Tag: art

Maine in America

gr4c5Leave a comment

Belanger, Pamela J. Maine in America: American Art at the Farnsworth Art Museum. The Farnsworth Art Museum, 2000.

Reason read: a gift from a dear friend.

There is something to be said for the romance of the sea, especially when that sea is off the coast of Maine. The art of the Farnsworth is nostalgic and home all at once to me. It has been cool to learn more about my hometown. I never knew there was a failed art school on the island. Not all of the art in Maine in America focuses on the ocean or even Maine. Places like Glouster, Massachusetts and the wilderness of New Hampshire are appropriately represented. Thanks to Maine in America I think of the creation of art differently. I never thought about how artistis perferred different weathers for different sceneries and landscapes. It will be interesting to return to the Farnsworth Museum and view the art in a different way.
As an aside, I also have to wonder, where did Samuel Peter Rolt Tricott live on Monhegan? What about the Robert Henri House? I am fascinating to think there were different roads on Monhegan that are now completely obscured by overgrowth.

I have a degree of separation to Rockwell Kent besides growing up in a neighboring house. He took painting classes at Shinnecock Hills on Long Island. My grandmother has a connection to Shinnecock as well.

Sense of Sight

gr4c5Leave a comment

Berger, John. Sense of Sight. Pantheon Books, 1986.

Reason read: October is Art Appreciation Month

To read Sense of Sight is to jump into a world of essays on various topics, each one taking you on a journey for the senses. You will discover Albrecht Durer is an interesting looking guy. Berger tells us he is the first painter to be obsessed with his own image. A ride on the Bosphorus can be somewhat romantic if you are patient and watchful. Manhattan, seen as a chaotic paradox and a land of severe contradictions, will astound you. [As an aside, while reading about Manhattan I was simultaneously reminded of Natalie Merchant’s “Carnival” and Candace Bushnell’s Sex and the City with their displays of weak and strong, poverty and wealth, intimacy and strangeness, darkness and light. One of my favorite quotes comes from Berger’s essays on Manhattan, “Manhattan is haunted by the dead” (p 65). And to think the essay in question was written in the mid-1970s. What would Berger think of the dead after 9/11 attacks?]
But. I digress. Back to Sense of Sight. I wish Berger were standing before me. I would ask if it is true the body of the Duchess of Alba was exhumed and her skeleton compared to the Goya paintings (according to Google, it is very much true). Talk about the scrutiny of art! And speaking of Alba, Durer’s conceit was on display in Sense of Sight whereas Maja dressed and indressed evokes a curiosity within us. Because Berger does not provide her image like he did for Durer, are we prompted or subliminally urged to look her up? If so, does that mean we have been artfully played into Berger’s cunning trap of intrigue? He talks of Maja undressed and dressed in such great detail we might not need the investigation if we are to trust our imaginations. But we will want to all the same. In reading Sense of Sight the reader is treated to a mini biography of Claude Monet (did he really love the sea? why do I only think of ponds and lilies?), learn of a hotel that once serves as the interogation and death and torture headquarters during World War II, and come to the realization that poetry is anguish.
Sense of Sight made me think. I have always wondered when a painting is truly finished. What prompts an artist to put down the paint brush for the final time? And this – when a person is no longer with us, are they no longer real? If they become just a memory does what was once tangible become a figment of our imagination?

As an aside, I made this comment in my notes “why can’t it be a social commentary on this is how life is at this very moment? Why can’t we say this is how we do things now?” I have no idea what I was talking about except to say it is under the quote, “heroizing the farm laborer.”
Another aside, I am fascinated by the idea that nomadic people took their art with them. Of course.

Lines I liked, “The nomadic land is not just an image, it has history” (p 55), “The finction of painting is to fill an absence with the simulacrum of a presence” (p 212),

Author fact: Berger also wrote Ways of Seeing and About Looking in addition to Sense of Sight. I just have About Looking as my last Berger book to read.

Book trivia: Sense of Sight includes photographs. That’s how I know Albrecht Durer is an interesting looking guy.

Nancy said: Pearl said Sense of Sight was an extension of Ways of Seeing.

BookLust Twist: from Book Lust in the simple chapter called “Art Appreciation” (p 25).

Color

gr4c5Leave a comment

Finlay, Victoria. Color: a Natural History of the Palette. Ballantine Books, 2002.

Reason read: April is fashion month and whenever I think of fashion, I think of color.

To research the history of color is brilliant like a box of sixty-four. Who, for example, has thought about from where ochre originated? According to Finlay, ochre is the first color(s) of paint. I did not know that and to be totally honest, nor have I ever thought about ochre in this way. [My only thoughts in ochre were to be confused about what shade of yellow, red, or brown it is supposed to be.] Did you ever wonder what the HB on a pencil meant? Hardness and blackness. How about the origin of the phrase, “cut through all this red tape”? Who knew? Apparently, Finlay. That’s who. She took the time to travel the globe looking for answers about color: Australia for ochre, England for black and brown, China for white, Chile for red, Italy for orange, India for yellow,…I wanted to make a map of all her travels. On the heels of reading Travels in a Thin Country I couldn’t stop comparing Sara Wheeler’s adventure to that of Victoria Finlay.
There is a fair amount of humor in Color. To see what I mean, find the section where Finlay describes the interesting practice of boiling cow urine after the bovine have been fed a steady diet of mango leaves for two weeks straight.

As another aside, I got a little excited when I saw Lawrence Alma-Tadema’s name in the index. My Natalie connection is that she put Lawrence’s daughter’s poem, “If No One Every Marries Me” to music. I need to thank Finlay for bringing the artist Joseph Mallord William Turner to my attention. ‘Waves Breaking Against Wind’ is a painting I identify with in a strong way.

Author fact: At the time of publication, Finlay was living in Hong Kong (according to the dust jacket).

Book trivia: Color includes a section of photographs…in color! I guess black and white wouldn’t necessarily work for a book about color…

Playlist: Bach

Nancy said: Pearl said she would buy Color for a textile designer.

BookLust Twist: from More Book Lust in the chapter called “A Holiday Shopping List” (p 116). In the index Color is incorrectly listed on page 1216.

Picasso’s War

gr4c5Leave a comment

Martin Russell. Picasso’s War: the Destruction of Guernica, and the Masterpiece that Changed the World. Dutton, 2002.

Reason read: the bombing of Guernica happened on April 26th, 1937. Read in honor and memory of the lives lost that day.

On May 11th, 1937, only two weeks after the insurgent Nazi Condor Legion bombed Guernica, Spain, Pablo Picasso commenced painting his famous masterpiece. While Picasso’s War celebrates Picasso’s work of art, “Guernica,” it also paints a biography of Picasso, the passionately flawed man. Picasso who couldn’t stay faithful to one woman; Picasso who saved everything ever given to him. As an aside, these two details make me believe I would have never gotten along with him. As a painter, his art was as polarizing as cilantro. In 1981 the famous painting still had to be protected from terrorists with armed guards.
Coincidentally, Martin was standing in from of “Guernica” on September 11th, 2001.
As an aside, I love books that make me want to explore more. I looked up Picasso’s cartoons “Dream and Lie of Franco” because of Russell’s book.
The biggest surprise for me was learning of Herbert Southworth, an unsung hero of the Guernica saga. He had a clerical job at the Library of Congress and he was convinced he could get to the bottom of who actually bombed Guernica. Despite denials, he needed to convince the American public of Franco’s threat to Democracy.

Author fact: Martin also wrote Beethoven’s Hair which was a bestseller. I am only reading Picasso’s War for the reading Challenge.

Book trivia: I wanted photography in Martin’s book. If nothing else, just a picture of Picasso’s famous Guernica for reference.

Playlist: Beatles and Joan Baez.

Nancy said: Pearl said Picasso’s War was “wonderfully readable” (Book Lust To Go p 90).

BookLust Twist: from Book Lust To Go in the simple chapter called “Guernica” (p 89).

Nature of Things

gr4c5Leave a comment

Scanlin, Tommye McClure. The Nature of Things: Essays of a Tapestry Weaver. Dahlonega, Georgia: University of North Georgia Press, 2020.

Reason read: as part of the Early Review program for LibraryThing.

I chose this book because I want more art and, by default, more artists in my life. I know absolutely nothing of weaving, how to or otherwise, so I suspect I read this differently than say, someone who makes his or her living by weaving tapestries. I read this simply as an admirer of a beautiful textile.
Scanlin calls her book a collection of essays, but I prefer to think of it as a memoir: the emergence of an extremely talented artist. Told mostly through the lens of photography and illustrations, Nature of Things explodes with color and creativity. Remove the visuals and the early narrative would probably not survive.
The final part of the book moves away from memoir and becomes a primer for learning the basics of weaving, complete with a glossary, clear diagrams, and a list of resources.

As an aside, I was surprised by how much I had in common with Scanlin. what inspired her in Nature of Things are the very same things that catch my attention: trees, crows, rocks, shadows, flowers, feathers, ferns, even the fine winding tendrils of vines.
Note: According to the back cover of Nature of Things, it has been on sale for well over a month now. I received my copy on October 29th, 2020.

Alexandria

gr4c5Leave a comment

Bantock, Nick. Alexandria: In Which the Extraordinary Correspondence of Griffin & Sabine Unfolds. San Francisco: Chronicle Books, 2002.

Reason: What a wicked game to play to make me feel this way. – Chris Isaac.

You all know the star couple of the early 1990s, Griffin Moss and Sabine Strohem, but do you know Matthew Sedon and his lovely paramour, Isabella de Reims? Matthew and Isabella are caught in that can’t-connect world Griffin and Sabine know all too well. Separated by continents, absence is making the heart turn passionate. Matthew struggles to keep his mind on archaeology dig in Egypt while Isabella attempts to study in France. Both encounter evil signs of nemesis Viktor Frolatti who seems bound and determined to keep them apart.
As always, Bantock’s art is stunning. Bold colors, violent insinuations, and passionate designs decorate every postcard, letter, envelope and stamp exchanged. As always, the voyeuristic thrill of opening someone’s mail cannot be ignored.

Gryphon

gr4c5Leave a comment

Bantock, Nick. Gryphon: in which the extraordinary correspondence of Griffin and Sabine is rediscovered. San Francisco: Chronicle Books, 2001.

Reason read: I have flung myself so far down the rabbit hole I can’t find my way home. Maybe I’ve lost sight of what home means. I don’t know. After revisiting Griffin & Sabine and Sabine’s Notebook I realized I couldn’t stop with The Golden Mean. I couldn’t stop. At all. I couldn’t stop. For nothing. I guess you could say it was all for nothing.

In Gryphon we move on from Griffin and Sabine to Matthew and Isabella, another pair of star-crossed lovers. Don’t worry, G & S are still there, just in a murkier role. Sabine needs help from archaeologist Matthew, but the meaning behind her request is all smoke and mirrors. As with all the other books in the series, the art is amazing, even if the story has gotten a little too cloaked in mystery.

Best line in a letter, “I’ve tried to escape from the realm of your skin, by concentrating on your voice, but that only leads to your mouth and then I’m back where I started” (Matthew to Isabella).

Migrations: Open Hearts

gr4c5Leave a comment

International Centre for the Picture Book in Society, ed. Migrations: Open Hearts, Open Borders. Somerville, MA: Candlewick Studio, 2019.

Reason read: This was an Early Review from LibraryThing that I didn’t receive. I was curious about it so after publication I borrowed it from the local public library.

Coming from a place of spoiled privilege, I need more books like Migrations in my life, despite its deceiving simplicity. Growing up, my parents were not wealthy, but they provided. I always had a roof over my head, a safe and comfortable place to call home. It is hard to think of what life would be like without a secure or reliable place to live. The reality is we live in a world where thousands and thousands of people are displaced every single day.
With it’s beautiful hand painted art, illustrators of children’s books from all over the world took part in contributing postcards to the project. The layout of Migrations reminded me so much of Nick Bantock’s Griffin and Sabine.

The Morning Star

gr4c5Leave a comment

Bantock, Nick. The Morning Star: In Which the Extraordinary Correspondence of Griffin & Sabine is Illuminated. San Francisco: Chronicle Books, 2003.

Reason read: Friday, I’m in love. – the Cure.

Back to Griffin & Sabine. It always comes back to Griffin Moss & Sabine Strohem. Except not. This time, it is Matthew and Isabella. Matthew Sedon and Isabella de Reims are madly, hopelessly, truly in love. Except, like Griffin and Sabine before them, they cannot reach each other. He, in Alexandria, Egypt. She, in Paris, France. The archaeologist and the student worlds apart. Unable to connect, their romance depends on the guidance of the only other couple to experience such a divide. Through similar letters and postcards, Matthew & Isabella explore worlds beyond their imagination. Will they ever meet?

Book trivia: this was supposed to be the final book in the Griffin and Sabine saga. It is not.

Museum at Purgatory

gr4c5Leave a comment

Bantock, Nick. The Museum at Purgatory. New York: HarperCollins, 1999.

Reason read: I am on another one of my cat kicks. Meh. Can’t be helped. Can’t be stopped. I’m just going with it.

Meet Non, Curator of the Museum at Purgatory. First, pay attention to his name. Non, the absence of anything and everything. He facilitates the acquisition of collections in that place between heaven and hell. Wait for it. Non is dead, too. He curates the collections of other dead artists, archaeologists, and collectors while they all figure out where they are ultimately going to end up, Heaven or Hell.
If you are familiar with Bantock’s work, you know his books are always filled with explosive art and imaginative words that only fuel curiosity to cult-like proportions. I am a fan of everything, and I mean everything, he does.
Favorite rooms: It’s a tie between the Gazio Room, with it’s shrines and navigational boxes, and the Delancet Room, full of lost post. As an ardent letter writer, I think Delancet has the slight edge over Gazio. Just saying.

Book trivia: I love the dedication for The Museum at Purgatory.

On Not Being Able to Paint

gr4c5Leave a comment

Field, Joanna. On Not Being Able to Paint. Los Angeles: Jeremy P. Tarcher, Inc., 1957.

Reason read: Field was born in the month of February. Her birthday is one day before mine. Read in her memory.

On Not Being Able to Paint is divided into five sections, the first four all relating to Free Drawing. The fifth and final section is focused on painting. Words like “psychic creativity” and “moral education” are thrown around, which makes me think I’m in for the psychobabble ride reading of my life. I wasn’t disappointed. There is a fair amount of deep psychology in On not Being Able to Paint. Even though the slim volume is less than 200 pages, it took me forever to read. In the end, I questioned if the obstacles which prevent one from painting are not the exact same “blocks” writers sometimes complain of experiencing when unable to write. Sure enough, Field is connecting free drawings with the self conscious.
As an aside, the first edition of On Not Being Able to Paint was written for educators. The second edition (my version) includes an appendix and Anna Freud’s foreword. I appreciated that Field was able to recognize that emotional drawing is not completely devoid of influence and that she shouldn’t be so fixated on depicting beauty for beauty’s sake.
Confessional: I was a bit disappointed by Field’s “art.” The illustrations were childlike and well, for lack of a better word, weird. As Field explains, and I said earlier, they are “free drawings” that helped her connect to the self conscious. I hope she was successful.

Quote to quote, “And the result was a sense of false certainty, a compulsive and deceptive sanity, a tyrannical victory of the common sense view which always sees objects as objects, but at cost of something else that was seeking recognition, something more to do with imaginative than with common sense reality” (p 76). Put that in your pipe and smoke it. Whatever that means!

Author fact: Joanna Field was the pen name of Marion Milner.

Book trivia: Illustrations are by Joanna Field, aka Marion Milner. Forward by Anna Freud.

Nancy said: Pearl said On Not Being Able to Paint was a later favorite of hers.

BookLust Twist: from More Book Lust in the cheating chapter called “The Book Lust of Others” (p 33).

Deeply Grateful and Entirely Unsatisfied

gr4c5Leave a comment

Happe, Amanda. Deeply Grateful and Entirely Unsatisfied: a Book for Anyone Wondering if Life is Giving You Magical Gifts or Just Messing with You. San Francisco: Chronicle Books, 2018.

Reason read: this is the March selection from the Early Review program of LibraryThing.

At first glance, you think Deeply Grateful should only take you ten minutes to read. At second glance, you reconsider. Maybe thirty minutes in order to give the illustrations a proper scrutiny. But. But! Once you get into Deeply Grateful and really read it (like reeeallllly read it) you realize you want to say to hell with time. It is simple and complex all at once. Yes, the illustrations are a little repetitious. You’ll see a lot of straight lines that look like rays of sunlight and curly lines that resemble snakes. Then there are the ribbons and pipes and boxes. Circles and science projects. Never mind all that. It’s really all about the words. Some will have you thinking more. Some will have you wishing you thought less. Even way, Deeply Grateful makes you think.

Author fact: Happe runs Three of Wands, “an independent creative practice.”

Book trivia: Deeply Grateful is Amanda Happe’s first book.

Spring Sprung Titles

gr4c5Leave a comment

What to say about April? I ran my fastest 10k while ill (go figure). I met two new runners and may have convinced someone to at least try. I don’t know where this acceptance to run with others is coming from. To share a conversation I had with someone: I asked where she runs. She replied she doesn’t have my pace, “nowhere near it” were her exact words. I answered I don’t have that pace all the time either. Me & my pace visit from time to time but we don’t make it a thing. She laughed and I saw myself ten years ago talking to someone who face-times with friends while running. I worried about her relationship with pace. But, this blog is turning into a thing different from reading.

So, without further ado, here are the finished books:

Fiction:

  • Diplomatic Lover by Elsie Lee – read in one day
  • Oxford Murders by Guillermo Martinez – read in two days
  • Celibate Season by Carol Shields and Blanche Howard – read in four days (this book annoyed me and I kept having to put it down)

Nonfiction:

  • Lost Upland: stories of the Dordogne Region by W.S. Merwin – confessional: DNF (bored, bored, bored)
  • Coming into the Country by John McPhee
  • Henry James: the Untried Years by Leon Edel
  • Another Part of the Wood by Kenneth Clark – this was cheeky!

Series continuations:

  • “F” is for Fugitive by Sue Grafton (I’m calling this a continuation even though I read “A” a long time ago.)
  • Rise of Endymion by Dan Simmons (AB + print so I could finish on time – today!)
  • Blue Lightning by Ann Cleeves – another quick read (finished in four days)

Early Review for LibraryThing:

  • My Life with Bob by Pamela Paul

Origami 365

gr4c5Leave a comment

Yaguchi, Taro and Masao Donahue. Origami 365. New York: Race Point, 2014.

Reason read: interesting to learn more about Origami

If you are looking for a comprehensive but short book on Origami, Taro Yaguchi’s Origami 365 is a great place to start. The contents of Origami 365 seem a little more “adult” in that Yaguchi includes a brief history of Origami, the popularity of the art of paper folding today and even the types of paper one could use for different projects. Probably the most interesting aspect to Origami 365 is the Kyu System, a progression of skill levels while mastering certain techniques. You learn a series of fold techniques (like book, blintz and waterbomb) before moving onto actual objects. It is worth it to learn every fold so that one can create turtles, peacocks and frogs to name a few.

Paper Gifts

gr4c5Leave a comment

Sanderson, Jennifer and Jessica Moon. Paper Gifts. Minnesota: Arcturus Publishing, 2015.

Reason read: interesting in learning more about the Japanese art of folding paper.

This was originally designed for children in grades 4-6 but as someone new to Origami, I found it very useful in its simplicity. You essentially learn how to fold six different “gifts” such as a treat holder or bookmark. While I didn’t actually make any of the gifts, I could tell the directions were very straightforward and easy to follow. The color photographs and glossary were a big help.
If I had tried to fold anything, it would have been the gift box.