Armful of Warm Girl

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Spackman, William M. An Armful of Warm Girl.New york: Alfred A. Knopf, 1978.

Barely 130 pages, this was a silly little book. I found myself rereading sentences because I wasn’t sure what I just read. The entire text seems to be written in a tongue-in-cheek manner. To sum up the plot of An Armful of Warm Girl, it is about a man who, after being divorced by his wife, flees to New York City where he hasn’t been in over seventeen years. There he bounces from place to place looking for a substitute for his wife. He has many to chose from since upon his arrival to New York he is instantly attracted to just about every young girl in a skirt. After re-establishing a relationship with one such woman he is pointedly pursued by yet another woman. In the end he has to decide between the two.

I didn’t really have any favorite quotes. There is a great deal of gushing and carrying on in the dialogue. It would have been funny to quote some of that, but out of context it really wouldn’t have made much sense. For a sample of what I mean go to page six when Nicholas Romney rings up his adult daughter in New York. She can hardly believe her “darling daddy” is in town…without mummy.

BookLust Twist: From More Book Lust in the chapter called, “And the Award for Best Title Goes To…” (p 13.) I love the title of this book, but it would have been more appropriate to call it “Which Girl is the Warm Armful?”

Making of a Quagmire

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Halberstam, David. The Making of a Quagmire. New York: Random House, 1964.

The only way American citizens were in touch with the Vietnam War, at all, was through the eyes of reporters. They were responsible for bringing the fighting as well as the politics of South Vietnam into the forefront of public awareness. They were credited for keeping the public more informed than in the dark. It has been said that not many could cite what we were fighting for “in the jungle.” Not many more could find Vietnam on a map. Yet, with the publishing of the Making of a Quagmire David Halberstam sets up to explain just how involved the U.S. was before the conflict erupted. In a comprehensive manner he explains our country’s commitment to the political struggle in South Vietnam. Despite pressure on all political sides Halberstam never compromised his view of the crisis. He refused to publish propaganda to support either side. The Making of a Quagmire is simply unflinching and honest.

Most interesting quote: “In many areas the war had come to a virtual halt because vital units were practicing for the parade” (p 45). I find this interesting because Halberstam goes on to say, “It seemed unbelievable, but it was true; the public was not to be allowed to watch the ceremonies” (p 46).

BookLust Twist: From Book Lust in the chapter simply called, “Vietnam” (p 238). Also in More Book Lust in the chapter called, “David Halberstam: Too Good To Miss” (p 112). Interestingly enough in both chapters Nancy Pearl gives Halberstam’s book the complete title of  The Making of a Quagmire: America and Vietnam During the Kennedy Era yet nowhere on my copy of  Making of a Quagmire is that subtitle printed.

Man From Saigon

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Leimbach, Marti. The Man From Saigon. New York: Doubleday, 2010.

This was an interesting read for me due, in part, to the fact I was reading The Making of a Quagmire by David Halberstam at the same time. Leimbach’s descriptions of Vietnam mirrored Halberstam’s almost perfectly. The rainy, muggy climate, the poverty stricken communities, the brash (trying-to-be-brave) military presence, but above all, the reporters trying to capture the atrocities of politics and war while remaining mentally sound and physically safe. Of course, Leimbach’s story is a bit less intense with the addition of an adulterous romance threaded through the bomb blasts and sniper attacks. Susan Gifford is a green reporter trying her hand at covering the U.S. involvement in Vietnam. When she is taken captive by the Vietnam Communists, the Vietcong, along with her photographer, Hoang Van Son, the plot thickens. Susan is suddenly confronted with a profound and deep relationship that was originally a professional partnership forged out of necessity.

There are, of course, a few lines that became my favorite. The one I hope makes it into the final copy is “It was a feeling of being trapped and desperate, of having been cornered by her own mistakes” (p 6). Been there. Done that.

Mountains Beyond Mountains

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Kidder, Tracy.  Mountains Beyond Mountains: the Quest of Dr. Paul Farmer, a Man Who Would Cure the World. New York: Random House, 2003.

This was given to me as a gift, a well-timed, meaningful gift. I added it to the February list in honor to the Haitian people.

Mountains Beyond Mountains can be seen as a biography about Dr. Paul Farmer within the context of his love for Haiti. Mountains Beyond Mountains can also be seen as a travel book, a great way to learn about Haiti’s culture and climate, it’s people and politics. Haiti is a conflicted country so there is a lot to tell. Kidder is sensitive to Farmer’s intense passion for medicine and does not diminish the magnitude of sacrifices Farmer has made for it. Relationships and health suffer when Farmer single-minded tenacity neglects everything else.

There were a lot of really good quotes so my advice is just this: read it for yourself.

BookLust Twist: From More Book Lust in the chapter called, “Guilt-Inducing Books” (p 110).

Jennifer Government

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Barry, Max. Jennifer Government. New York: Doubleday, 2003.

Jennifer Government is fast paced and thrilling. Max Barry has everything from corporate greed, kidnapping, the NRA, and of course, murder. Set in the plausible near future there is a level of sexiness to the way Barry writes. He makes his characters move around each other in a cat and mouse manner, always flirting while outsmarting each other. In the center is Jennifer Government. She lives in a world where people take the place of their employment as their last names (Hack Nike and Jennifer Government and Billy NRA to name a few), 911 won’t respond to emergencies unless the capability for payment can be established, and taxes are outlawed. Jennifer could be the next Laura Croft, fighting old demons and new crimes. So, when her daughter is kidnapped things get personal. But, that’s the climax of the story. It all starts with Nike cooking up a marketing scheme to build of street cred for a new line of $2,500 sneakers by committing murder…

 Favorite quotes, “but he liked New Zealand, he really did. At first he was apprehensive; it was so far away, tucked down in the bottom of the world like something Australia coughed up” (p 22), and “Companies claimed to be highly  responsive, Jennifer thought, but you only had to chase a screaming man through their offices to realize it wasn’t true” (p 285).

Then there is this favorite scene: Hack is trying to tell the police his girlfriend might have killed someone with a toaster. The agent is not listening, arguing with Hack for not having an appointment (p 69-70). It’s an amusing scene but it gets even funnier. Hack finally gets to see a different agent. Hoping to be taken seriously he again tries to report the murder. Only this time the new agent is preoccupied with the capabilities of the toaster. “Can you do bagels in that?” he asks. I can just see the scene played by Nicholas Cage (as Hack) trying desperately to get someone to check on an alleged murder and Steve Martin as the second agent distracted by a bagel-toasting toaster.

I love that there is a Max in Max Barry’s story. It’s a small part, but a highly effective one.

BookLust Twist: From More Book Lust in the chapter called, “Plots for Plotzing” (p 183).

Goodnight, Nebraska

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McNeal, Tom. Goodnight, Nebraska. New York: Vintage, 1999.

This could have been a movie for me. It is the coming of age, and redemptive story of Randall Hunsacker. Although he is just a teenager Randall has been sent to Goodnight, Nebraska to turn his life around. He has escaped a violent past and left behind a broken family in Salt Lake City. Redemption is not what Randall is seeking, at least not at first. Goodnight is a small tight-knit community and Randall’s inclusion is not readily welcomed. He rebels with ridicule in letters to his sister and remains a mystery in school. The only place Randall allows himself to feel anything is by being violent on the football field. Over the course of ten years Randall slowly starts to settle down with a wife and an occupation. It is during this time that Randall realizes redemption is what he needed all along.

My one complaint? At one point the story breaks away from Randall and follows his wife, Marcy, when she decides she needs a fresh start. After Randall starts drinking and becomes progressively violent she leaves Randall behind and escapes to California. There is no real explanation for Randall’s behavior and you almost want the marriage to fall apart.

Favorite lines – one really short and one really long: “Me. I believe in me” (p 126), and “…there are some kinds of love, the ones we’re all after, that are meant for open air and natural light, but there are other kinds too, more than we’d like to think, that come out of the dark and drag us away and tear parts from our bodies, kinds of love that work in their own dim rooms, and harbor more sad forms of intimacy and degradation and sustenance that those standing outside those rooms can ever dream of” (p 260).

BookLust Twist: From more Book Lust in the chapter called, “The Great Plains: Nebraska” (p 108).

No Instructions Needed

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Hewitt, Robert G. No Instructions Needed: An American Boyhood in the 1050s.

Okay. I have to get this off my chest. I was curious about the publisher for No Instructions Needed so I did a simple Google search. On my first run-through I found an ArbeitenZeit Media website with design and content credit going to Robert G. Hewitt. On my second attempt to find other authors published through ArbeitenZeit Media I found Gail Hewitt and L.G. Hewitt. Did I stumble across a family-run vanity publication? Am I writing a review as a vehicle for marketing purposes? Does that mean no one else would publish their work? That bothers me because when a writer finds someone who is willing to publish his or her words it’s as if that publisher is saying, “I believe in your craft.”

Robert G. Hewitt learned of the demise of his high school and was flooded with memories from his boyhood. As a salute to his youth he wrote No Instructions Needed, a collection of remembrances of the 1950s complete with cute illustrations. Everything from Christmas to Hewitt’s first car is covered with great nostalgic fondness. As mentioned by other reviewers, nothing really happens in No Instructions Needed. The memory lane is not paved with problems and the end result is a simple, yet pleasant read.

Wall of the Sky

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Lethem, Jonathan. The Wall of the Sky, the Wall of the Eye: stories. New York: Harcourt, Brace & Co., 1998.

I like that way Nancy Pearl describes Lethem’s style of writing. Basically she says (in Book Lust) you never get the same book twice. Even within his short stories in The Wall of the Sky, the Wall of the Eye you don’t get the same short story twice. Nothing is the same. Even the style of writing is different. Like a box of chocolates with only one candy containing chocolate…

Here’s a list of the short stories:

  • The Happy Man ~ a weird sort of deal-with-the-devil story about a man who is dead, but isn’t.
  • Vanilla Drunk ~ a story that mentions Michael Jordan over 40 times.
  • Light and the Sufferer ~ brothers, an alien, drugs and New York City. What’s not to love?
  • Forever, Said the Duck ~ a virtual party where virtually no one is who they say they are.
  • Five Fukcs ~ I have no idea how to describe this story. It’s all about getting screwed over…
  • The Hardened Criminal ~ a very strange story about a man who ends up in the same prison cell as his father…only his father is built into the cement wall.
  • Sleepy People ~ there is a group of people who sleep through anything…including sex.

Because of Lethem’s copyright statement I am not going to quote favorite lines (and yes, I had a few). Just leave it that I liked the entire book (even though I would have liked more description about the Sufferer from “Light and the Sufferer”).

BookLust Twist: From Book Lust in the chapter called, “Jonathan Lethem: Too Good To Miss” (p 145).

Turtle Diary

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Hoban, Russell. Turtle Diary. New York: Random House, 1975.

I love Russell Hoban’s work. When Turtle Diary didn’t arrive at the library in time for my surgery I promised myself I would read it anyway – no matter when it came in. It was supposed to be a February book in honor of two things – Hoban’s birth month and a birthday gift to myself (being about sea turtles and all). Instead I read it in one day on March 2nd.

Turtle Diary is alternating diary entries about a singular subject. Two lonely Londoners are captivated by three sea turtles at the London Zoo. William G. and Neaera H.  both write about how lonely they look and what it would be like to free them from captivity. Soon their fascination turns to a mutual obsession and wordlessly they begin to hatch a plan…with the inside help of a senior zoo keeper. What is remarkable about William and Neaera is their ability to rationalize their off-kilter worlds. The way they think, feel, and interact with the relationships around them is poignant and sad.

Favorite lines from William: “There must be a lot of people in the world being wondered about by people who don’t see them any more” (p 16), ” Maybe I’m just one of those people so accustomed to being miserable that they use the material of any situation to fuel their misery” (p 68), and “No place for the self to sit down and catch its breath” (p 95).

Favorite lines from Neaera: “I live alone, wear odds and ends, I have resisted vegetarianism and I don’t keep cats” ( 11), “I’m always afraid of being lost, the secret navigational art of the turtles seems a sacred thing to me” (p 31), and “Polperro seemed to me like a streetwalker asking for money to maintain her virginity” (p 38). Someone else had underlined that sentence, too.

PS ~ this was made into a movie, too.

BookLust Twist: From More Book Lust in the chapter called, “Russell Hoban: Too Good To Miss” (p 113).

March ’10 is…

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March is a small stash of books. Small because I want to get back on the training schedule…with a vengeance.

  • Turtle Diary by Russell Hoban is actually a leftover from February. It was one that I was really looking forward to reading so I’m adding it to March
  • Goodnight, Nebraska by Tom McNeal ~ in honor of Nebraska becoming a state in March
  • Jennifer Government by Max Barry ~ in honor of March being Max Barry’s birth month
  • Making of a Quagmire by David Halberstam ~ in honor of March being the month the U.S. withdrew from Vietnam

If there is time I will tackle:

  • Wuthering Heights by Emily Bronte ~ in honor of national literature month
  • Armful of Warm Girl by W.M. Spackman ~ in honor of… and this is a stretch…Oscar Month. Here’s the thought process: March is Oscar month which translates into giving award for the best something-er-rather. Nancy Pearl gave Armful of Warm Girl the award for best title. Told you it was a stretch…

For LibraryThing and the Early Review program I promise, promise, promise I will finish No Instructions Needed: an American Boyhood in the 1950s by Robert G. Hewitt.

March is also a concerted effort to get back to training, a little bit of music and hopefully, a whole bunch of fund raising…

February ’10 was…

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Where in hell do I begin? February was a month of answers. Can I leave it at that? I know why I haven’t been feeling well. I know what I now need to do. I know who I am and how far I’ve come. And – taking a deep breath – I know how far I need to go. I know. Here’s the list of books, for better or worse:

  • A Certain World by W.H. Auden ~ in honor of Auden’s birth month
  • Why Things Bite Back by Edward Tenner ~ an interesting book on the pitfalls of technology (in honor of science month).
  • Company of Three by Varley O’Connor ~ in honor of February being theater month.
  • The Fire Next Time by James Baldwin ~ in honor of Black History month.
  • Warriors Don’t Cry by Melba P. Beals ~ in honor of February being civil rights month
  • The Hiding Place by Tezza Azzopardi ~ in honor of immigrant recognition
  • Wall of the Sky, Wall of the Eye by Jonathan Lethem ~ in honor of Lethem’s birth month
  • Mountains Beyond Mountains by Tracy Kidder ~ in honor of Haiti
  • Autobiography of Benjamin Franklin by Benjamin Franklin ~ in honor of Franklin’s birth month

Sadly enough, I forgot all about my Early Review book for LibraryThing. I promise I will review that next month!

Certain World

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Auden, W. H. A Certain World: a commonplace book. New York: Viking Press, 1970.

Commonplace books are, in my opinion, an easy way to “write” a book. Compile passages, find poems, collect essays and whatnot, make a few comments about why these selections were made and what they mean to the writer and suddenly a book is born. Someone produced a commonplace book. I think I would enjoy them more if the compiler took the time to respond to every inclusion. Why are these poems important? Did you agree with that essay? W.H. Auden definitely could have added more personal commentary and perspective to round out A Certain World.

From Michael Alexander to Andrew Young W.H. Auden includes such well-known authors as William Blake, Anton Chekhov, Thomas Hardy, and Henry David Thoreau. In addition to excerpts, poetry, plays, and essays Auden includes riddles, puns, epithets, and jokes. A wide range of subjects like sex, birds, God, machines, time, commas, and Eskimos are mingled with emotions like rage, love, dejection and hope. An eclectic and entertaining mix of topics are compiled. The sole regret is that very few include commentary on their importance to the author.

BookLust Twist: From More Book Lust in the chapter called, “Commonplace Books” (obviously), (p 52).

Warriors Don’t Cry

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Beals, Melba Pattillo. Warriors Don’t Cry: A Searing Memoir of the Battle to Integrate Little Rock’s Central High. New York: Pocket Books, 1994.

If you stop and think about it, 1957 was not that long ago. Think about the span of a lifetime, on average. Think about the course of history and how slowly it moves. 1957, given all that, was yesterday. While we do not have clear lines of segregation that we did back then (water fountains, bathrooms and backs of buses to name a few) we still have the invisible lines that separate white from black. If that were not the case we wouldn’t have the rash of “firsts” that we have had recently: first black coach to win the Superbowl, first black President of the United States…These firsts would have happened years ago if the invisible line didn’t still exist to a certain degree.

I cannot imagine Melba Patillo Beals’s life. One of the scariest scenes for me was when she first tried to go to Central High after desegregation was declared. The hatred and violence she described seemed subhuman, barbaric even. Could we really live in a society that contained so much hatred? The obvious answer is yes, and we still do.

True to Beals’s title, Warriors Don’t Cry is a “searing memoir of the battle to integrate.” Every day was a struggle. Civil rights were hardly observed in a civil manner. Utter hatred spawned uncontrolled violence. For Melba Beals this hatred was not something she read about or glanced at on the television. She live it in every step she took. She experienced it first hand simply because of the color of her skin. How brave of her to write it all down! How lucky for us she decided to remember it all! Warriors Don’t Cry is not an eye-opener. We have seen these things all along. Her memoir keeps it all in view.

While I didn’t find any quotes that struck me one way or another I was moved by Melba’s experience with her “own” people. In addition to whites who were having an extremely hard time accepting integration, there were a fair number of blacks who didn’t want it either. Melba was making enemies on both sides of the color divide.

BookLust Twist: From More Book Lust in the chapter called, “Civil Rights and Wrongs” (p 49).

Hiding Place

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Azzopardi, Trezza. The Hiding Place. New York: Atlantic Monthly Press, 2000.

    I have to start by saying I would love to meet William Gedney just to ask him about the photograph on the cover of The Hiding Place. I guess Francine Kass (who designed the cover) would be more appropriate to ask of these questions. Nevertheless, here are the things I would ask of either:

    1. The girls are in the kitchen obviously paring something (apples? potatoes?). Why do they all have one leg up; why are they standing like storks?
    2. The painting of the Last Supper – was that meant to be symbolic since the girls are standing in a kitchen?
    3. There is a fourth pair of feet and evidence of a little knee behind the child leaning on the refrigerator. Who is she and why isn’t she more visible? I took this to be Dolores, the narrator of The Hiding Place. She is the youngest daughter and paid attention to the least. More symbolism?

    The Hiding Place by Trezza Azzopardi is sad, sad, sad. Dolores Gauci is the youngest of six daughters born to Maltese immigrants Frankie and Mary. Her view on the world is both tragic and innocent. She is at once stoic and childish; solemn and naive. What Dolores sees is a family slowly dismantled by a gambling and always losing father. As her siblings are bartered away Dolores must face a grim childhood with fewer and fewer protections as even her mother’s will to survive slips away. Serving as the backdrop for the Gauci family is the 1960s landscape of Cardiff, Wales, an immigration town populated with citizens hardened enough to do just about anything to survive.

    Favorite lines: “Her fury travels down the spoon and into Luca’s dinner. I am breast-fed: I get rage straight from the source” (p 22), “As with all truth, there is another version” (p 75), and “She’ll be scrubbing the steps again, probably – it’s a job best done in anger” (p 126).

    BookLust Twist: From More Book Lust in the chapter, “The Immigrant Experience” (p 123).

    Company of Three

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    O’Connor, Varley. Company of Three. Chapel hill: Algonquin Books, 2003.

    There is mystery that surrounds Company of Three. At face value it is the story of three actors struggling to see their name in lights on Broadway. New york City in the 1970s is a hub for creative activity such as dance and the theater and Robert, Patrick and Irene stand in the spotlight, ready as ever for their close ups. Company of Three follows their successes, their failures, their struggles. It examines their friendships and love affairs and what they mean to one another. Ultimately, it is the story of how far they would go for their careers and for each other.

    In truth, it is that friendship that has me scratching my head. At one point in the story the three friends vow to always be there for one another and someday run a theater together. They even seal the deal in blood. Yet, despite their close bond and the pact they have made, Patrick keeps some very dark secrets from his friends. Curiously, he lies continuously so his connection to Robert and Irene is questionable.

    Best quote (and why I think people take up acting): “Acting was not the departure from myself that I thought it would be, but rather a journey into the very parts of myself I thought I would rescue me from” (p 57).

    BookLust Twist: From More Book Lust in the chapter called, “All the World’s a Stage” (p 7).