Crimson Petal and the White

Faber, Michael. The Crimson Petal and the White. Narrated by Jill Tanner. Prince Frederick, MD: Recorded Books, 2004.

Faber, Michael. The Crimson Petal and the White. New York: Harcourt, 2002.

Reason read: Charles Dickens was born in the month of February. Read in his honor because Pearl compared Michael Faber to Dickens.

If you look at the panoramic picture, Crimson Petal and the White is a study of stark differences in 1870s London, England. Wealth and poverty. Employment and unwaged. Health and disease. Adam and Darwin. Men and women. Pious and deviant. Sane and deranged. Amidst all of this contradiction, we follow nineteen year old prostitute, Sugar. Desperate to lift herself out of the proverbial and literal gutter, Sugar prides herself on knowing how to please a man in more ways than just sexual; with great wit and cunning she appeals to a gentleman’s intellect. Men know to ask for her by name as she instinctively knows their every desire and willingly delivers. Is it an act? When left alone, she serenely spills venom in the form of writing a novel about a sex worker serial killer. She relishes every dagger plunge, every rat poisoned ravaged breath, every weak and begging man at her heroine’s mercy. Is this where the original Aileen Wuornos was born?
Nevertheless, for all outward appearances Sugar knows a thing or two about job security and makes herself indispensable to one wealthy man, perfume magnate, William Rackham. She becomes the “other woman” who has an ear for a man’s business troubles, as well as his family woes, and sexual discord. She takes great care to learn his business, then learn his life. All the better to insert herself into every corner.
The curious thing about Faber’s characters is that I didn’t care one way or another about them for most of the book. I wasn’t bothered by Rackham keeping a prostitute mistress (a la Pretty Woman). I didn’t feel bad for his young and mentally fragile wife, Agnes. I found Rackham’s brother, Henry, annoying. In the beginning, I only rooted for the cat, Puss. That changed neat the end of the book, but I can’t tell you why. Just read the book. Better yet, listen to the audio. The narration is great!

Lines worth mentioning, “Nothing, he finds, causes more inconvenience than a death, unless it be a marriage” (p 473).

Author fact: Faber has also written some short story collections, not on my Challenge list. As an aside, his brooding author photo reminded me of not one, but two ex-boyfriends.

Book trivia: Crimson is a hefty 800+ pages long and is often compared to Franzen’s The Corrections or Charles Dickens. Sundance made The Crimson Petal and the White into a series.

Nancy said: Pearl basically spells out the plot, but my favorite part is when she uses the word “guttersnipes.” Brilliant.

BookLust Twist: from Book Lust in the chapter called “A Dickens of a Tale” (p 72).



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