Tag: november

Beyond the Bedroom Wall

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Woiwode, Larry. Beyond the Bedroom Wall: a Family Album. New York: Farrar Straus Giroux, 1975.

I was in love with Beyond the Bedroom Wall in the very first chapters. The detail with which Woiwode described the midwest landscape was beautiful. The story opens with Charles Neumiller going home to bury his father. In his mind he pictures every detail of the landscape he is returning to. I also appreciated the reverent description of Charles preparing his father’s body for the funeral. It was painstaking and loving and uncomfortable, just how a burial should be. From there, though, the story fell apart. The next section is told from the point of view of Charles’s son, Martin’s girlfriend, Alpha. I lost interest right around the middle Alpha’s diary, right after she marries Martin. The idea of a story about multi-generational family is one I normally take to. Maybe it was the length and the attention to detail that did me in. Moderation is key and too much of a good thing can be bad, even when it comes to descriptive words on a page.

One of the best lines, “My existence is a narrow line I tread between the person I’m expected to be and the person who hides behind his real self to keep the innermost antiquity of me intact” (p 9). Now, who can’t relate to that?

Author Fact: Woiwode is tenured at SUNY – Binghamton.

Book Trivia: Woiwode published a volume of short stories called Neumiller Stories. I can only assume these short stories are about the same Neumiller family as in Beyond the Bedroom Wall.

BookLust Twist: From More Book Lust in the chapter called “The Great Plains (the Dakotas)” (p 106).

By the Shores of Silver Lake

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Wilder, Laura Ingalls. By the Shores of Silver Lake. New York: HarperTrophy, 1971.

If you know the Little House series by Laura Ingalls Wilder you know these two things. Little House on the Prairie is not the first book in the series (Little House in the Big Woods is) and By the Shores of Silver Lake is the fifth book in the nine-book series. You also know “the Laura series” are both autobiographical and historical fiction.

By the Shores of Silver Lake is a continuation of On the Banks of Plum Creek. From Plum Creek the Ingalls family has moved to Silver Lake so that Charles Ingalls, the patriarch of the family, can help with the building of the transcontinental railroad. The Ingalls family is to become the first settlers in the town of De Smet, South Dakota. Told in third person by middle daughter, Laura, the shores of Silver Lake is an exciting place to be. She is happy to be out of the big woods and away from Plum Creek. Despite Laura’s mother’s admonishments to be lady-like and demure, Laura is irrepressible. She loves to run wild across the grasslands and go exploring. One of my favorite scenes is the wild pony ride she takes with Cousin Lena. Her spirit is as big as the unsettled territory her family has arrived to claim. She appears brave and adventurous although, interestingly enough, she would die if anyone knew she is afraid of meeting new people.

Maybe I’m too jaded by how kids are today, but I had to roll my eyes at how happy the Ingalls family always seemed to be. When Mary “happily” offers to do her sister’s chores I had to stifle a gag. What sister these days would be so gracious, so gleeful to take on extra chores not her own?

Author fact: one of the things I learned about Ms. Wilder is that she and I share a birth month. She was born and died in February.

Book Trivia: By the Shores of Silver Lake won a Newbery Honor award in 1940.

BookLust Twist: From More Book Lust in the chapter called “The Great Plains (The Dakotas)” (p 107).

Victorian Lady Travellers

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Middleton, Dorothy. Victorian Lady Travellers. New York: E.P. Dutton  & Co., Inc., 1965.

It is apparent almost immediately the genuine admiration in Middleton’s voice as she describes the lives and accomplishments of each “Victorian Lady Traveller.” Each chapter is dedicated to a different prominent adventurer between 1830 and 1936, seven in all: Isabella Bird Bishop, Marianne North, Fanny Bullock Workman, May French Sheldon, Annie Taylor, Kate Marsden and the ever-famous Mary Kingsley. Middleton dedicates approximately 22 pages to each woman (including considerable chunks of quotations from each explorer’s book or journal, if she has authored one). Granted, it’s a short book so I wish Middleton had written more and quoted less.

But, speaking of quotes – Quotes from the sections on my two favorite travelers, first Isabella Bird Bishop: “In her seventieth year she ordered a tricycle because she needed more exercise” (p 53). Second, Mary Kinsley: “Avoiding the hippos, the ran into crocodiles, and the scene took on a striking resemblance to the pictures of intrepid explorers in the story-books of her childhood” (p 160).

My one other “criticism” is that I wish the photographs could have been as carefully organized as the text. For example, chapter one is all about Isabella Bird Bishop. The reader is drawn into her adventures, immersed into her life and no one else’s, so it is a little unsettling to come across a picture of Marianne North in the same chapter.

Interesting side note: out of the seven travelers covered in Victorian Lady Travellers four of them were born in October. Very cool.

Author Fact: Dorothy Middleton died on February 3rd, 1999.

BookLust Twist: From Book Lust in the chapter called “Lady Travelers” (p 142). Duh.

Primary Colors

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Anonymous. Primary Colors: a novel of politics. New York: Warner Books, 1996.

The anonymity of Primary Colors appeared calculated on many different levels. It gave the author the ultimate freedom to insert truth into fiction and fiction into trust and never check the difference. No credentials on the author’s part would guarantee the lack of fact-finding, allowing the author to come as close to the truth as fiction would allow. It is obvious Primary Colors is based upon Bill Clinton and his first presidential campaign in 1992.
Jack Stanton is a young, charismatic southern-state governor with very human vices. He has a weakness for food and pretty women. He wears his heart on his sleeve. Sound like anyone you knew in the 90s? His wife is smart, unflappable; the one one comes up with the soundbites whenever the governor is interviewed. Primary Colors is told from the point of view of his presidential campaign employee, Henry Burton. Henry is idealistic about his candidate and wants to believe he’s a man of his word, but as word and action soon start to contradict Henry must make a choice.

Best quotes: “Never attack an opponent when he is in the process of killing himself” (p 156) and “This was, if you could stand back from it, a wonderfully intricate game” (p 157).

Author Trivia: Joe Klein was adamant he didn’t write Primary Colors even after he was “outed” by a writing analyst. Weird.
Book Trivia: Primary Colors: a novel of politicswas made into a movie in 1998, starring John Travolta – never heard of it.

BookLust Twist: From Book Lust in the chapter called “Politics of Fiction” (p 189).

Death at an Early Age

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Kozol, Jonathan. Death at an Early Age: the Destruction of the Hearts and Minds of Negro Children in the Boston Public Schools. Boston: Houghton Mifflin Company, 1967.

I think the subtitle says it all; a nonfiction account of a first-time fourth grade teacher in a less than stellar school system in Roxbury, Massachusetts. “They had desks and a teacher, but they really did not have a class” (p 29). While Kozol is talking about a physical space (he had to share a large auditorium with three, sometimes four other activities (including drama and band practices), I really think he was also referring to the lack of togetherness as a group. There wasn’t a sense of community. There wasn’t a unified eagerness to learn. Nothing bound them to the reason they were there. This is to say nothing of the lack of support Kozol received as an educator from his peers and administration. He was constantly criticized for the amount of time, resources and energy he gave to “the Negro student.” Death at an Early Age is a continuous report of the different instances of abuse and neglect the students endured, culminating with Kozol’s unjustified dismissal after the inclusion of a Langston Hughes poem, “The Landlord.”

The line I could relate to the most: “One of the most grim things about teaching in such a school and such a system is that you do not like to be an incessant barb and irritation to everyone else, so you come under a rather strong compulsion to keep quiet” (p 31).

Another great line, “It is the sense that you cannot do a great many things right but that you can do almost anything wrong” (p 49).

Author Fact: Kozol has a really cool website here.

Book Trivia: Death at an Early Age was awarded a National Book Award in 1968.

BookLust Twist: From Book Lust in the chapter called “Teachers and Teaching Tales” (p 230).

I find it really bizarre that I’ve read such a title so soon after the death of my 41 year old cousin.

Brothers and Sisters

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Campbell, Bebe Moore. Brothers and Sisters. New York: G.P. Putnam’s Sons. 1994.

Discrimination is discrimination. When asked about Brothers and Sisters Campbell said if a person of color is ignored by a white waitress it is just as psychologically damaging as if the person of color is made to sit at the back of the bus. I see her point but there is a small part of me that has to ask two questions. One, is the person of color being ignored because of skin color or is the person of color being ignored by a really bad waitress? Two, does a book like Brothers and Sisters bring attention and awareness or fuel the fires of racism? I was talking to someone yesterday about the holocaust. Being German he was complaining that his country, “beats a dead horse” when remembering and making up for the atrocities of World War II. He feels that the constant reminders actually keep hate alive and if the powers that be let history slide into hazy remembrance “it wouldn’t be such a big deal.”I disagree but I have to admit it is an interesting point.

It took me a few pages to get into Brothers and Sisters. The introductions of the characters is exaggerated ; their personalities are inflated beyond reality. I found them to be too stereotypical. The need to illustrate the main character, Esther Jackson, as perfect is overdone. In the first chapter Esther  is described as “efficient, tall, large breasted, slim hipped, strong, coordinated, powerful, smooth cocoa-colored skinned, muscular legged, pleasant faced, professional, congenial, full lipped, beautiful, meticulous, painfully perfect, impeccable, devoted to duty, well-enunciated, precise.” Yet, it is hard to like her because when it comes to dealing with white people she has these attributes, “rage, anger, venomous, hostility, violent, frowning.” She becomes wild-eyed and shaking at times. The opinions and racism Esther demonstrates are so vehement I have to wonder if they aren’t a reflection of the author’s feelings.

Esther Jackson is trying to make a career for herself at a downtown Los Angeles bank right after the April 1992 riots. She currently works in middle management but dreams of climbing higher. She knows that because of the color of her skin she must work twice as hard as her white counterpart to climb the corporate ladder. Despite the unfairness of the situation Esther herself practices prejudices when it comes to relationships and friendships. Beyond skin color she screens for financial status. Her motto is “no romance without finance.” But, when she allows herself to become friends with a white woman and finds herself dating a poor man things get complicated. In Brothers and Sisters you meet all kinds of characters with personal problems with society. The politics and backstabbing of all involved was fascinating. The entire story was a game of cat and mouse but exactly who was chasing who keeps you guessing.

Author Fact: Bebe Moore Campbell died at the age of 56 from brain cancer.

Book Trivia: Brothers and Sisters was written to encourage discussion about discrimination.

BookLust Twist: From More Book Lust twice. First, in the chapter called “African American Fiction: She Say (p 12). Then, in the chapter called California, Here We Come (p 50).

Ruby

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Hood, Ann. Ruby. New York: Picador, 1998.

Olivia has lost her husband, David, to a reckless driver, killed while jogging along a country road. Olivia, only 37, is faced with immeasurable grief and the nagging guilt that she had something to do with his death. In an effort to move on with her life she resolves to sell their summer cottage and put the past behind her. Only she can’t. A pregnant, defiant, wayward teen has made herself at home in Olivia and David’s seemingly abandoned house. Within a few minutes of confronting her, Olivia begins to bond with Ruby, seeing more of herself in the teenager than she would like to admit. What Ruby and Olivia can admit to is the fact they need each other. From this point forward Ann Hood’s storytelling is a psychological dance between the needy yet tough Olivia and the tough yet needy Ruby. Both of them want something from the other. Both are willing to manipulate the other to get it. The story becomes a page turner because you want to know who wins.

I like books that make me wander off topic. I enjoy small tangents every now and again. Olivia mentions her plan of stenciling the words to “a William Carlos Williams poem about plums” on her cottage wall. After surfacing from the instant sadness of lost dreams the image made me want to reread the poem in question, ‘This is Just to Say.’ Of course after rereading ‘This is Just to Say’ I had to find and reread Flossie Williams’s reply to “Bill.” Together they are a poetic commentary on marriage; communication between husband and wife.

Favorite line-, “Better to share the blame than to carry it all alone” (p 19). I found this interesting because most people want to put the blame 100% on someone else, never mind sharing it.

Some nitpicking. The reader is first introduced to Olivia’s world after Olivia’s husband has been killed by a reckless driver. Because the tragedy has already occurred the reader is anticipating the demise. You never get a chance to fall in love with Olivia and David as a couple. As a result the impact of Olivia’s grief is diminished. You don’t end up feeling as sorry for her situation as you could if you had been confronted with the shock of loss at the same time.

BookLust Twist: From More Book Lust in the very first chapter called Adapting to Adoption (p 2). Nancy Pearl calls Olivia ‘Livia.’ Interesting. It must be a (another) typo because nowhere in the book does anyone call Olivia ‘Livia.’

PS~ A Review in Library Journal called Ann Hood “Barbara Kingsolver without the whimsy.” I think it’s the other way around. Barbara Kingsolver is Ann Hood without the whimsy. I don’t see Kingsolver as whimsy at all. The Lacuna and The Poisonwood Bible are far from whimsy!

The Healing

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Jones, Gayl. The Healing.Boston: Beacon Press, 1998.

I was not a fan of The Healing for several reasons. I have nothing against Gayl Jones as an author, I just don’t care for first person stream of consciousness. First and foremost, page structure is annoying. Because it is a stream of consciousness there aren’t traditional paragraph structures and page endings. It was hard to find a place to stop reading in between chapters and I’m a snippet reader. I pick up a book in line at the grocery store, as a passenger in a car, while waiting for a meeting to begin. It’s hard to read stream of consciousness in those situations. Maybe that it’s the point but I found the narrative to be a bit blah blah blah-ish, repetitious and tedious. Check out how many times the word ‘town’ was used on page seven or how may times the word ‘men’ was mentioned in the first paragraph of chapter two. Such repetition is just not my style.
Harlan Jane Eagelton is a faith healer with a colorful past. Her history of being a rock star’s manager, a hair dresser and a turtle in another life make for some wonderful storytelling (if you can get past the repetition). Harlan is smart, yet her country-bumpkin manner of speaking isn’t fooling anyone, least of all the reader. Nuggets of knowledge are firmly wedged between the bumpkin babble. Case in point – in rambling about odds and ends she inserts the names of Inuit and Inupiag peoples of Alaska with a clear understanding of the difference. Another key element to Harlan’s story is that she tells it backwards. You begin with her current occupation as a faith healer and work backwards to fill in the gaps.

Favorite lines, “She craved but never trusted the applause” (p 150). Isn’t that the way of all rock stars? “Who screwed whom before who caught whom screwing whom before who screwed whom?” (p 178). I found the vocabulary funny, my favorite word being ‘flibbertigibbets.’

BookLust Twist: From Book Lust in the chapter called, “African American Fiction: She Say” (p 13).

On the Road

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Kerouac, Jack. On the Road. New York: Penguin Books, 1991.

Jean-Louis Lebris de Kerouac holds an air of mystery even to this day. For generations he has been regarded as one of coolest cats of the 1950s. On The Road was an overnight success and an instant cult classic. So it came as a great surprise to everyone when I admitted I hadn’t read it. It wasn’t required in any high school, college or grad school course. Somehow it missed my radar completely. Maybe I didn’t see myself as worthy. Even when Natalie Merchant wrote “Hey Jack Kerouac” I was not moved to know more about the man or the myth. Thank heavens for More Book Lust and this self-imposed challenge. There is a vibe just holding this book. Someone killed a mosquito on page 88; it’s flattened body pressed forever like a keepsake corsage.

On the Road is an anthem for the young, the restless, the daring. It taps into a longing for freedom, a desire to roam, a quest for life and all it has to offer. The language is nonchalant and haphazard giving the story a reckless vibe. Case in point, who says “balled the jack” anymore? Kerouac captures the days when you could take a flatbed truck, load it with a group of reckless youth and roar across the country hellbent for the coast of anywhere, exhilarated just to be alive.

Favorite lines: “I hope you get where you are going and be happy when you do” (p 30), “Central City is two miles high; at first you get drunk on the altitude, then you get tired, and there’s a fever in your soul” (p 53),  “I never saw so many snarls in all my born days” (p 62) and “Everybody goes home in October” (p 103). Favorite phrases, “mixing up our souls” (p 91) and “love is a duel” (p 101)

BookLust Twist: From  Book Lust in the chapter called Road Novels (p 202) and from More Book Lust in the chapter called The Beats and Their Generation (p 17).

Balsamroot

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Blew, Mary Clearman. Balsamroot: a Memoir. New York, Viking: 1994.

Mary Blew wants people to know about her life. She wants people to know the wilds of Montana as her ancestors found it, cultivated it, endured it, survived it. However, Balsamroot is more than about Blew’s life and the personal landscape of her people. Balsamroot is about family ties. The ties that keep generations together and what tears them apart. When Blew first introduces her daughter, Elizabeth, I am sad for them. Mary makes it clear she has lost touch with her eldest daughter – hasn’t seen her in years. She doesn’t hide the fact Elizabeth is a complete stranger to her; asking “Am I really her mother?” (p 19). It dawned on me I could be Elizabeth. I could slip away from my mother and sister just as easily. I could let years and distance come between us as. It’s as easy as all that. The stories within Balsamroot bounce around a lot. Early homesteading stories and mingled with a present day pregnancy and musings about Blew’s own attempts at motherhood. It is a running commentary on growing old from the perspective of the baffled, frustrated caregiver. Dementia robs an entire family of more than just the mind and its memories. The past and present are entwined into one beautiful story.

Favorite lines, “Or I imagined my aunt falling through the hole in her mind” (p 15), “She and I talk, in the private coded language of two women who have known each other, and most of each other’s secrets for twenty years…” (p 144), and “I’m not invisible, it’s just that nobody sees me” (p 156).

Maybe this seems too intrusive, but I would have liked Blew to include photographs, especially of her Auntie.

BookLust Twist: From Book Lust in the chapter called, “Montana: In Big Sky Country (p 156).

Harmless People

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Thomas, Elizabeth Marshall. The Harmless People. New York: Alfred A. Knopf, 1970.

Elizabeth Thomas put a lot of heart and soul into the writing of The Harmless People. Her research was not done from a cold, calculating, scientific perspective. From the very first pages one can feel the intensity of the respect she has for the lives and cultures Kalahari Bushmen. Thomas seems driven to convey a message more important than all the others about the reclusive tribes and that is they are gentle people. Harmless. Their tribal name for themselves is Zhu twa si, meaning the harmless people. There are many occasions for Thomas to illustrate this. In order to study each Kalahari tribe Thomas first had to find them which proved to be difficult because they had a tendency to run and hide at the first sign of stranger intrusion. Even after finding these people she (and her crew of scientists and researchers) had to convince them she wasn’t there to create conflict or enslave them or steal from them. It took a great deal of time to gain their trust just so that Thomas could live among them.

Favorite lines, “…Bushmen would not try to fight because they have no mechanism in their culture for dealing with disagreements other than to remove the causes of the disagreements” (p 22), and “We would have liked to look around, but the best thing we could do was keep our big boots and our bodies away from their delicate, fragile, almost invisible community” (p 41).
Most disturbing moment? Believe it or not, when Thomas describes the killing, cooking and consumption of a turtle. I could barely read the words.

BookLust Twist: From More Book Lust in the chapter called, “Africa: a Reader’s Itinerary” (p 4).

The New Well-Tempered Sentence

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Gordon, Karen Elizabeth. The New Well-Tempered Sentence: a Punctuation Handbook for the Innocent, the Eager, and the Doomed.NewYork: Ticknor & Fields, 1993.

This is the kind of book the coolest of cool professors would use in a writing class. The language is hip and humorous, the illustrations funny and fabulous. While Gordon lays down the law about when and where to use an exclamation point, a period, a comma, or semi colon, I don’t feel obligated to follow her to the letter (or period). I read The New Well-Tempered Sentence as merely suggestion; here’s what you can do, if you so chose (and obviously I don’t). Think Edward Estlin Cummings. Gordon is careful to use witty examples and whimsical illustrations to prove her points to go along with that hip and cool vibe. This is the essential reference book you have on your shelf and because it is so funky you are not ashamed to have it in plain sight.

BookLust Twist: From Book Lust in the chapter called, “Words to the Wise” (p 249). For this particular inclusion the chapter would have been more appropriate if called, “Words to the Wise About Writing Words” because Gordon’s book is all about punctuation.

Perma Red

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Earling, Debra Magpie. Perma Red. New York: BlueHen Books, 2002.

Perma Red takes place in the 1940s on a Wyoming Indian Reservation where ancient customs prevail and old secrets hang heavy. Louise White Elk is a contradictory girl. Independent yet needy. Brave yet frightened. An orphan with family. Louise is also has attention of many men. The list of attendees is long: trouble maker Baptiste Yellow Knife; cousin Charlie Kicking Woman (Perma’s Tribal police officer); rich man Harvey Stoner; and mystery man Jules Bart. They all want something from her whether it be under the guise to own her or protect her. They all end up using her or abusing her. At one time or another they all get their way. It is a ruthless existence. Yet, Louise welcomes it in her own strange way. She perpetuates the vicious cycle of running away at the same time as being drawn to violent and needy men. What keeps Perma Red magical is its descriptive language. The landscape is as wild and as beautiful as untamed Louise White Elk.
Ages are vague. Charlie is at least seven or eight years older than Louise and Bapstiste is older by three years or so. The reader never gets a sense of how old Louise is supposed to be when her experiences are described as coming of age and womanly all at once.

Favorite sentences, “Louise sat down at the bar long enough so no one would recognize her broken heart” (p 43), “together their thinness made them appear stingy and dangerous” (p 64), and “I felt heavy with marriage” (p 114).

BookLust Twist: From Book Lust in the chapter called, “American Indian Literature” (p 23).

Strange observation – the author’s name is a footnote on every even page. I’ve never seen that before so it seems a little hubris to me.

Last Best Place

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Kittredge, William and Annick Smith, ed. The Last Best Place: a Montana Anthology. Helena: Montana Historical Society Press, 1988.

When this book first arrived I took one look at it and freaked out. How in the world did I manage to order a book that is not only 1161 pages long but also is not renewable? How would I ever get through 1000+ pages in two weeks? It was ridiculous. When I did the math it equalled out to approximately 90 pages a day in order to finish it on time. Ridiculous. Ridiculous because I was still struggling through the 900+ page biography on Winston Churchill. Luckily, Last Best Place was fun to read!
Starting with Native American Indian folklore and diary accounts of expeditions through the virgin geography of Montana Last Best Place opens in the early 1700’s. It ends with a section of contemporary poetry. The folklore was probably the dullest part. I firmly believe stories like these are best communicated orally because of their repetitious nature. First hand accounts of settlers seeking new land were the most interesting.This is not a book to read all at once. Its 1161 pages encourage random readings and not necessarily in chapter order.

Favorite lines: “Curiosity, a love of wild adventure, and perhaps also a hope of profit, for times are hard, and my best coat has a sort of sheepish hang-dog hesitation to encounter fashionable folk…” (p 170).
“The situation of a man gliding over a beautiful river in a boat always has something magical about it…(p 205).

BookLust Twist: From Book Lust in the chapter called, “Montana: In Big Sky Country” (p 156).

Last Lion

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Manchester, William. Last Lion: Winston Spencer Churchill – Visions of Glory 1874-1932. Boston: Little, Brown & Company, 1983.

The scope of daily life during Churchill’s lifetime is covered extensively in Manchester’s Preamble and Prologue to Last Lion. The changing social scene, the evolving cultures and ever-daring fashions are included; while these details are simple,  they bog down the biography making it long and tedious. The preamble and prologue to Last Lion are like an old buggy, a very slow start. As a result the first chapter doesn’t begin until page 110.

Once the reader gets to the real beginning of Manchester’s biography on Churchill the story is fascinating. Manchester does an amazing job including photographs and letters to illustrate Churchill’s fascinating life. Manchester’s style of writing flows freely. Humor gives the biography a certain sparkle.

Favorite lines, “Churchilll could be very difficult. When a plane was preparing to land and the NO SMOKING sign flashed on, he would light up a cigar. If he found himself driving in a traffic jam, he wheeled his car out on the shoulder or sidewalk and drove to the head of the line” (p 27). While those situations would annoy the crap out of me I couldn’t help but laugh at them, too.

BookLust Twist: From More Book Lust in the chapter called, “Winston Churchill” (p 44). Go figure.