Brittain, Vera. Testament of Friendship. New York: Seaview Books, 1981.
Reason read: I dropped the ball on finishing Brittain’s trilogy. I was supposed to read this in August. Woops.
As both Carolyn G. Heilbrun and Vera Brittain noted in her introduction and preface respectively, the recording of a friendship between women is rare. Both Heilbrun and Brittain cited the Biblical relationship between Ruth and Naomi as being one of the few female friendships not only documented but widely accepted. Brittain set out to record her sixteen year friendship with Winfred Holtby and produce a detailed biography of a woman who died too soon, “She seemed too vital and radiant a creature for death to touch” (p 1). Indeed. It is stunning to think what Holtby could have accomplished when you think she was writing poetry by the age of eight and by age eleven was published. [Okay, okay. So her mother paid to have the poems published.] She was the Charlotte Bronte of her time. On a personal note, I think women should celebrate their friendships more often. This prompted me to reach out to friends I’ve known for nearly 40 years.
Author fact: Brittain was the author of 29 books. I am only reading the three Testament books for the Challenge.
Book trivia: Testament of Friendship does not contain any photographs. Too bad.
Setlist: “Fight the Good Fight,” “Give Me the Moonlight,” “Because,” “Until,” and “K-K-K-Katy.”
Nancy said: Pearl didn’t say anything specific about Testament of Friendship except to say that it continues the trilogy Brittain started with Testament of Youth.
BookLust Twist: from More Book Lust in the chapter called “Living Through War” (p 154).
Brittain, Vera. Testament of Experience: An Autobiographical Story of the Years 1925 -1950. Wide View Books, 1981.
Reason read: to continue the series started in May in honor of Queen Victoria’s Jubilee. As an aside, Vera watched the celebration of Queen Victoria’s Diamond Jubilee in 1897.
At the start of Testament of Experience Vera is newly married and trying to juggle a relationship with a man she has only known for two years and a career as a writer and journalist. From her style of writing the reader can find evidence of Brittain maturing her focus since Testament of Youth. She no longer speaks of an entire generation experiencing war. On the brink of World War II and focusing on herself personally, she repeatedly feels the strain of inequality as she watches her husband enjoy a balance of employment and home life while she is expected to chose between relationships, motherhood, and a career. This only fuels her feminist fire as she hungers for a life she can put into words. She needs to experience life in order to have something to convey to the world. What does she write about if she cannot experience extraordinary things? As time goes by the threat of war becomes reality and as Brittain starts traveling, her life grows increasingly imbalanced. Living more often apart than together, her marriage to “G.” is a series of rendezvous when their careers allow. As an author she experiences the threat of rejection at the same time as the thrill of success as Testament of Youth becomes a best seller. Motherhood is a confusing conflict with her pacifist endeavors lecturing around the globe. As an aside, Vera’s advocacy for peace through her fortnightly Peace Letters attracts the attention of the Gestapo and as a result Testament of Youth was banned in Germany.
Author fact: Brittain wrote a fourth “Testament” book called Testament of a Generation which is not on my Challenge list.
Book trivia: Testament of Experience is the sequel to Testament of Youth even though Testament of Friendship was published in between Youth and Experience.
Playlist: “Old Man Noah,” “The Bells of Hell,” and “Sweet Adeline,”
Nancy said: Pearl only called Testament of Experience a continuation of Testament of Youth. Nothing more specific.
BookLust Twist: from More Book Lust in the chapter called “Living Through War” (p 054).
Brittain, Vera. Testament of Youth: the Autobiographical Study of the Years 1900 – 1925. New York: MacMillan Company, 1937.
Reason read: The United States entered World War I on April 6th, 1917. Additionally, I needed a book for the Portland Public Library Reading Challenge in the category of historical event.
Confessional: this took me a long time to finish.
The world can thank Vera Brittain for keeping a detailed diary during World War I. Through her writings, Brittain is able to not only give a personal account of how the war changed her life, but the impact the conflict had on the world at large around her. When she says the war “smashed her youth” and “interrupted her personal plans” you get the sense of the level of personal destruction the violence left in its wake. She led a sheltered life in England, never leaving the country until she was twenty-one. She had both a brother and a fiancé serve in the war. Through their letters and poems, how they were affected by the conflict represents how a good majority of the soldiers coped with battle. In order to feel closer to her brother and fiancé, Vera volunteered to darn socks, but as the war dragged on, the desire to “do something more” led her to sign up as a probationer in a hospital. There she had an up close and personal view of war’s terrible price. There is a growing sense of dread when Brittain describes reading the list of casualties and not having a single word from loved ones. The war matures Brittain. At the start of the conflict she naively hoped Roland would suffer a war wound so they could see each other. After some time changing the dressings of the amputees Brittain realizes she couldn’t wish that kind of horror on anyone.
Brittain’s autobiography continues after the war has ended and the struggle to return to civilian life becomes a reality. She has lost everyone she loved, friends and family alike.
As an aside, it is unclear if Vera was agnostic before the war or if the tragedies in France solidified an already growing idea idea.
Quotes to quote, “Someone is getting hell, but it isn’t you – yet,” (p 150), “Truly war had made masochists of us all” (p 154), “Too angry and miserable to be shy any more, we clung together and kissed in forlorn desperation” (p 189), “The world was mad and we were all victims, that was the only way to look at it” (p 376) and “I was not the culprit, for I was still too deeply and romantically in love with a memory to have any appetite for sexual unorthodoxies, but I am not sure that I should have owned up if I had been” (p 328).
Here is the sentence that had the most profound effect on me, “I entirely failed to notice the assassination on the previous morning, of a European potentate whose name was unknown to me, in a Balkan town of which I had never heard” (p 85).
Author fact: Even though Brittain is best known for her autobiographies she was also an accomplished poet.
Book trivia: Brittain includes a great deal of poetry from several different poets. Testament of Youth was a Masterpiece Theater dramatic series present on PBS by WGBH in Boston.
Playlist: “Elizabeth’s Prayer,” “Jewel Song,” “Clair de Lune,” “Te Deum Patreum Colimus,” “L’Envoi,” “When Irish Eyes are Smiling,” “If You Were the Only Girl in the World,” “We are Soldiers of the Queen, Me Lads,” “Good-bye Dolly, I Must Leave You,” “When the Heart is Young,” “Whisper and I Shall Hear,” “Distant Shore,” “Robert the Devil,” “Dreaming,” “The Vision of Salome,” “Elgar’s Lament for the Fallen,” Beethoven’s 7th Sonata, Verdi’s Requiem, Bram’s Requiem, “Sweet Early Violets,” “Down in the Forest,” “Auld Lang Syne,” “O Hel-, O Hel-“
Nancy said: Pearl called Testament of Youth “moving.” She also called it “One of the finest accounts ever written of World War I” (More Book Lust p 155).
BookLust Twist: from Book Lust in the chapter called “World War I Nonfiction” (p 251). Again in More Book Lust in the chapter called “Living Through War” (p 154).