Matthews, Sebastian. In My Father’s Footsteps. W.W. Norton & Company, 2004
Reason read: Matthews was born in August. Read in his honor.
How do you pay homage to a person who repeatedly broke your heart and let you down as a child; a good guy with harmful tendencies in adulthood? Sebastian Matthews, by turns loved and looked to respect his father. From an early age, father and son had a complicated relationship. When William Matthews died of a heart attack at just 55 it was a shock, but no one was surprised. A womanizer, a drinker, and a smoker (and maybe a midnight toker), Matthews senior was a force to be reckoned with. In My Father’s Footsteps is aptly named for Sebastian followed closely behind his father: a lifelong jazz enthusiast, becoming a writer, and poet unable to commit to any relationship for more than a few dates. Deeply buried resentments over the divorce of his parents; standing in the shadow of his father’s brilliance as a poet and professor; trying to understand the complexity of his inheritance, Matthews carefully picks his way through the emotions to share a loving, yet brutally honest tribute to his father.
Confessional: there was a part of Matthews’s story when he was watching father and son bricklayers build a wall. It reminded me of an earlier story I read about a son following in his father’s footsteps as a bricklayer until he found science.
Author fact: I want to believe Sebastian has found happiness in marriage and fatherhood. As of the publication of In My Father’s Footsteps he still lived in Asheville.
Book trivia: both of Matthews’s parents were poets. At times Matthews would put poetry from each parent side by side.
As an aside, when the police were at Matthews’s father’s apartment they went from room to room turning on lights. Why don’t do they do that in the movies?
Personal connection: Dying alone requires the procurement of a court order before gaining permanent access to the deceased residence. If you die in public, even if it is of natural causes, your body is considered a crime scene and cannot be moved until fully investigated.
Setlist: James Taylor, Cowboy Junkies. Indigo Girls, Joni Mitchell’s Hejira album, Tommy Flanagan, Booker Erwin, John Handy, Carnell Jones, Horace Silver’s “Song for My Father,” Gerry Mulligan, Joe Henderson, Alfredo Kraus, Elton John’s “Your Song,” Bob Dylan’s “On a night Like This” “Idiot Wind,” “You’re Gonna Make Me Lonesome When You Go,” “Shelter From the Storm,” and “Blood on the Tracks,” Mozart, Ella Fitzgerald, Van Morrison’s Astral Weeks, Duke Ellington’s “Cottontail,” “Amazing Grace,” Bach, Miles Davis’s “Flamenco Sketches,” Tallest Trees album, “All Blues,” and “Kind of Blue,” Bob Marley’s Babylon By Bus album, Art Pepper Meets the Rhythm Section, John Coltrane, Stan Getz’s “Sweet Rain,” the Jazz Messengers, Coleman Hawkins, Ben Webster, Sonny Rollins, Lester Young, Earl Hines, Mal Waldron, Billie Holiday’s “I Can’t Get Started,” and “Miss Brown to You,” John Bunch Trio, Charlie Mingus’ Alum, “Goodbye Porkpie Hat,” and “Better Git It in Your Soul,” Thelonius Monk’s “Round Midnight,” Dexter Gordon, JJ Johnson, Bud Power, “Some Other Spring,” Getz and Gilberto’s “Girl from Ipanema,” Prince, Sweetheart of the Rodeo, Grateful Dead, Anita O’Day, the Police’s Zenyatta Mondatta album, “Easy Living,” “Let’s Get It On,” and “John Wesley Harding.”
BookLust Twist: from More Book Lust in the chapter called “Me, Me, Me: Autobiographies and Memoirs” (p 162).
~*LunaSea*~ 