Armful of Warm Girl

Spackman, William M. An Armful of Warm Girl.New york: Alfred A. Knopf, 1978.

Barely 130 pages, this was a silly little book. I found myself rereading sentences because I wasn’t sure what I just read. The entire text seems to be written in a tongue-in-cheek manner. To sum up the plot of An Armful of Warm Girl, it is about a man who, after being divorced by his wife, flees to New York City where he hasn’t been in over seventeen years. There he bounces from place to place looking for a substitute for his wife. He has many to chose from since upon his arrival to New York he is instantly attracted to just about every young girl in a skirt. After re-establishing a relationship with one such woman he is pointedly pursued by yet another woman. In the end he has to decide between the two.

I didn’t really have any favorite quotes. There is a great deal of gushing and carrying on in the dialogue. It would have been funny to quote some of that, but out of context it really wouldn’t have made much sense. For a sample of what I mean go to page six when Nicholas Romney rings up his adult daughter in New York. She can hardly believe her “darling daddy” is in town…without mummy.

BookLust Twist: From More Book Lust in the chapter called, “And the Award for Best Title Goes To…” (p 13.) I love the title of this book, but it would have been more appropriate to call it “Which Girl is the Warm Armful?”

Man From Saigon

Leimbach, Marti. The Man From Saigon. New York: Doubleday, 2010.

This was an interesting read for me due, in part, to the fact I was reading The Making of a Quagmire by David Halberstam at the same time. Leimbach’s descriptions of Vietnam mirrored Halberstam’s almost perfectly. The rainy, muggy climate, the poverty stricken communities, the brash (trying-to-be-brave) military presence, but above all, the reporters trying to capture the atrocities of politics and war while remaining mentally sound and physically safe. Of course, Leimbach’s story is a bit less intense with the addition of an adulterous romance threaded through the bomb blasts and sniper attacks. Susan Gifford is a green reporter trying her hand at covering the U.S. involvement in Vietnam. When she is taken captive by the Vietnam Communists, the Vietcong, along with her photographer, Hoang Van Son, the plot thickens. Susan is suddenly confronted with a profound and deep relationship that was originally a professional partnership forged out of necessity.

There are, of course, a few lines that became my favorite. The one I hope makes it into the final copy is “It was a feeling of being trapped and desperate, of having been cornered by her own mistakes” (p 6). Been there. Done that.

Jennifer Government

Barry, Max. Jennifer Government. New York: Doubleday, 2003.

Jennifer Government is fast paced and thrilling. Max Barry has everything from corporate greed, kidnapping, the NRA, and of course, murder. Set in the plausible near future there is a level of sexiness to the way Barry writes. He makes his characters move around each other in a cat and mouse manner, always flirting while outsmarting each other. In the center is Jennifer Government. She lives in a world where people take the place of their employment as their last names (Hack Nike and Jennifer Government and Billy NRA to name a few), 911 won’t respond to emergencies unless the capability for payment can be established, and taxes are outlawed. Jennifer could be the next Laura Croft, fighting old demons and new crimes. So, when her daughter is kidnapped things get personal. But, that’s the climax of the story. It all starts with Nike cooking up a marketing scheme to build of street cred for a new line of $2,500 sneakers by committing murder…

 Favorite quotes, “but he liked New Zealand, he really did. At first he was apprehensive; it was so far away, tucked down in the bottom of the world like something Australia coughed up” (p 22), and “Companies claimed to be highly  responsive, Jennifer thought, but you only had to chase a screaming man through their offices to realize it wasn’t true” (p 285).

Then there is this favorite scene: Hack is trying to tell the police his girlfriend might have killed someone with a toaster. The agent is not listening, arguing with Hack for not having an appointment (p 69-70). It’s an amusing scene but it gets even funnier. Hack finally gets to see a different agent. Hoping to be taken seriously he again tries to report the murder. Only this time the new agent is preoccupied with the capabilities of the toaster. “Can you do bagels in that?” he asks. I can just see the scene played by Nicholas Cage (as Hack) trying desperately to get someone to check on an alleged murder and Steve Martin as the second agent distracted by a bagel-toasting toaster.

I love that there is a Max in Max Barry’s story. It’s a small part, but a highly effective one.

BookLust Twist: From More Book Lust in the chapter called, “Plots for Plotzing” (p 183).

Goodnight, Nebraska

McNeal, Tom. Goodnight, Nebraska. New York: Vintage, 1999.

This could have been a movie for me. It is the coming of age, and redemptive story of Randall Hunsacker. Although he is just a teenager Randall has been sent to Goodnight, Nebraska to turn his life around. He has escaped a violent past and left behind a broken family in Salt Lake City. Redemption is not what Randall is seeking, at least not at first. Goodnight is a small tight-knit community and Randall’s inclusion is not readily welcomed. He rebels with ridicule in letters to his sister and remains a mystery in school. The only place Randall allows himself to feel anything is by being violent on the football field. Over the course of ten years Randall slowly starts to settle down with a wife and an occupation. It is during this time that Randall realizes redemption is what he needed all along.

My one complaint? At one point the story breaks away from Randall and follows his wife, Marcy, when she decides she needs a fresh start. After Randall starts drinking and becomes progressively violent she leaves Randall behind and escapes to California. There is no real explanation for Randall’s behavior and you almost want the marriage to fall apart.

Favorite lines – one really short and one really long: “Me. I believe in me” (p 126), and “…there are some kinds of love, the ones we’re all after, that are meant for open air and natural light, but there are other kinds too, more than we’d like to think, that come out of the dark and drag us away and tear parts from our bodies, kinds of love that work in their own dim rooms, and harbor more sad forms of intimacy and degradation and sustenance that those standing outside those rooms can ever dream of” (p 260).

BookLust Twist: From more Book Lust in the chapter called, “The Great Plains: Nebraska” (p 108).

Wall of the Sky

Lethem, Jonathan. The Wall of the Sky, the Wall of the Eye: stories. New York: Harcourt, Brace & Co., 1998.

I like that way Nancy Pearl describes Lethem’s style of writing. Basically she says (in Book Lust) you never get the same book twice. Even within his short stories in The Wall of the Sky, the Wall of the Eye you don’t get the same short story twice. Nothing is the same. Even the style of writing is different. Like a box of chocolates with only one candy containing chocolate…

Here’s a list of the short stories:

  • The Happy Man ~ a weird sort of deal-with-the-devil story about a man who is dead, but isn’t.
  • Vanilla Drunk ~ a story that mentions Michael Jordan over 40 times.
  • Light and the Sufferer ~ brothers, an alien, drugs and New York City. What’s not to love?
  • Forever, Said the Duck ~ a virtual party where virtually no one is who they say they are.
  • Five Fukcs ~ I have no idea how to describe this story. It’s all about getting screwed over…
  • The Hardened Criminal ~ a very strange story about a man who ends up in the same prison cell as his father…only his father is built into the cement wall.
  • Sleepy People ~ there is a group of people who sleep through anything…including sex.

Because of Lethem’s copyright statement I am not going to quote favorite lines (and yes, I had a few). Just leave it that I liked the entire book (even though I would have liked more description about the Sufferer from “Light and the Sufferer”).

BookLust Twist: From Book Lust in the chapter called, “Jonathan Lethem: Too Good To Miss” (p 145).

Turtle Diary

Hoban, Russell. Turtle Diary. New York: Random House, 1975.

I love Russell Hoban’s work. When Turtle Diary didn’t arrive at the library in time for my surgery I promised myself I would read it anyway – no matter when it came in. It was supposed to be a February book in honor of two things – Hoban’s birth month and a birthday gift to myself (being about sea turtles and all). Instead I read it in one day on March 2nd.

Turtle Diary is alternating diary entries about a singular subject. Two lonely Londoners are captivated by three sea turtles at the London Zoo. William G. and Neaera H.  both write about how lonely they look and what it would be like to free them from captivity. Soon their fascination turns to a mutual obsession and wordlessly they begin to hatch a plan…with the inside help of a senior zoo keeper. What is remarkable about William and Neaera is their ability to rationalize their off-kilter worlds. The way they think, feel, and interact with the relationships around them is poignant and sad.

Favorite lines from William: “There must be a lot of people in the world being wondered about by people who don’t see them any more” (p 16), ” Maybe I’m just one of those people so accustomed to being miserable that they use the material of any situation to fuel their misery” (p 68), and “No place for the self to sit down and catch its breath” (p 95).

Favorite lines from Neaera: “I live alone, wear odds and ends, I have resisted vegetarianism and I don’t keep cats” ( 11), “I’m always afraid of being lost, the secret navigational art of the turtles seems a sacred thing to me” (p 31), and “Polperro seemed to me like a streetwalker asking for money to maintain her virginity” (p 38). Someone else had underlined that sentence, too.

PS ~ this was made into a movie, too.

BookLust Twist: From More Book Lust in the chapter called, “Russell Hoban: Too Good To Miss” (p 113).

March ’10 is…

March is a small stash of books. Small because I want to get back on the training schedule…with a vengeance.

  • Turtle Diary by Russell Hoban is actually a leftover from February. It was one that I was really looking forward to reading so I’m adding it to March
  • Goodnight, Nebraska by Tom McNeal ~ in honor of Nebraska becoming a state in March
  • Jennifer Government by Max Barry ~ in honor of March being Max Barry’s birth month
  • Making of a Quagmire by David Halberstam ~ in honor of March being the month the U.S. withdrew from Vietnam

If there is time I will tackle:

  • Wuthering Heights by Emily Bronte ~ in honor of national literature month
  • Armful of Warm Girl by W.M. Spackman ~ in honor of… and this is a stretch…Oscar Month. Here’s the thought process: March is Oscar month which translates into giving award for the best something-er-rather. Nancy Pearl gave Armful of Warm Girl the award for best title. Told you it was a stretch…

For LibraryThing and the Early Review program I promise, promise, promise I will finish No Instructions Needed: an American Boyhood in the 1950s by Robert G. Hewitt.

March is also a concerted effort to get back to training, a little bit of music and hopefully, a whole bunch of fund raising…

February ’10 was…

Where in hell do I begin? February was a month of answers. Can I leave it at that? I know why I haven’t been feeling well. I know what I now need to do. I know who I am and how far I’ve come. And – taking a deep breath – I know how far I need to go. I know. Here’s the list of books, for better or worse:

  • A Certain World by W.H. Auden ~ in honor of Auden’s birth month
  • Why Things Bite Back by Edward Tenner ~ an interesting book on the pitfalls of technology (in honor of science month).
  • Company of Three by Varley O’Connor ~ in honor of February being theater month.
  • The Fire Next Time by James Baldwin ~ in honor of Black History month.
  • Warriors Don’t Cry by Melba P. Beals ~ in honor of February being civil rights month
  • The Hiding Place by Tezza Azzopardi ~ in honor of immigrant recognition
  • Wall of the Sky, Wall of the Eye by Jonathan Lethem ~ in honor of Lethem’s birth month
  • Mountains Beyond Mountains by Tracy Kidder ~ in honor of Haiti
  • Autobiography of Benjamin Franklin by Benjamin Franklin ~ in honor of Franklin’s birth month

Sadly enough, I forgot all about my Early Review book for LibraryThing. I promise I will review that next month!

Certain World

Auden, W. H. A Certain World: a commonplace book. New York: Viking Press, 1970.

Commonplace books are, in my opinion, an easy way to “write” a book. Compile passages, find poems, collect essays and whatnot, make a few comments about why these selections were made and what they mean to the writer and suddenly a book is born. Someone produced a commonplace book. I think I would enjoy them more if the compiler took the time to respond to every inclusion. Why are these poems important? Did you agree with that essay? W.H. Auden definitely could have added more personal commentary and perspective to round out A Certain World.

From Michael Alexander to Andrew Young W.H. Auden includes such well-known authors as William Blake, Anton Chekhov, Thomas Hardy, and Henry David Thoreau. In addition to excerpts, poetry, plays, and essays Auden includes riddles, puns, epithets, and jokes. A wide range of subjects like sex, birds, God, machines, time, commas, and Eskimos are mingled with emotions like rage, love, dejection and hope. An eclectic and entertaining mix of topics are compiled. The sole regret is that very few include commentary on their importance to the author.

BookLust Twist: From More Book Lust in the chapter called, “Commonplace Books” (obviously), (p 52).

Hiding Place

Azzopardi, Trezza. The Hiding Place. New York: Atlantic Monthly Press, 2000.

    I have to start by saying I would love to meet William Gedney just to ask him about the photograph on the cover of The Hiding Place. I guess Francine Kass (who designed the cover) would be more appropriate to ask of these questions. Nevertheless, here are the things I would ask of either:

    1. The girls are in the kitchen obviously paring something (apples? potatoes?). Why do they all have one leg up; why are they standing like storks?
    2. The painting of the Last Supper – was that meant to be symbolic since the girls are standing in a kitchen?
    3. There is a fourth pair of feet and evidence of a little knee behind the child leaning on the refrigerator. Who is she and why isn’t she more visible? I took this to be Dolores, the narrator of The Hiding Place. She is the youngest daughter and paid attention to the least. More symbolism?

    The Hiding Place by Trezza Azzopardi is sad, sad, sad. Dolores Gauci is the youngest of six daughters born to Maltese immigrants Frankie and Mary. Her view on the world is both tragic and innocent. She is at once stoic and childish; solemn and naive. What Dolores sees is a family slowly dismantled by a gambling and always losing father. As her siblings are bartered away Dolores must face a grim childhood with fewer and fewer protections as even her mother’s will to survive slips away. Serving as the backdrop for the Gauci family is the 1960s landscape of Cardiff, Wales, an immigration town populated with citizens hardened enough to do just about anything to survive.

    Favorite lines: “Her fury travels down the spoon and into Luca’s dinner. I am breast-fed: I get rage straight from the source” (p 22), “As with all truth, there is another version” (p 75), and “She’ll be scrubbing the steps again, probably – it’s a job best done in anger” (p 126).

    BookLust Twist: From More Book Lust in the chapter, “The Immigrant Experience” (p 123).

    Company of Three

    O’Connor, Varley. Company of Three. Chapel hill: Algonquin Books, 2003.

    There is mystery that surrounds Company of Three. At face value it is the story of three actors struggling to see their name in lights on Broadway. New york City in the 1970s is a hub for creative activity such as dance and the theater and Robert, Patrick and Irene stand in the spotlight, ready as ever for their close ups. Company of Three follows their successes, their failures, their struggles. It examines their friendships and love affairs and what they mean to one another. Ultimately, it is the story of how far they would go for their careers and for each other.

    In truth, it is that friendship that has me scratching my head. At one point in the story the three friends vow to always be there for one another and someday run a theater together. They even seal the deal in blood. Yet, despite their close bond and the pact they have made, Patrick keeps some very dark secrets from his friends. Curiously, he lies continuously so his connection to Robert and Irene is questionable.

    Best quote (and why I think people take up acting): “Acting was not the departure from myself that I thought it would be, but rather a journey into the very parts of myself I thought I would rescue me from” (p 57).

    BookLust Twist: From More Book Lust in the chapter called, “All the World’s a Stage” (p 7).

    Little Friend

    Tartt, Donna. The Little Friend. New York: Alfred A. Knopf, 2002.

    In a nutshell The Little Friend is about Harriet Cleve Dufresnes, a twelve-year-old girl who decides she simply must solve the mystery of who killed her nine-year-old brother when she was just an infant. All Harriet knows of the incident is that little Robin was found hung from a tree on Mother’s Day and nobody knew why. During her attempts to solve the mystery Harriet and her sidekick Hely get themselves into troubles far more adult than their years. Larger Mississippi-southern issues such as poverty and prejudice encircle  more complicated crimes such as deception, drugs, and death.

    I love the way Donna Tartt writes, but was confused by plot. 555 is a long time to be reading about a mystery that doesn’t really get solved. The ambiguous ending is ripe for a sequel. Yet, there are seemingly unimportant characters that float in and out of the plot without an apparent role in the story (like Harriet’s sister Allison). Could they come back with a stronger presence in another book? One other concern is that The Little Friend is supposed to be a story set in the 1970’s. Were there meth labs back then?

    When you first meet Harriet you think she has all the beginnings of a serial killer: “She could set the house on fire if she wanted to, and no one would be there to stop here” (p 67), and “…this was the hallmark of Harriet’s touch: she could scare the daylights out of you, and you weren’t even sure why” (p 74).

    BookLust Twist: There is no doubt in my mind that Nancy Pearl loved this book and thought of it often. Case in point: it’s mentioned in Book Lust in the chapters “Families in Trouble” (p 82) because after little Robin is found murdered, nothing is ever the same for his family, and “Girls Growing Up” (p 102) because Harriet, Robin’s sister, grows up between the 555 pages of The Little Friend, as well as in the introduction (p xi) where Pearl says she knew she would love The Little Friend from the very first sentence. Little Friend is also mentioned in More Book Lust in the chapters “Lines that Linger; Sentences that Stick” (p 143) – the same first sentence Pearl mentioned in Book Lust, and “You Can’t Judge a Book by Its Cover” (p 238) because of its creepy doll face – a total of five mentions between the two Lust books. I can’t blame Pearl because Little Friend does fit nicely into each and every chapter mentioned.

    Sorrows of Young Werther

    Goethe, Johann Wolfgang von. Sorrows of Young Werther. Boston: Frances A. Niccolls & Co., 1902.

    There are so many little facts about this 134 page story that I just loved! First, I find it enticing that this eighteenth-century novel was written anonymously. It was if it really was meant to be autobiographical. There are many similarities between Young Werther and Johann Goethe. Another interesting tidbit about The Sorrows of Young Werther is that the story was both banned and embraced in eighteenth-century Germany.

    To put it simply, Sorrows of Young Werther is about a young, impressionable artist who moves to a new, yet fictional town. He is enamored with his surroundings and shares his new-found joy with his friend, Wilhelm, through enthusiastic, vividly descriptive letters. For the first month the letters contain glorious accounts of the landscape, the sights, the sounds, and the people – everything around him. After that first month though, Werther’s entire focus centers on a young woman he met at a party. It’s obsession at first sight and he can think of nothing else but to be with her constantly. Unfortunately, Werther’s affections are doomed as the object of his affection, Charlotte, is already engaged to be married to a “worthy” gentleman. In an effort to remain near to Charlotte, Werther befriends her husband-to-be. Things becomes complicated (as they also do in this kind of situation). Of course this love triangle cannot last and ultimately ends in tragedy.

    Telling lines: “We should deal with children as God deals with us, – we are happiest under the influence of innocent delusions” (p 35), “…a man under the influence of violent passion loses all power of reflection, and is regarded as intoxicated or insane” (p 47), and “I sometimes cannot understand how she can love another, how she dares love another, when I love nothing in this world so completely, so devotedly, as I love her, when I know only her, and have no other possession” (p 81). In these three quotes we see Young Werther growing more and more obsessed with Charlotte. It can only end badly and as we see on the very last page, it does, “The body was carried by labourers. No priest attended” (p 135).

    BookLust Twist: From Book Lust in the chapter called, “Epistolary Novels: Take A Letter” (p 79).

    Nothing Right

    Nelson, Antonya. Nothing Right: short stories. New York: Bloomsbury, 2009.

    Antonya Nelson’s humor comes at you in a slow and subtle way, almost like a Mona Lisa sly smirk. The entire collection of short stories is what a peepshow is to an adolescent boy; the reader is allowed in the living rooms and lives of the characters for only so long before the curtain is dropped and the scene goes dark. Nothing Right leaves you wanting more and always asking, “what happened next?” The perfect hook for a sequel. The one drawback to leaving so much to the imagination? The characters didn’t stay long enough for me to truly garner an interest in them personally. I wanted to know what happened next in terms of plot but not character. All of the stories circle around family dynamics; the good, the bad and most certainly, the ugly.

    • “Nothing Right” (title story) starts tongue-in-cheek although the reader is yet to see the irony. Hannah stares at brochures about taking care of babies while her own baby, 15 year old trouble-maker Leo, sees the district attorney  about a bomb threat he made at school. Hannah’s troubles only deepen when Leo goes on to father a child…
    • “Party of One” is a rather bizarre story about a woman trying to convince a married man to end his affair…with her sister.
    • “Obo” bothered me the most. I didn’t understand Abby at all. A pathological liar, she convinces her professor to take her to his wife’s family home for Christmas; all because she has fallen in love with the professor’s wife.
    • “Falsetto” – Michelle tries to cope with her parents’s devastating car accident while caring for her much younger brother and simultaneously re-evaluating her perfect relationship with her boyfriend.
    • “Kansas” is about a family’s drama when 17 year-old niece Kay-Kay disappears with her three year-old cousin.
    • “Biodegradable” is about a married woman who has an affair with a scientist.
    • “DWI” is about a married woman who loses her lover in a drunk-driving accident.
    • “Shauntrelle” is about a married woman who admits to an affair thinking her lover will be happy with taking her in. She is wrong and loses both men.
    • “Or Else” is about a man who misses the life he had with his childhood friend’s family so much that he pretends he is still part of their lives.
    • “We and They” is about a family in competition with their neighbors until they adopt a child who sides with the enemy.
    • People People” is about two sisters who couldn’t be any more different from one another.

    Semi-Attached Couple

    Eden, Emily. The Semi-Attached Couple & The Semi-Detached House. New York: Dial Press, 1982.

    From everything that I have read it seems that Noel Perrin single-handedly revived an interest in Emily Eden’s The Semi-Attached Couple, calling it “what to read when you run out of Jane Austen.” He mentions this in his book, A Reader’s Delight and again in The Washington Post.

    The Semi-Attached Couple is a humorous and witty look at a Victorian couple who didn’t exactly marry for love. Surrounding their romance, or lack-thereof, is busybody family members, a cultural protocol for decorum, and good, old-fashioned Victorian society standards. Of course, Sarah married too young and Lord Teviot married too quick. Neither understands the other and isn’t sure of themselves. There is plenty of gossip, secrets, and satire in The Semi-Attached Couple.

    BookLust Twist: From More Book Lust in two different chapters. First, “The Book Lust of Others” (p 34), and “Viragos” (p 227). Pearl basically says the same thing in both chapters: Emily Eden is a recommendation of Noel Perrin (as mentioned before).