Tag: october

Song of Solomon

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Song of SolomonMorrison, Toni. Song of Solomon. New York: Plume, 1987.

Another must-read from the days in Maine. Although, I don’t remember reading it then. I don’t remember reading it, ever. Is that sad or what? This is a classic. Something everyone should read.

I don’t think I could summarize the plot adequately. Basically, it’s the story of Macon “Milkman” Dead III. He got the nickname Milkman from being breastfed by his mother way past infancy. But, this story goes beyond coming-of-age; it transcends stereotypical stories of racial strife and strained family relations. Yes, there is all of that. This is a story that has been described as tragic and magic in the same line. It may be a story about one man’s rise to adulthood, but it is told from many different points of view. We learn about Milkman’s ancestry and the culture of his time. Morrison weaves imagery and symbolism together so that everything important means something different. Family names are not just names. They come from religion, mistaken identity and social injustice. Family ties are tethered and severed through love and hate, peace and violence, poverty and wealth. One man’s perception is another man’s reality.

Quotes I liked: “I’m on the thin side of evil and trying not to break through” (p 21).
“He wouldn’t know what to feel until he knew what to think” (p 75).
“She was the third beer” (p 91).

BookLust Twist: Toni Morrison is mentioned twice in Book Lust. Song of Solomon is in the chapter “100 Good Reads, Decade by Decade” (p 175) under the section 1970s. 

Turn of the Screw

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James, Henry. The Turn of the Screw. New York: Dutton, 1963.Turn of the Screw

Even though October is more than half over I decided to read something scary for the rest of the month…in honor of Halloween and all that. Turn of the Screw seemed like the most obvious choice. A novella only 160 pages long, I knew it wouldn’t take too long to get through.
Written in 1898 and republished numerous times Turn of the Screw has also been  adapted for the stage, television and the big screen. Someone told me it was even mentioned in an episode of “Lost” (I wouldn’t know).  James’s technique is to tell the story within a frame – one story within another. We are first introduced to a man at a Christmas party telling a tale of a governess. From there we are in the story, told from the point of view of the governess. She has been hired to look after two small children after their parents are killed and they are sent to live on an uncle’s estate. Soon after the governess’s arrival she starts to notice strange occurrences, shadowy figures stalking the grounds. She learns they are former lovers and hired hands, back to supposedly recreate their relationship through the children.
While James uses words like “hideous”, “sinister”, “detestable”, and “dangerous”, there is great debate as to exactly what he is describing as so terrible. He refers to evil again and again, but his ghosts are not the usual specters. They only hint at danger rather than taking action and “attacking”. The other great debate is whether the governess is insane (or goes insane while at Bly). Because no one else really backs up her ghost sightings you have to wonder.

BookLust Twist: Mentioned several times in Book Lust. Once in the chapter called “Science Fiction, Fantasy, and Horror” (p 113) and “Ghost Stories” (p 99). I would agree that The Turn of the Screw deserves ghost story status, but horror? Maybe I’m stuck in slasher movie mode where everything horrible has to end up in blood and gore.

Black Dog of Fate: a memoir

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Black Dog of FateBalakian, Peter. Black Dog of Fate: a memoir. New York: Random House, 1998.

I must have started this book four or five times. I don’t know what it was about the beginning. I’d pick it up, read for a few pages and put it down again, never getting beyond the first chapter. By the time I’d return to pick it back up I had forgotten what I had read and needed to start all over again. Page one. Finally, I took Black Dog of Fate home with me Columbus Day weekend and read it from start to finish. When I was finally able to devote the time and attention to it I couldn’t put it down.
There are very few books I try to push on other people. Very rarely do I try to tell people what I have read and how I feel about it, urging them to see for themselves. This story was different. From the moment I put it down I found myself struggling to put into words what had moved me so yet I needed to say something.

Here’s what I wrote within seconds of finishing it on Monhegan:
It’s the history you don’t commonly read about. It has the facts everyone would like to wish away; a genocide too horrible to imagine as real. The Armenian Massacre wasn’t a standard topic in my history class. As a rule I think we, as a society, want to sweep all and every horrific moment under our subconscious. This is a memoir about a boy’s growing knowledge and deeper understand of his heritage. True to adolescent ambivilance Balakian doesn’t understand the importance of his ancestry. In his youth all the stories his grandmother wanted to tell him were lost on him. It’s only after he is ready does his grandmother’s words mean anything to him. “I came to find out more about the arid Turkish plain when I picked up a book at a time when I was prepared to read it” (p 147).  

Other lines that struck me:
“…she would pass me the salty green nuts so we could celebrate with our teeth” (p 13). I think food is always the most appropriate way to celebrate.
“Hokee, soul. Hankids, rest. The soul’s rest: a memorial” (p 140).

BookLust Twist: From Book Lust in the chapter “A Geography of Family and Place” (p 97).

Yellow Raft in Blue Water

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Yellow raft in blue waterDorris, Michael. A Yellow Raft in Blue Water. New York: Warner Books, 1987.

This is high school to me. I remember being holed up somewhere reading this nonstop. Hot off the press, freshly published and oh so new I couldn’t put it down. I reread it and reread it until finally I could move on to other Michael Dorris creations, which somehow were never quite as good. Nothing compared to A Yellow Raft in Blue Water back then and it is still a faovrite to this day.

Someone described this book as an onion, reading it was like peeling back the layers of a story, and while that imagery is accurate enough, I like to think of Yellow Raft as a game of telephone. First, there is Rayona. She tells the story from her perspective. She is all of fifteen years old…at that difficult age where rebellion against your mother is the easiest thing to do. As she says, “when mom and I have conversations, they mostly involve subjects not personal to our lives” (p 26). She tells her story like it’s the honest truth. Then, there is Christine, her alcoholic mother, and her story. In the beginning you want to hate her for how seemingly unfair she had been to Rayona. But, learning about Christine’s heartbreak you realize Rayona’s reality is only her perception. The wires of communication have been crossed and in some cases, completely disconnected. Christine had her reasons for everything she did (and didn’t do). “I never had been good company for myself” says Christine (p 185). Finally, there is Ida, Christine’s mother. Her story is, by far, the most revealing and tragic. Everything you heard whispered from Rayona through Christina is trapped in the warped truth of Ida. All three women are stubborn, flawed by fate, and determined to make the best of life as they know it even if it means coming off as cruel to others. Being on the inside, privy to their hearts, makes you want to shake each one screaming, “talk to your daughter!”

Favorite lines:
“Ghosts were more lonesome than anything else. They watched the living through a thick plate of glass, a one-way mirror” (p176).
“A bath brought me peace, made me float free” (p340).

BookLust Twist: In both Book Lust and More Book Lust. In Book Lust Pearl mentions A Yellow Raft in Blue Water early; on page 23 in the chapter “American Indian Literature.” In the chapter “Men Chanelling Women” (p 166) in More Book Lust Pearl adds A Yellow Raft in Blue Water because Michael Dorris does an amazing job setting the voices of three very different women free.