Poey, Delia, and Virgil Suarez, eds. Little Havana Blues: A Cuban-American Literature Anthology. Houston: Texas: Arte Publico Press, 1996.
Reason read: the current Cuba reformed constitution was put into place in the month of February of last year.
Little Havana Blues is a unique anthology comprised of fifty poems, twelve short stories, three plays, and eleven essays. The introduction argues that Cuban-American literature is not new to the 1990s. Because most published works were in Spanish, the emergence of Spanish-English sheds a whole new light on the literature. The “Spanglish” culture reverberates through every single submission.
I have to admit, the oddest story is, “The Defector” by Ricardo Pau-Llosa, a fiction about a talking capybara who lives is a bizarre zoo.
Most interesting quote from “Memories of My Father” by Omar Torres, “I don’t know why a woman would want to get married; you’re either a housewife, an old maid or a prostitute” (p 363).
I have been reading a lot about Cuba lately. I feel that learning about Cuba’s rich and troubled history helped me appreciate the submissions in Little Havana Blues.
Author Editor fact: Virgil Suarez’s writing is included in Little Havana Blues.
Book trivia: Little Havana Blues was made possible through several different grants.
Nancy said: Pearl said Little Havana Blues is an “excellent introduction to many writers who are likely to be unfamiliar to mainstream American readers” (p 68).
BookLust Twist: from Book Lust in the chapter called “Cuba Si!” (p 68).
Field, Joanna. On Not Being Able to Paint. Los Angeles: Jeremy P. Tarcher, Inc., 1957.
Reason read: Field was born in the month of February. Her birthday is one day before mine. Read in her memory.
On Not Being Able to Paint is divided into five sections, the first four all relating to Free Drawing. The fifth and final section is focused on painting. Words like “psychic creativity” and “moral education” are thrown around, which makes me think I’m in for the psychobabble
ride reading of my life. I wasn’t disappointed. There is a fair amount of deep psychology in On not Being Able to Paint. Even though the slim volume is less than 200 pages, it took me forever to read. In the end, I questioned if the obstacles which prevent one from painting are not the exact same “blocks” writers sometimes complain of experiencing when unable to write. Sure enough, Field is connecting free drawings with the self conscious.
As an aside, the first edition of On Not Being Able to Paint was written for educators. The second edition (my version) includes an appendix and Anna Freud’s foreword. I appreciated that Field was able to recognize that emotional drawing is not completely devoid of influence and that she shouldn’t be so fixated on depicting beauty for beauty’s sake.
Confessional: I was a bit disappointed by Field’s “art.” The illustrations were childlike and well, for lack of a better word, weird. As Field explains, and I said earlier, they are “free drawings” that helped her connect to the self conscious. I hope she was successful.
Quote to quote, “And the result was a sense of false certainty, a compulsive and deceptive sanity, a tyrannical victory of the common sense view which always sees objects as objects, but at cost of something else that was seeking recognition, something more to do with imaginative than with common sense reality” (p 76). Put that in your pipe and smoke it. Whatever that means!
Author fact: Joanna Field was the pen name of Marion Milner.
Book trivia: Illustrations are by Joanna Field, aka Marion Milner. Forward by Anna Freud.
Nancy said: Pearl said On Not Being Able to Paint was a later favorite of hers.
BookLust Twist: from More Book Lust in the cheating chapter called “The Book Lust of Others” (p 33).
Forster, E.M. Passage to India. New York: Harcourt, Brace & Janovich, 1924.
Reason read: Forster was born and died in January, the first and seventh, respectively.
Much has been written about Passage to India. Hundreds of writers had offered up their opinion on the classic. I won’t bore you with the plot except to say India is at odds with British rule in every sense. It clouds judgement beyond reason, as most prejudices do. Indian-born Aziz is curious about the English and offers to take two British women to see the infamous caves of Marabar. My comment is Aziz acts oddly enough for me to question what exactly did happen in those isolated and mysterious caves?…which is exactly what Mr. Forster wanted me to do.
Every relationship in Passage to India suffers from the affects of rumor, doubt, ulterior motive, class, and racism. Friends become enemies and back again as stories and perceptions change and change again.
Quotes to quote, “One tip can buy too much as well as too little; indeed the coin that buys the exact truth has not yet been minted” (p 10), “Any man can travel light until he has a wife and children” (p 106), and “The racist problem can take subtle forms” (p 141).
Author fact: E. M. stands for Edward Morgan. Everyone knows that. But, did you know E.M. spent six months in India?
Book trivia: Passage to India was made into a movie starring Alec Guinness in 1984. It won two Oscars. Passage to India was also adapted to the stage twice and to television for the BBC.
Nancy said: Nothing. Absolutely nothing.
BookLust Twist: from Book Lust in the chapter called “100 Good Reads, Decade By Decade” (p 176).
Child, Lee. Persuader. Read by Dick Hill. Grand Haven, MI: Brilliance Audio, 2003.
Reason read: to finish the series started in July in honor of New York becoming a state…
I think this has to be my favorite Reacher story simply because it takes place, for the most part, outside of Portland, Maine. The ocean is always present so right away you can bet Reacher has to tangle with it at some point in the story. Of course he does. [As an aside, my favorite section of Dick Hill’s narrative is when Jack struggles with the ocean for a second time, not learning his lesson the first time around.] But, back to the plot. Reacher gets sucked into a compromising position, this time by his own accord. Ten years ago, a critical investigation went sideways and someone under Reacher’s military command was horrifically murder. Up until present day Reacher had thought the killer was dead by his own hand. He witnessed a demise he thought no one could survive..and yet ten years later here is proof the nemesis not only survived, but is thriving. Revenge is Jack’s motive.
Of course, Reacher wouldn’t be Reacher without an eye-roll inducing romance. This time it’s with a federal agent and I agree with other reviewers when they say it feels like Child threw in the relationship with Duffy because it is simply part of the formula for Reacher’s modus operandi. It was short lived and kind of silly.
As an aside, exactly how is Reacher running around with an Anaconda firearm in his pants? Pun intended?
My other gripe? Lee child has obviously never tried to tie his hair back with a rubber band. If he had, he would know it hurts like hell to take it out! No self respecting woman (or man-bunned hipster) would reach for a rubber band. If a real hair tie wasn’t available, a bread tie or a pencil or even a piece of string would do.
Last gripe. For the most part Child has stayed away from cheesy lines but he let this one slip by, “Gravity had no effect on her perfection.” Gag.
Favorite line – I have to include this line because it’s the first one in the book, “The cop climbed out of his car exactly four minutes before he got shot” (p 1). If that doesn’t grab your attention!
Author fact: Rumor has it, Child spent a lot of money on the publicity campaign for this book.
Book trivia: This is the seventh Reacher book in the series and the last one on my Challenge list. A more specific to the book piece of trivia – the Persuader is a type of firearm and not a reference to Reacher’s personality.
Nancy said: Pearl suggested finishing the Reacher series with Persuader.
Actually, Pearl had more to say about Persuader than any other book. She admits, with nothing else to read, she picked it up out of boredom, but by the first line she was hooked.
BookLust Twist: from More Book Lust in the chapter called “Lee Child: Too Good To Miss” (p 41).