Category: BookLust I

Hatchet

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Paulsen, Gary. Hatchet. New York: Aladdin, 1987.

Considering this book was written for kids ages 11-13 this was a breeze to read. I think I started it around 5:3pm and finished about 7:45pm…

Brian Robeson is a pouty thirteen year old on his way to visit his newly divorced dad. Despite an exhilarating, first time ride in a single engine airplane (sitting as copilot), Brian is not impressed. He is more obsessed with thinking  about his new fate – shuttled between two parents who don’t love each other anymore. What’s worse is that his mother has a Secret. It’s all Brian can think about until the pilot has a heart attack…

Somehow Brian survives the crash and is plunged into a vast Canadian wilderness with only a small hatchet  his mother had given to him as a gift right before getting on the plane. It is obvious the pilot is dead and Brian is very much alone. As the realization of his situation is revealed Brian’s preoccupation with  his parents and The Secret fades from his mind. His self pity is replaced with a new priority, staying alive. The best parts of Hatchet are Paulsen’s descriptive hunting scenes. As Brian learns to build a fire, pick edible berries and hunt small game he grows into a mature individual. This is a coming of age story, survival style.

Probably my favorite section of the story is the epilogue. Paulsen is able to wrap up every concerning loose end – how Brian makes it home (hey, this is a kids book. You didn’t expect him to stay lost forever, did you?), what Brian took away from his ordeal in the Canadian wilderness, and the confronting of the obvious truth that Brian probably wouldn’t have survived a winter. What further intrigued me was the research Paulsen put into Hatchet. Brian’s adventure is very believable.

Favorite line: “Time had come, time that he measured but didn’t care about; time had come into his life and moved out and left him different” (p 122).

BookLust Twist: From Book Lust in the chapter called, “Adventure By the Book: Fiction” (p 7).

Samuel Johnson is Indignant

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Davis, Lydia. Samuel Johnson is Indignant: stories. Brooklyn: McSweeney’s Books, 2001.

I always love it when I get a collection of short stories to read. For some reason I like idea of the simplicity of keeping something short when sometimes, nothing could be further than the truth; especially when it comes to a short story. A short story might be short on words or sentences or even paragraphs, but long on meaning and, in the end might turn out to be a little thought provoking or dare I say didactic? In other words, I might learn something!

Lydia Davis is funny. But, more importantly she has an amazing range of subject material. So much so that I found myself asking what subject does Lydia Davis NOT cover in a short story? What’s more, Lydia Davis has a wide range of writing styles. Everything she writes has a common theme: strange and wonderful, but no two stories could be characterized as “the same.” Her stories are eerie and contemplative, funny and sad, wise and irreverent.

Favorite lines, “You can’t tell everyone the truth all the time, and you certainly can’t tell anyone the whole truth, ever, because it would take too long” (p 7).

BookLust Twist: From  Book Lust in the chapter called simply, “Short Stories” (p 221). Duh.

Endless Love

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Spencer, Scott. Endless Love. New York: Alfred A. Knopf, 1987.

At the center of Endless Love is David Axelrod. David starts his story remembering how, as a 17 year in love, he set fire to his girlfriend’s house. Not as an out-of-anger act of revenge but more of an uncontrollable response to an all-consuming love for his girlfriend, Jade Butterfield, and her family. Having been banished from the Butterfield home David’s plot is to ignite the house in the hopes the fire will give him the perverse opportunity to become the hero and ultimately rescue the entire family from the inferno he started. His desire to be needed by the entire family is blinding. Of course David’s plot doesn’t work out so smoothly…and thus begins Unless Love. It is a dark and tangled tale about obsessions and the inability to see past them. It is about dysfunctional families that use one another to seem normal. It is about struggling relationships set against the ever turbulent late 1960s. In the middle is confused, young, obsessed David Axelrod. He reminds me of Llyod Dobler from ‘Say Anything’ – an all-around nice guy with little direction and not much more ambition who can sum up his life in one sentence, “I just want to be with your daughter….sir.”

My favorite quotes are on the subject of love: “Love gives us a heightened consciousness through which to apprehend the world, but anger gives us a precise, detached perception of its own” (p 40) and, “If endless love was a dream, then it was a dream we all shared, even more than we all shared the dream of never dying or of traveling through time, and if anything set me apart it was not my impulses but my stubbornness, my willingness to take the dream past what had been agreed upon as the reasonable limits, to declare that this dream was not a feverish trick of the mind but was an actuality at least as real as that other, thinner, more unhappy illusion we call normal life” (p 162).

I think the reason why I liked Endless Love so much is because every character was a head-scratcher. It wasn’t just David Axelrod who had a personality worth paying attention to. the story of his parents held mysteries to be explored. Every member of Jade Butterfield’s family kept the story alive and buzzing with intrigue. The questions most asked – who would defend David? Who would forgive him? Who wouldn’t forget?

BookLust Twist: From Book Lust in two different chapters. First, in the chapter called, “First Lines to Remember” (p 87), and again in “Sex and the Single Reader” (p 218).

April ’10 was…

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April was that kind of month that just flew by without warning. When Just’ Cause is over I will get back to writing in the real sense… for now here is the literary month of April.

For books it was:

  • Affliction by Russell Banks ~ can’t wait to see the movie
  • Belshazzar’s Daughter by Barbara Nadel ~ speaking of movies, this should be one
  • Truth & Bright Water by Thomas King ~ probably my second favorite read of the month
  • South Wind Through the Kitchen by Elizabeth David ~ a collection of “best of” Elizabeth David
  • Without End by Adam Zagajewski ~ a collection of poetry
  • Water Witches by Chris Bohjalian ~ my favorite read of the month

For poetry it was:

  • “Luncheon on the Grass” by Carl Phillips (In the Blood, 1993.)
  • “Rebus” by Jane Hirschfield (Given Sugar, Given Salt, 2002.)
  • “Hospital” by Karl Shapiro (Poems: 1040-1953, 1953.)
  • “A Secret Life” by Stephen Dunn (Landscape at the End of the Century, 1999.)
  • “The Welcoming” by Edward Hirsch (Earthly Measures, 1994.)
  • “Prophet” by Carl Dennis (Practical Gods, 2001.)
  • “Funeral II” by — (New & Collected Poems, 2000.)
  • “Days of Pie and Coffee” by — (Shroud of the Gnome, 1997.)
  • “Try to Praise the Mutilated World” by Adam Zagajewski (Without End, 2002)
  • “Kaddish” by Allen Ginsberg (Kaddish and Other Poems 1958 – 1960, 2001)
  • “Wisdom of the Desert Fathers” by Katha Pollitt (the mind- body problem, 2009)
  • “Forgetfulness” by Billy Collins (Sailing Alone Around the Room, 2002)

For poetry set to music it was Natalie Merchant’s long awaited Leave Your Sleep. This is the track listing for the fantastically amazing album:

Part I

  1. Nursery Rhyme of Innocence and Experience by Charles Causley
  2. Equestrienne by Rachel Field
  3. Calico Pie by Edward Lear
  4. Bleezer’s Ice-Cream by Jack Prelutsky
  5. It Makes a Change by Mervyn Peak
  6. The King of China’s Daughter by Anonymous
  7. The Dancing Bear by Albert Bigelow Paine
  8. The Man in the Wilderness by Mother Goose
  9. maggie and milly and molly and may by E.E. Cummings
  10. If No One Ever Marries Me by Laurence Alma-Tadema
  11. The Sleepy Giant by Charles Edward Carryl
  12. The Peppery Man by Arthur Macy
  13. The Blind Men and the Elephant by John Godfrey Saxe

Part II

  1. Adventures of Isabel by Ogden Nash
  2. The Walloping Window Blind by Charles Edward Carryl
  3. Topsyturvey World by William Brighty Rands
  4. The Janitor’s Boy by Nathalia Crane
  5. Griselda by Eleanor Farjeon
  6. The Land of Nod by Robert Louis Stevenson
  7. Vain and Careless by Robert Graves
  8. Crying, My Little One by Christina Rossetti
  9. Sweet and a Lullaby by Anonymous
  10. I Saw a Ship A-Sailing by Anonymous
  11. Autumn Lullaby by Anonymous
  12. Spring and Fall: to a young child by Gerard Manley Hopkins
  13. Indian Names by Lydia Huntley Sigourney

For LibraryThing’s Early Review program it was: a browse through a weight training book. Full review coming next month…

For fun it was: The Book of Calamities by Peter Trachtenberg

Water Witches

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Bohjalian, Chris. Water Witches. Hanover: University Press of New England, 1995.

This is the story of environmentalists against developers. The storyline is simple. A Vermont ski resort needs to expand in order to stay in business. They are looking to clear trees and tap into a river in order to build more ski trails and man-made snow. That means obtaining permits and permissions. For lawyer Scottie Winston, working for Powder Peak, this means more jobs for the community…or so he says over and over again. Is he trying to convince himself? The trouble is Scottie is married to a water witch with minimal skills. More so, his sister-in-law is considered the most talented dowser in the country. Her abilities to find water, and even missing travelers is legendary. She is marrying the region’s most vocal environmentalist who opposes Powder Peak’s expansion. To make matters worse, Scottie’s own daughter is proving to be an even more accomplished water witch than her aunt…Scottie must chose between his job and his family especially when a drought complicates things not only for Powder Peak but for the entire community.

BookLust Twist: From Book Lust in the chapter called, “Ecofiction” (p 77).

Note: this review is lame because somehow I lost the one I thought I had already written….I didn’t have the energy to write it twice.

Without End

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Zagajewski, Adam. Without End: New and Selected Poems. New York: Farrar, Straus and Giroux, 2002.

Nancy Pearl mentions “Try to Praise the Mutilated World” in Book Lust in the chapter called, “Polish Poems and Prose” (p 187), but she also recommends the book from which the poem is from, Without End: New and Selected Poems.

I quite enjoyed reading Without End from start to finish. The diversity of poetry within the 270+ pages is refreshing. I especially liked the poet to poet dedications. It’s as if Zagajewski is saying, “from one writer to another, I feel your craft and it influences mine.”

“Try to Praise the Mutilated World” reminds me of Natalie Merchant’s song “Life is Sweet” in that they both try to point out the beauty in the world in spite of the glaring ugliness.

Favorite lines:
“The innkeeper’s daughter was so thin
that she kept bricks in her backpack to outwit the wind…” (p14).

Favorite poem: “Treatise on Emptiness”
A friend and I both agree that this poem moved us in startling and profound ways.

BookLust Twist: From Book Lust in the chapter called, “Polish Poems and Prose” (p 187). Yeah, I know I already said that.

“Days of Pie and Coffee”

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Tate, James. “Days of Pie and Coffee.” Shroud of the Gnome. Hopewell: Ecco Press, 1997. pp 2 -4.

This is such a simple image. A man is walking his dog (a golden retriever no less) along a country road. He and the dog are startled by a motorist roaring up and looking for directions. A stranger in this part of the world is such a shock to the man and yet he finds easy conversation with the stranger…as if they are sitting down to a meal of pie and coffee.

I like the powerful descriptions in the poem. It’s not just a poem, it’s a story when you can see the images and feel as if you are there. The act of being startled because you don’t expect a motorist in your little part of the world. A conversation that haltingly starts with mistrust and grows easier with familiarity.

BookLust Twist: From Book Lust in the chapter called, “Kitchen-Sink Poetry” (p 138). Note: this missed getting included in the index.

South Wind Through the Kitchen

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David, Elizabeth. South Wind Through the Kitchen. New York: North Point Press, 1998.

The cover of South Wind Through the Kitchen has Elizabeth David posing with a glass of wine in her hand. You can tell the shot is 1950’s staged. Elizabeth is supposed to be lounging with a glass of wine in her kitchen. Instead, she is delicately leaning against a counter, one foot angled just so from her body. She looks away from the camera with only a hint of expression on her face. She does not look comfortable and yet pulls off a sophisticated housewife glamor.

South Wind Through the Kitchen is a collection of Elizabeth David’s best everything – best recipes, best essays, best foot forward (as the cover photograph implies) compiled by friends and family. It is a multi-personality publication, part cookbook, part leisure reading, part reference. Any one person can pick it up for a multitude of reasons, whether to graze lightly through its pages or gorge on them entirely. It’s a great sampling of Elizabeth David’s writing throughout her career.
As for my reading pleasure, I found myself grazing lightly for in the Book Lust challenge I will be reading French Provincial Cooking, Italian Food, A Book of Mediterranean Food, and English Bread and Yeast Cookery. I felt that it was only fair that I skip those excerpts (since I’ll be reading them again in their entirety at some point) and concentrate on the commentary and the excerpts from the books I won’t be reading: French Country Cooking, Spices, Salt and Aromatics in the English Kitchen, Harvest of the Cold Months, and French Country Cooking.

My favorite part of South Wind Through the Kitchen was the praise for Elizabeth David not only as a cook, but as an accomplished writer. For example, one favorite line illustrates that praise, “I remember marveling at the quality of the writing, sitting entranced on a radiator…and quite forgetting to poach the eggs at all. A constant danger with E.D. is being distracted from the actual cooking. -Prue Leith” (p 61).

BookLust Twist: From Book Lust in the chapter called, “Food for Thought” (p 91).

Truth & Bright Water

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King, Thomas. Truth & Bright Water. New York: Atlantic Monthly Press, 1999.

The title of this book fascinates me. Here’s why: I’m reading the book in honor of April being National Dog Month (indeed there is a dog named Soldier in the book), yet the story is about two coming-of-age Native boys. The title comes from the geography. Truth is an American town on one side of a river and Bright Water is a reserve on the Canadian side of the same river. Truth and Bright Water are sister cities, or tiny towns to be exact.

Truth & Bright Water is more about a Native teenage boy named Tecumseh than it is about the small towns of Truth and Bright Water which he calls home. Tecumseh is fifteen and life for him consists of keeping peace with his separated parents, keeping his abused cousin company, learning how to drive, trying to find a job, understanding what it means to be Indian during tourist season, unraveling the mysteries surrounding his aunt, and finding things like a baby’s skull with his dog, Soldier. While Tecumseh is an average kid his community is anything but. Truth & Bright Water opens with Tecumseh and his cousin, Lum, spying on a woman who not only empties a suitcase over a cliff, but appears to have jumped off after it. Was it suicide? Then there is Monroe Swimmer, a famous artist returned home, who lives in a church and has big plans to make said church disappear. And what of the baby’s skull found with a ribbon threaded through its eye holes?

There are several quotes that I liked. Here’s one, “…maybe ground squirrels… are just like people. some are lucky, and some aren’t. Some get to drive nice cars, and some end up by the side of the road” (p 91).

There are several scenes that I also liked. I thought the dialogue between Tecumseh and any adult was amusingly accurate. Tecumseh would ask a question and to avoid answering it the adult would ask a different question over it or simply ignore his question completely. In several instances Tecumseh and the adult are having two different conversations that only converge if the subject isn’t sensitive. Here’s an example of a conversation between Tecumseh and his mother who has been gone on vacation:
“So, how was Waterton?”
“”You need to put your sleeping bag away,” says my mother.
“Did you stay at that fancy hotel?”
“And you forgot to knock all the mud off your shoes.”
“I suppose you took the bus out to the lake” (p 203).

Tecumseh wants information about where his mother went and she is clearly ignoring the questions. Tecumseh sums it up later by saying, “Sometimes the best way to get my mother talking about a particular topic is to change the subject and then work your way back to where you wanted to be” (p 204). Classic. The whole book is full of scenes like this. I liked King’s writing so much that I’m definitely adding him as a favorite author on LibraryThing.

BookLust Twist: From Book Lust in two different chapters. First, in “American Indian Literature” (p 23) and again in “Great Dogs of Fiction” (p 104).

Making of a Quagmire

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Halberstam, David. The Making of a Quagmire. New York: Random House, 1964.

The only way American citizens were in touch with the Vietnam War, at all, was through the eyes of reporters. They were responsible for bringing the fighting as well as the politics of South Vietnam into the forefront of public awareness. They were credited for keeping the public more informed than in the dark. It has been said that not many could cite what we were fighting for “in the jungle.” Not many more could find Vietnam on a map. Yet, with the publishing of the Making of a Quagmire David Halberstam sets up to explain just how involved the U.S. was before the conflict erupted. In a comprehensive manner he explains our country’s commitment to the political struggle in South Vietnam. Despite pressure on all political sides Halberstam never compromised his view of the crisis. He refused to publish propaganda to support either side. The Making of a Quagmire is simply unflinching and honest.

Most interesting quote: “In many areas the war had come to a virtual halt because vital units were practicing for the parade” (p 45). I find this interesting because Halberstam goes on to say, “It seemed unbelievable, but it was true; the public was not to be allowed to watch the ceremonies” (p 46).

BookLust Twist: From Book Lust in the chapter simply called, “Vietnam” (p 238). Also in More Book Lust in the chapter called, “David Halberstam: Too Good To Miss” (p 112). Interestingly enough in both chapters Nancy Pearl gives Halberstam’s book the complete title of  The Making of a Quagmire: America and Vietnam During the Kennedy Era yet nowhere on my copy of  Making of a Quagmire is that subtitle printed.

Wall of the Sky

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Lethem, Jonathan. The Wall of the Sky, the Wall of the Eye: stories. New York: Harcourt, Brace & Co., 1998.

I like that way Nancy Pearl describes Lethem’s style of writing. Basically she says (in Book Lust) you never get the same book twice. Even within his short stories in The Wall of the Sky, the Wall of the Eye you don’t get the same short story twice. Nothing is the same. Even the style of writing is different. Like a box of chocolates with only one candy containing chocolate…

Here’s a list of the short stories:

  • The Happy Man ~ a weird sort of deal-with-the-devil story about a man who is dead, but isn’t.
  • Vanilla Drunk ~ a story that mentions Michael Jordan over 40 times.
  • Light and the Sufferer ~ brothers, an alien, drugs and New York City. What’s not to love?
  • Forever, Said the Duck ~ a virtual party where virtually no one is who they say they are.
  • Five Fukcs ~ I have no idea how to describe this story. It’s all about getting screwed over…
  • The Hardened Criminal ~ a very strange story about a man who ends up in the same prison cell as his father…only his father is built into the cement wall.
  • Sleepy People ~ there is a group of people who sleep through anything…including sex.

Because of Lethem’s copyright statement I am not going to quote favorite lines (and yes, I had a few). Just leave it that I liked the entire book (even though I would have liked more description about the Sufferer from “Light and the Sufferer”).

BookLust Twist: From Book Lust in the chapter called, “Jonathan Lethem: Too Good To Miss” (p 145).

Fire Next Time

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Baldwin, James. The Fire Next Time. New York: Dial Press, 1963.

The Fire Next Time is a slim yet powerful 120 pages. Baldwin does not waste a single page on empty words or phrases. Every sentence is an argument for America to beware of “the fire next time.” He implores the reader to take a page from history and not turn a blind eye to it; we must change the course of racial inequality in order to survive. Even though The Fire Next Time was published not even ten years after the integration of Little Rock’s (Arkansas) Central High Baldwin’s fiery words hold true today.

The title, The Fire Next Time, is drawn from a “recreation of the Bible in a slave song” – ‘God gave Noah the rainbow sign, no more water, the fire next time’ (p 120), yet there are several examples of such warning scattered throughout the entire book. This warning is in a couple of my favorite quotes.

“But, in the end, it is the threat of universal extinction hanging over all the world today that changes, totally and forever, the nature of reality and brings into devastating question the true meaning of man’s history” (p 71), and “Life is tragic simply because the earth turns and the sun inexorably rises and sets ans one day, for each of us, the sun will go down for the last, last time” (p 105).

BookLust Twist: From Book Lust in two chapters: “African American Fiction: He Say (p 10), even though it isn’t fiction, and again in the chapter “Essaying Essays” (p 81).

Little Friend

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Tartt, Donna. The Little Friend. New York: Alfred A. Knopf, 2002.

In a nutshell The Little Friend is about Harriet Cleve Dufresnes, a twelve-year-old girl who decides she simply must solve the mystery of who killed her nine-year-old brother when she was just an infant. All Harriet knows of the incident is that little Robin was found hung from a tree on Mother’s Day and nobody knew why. During her attempts to solve the mystery Harriet and her sidekick Hely get themselves into troubles far more adult than their years. Larger Mississippi-southern issues such as poverty and prejudice encircle  more complicated crimes such as deception, drugs, and death.

I love the way Donna Tartt writes, but was confused by plot. 555 is a long time to be reading about a mystery that doesn’t really get solved. The ambiguous ending is ripe for a sequel. Yet, there are seemingly unimportant characters that float in and out of the plot without an apparent role in the story (like Harriet’s sister Allison). Could they come back with a stronger presence in another book? One other concern is that The Little Friend is supposed to be a story set in the 1970’s. Were there meth labs back then?

When you first meet Harriet you think she has all the beginnings of a serial killer: “She could set the house on fire if she wanted to, and no one would be there to stop here” (p 67), and “…this was the hallmark of Harriet’s touch: she could scare the daylights out of you, and you weren’t even sure why” (p 74).

BookLust Twist: There is no doubt in my mind that Nancy Pearl loved this book and thought of it often. Case in point: it’s mentioned in Book Lust in the chapters “Families in Trouble” (p 82) because after little Robin is found murdered, nothing is ever the same for his family, and “Girls Growing Up” (p 102) because Harriet, Robin’s sister, grows up between the 555 pages of The Little Friend, as well as in the introduction (p xi) where Pearl says she knew she would love The Little Friend from the very first sentence. Little Friend is also mentioned in More Book Lust in the chapters “Lines that Linger; Sentences that Stick” (p 143) – the same first sentence Pearl mentioned in Book Lust, and “You Can’t Judge a Book by Its Cover” (p 238) because of its creepy doll face – a total of five mentions between the two Lust books. I can’t blame Pearl because Little Friend does fit nicely into each and every chapter mentioned.

Sorrows of Young Werther

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Goethe, Johann Wolfgang von. Sorrows of Young Werther. Boston: Frances A. Niccolls & Co., 1902.

There are so many little facts about this 134 page story that I just loved! First, I find it enticing that this eighteenth-century novel was written anonymously. It was if it really was meant to be autobiographical. There are many similarities between Young Werther and Johann Goethe. Another interesting tidbit about The Sorrows of Young Werther is that the story was both banned and embraced in eighteenth-century Germany.

To put it simply, Sorrows of Young Werther is about a young, impressionable artist who moves to a new, yet fictional town. He is enamored with his surroundings and shares his new-found joy with his friend, Wilhelm, through enthusiastic, vividly descriptive letters. For the first month the letters contain glorious accounts of the landscape, the sights, the sounds, and the people – everything around him. After that first month though, Werther’s entire focus centers on a young woman he met at a party. It’s obsession at first sight and he can think of nothing else but to be with her constantly. Unfortunately, Werther’s affections are doomed as the object of his affection, Charlotte, is already engaged to be married to a “worthy” gentleman. In an effort to remain near to Charlotte, Werther befriends her husband-to-be. Things becomes complicated (as they also do in this kind of situation). Of course this love triangle cannot last and ultimately ends in tragedy.

Telling lines: “We should deal with children as God deals with us, – we are happiest under the influence of innocent delusions” (p 35), “…a man under the influence of violent passion loses all power of reflection, and is regarded as intoxicated or insane” (p 47), and “I sometimes cannot understand how she can love another, how she dares love another, when I love nothing in this world so completely, so devotedly, as I love her, when I know only her, and have no other possession” (p 81). In these three quotes we see Young Werther growing more and more obsessed with Charlotte. It can only end badly and as we see on the very last page, it does, “The body was carried by labourers. No priest attended” (p 135).

BookLust Twist: From Book Lust in the chapter called, “Epistolary Novels: Take A Letter” (p 79).

Hole in the Universe

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Cole, K.C. The Hole in the Universe: How Scientists Peered Over the Edge of Emptiness and Found Everything. New York: Harcourt Inc., 2001.

January is quickly becoming my month for nonfiction (sorry, S.!). The Hole in the Universe is what Nancy Pearl calls a book about nothing and author K.C. Cole supports that with her subtitle, “How Scientists Peered over the Edge of Emptiness and Found Everything.” Cole combines physics, science fiction, literature, mathematics, and humor to make her case. Who knew a book about nothing could be so entertaining? Cole has the ability to take scientific fact and not-so-exact speculation and make nothing about something.

Line to scratch your head over: “Potential, it turns out, is one of the most impressive properties of nothing” (p 3). From that sentence on, I knew I was in for an interesting time.

BookLust Twist: From Book Lust” in the chapter called, “Zero: This Will Mean Nothing To You” (p 256).