Orson Scott Card – ~*LunaSea*~

Card, Orson Scott. Speaker for the Dead. Macmillan Audio, 2006.

Reason read: to continue the series started in October in honor of Science Fiction Month.

As a small child, Andrew “Ender” Wiggin saved planet Earth from war with the Buggers. Now as an earthly yet ageless thirty five year old adult, Ender is faced with a second alien invasion with the piggies. War seems to be inevitable. Ender has transformed himself into a Speaker for the Dead and must reconcile his horrible past as Ender Wiggin the Xenocide. Not many know he is one and the same. It is a dance of identity to come to terms with the past.
I found it interesting to learn that in order for Speaker for the Dead to work Ender’s Game had to be a full blown novel. The sequel actually birthed the first book’s existence.
As an aside, I do not know how Speaker for the Dead can be pigeon holed into the genre of science fiction when it carries themes of philosophy, religion, family, psychology, religion, socio-economics, ethics, ecology, genetics, mysticism, hatred, and science.
I applaud any book that makes the reader feel something whether intended or not. If the author can be clever enough to hide personal feelings while promoting an unfavorable view, more power to him or her. Speaker for the Dead made me laugh and cry, hate and love, all at the same time.
The best part of Speaker for the Dead was Ender’s conversation with the Bishop about death – how another culture could see death as the greatest honor.

Line I liked, “I think, said Ender, that you should not plant anymore humans” (p 415).

Author fact: to look at Orson Scott Card’s list of books is impressive. I am only reading seven Ender books for the Challenge.

Book trivia: Speaker for the Dead is an indirect sequel to Ender’s Game. You can get by without reading Ender, but why would you want to?

BookLust Twist: from Book Lust in the chapter called “Science Fiction, Fantasy, and Horror” (p 213).

Card, Orson Scott. Ender’s Game. Read by Stefan Rudnicki and Harlan Ellison. Macmillan Audio, 2004.

Reason read: October is Science Fiction Month.

Planet Earth is prepping for a galaxy war against the Buggers. The last skirmish was eighty years ago and Earth barely survived. Recruiting this time around has to be aggressive and highly tactical. Andrew “Ender” Wiggin, born in a society of limiting offspring: only two children per family, is known as an extra or Third. As a Third Ender must leave planet Earth at six years old for a boarding school where he trains to be a soldier. He leads an army of other children and it is here that he proves to be a natural-born leader and a prodigy at winning battles. So the saga begins.
Back home, the proverbial power struggle between good and evil begins. While Ender grows into a tactical fighter, his brother Peter demonstrates increasing violent tendencies every day. Their sister, ironically named Valentine (the symbol of love) as the token female, stands in the middle of the two brothers.
One of the most fascinating elements of Ender’s Game is that Card challenges the assumption about reality and what is “normal.”

Author fact: the idea for Ender came when Card was sixteen years old. He was fascinated by the idea of a Battle Room.

~~Book~~ Audio trivia: listening to the audio was a treat because Orson Scott Card explained his process for writing Ender’s Game. I had no idea the book was meant to be read aloud. Also, when Card first presented Ender’s Game he was told it was fantasy. He needed to change some details, bring in aliens to make it science fiction.

BookLust Twist: from Book Lust in the chapter called “Science Fiction, Fantasy, and Horror” (p 213).