Tag: 2011

Catfish and Mandala

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Pham, Andrew X. Catfish and Mandala: a Two-Wheeled Voyage Through the Landscape and Memory of Vietnam. New York: Farrar. Straus and Giroux, 1999.

It has been several years since I read a bicycle memoir (the last being Where the Pavement Ends by Erika Warmbrunn). I was very excited to start Catfish and Mandala. So much so that I started it two days before May began. Even though May is Bicycle Month I read this for Memorial Day. I’m glad I went that route because it’s not really about the bike.

Catfish and Mandala is more than an adventure story about biking across Vietnam. It’s a cultural exploration and by turn, an explanation. Comparing American versus Vietnamese differing viewpoints on mundane topics like when a child should move out of his parent’s home after reaching adulthood. And yet. Noticing similarities: we all want our fathers to be proud of us, in any culture.
The story of Pham’s father’s imprisonment in the Labor Camp is brief, but heartbreaking just the same. After reading pages 16-20 I will never look at catfish the same.
Pham’s ability to weave past with present is brilliant. He recaptures his family’s flight from Vietnam to the U.S. when he was a small child seamlessly while recounting his own journey from the U.S. back to Vietnam as an adult. His confusion over what he remembers is intertwined with his inability to articulate what he is really looking for. Pham finds himself asking “what am I doing here?” time and time again. As he faces prejudice and violence and corruption I asked the same question.

Favorite lines: “Somehow they got by on love and rice” (p 17),” Everything could shift, and nothing could change” (p 107), “I have an urge to kick myself in the head” (p 158), and “A stray mutt curls up at my feet and shares his fleas with my ankles” (p 200).

Author Fact: I have to start of by flirting. Pham is a good looking guy! My next fact is actually a question – how can you be a “starving” restaurant critic?
Book Trivia: Catfish and Mandala is Pham’s first book.

Things that need further explanation: what, exactly, are “angry egg-eyes”, and what do they look like? Pham mentions five different types of bananas. Now I want to know their names and characteristics.

Pham mentions Miles From Nowhere by Barbara Savage. I’m so excited it’s actually on my list. Sad to say I won’t be reading it until probably May 2016 though!

BookLust Twist: From Book Lust in the chapter called “Bicycling” (p 36). Simple enough.

ps~ I enjoyed Catfish and Mandala so much that I added Pham as a favorite author on LibraryThing.

Antigone

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Sophocles. Antigone. Translated by Elizabeth Wycoff. Chicago: University of Chicago Press, 1954.

The Cliff/Spark version of Antigone is this: Two sisters want to bury their dead brother. One wants to bury him admirably and the other doesn’t want to break the law. The brother in question cannot be buried because he was executed for a crime and must be left to rot in the courtyard as an example for the community. Defiant sister must go against the king alone as everyone who is anybody refuses to help her. True to Greek tragedy nearly everyone, including the king’s wife ends up committing suicide. The end.

Of course there is much, much more to the story and, depending on which version you read, you get it. In my version of Antigone translated by Elizabeth Wyckoff the language is watered down and somewhat pedestrian. It’s not as lyrical as other translations. A small example: from a 1906 Oxford Clarendon Press version (translated by Robert Whitelaw): “Ismene: There’s trouble in thy looks, thy tidings tell” compared with the 1954 University of Chicago Press version (translated by Elizabeth Wycoff): “Ismene: What is it? Clearly some news has clouded you” (p 159). Ismene is basically saying the same thing in each line, but the Whitelaw version has more animation, more movement. In the end Antigone is a simple story about the man against The Man, no matter how you read it.

Note: I’m note sure how many other versions have this, but I appreciated the biography of Socrates in my version.

BookLust Twist: From More Book Lust in the chapter called “The Alpha, Beta Gammas of Greece” (p 9).

Out of Control

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Brockmann, Suzanne. Out of Control. New York: Ivy Books, 2002.

Here is the quick and dirty plot: Couple #1: Savannah von Hopf needs Navy SEAL Ken “WildCard” Karmody to help her save her kidnapped uncle somewhere in Indonesia. Couple #2: In Jakarta, missionary Molly Anderson is inexplicably drawn to silent, brooding “David Jones” who reminds me a little too much of the famed Indiana Jones. Couple #3: Back at FBI headquarters Alyssa Locke is trying to walk away from ex-lover Sam Starrett while avoiding walking into the arms of her boss, Max Bhagat. All three relationships will come together when Savannah’s rescue attempt goes horribly wrong.

The best part of Out of Control was the clever placement of Double Agent, a book written by Savannah’s grandmother, Rose. It’s on the best seller list so even missionary Molly is reading it.

The worst part about Out of Control was the corny sexiness of it all. If the three couples weren’t having sex they were imagining it at the most unrealistic moments. A helicopter just blew up and there are no survivors. That sucks, but boy would I like to lick that hard chiseled body of yours…
My favorite eye rolling line: “And as for getting a strenuous workout, his heart was not the primary organ he wanted to exercise” (p 23).

Also, when I started reading Out of Control I had this weird sense of deja vu. Something sounded really familiar about not only the characters but the plot as well. As if I had read it before. So, I did a little digging and back in 2008 I reviewed an earlier book by Brockmann called The Defiant Hero. Here are the similarities between the two books:

  1. Both plots involve a kidnapping of some sort.
  2. Both plots involve Navy SEALS and by default, both plots involve the FBI
  3. Both plots include a grandmother
  4. Both plots have a terrorist element to them
  5. In both books all lead characters are impossibly good looking
  6. Both books involve three sets of couples in sexual turmoil
  7. The same characters are in each book

There is a philosophy about writing – write what you know. I’d like to think authors take that with a grain of salt. If my third Brockmann book has Navy SEALS, sexy bodies, kidnapping, terrorism and a random grandmother thrown in for good measure I’ve figured out her formula.

BookLust Twist: From Book Lust in the chapter called “Romance Novels: Our Love is Here to Stay” (p 260).

To Sir, With Love

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Braithwaite, E.R. To Sir, With Love. New York: Jove Publishing, 1959.

Confession: whenever I hear the words “to sir with love” I do not think of Sidney Poitier. I do not think of LuLu. I don’t even think of Braithwaite. I think of MTV’s 1993 inauguration ball for President Clinton. Natalie Merchant sang ‘To Sir, With Love” accompanied by R.E.M.’s Michael Stipe. What this says of me, I’m not sure!

E.R. Braithwaite is in the company of a select few: teachers who make a difference. Leaders in education have no trouble touching the lives of one or two of their students. That happens all the time, but to change an entire class is no small feat. I think that’s why they make movies like “Dead Poet’s Society” and “Mr. Holland’s Opus.” Such teachers are an inspiration to the of world education. Braithwaite enters the world of teaching by default. As an out-of-work engineer who cannot get a job due to the color of his skin he is forced to apply for positions outside his area of expertise. A chance meeting with a stranger leads him to apply for a position with the Greenslade Secondary School in London’s ill reputed East End. There, Braithwaite meets children more callous and uncouth than any adult he’s ever encountered. They are defiant and daring, determined to run Braithwaite out of  school, just has they had done before. Only Braithwaite is not so easily cowed. And so begins the odyssey of E.R. Braithwaite and his remarkable story. He is able to turn thieves and would-be prostitutes into respectful, intelligent individuals.

Book Trivia: To Sir, With Love was made into a 1967 movie starring Sidney Poitier.

Author Fact: Braithwaite became a popular teacher by applying two fundamental philosophies to his teaching: treat the children with respect and relate everything they learn back to something they already are familiar with. Both tactics engage the children emotionally and intellectually.

BookLust Twist: From Book Lust in the chapter called “Teachers and Teaching Tales” (p 231).

Note: In the index of Book Lust Braithwaite is listed as Ricardo and not Edward Ricardo. Even though Braithwaite went by “Ricky” or “Ricardo” it would have been a show of respect to list his full name.

Skin of Our Teeth

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Wilder, Thornton. “The Skin of Our Teeth.” Collected Plays and Writings on Theater. McClatchy, J.D., ed. New York: Library of America, 2007.

Considering our own impending “end of the world” in 2012 I thought this was a fitting way to end April’s reading. Indeed, the working title of “The Skin of Our Teeth” was “The Ends of the Worlds.” But, the end of Wilder’s world is the threat of an ice age coming down from the chilly Canadian north (at the end of Act I). In fact, the entire play takes on a chronological time warp through Biblical, prehistoric and postwar environments. George and Maggie Antrobus, their children and house maid are the central characters of this play within a play. While the Antrobus characters remain constant, the house maid, Sabina does not. It is interesting to note that for the first and third acts she remains their maid and yet in the second act she is a femme fatale of sorts. Another inconsistent is the time line. Periods in history are jumbled together and stretched apart. Characters like Homer and Moses come to visit. A mammoth and dinosaur are the family pets. In the end the punchline is Mr. Antrobus, turning the fate of life over to us, the audience of this play within a play.

Play Trivia: “Skin of Our Teeth” won a Pulitzer Prize in 1943.

Author Fact: Wilder has a connection to this area. Two of his sisters attended Mount Holyoke College. Okay, so that wasn’t really about Thornton. Here’s something – Thornton Wilder was born on April 17th, 1897. Growing up, Thornton was ridiculed for his intelligence. Sad.

BookLust Twist: From More Book Lust in the chapter called “Oh, Brother” (p 180). This is a little deceiving because “Skin of Our Teeth” isn’t really about brothers, per se. The plot is Biblical, with some Adam & Eve and Cain & Esau elements, but not really about two brothers.

“Dear Derrida”

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Kirby, David. “Dear Derrida.” The House of Blue Light. Baton Rouge: Louisiana State University Press, 1998. pp 16-20.

When I first read “Dear Derrida” I thought of the word childish. Read it out loud and you get the sense of someone who is hopelessly involved with gossipers, someone who is in a group always looking for the next thing to poke fun of and is never really able to escape. For example, the narrator and his classmates make fun of a professor with a stutter. They drop water balloons on an unsuspecting victim. Even when the narrator has “had it” with present company he finds himself in the company of new roommates; individuals with more swagger and bravado.

BookLust Twist: From Book Lust in the chapter called “Kitchen Sink Poetry” (p 138).

Great Fortune

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Okrent, Daniel. Great Fortune: The Epic of Rockefeller Center. New York: Viking, 2003.

There is something to be said about a man with a vision, especially when that vision becomes the great and unparalleled Rockefeller Center in New York City. Great Fortune captures not only the man behind the vision and the epic journey of John D. Rockefeller and his team, but the society and political arena of their era. The 1930s are the beginning of urban sprawl going vertical in the form of skyscrapers. As the buildings start reaching higher and higher they become more grandiose and complicated; as do the people responsible for this growth at such an unlikely time in history. The founders of Rockefeller Center are egotistic, artistic, ambitious visionaries. Despite being mired in the Great Depression luminaries such as architect Raymond Hood believe in the grandeur of the project with unwavering faith.

The first thing I noticed about the copy of Great Fortune that came to the library was the cover. If you aren’t looking closely you would miss it. The cover with the ISBN of 0670031690 has a collage of four photos, all in tinted black and white. A photograph of a couple dancing. Below that, a picture of the Rockettes standing in a circle. Below that, iron workers presumably working on the construction of RCA building. Along side these three photos is a larger one of the RCA building. In my copy of Great Fortune the dancing couple featured in the upper left hand corner are Mary Rae and Naldi doing a waltz in the Rainbow room…except something is different about them. They do not hold the same pose. Mary Rae and Naldi are nose to nose in my cover shot. I’m not even sure they are the same dancers. Why was this one photo swapped out for another? Curious. For an illustration of what I mean click here. Take note of the photo of the two dancers. Look at their gentle pose. Then click on the cover and see how the photo changes. The dancers become more dynamic, more passionate.

BookLust Twist: From More Book Lust in the chapter called “Building Blocks” (p 38).

A Drinking Life

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Hamill, Pete. A Drinking Life. Narrated by Jonathan Davis. Prince Frederick: Recorded Books, 2003.

As a first-time audio book listener, here are my perceptions: there are pros and cons to listening to an audio book. For the cons, it is less imaginative when someone fills in the voices and sounds effects of the story. You also can’t take note of a favorite line or phrase. Things that make you laugh out loud are between your ears and not on a page you can quote from later. You miss out on illustrations, photographs, the feel of paper between your fingers as you don’t get to turn the pages…
But here is the benefit to an audio book: you can walk for hours and hours on a treadmill and be thoroughly entertained. Such is my life in the middle of April. But, a review:

A Drinking Life is an odyssey. It is an autobiographical examination of alcoholism where the drinking escalates slowly, sip by sip, drink by drink. For me, it dragged on in places. Hamill spends two thirds of the book setting the stage for his lead performance as an alcoholic. Starting with Hamill’s early childhood in the early 1940s he recounts his formative years living with his Irish parents in Brooklyn, New York. His father’s own battle with the bottle is omnipresent, a constant in Hamill’s life. That lays the groundwork for the excuses Hamill will make and his ultimate drinking downfall. Bars and beer are in the background as Hamill describes other obsessions in his life: comics as a child, newspapers, art and fighting as a teen, sex throughout the ages, and later as an adult, traveling, politics and writing.  Alcohol is the one constant through it all.

I am going to sound like a prim, prissy, panties-in-a-wad puss, but I really believe A Drinking Life should have come with a disclaimer. Rap artists have to slap a sticker announcing “explicit” when they swear, mention drugs or sex, on an album and yet Pete Hamill can do all those things, describe sex scenes with detailed wild abandon, he can use every swear word (included the dreaded “c” word), and remember violent beatings he would receive and give…all without some kind of heads up to the reader.

BookLust Twist: From Book Lust in the chapter called “Lost Weekends” (p 147).

Journey Beyond Selene

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Kluger, Jeffrey. Journey Beyond Selene: Remarkable Expeditions Past Our Moon and to the Ends of the Solar System. New York: Simon & Schuster, 1999.

If astronauts and spaceships fuel the imaginations of little boys, Journey Past Selene more than ignites the scientific minds of grown men. Kluger takes us back to the early 1960s – just before man walked on the moon. Back to the beginnings of Jet Propulsion Laboratory and its spaceships. These unmanned rockets were going on extraordinary expeditions, traveling to the unthinkable ends of the solar system. Journey Beyond Selene takes us to the moons of Jupiter and Saturn and Neptune and beyond. We get a first class trip to fantastical moons with names like Despina, Titania and my favorite, Ophelia. We get to meet the ambitious scientists and engineers and hopefuls behind the project. We get ensnared in the red tape of government funding. As readers, thanks to Kluger’s straight-forward, no-nonsense approach, we have the luxury of keeping our feet firmly planted on terra firma while our imaginations soar beyond Selene.

Author Fact: Kluger coauthored Lost Moon: the Perilous Voyage of Apollo 13 which was made into a movie starring Tom Hanks. Time Magazine has a bio on Kluger and their slightly outdated picture of Kluger reminds me of Steve Buscemi for some odd reason. Maybe it’s the stare…

Book Trivia: Journey Beyond Selene has some of the coolest pictures of moons.

BookLust Twist: From Book Lust in the chapter “The Moon’s My Destination” (p 158).

“Goodbye, Place I Lived Nearly 23 Years…”

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Young, Dean. “Goodbye, Place I Lived Nearly 23 Years / Almost Everyone Left Before Me.” Skid. Pittsburgh: University of Pittsburgh Press, 2002. pp 50-51.

Just the title of the poem alone had me scratching my head. Where was this place? This place someone lived for nearly 23 years? At first (logical) thought, childhood home. Many people do not venture from the nest immediately after turning 18. Later, after I read the poem more than once I thought commune. Definitely some sort of hazy, free-love commune where drugs and music are involved. Still later I wondered if I was trying too hard to decipher something that didn’t need such analysis. I mean, how can one respond to the line, “When I told Scoot my father died, he told me he was gay. A trade? Yes but no” (p 50 -51). There is no real flirty funny in this and yet I was amused all the same.

BookLust Twist: From Book Lust in the chapter called “Kitchen-Sink Poetry” (p138).

Alice Springs

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Gemmell, Nikki. Alice Springs. New York: Viking, 1999.

If you have ever read The Bean Trees or Pigs in Heaven by Barbara Kingsolver you might be reminded of Taylor Greer when you read Nikki Gemmell’s Alice Springs. There are definite similarities between Taylor Greer and Phillipa “Snip” Freeman, the heroine of Alice Springs. For starters, both characters are fiercely independent; both have a wanderer spirit and a devil-may-care attitude about what anyone thinks of them. Neither of them can commit to a love interest. But, Snip is older, and takes more risks with relationships and sex than Taylor does. Snip rules her world with her body. She is used to loving and leaving the men she meets.

It is after her grandmother’s death that we first meet Snip. She has been given an inheritance check with the three word  instruction “hunt him down.” Snip knows the him is her father and hunting him down will be the easy part, for he isn’t hiding. It’s the why that has Snip puzzled. What is she supposed to do once the hunted has been successfully hunted? To get to her father, Bud, Snip travels to the Aboriginal  outback. Along the way Snip takes a traveling companion who gets under her skin more than she expects.Then, a surprising thing happens. The longer Snip stays rooted in one place the more she is exposed to the powers of belonging somewhere.

Gemmell writes like the ocean. The words flow with rhythmic intensity, pounding with violence, soothing with consistency. The storyline is liquid and slippery; it washes over you again and again.

Favorite lines (and there were a few): “No-one gets under her skin like her mother does, no-one hits on half-truths like her” (p 70) and “Some kids vanish from their parents’ lives , to rattle them into noticing” (p 120).

Author Fact: Gemmell anonymously wrote the erotic book The Bride Stripped Bare but claimed it as her own right before publication.

Book Trivia: On Gemmell’s website Alice Springs is explained as a novel that was born not with character or plot in mind, but with a place. I like that imagery a lot. In Australia Alice Springs was published under the name Cleve.

BookLust Twist: From Book Lust in the chapter called “Australian Fiction” (p 29). Simple enough.

“Blue Garden”

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Young, Dean. “Blue Garden.” Skid. Pittsburgh: University of Pittsburgh Press, 2002. pp 18-19.

At first reading, “Blue Garden” seemed nothing more than an admonishment to the reader about what a poem should and shouldn’t be. Upon closer evaluation the interpretation falls away and the potential for something completely different is revealed. It all seems up to you. And yet. Yet, it comes back to words and seems to be about the words. What works for a word and what doesn’t. Imagery follows the lines like a movie, linked to the psyche. Powerful stuff. My favorite part was, “Never put an eclair in a suitcase or a poem” (p 19). It made me laugh and feel a certain sense of sadness all at once.What can’t you put an eclair into a poem, I’d like to know!

BookLust Twist: From Book Lust in the chapter called “Kitchen-Sink Poetry (p 139).

“At Marlborough House”

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Swift, Michael. “At Marlborough House.” The New Yorker June 18th, 1990: 40.

This poem is loaded with details; details easily visualized into a short story. There are little shockers peppered throughout the entire poem told from the point of view of a patient at Marlborough House. Imagine: it is early afternoon and the patients of a psychiatric hospital are languishing in their rooms awaiting nurses with medication. There are a host of characters besides the patients – Jake the gardener and Dr. Levitz, the man in charge, but it’s the speaker of the poem you want to know more about. You snatch details, more like hints, in the things he says. He is male, old enough to still have parents who visit. He likes to read, knows pop cultural references and has homosexual tendencies. He is smart and funny and sarcastic. You want to ignore his suicidal thoughts.

BookLust Twist: From More Book Lust in the chapter called “Poetry Pleasers” (p 188). Incidentally, Pearl called this poem “mysterious.”

Postscript ~ Every April I think the same thing. It is really unfair of Nancy Pearl to list poems she recommends for reading without proper citations. From what I can tell “At Marlborough House” was never published in a book. I found it tucked away in a 1990 New Yorker magazine. It might well have been the only place it was published. Here are the tags I would have used on LibraryThing: mental illness, hospital, first person, homosexuality, poetry, librarian, doctor, sex, paranoia, alcohol, suicidal, sarcastic”

House of Blue Light

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Kirby, David. The House of Blue Light. Baton Rouge: Louisiana State University Press, 2000.

It’s really hard to call this book a book of poetry. Each poem reads like a short story full of interesting characters and plots. In one 77 page book the reader is transported across countries and cultures. It has been said that House of Blue Light is autobiographical. For example Kirby’s characters mention a Barbara and Kirby is indeed married to a woman named Barbara Hamby. I do not know if she is the same Barbara of House of Blue Light’s poetry. Maybe she is, maybe she isn’t. Regardless, Kirby’s poetry is funny, situationally (my word) real, and intensely soulful. In a word, substantial; this was poetry I could sink my teeth into and actually taste something.

BookLust Twist: From Book Lust in the chapter called “Kitchen Sink Poetry” (p 138).

“The Bells Are Ringing…”

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Winch, Terence. “The Bells are Ringing for Me and Chagall.” The Great Indoors. Brownsville: Story Line Press, 1995. pp 41.

Sexy. That’s the first thing I think when I read “The Bells are Ringing for Me and Chagall.” I want to know who is Chagall? and I want to know more about those bells that are ringing. Do they signify great sex and is Chagall the reason? The entire poem comes off (in the end) as a sage on the stage admonishment about relationships. There is a hint of warning and more than a little advice and it all boils down to this: if your sex life is over-the-top the relationship is doomed to fail. But, if the sex you are having is pleasant, and, in a word, satisfying, you are in a stronger commitment. Interesting.

I think the title of the poem is a play on words. Judy Garland once sang a song with the lyrics, “the bells are ringing for me and my gal” and it was all about getting married (or so I thought whenever I heard it). Marriage defines a level of commitment so it makes some sense to compare the two.

BookLust Twist: From Book Lust in the chapter called “Poetry Pleasers” (p 188).