I will read and review as if I got them as Early Reviews from LibraryThing. The first non-early review I am going to tackle is a book I was supposed to received in 2009 – Sanctuary of Outcasts, a memoir by Neil White.