Lives of the Painters…vol 4

Vasari, Giorgio. The Lives of the Painters, Sculptors and Architects, Vol 4. Translated by A.B. Hinds. London: J.M. Dent & Sons, Ltd, 1927.

Reason read: Way back in October I started the series in honor of National Art Month. I am finally finished!

One of the coolest features of all four volumes is that if you want to see some of the art describes the  location of where it can be seen is mentioned in the footnotes (or, at least where it was at the time of publication). For example David Ghirlanai’s art can be seen in the Musee de Cluny in Paris. One of the more frustrating features of all four volumes is that Vasari gets sidetracked very easily. He should be talking about one artist but ends up focusing on another. I can’t count how many times he said, “But back to —.” Deja vu. I said this in Vol. 3’s review as well. Vasari inserts himself more in volume 4 than in previous volumes like when talking about his friend Francesco (De’ Salviati or Francesco Rossi) but especially at the end, when he includes his own biography. The final chapter is devoted to himself so that Vasari can speak of his own life and artistic accomplishments. I will admit 100% I ran out of steam before I got to Vasari’s chapter about himself.

Favorite parts & quotes, since he said it so often, “But after this somewhat lengthy digression, which however I do not think out of place, I return to Rustico” (p 37). My favorite artist had to have been Rustico. He was generous and fond of animals, “He so tamed a porcupine that it remained under the table like a dog, and sometimes pricked people’s legs…” (p 32).

Author fact: What I constantly had to keep in mind was that Vasari was writing about his contemporaries. He worked with some of the artists he writes about although he refers to himself in the third person which is a little odd.

Book trivia: In every volume of Lives of the Painters there is an illustration of one of the artists. In volume four it is Michelagnolo’s.

BookLust Twist: From More Book Lust in the chapter called “Ciao, Italia” (p 46). Can I just say this was a huge pain in the butt. For one thing, Pearl mentions Vasari’s Lives of the Painters… but fails to mention it is four volumes (essentially four books).

Postscript ~ something funny is going on with LibraryThing. My review for Vol. 3 is on the Vol. 4 page and yet it’s like to the review belongs to someone else. At first glance I haven’t written a review and I haven’t until you see it’s the review for Vol. 3. Weird. I’m not sure how to fix that.



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