Tag: book lust i

Master & Commander

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O’Brian, Patrick. Master And Commander. Philadelphia: J.B. Lippincott, 1969.

Sorry! Sorry! Sorry! I couldn’t get into this. As the last book of the month I found it incredibly boring. Maybe it was stopping every ten minutes to look up words like felluca and dursn’t and slops. It was all I could do to call up my father’s ghost and remember nautical terms like foretopgallantsail and cockade and halliards. To be honest, it was too much work for summer reading. This is something I went to bury myself in in the dead of winter when nothing else can distract me or call me away. I’ll put it back on the list in honor of something else.

PS ~ this was made into a movie starring Russell Crow. Maybe I should just shut up and watch it.

Less Than Angels

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Pym, Barbara. Less than Angels. New York: E.P. Dutton, 1980.

My impression of the first 50 pages of Less Than Angels was that the plot was very slow-moving, like a wide river with almost no perceptible action. Indeed, the first 50 pages are the reader’s surface introduction to at least fifteen different characters and only the very beginnings of a plot. Some of the characters are unnecessary to know for they never resurface again. Others are more important. On the whole, Less Than Angels is a community of contrasts. Professors of Anthropology mingle with fledgling students. The aged and retired cast a skeptical eye on the young and impulsive. Frenchmen stand baffled by the British. At the center of the story is Tom Mallow, a distinguished yet vain anthropologist caught between a relationship with a sophisticated older journalist and a younger wide-eyed student. In addition, Less Than Angels is an excellent study of English culture (lots of tea-times and interesting meals) along with the typical social graces and faux pas.

Favorite lines: “Curiosity has its pains as well as its pleasures, and the bitterness of its pains must surely be the inability to follow-up everything to its conclusion” (p 9) and, “And so it came about that, like so many other well-meaning people, they worried not so much about the dreadful things themselves as about their own inability to worry about them” (p 41)

BookLust Twist: From Book Lust in the chapter “Barbara Pym: Too Good To Miss” (p 195).

Confessions of Nat Turner

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Styron, William. The Confessions of Nat Turner. New York: Random House, 1966.

I have never run so hot and cold about a book before. On the one hand William Styron has a beautiful writing style. His descriptions of the Virginian south in the 1830s are breathtaking while his depictions of slavery are simultaneously heartbreaking. What I didn’t care for was the obvious artistic liberties Styron took with the plot surrounding  historical fact. Obviously, in order to fill an entire novel he needed to expound on the factual confession of Nat Turner which was less than a standard chapter in length. He had to assume supporting plots and characters, but was it necessary to have Nat Turner only lust after white women? Do we know this to be a true trait of Nat? His sexuality seems to be fodder for controversy. I saw The Confessions of Nat Turner to be the truth bundled by fiction. At the heart of Styron’s novel is Nat Turner’s confession, but what surrounds it is pure imagination and speculation. While the book garnered a Pulitzer Prize it was also banned in some parts of the south. That should tell you something.

Two lines that stuck with me: “They were in the profoundest dark” (p 17), and “I do not believe that I had ever thought of the future, it is not in the mood of a Negro, once aware of the irrecoverable fact of his bondage…” (p 171).

BookLust Twist: From Book Lust and More Book Lust. From Book Lust in the chapter called, “100 Good Reads, Decade by Decade: 1960s” (p 178) and from More Book Lust in the chapter called, ” Southern-Fried Fiction: Virginia” (p 209).

Hatchet

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Paulsen, Gary. Hatchet. New York: Aladdin, 1987.

Considering this book was written for kids ages 11-13 this was a breeze to read. I think I started it around 5:3pm and finished about 7:45pm…

Brian Robeson is a pouty thirteen year old on his way to visit his newly divorced dad. Despite an exhilarating, first time ride in a single engine airplane (sitting as copilot), Brian is not impressed. He is more obsessed with thinking  about his new fate – shuttled between two parents who don’t love each other anymore. What’s worse is that his mother has a Secret. It’s all Brian can think about until the pilot has a heart attack…

Somehow Brian survives the crash and is plunged into a vast Canadian wilderness with only a small hatchet  his mother had given to him as a gift right before getting on the plane. It is obvious the pilot is dead and Brian is very much alone. As the realization of his situation is revealed Brian’s preoccupation with  his parents and The Secret fades from his mind. His self pity is replaced with a new priority, staying alive. The best parts of Hatchet are Paulsen’s descriptive hunting scenes. As Brian learns to build a fire, pick edible berries and hunt small game he grows into a mature individual. This is a coming of age story, survival style.

Probably my favorite section of the story is the epilogue. Paulsen is able to wrap up every concerning loose end – how Brian makes it home (hey, this is a kids book. You didn’t expect him to stay lost forever, did you?), what Brian took away from his ordeal in the Canadian wilderness, and the confronting of the obvious truth that Brian probably wouldn’t have survived a winter. What further intrigued me was the research Paulsen put into Hatchet. Brian’s adventure is very believable.

Favorite line: “Time had come, time that he measured but didn’t care about; time had come into his life and moved out and left him different” (p 122).

BookLust Twist: From Book Lust in the chapter called, “Adventure By the Book: Fiction” (p 7).

Samuel Johnson is Indignant

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Davis, Lydia. Samuel Johnson is Indignant: stories. Brooklyn: McSweeney’s Books, 2001.

I always love it when I get a collection of short stories to read. For some reason I like idea of the simplicity of keeping something short when sometimes, nothing could be further than the truth; especially when it comes to a short story. A short story might be short on words or sentences or even paragraphs, but long on meaning and, in the end might turn out to be a little thought provoking or dare I say didactic? In other words, I might learn something!

Lydia Davis is funny. But, more importantly she has an amazing range of subject material. So much so that I found myself asking what subject does Lydia Davis NOT cover in a short story? What’s more, Lydia Davis has a wide range of writing styles. Everything she writes has a common theme: strange and wonderful, but no two stories could be characterized as “the same.” Her stories are eerie and contemplative, funny and sad, wise and irreverent.

Favorite lines, “You can’t tell everyone the truth all the time, and you certainly can’t tell anyone the whole truth, ever, because it would take too long” (p 7).

BookLust Twist: From  Book Lust in the chapter called simply, “Short Stories” (p 221). Duh.

Endless Love

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Spencer, Scott. Endless Love. New York: Alfred A. Knopf, 1987.

At the center of Endless Love is David Axelrod. David starts his story remembering how, as a 17 year in love, he set fire to his girlfriend’s house. Not as an out-of-anger act of revenge but more of an uncontrollable response to an all-consuming love for his girlfriend, Jade Butterfield, and her family. Having been banished from the Butterfield home David’s plot is to ignite the house in the hopes the fire will give him the perverse opportunity to become the hero and ultimately rescue the entire family from the inferno he started. His desire to be needed by the entire family is blinding. Of course David’s plot doesn’t work out so smoothly…and thus begins Unless Love. It is a dark and tangled tale about obsessions and the inability to see past them. It is about dysfunctional families that use one another to seem normal. It is about struggling relationships set against the ever turbulent late 1960s. In the middle is confused, young, obsessed David Axelrod. He reminds me of Llyod Dobler from ‘Say Anything’ – an all-around nice guy with little direction and not much more ambition who can sum up his life in one sentence, “I just want to be with your daughter….sir.”

My favorite quotes are on the subject of love: “Love gives us a heightened consciousness through which to apprehend the world, but anger gives us a precise, detached perception of its own” (p 40) and, “If endless love was a dream, then it was a dream we all shared, even more than we all shared the dream of never dying or of traveling through time, and if anything set me apart it was not my impulses but my stubbornness, my willingness to take the dream past what had been agreed upon as the reasonable limits, to declare that this dream was not a feverish trick of the mind but was an actuality at least as real as that other, thinner, more unhappy illusion we call normal life” (p 162).

I think the reason why I liked Endless Love so much is because every character was a head-scratcher. It wasn’t just David Axelrod who had a personality worth paying attention to. the story of his parents held mysteries to be explored. Every member of Jade Butterfield’s family kept the story alive and buzzing with intrigue. The questions most asked – who would defend David? Who would forgive him? Who wouldn’t forget?

BookLust Twist: From Book Lust in two different chapters. First, in the chapter called, “First Lines to Remember” (p 87), and again in “Sex and the Single Reader” (p 218).

Water Witches

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Bohjalian, Chris. Water Witches. Hanover: University Press of New England, 1995.

This is the story of environmentalists against developers. The storyline is simple. A Vermont ski resort needs to expand in order to stay in business. They are looking to clear trees and tap into a river in order to build more ski trails and man-made snow. That means obtaining permits and permissions. For lawyer Scottie Winston, working for Powder Peak, this means more jobs for the community…or so he says over and over again. Is he trying to convince himself? The trouble is Scottie is married to a water witch with minimal skills. More so, his sister-in-law is considered the most talented dowser in the country. Her abilities to find water, and even missing travelers is legendary. She is marrying the region’s most vocal environmentalist who opposes Powder Peak’s expansion. To make matters worse, Scottie’s own daughter is proving to be an even more accomplished water witch than her aunt…Scottie must chose between his job and his family especially when a drought complicates things not only for Powder Peak but for the entire community.

BookLust Twist: From Book Lust in the chapter called, “Ecofiction” (p 77).

Note: this review is lame because somehow I lost the one I thought I had already written….I didn’t have the energy to write it twice.

Without End

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Zagajewski, Adam. Without End: New and Selected Poems. New York: Farrar, Straus and Giroux, 2002.

Nancy Pearl mentions “Try to Praise the Mutilated World” in Book Lust in the chapter called, “Polish Poems and Prose” (p 187), but she also recommends the book from which the poem is from, Without End: New and Selected Poems.

I quite enjoyed reading Without End from start to finish. The diversity of poetry within the 270+ pages is refreshing. I especially liked the poet to poet dedications. It’s as if Zagajewski is saying, “from one writer to another, I feel your craft and it influences mine.”

“Try to Praise the Mutilated World” reminds me of Natalie Merchant’s song “Life is Sweet” in that they both try to point out the beauty in the world in spite of the glaring ugliness.

Favorite lines:
“The innkeeper’s daughter was so thin
that she kept bricks in her backpack to outwit the wind…” (p14).

Favorite poem: “Treatise on Emptiness”
A friend and I both agree that this poem moved us in startling and profound ways.

BookLust Twist: From Book Lust in the chapter called, “Polish Poems and Prose” (p 187). Yeah, I know I already said that.

“Days of Pie and Coffee”

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Tate, James. “Days of Pie and Coffee.” Shroud of the Gnome. Hopewell: Ecco Press, 1997. pp 2 -4.

This is such a simple image. A man is walking his dog (a golden retriever no less) along a country road. He and the dog are startled by a motorist roaring up and looking for directions. A stranger in this part of the world is such a shock to the man and yet he finds easy conversation with the stranger…as if they are sitting down to a meal of pie and coffee.

I like the powerful descriptions in the poem. It’s not just a poem, it’s a story when you can see the images and feel as if you are there. The act of being startled because you don’t expect a motorist in your little part of the world. A conversation that haltingly starts with mistrust and grows easier with familiarity.

BookLust Twist: From Book Lust in the chapter called, “Kitchen-Sink Poetry” (p 138). Note: this missed getting included in the index.

South Wind Through the Kitchen

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David, Elizabeth. South Wind Through the Kitchen. New York: North Point Press, 1998.

The cover of South Wind Through the Kitchen has Elizabeth David posing with a glass of wine in her hand. You can tell the shot is 1950’s staged. Elizabeth is supposed to be lounging with a glass of wine in her kitchen. Instead, she is delicately leaning against a counter, one foot angled just so from her body. She looks away from the camera with only a hint of expression on her face. She does not look comfortable and yet pulls off a sophisticated housewife glamor.

South Wind Through the Kitchen is a collection of Elizabeth David’s best everything – best recipes, best essays, best foot forward (as the cover photograph implies) compiled by friends and family. It is a multi-personality publication, part cookbook, part leisure reading, part reference. Any one person can pick it up for a multitude of reasons, whether to graze lightly through its pages or gorge on them entirely. It’s a great sampling of Elizabeth David’s writing throughout her career.
As for my reading pleasure, I found myself grazing lightly for in the Book Lust challenge I will be reading French Provincial Cooking, Italian Food, A Book of Mediterranean Food, and English Bread and Yeast Cookery. I felt that it was only fair that I skip those excerpts (since I’ll be reading them again in their entirety at some point) and concentrate on the commentary and the excerpts from the books I won’t be reading: French Country Cooking, Spices, Salt and Aromatics in the English Kitchen, Harvest of the Cold Months, and French Country Cooking.

My favorite part of South Wind Through the Kitchen was the praise for Elizabeth David not only as a cook, but as an accomplished writer. For example, one favorite line illustrates that praise, “I remember marveling at the quality of the writing, sitting entranced on a radiator…and quite forgetting to poach the eggs at all. A constant danger with E.D. is being distracted from the actual cooking. -Prue Leith” (p 61).

BookLust Twist: From Book Lust in the chapter called, “Food for Thought” (p 91).

Truth & Bright Water

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King, Thomas. Truth & Bright Water. New York: Atlantic Monthly Press, 1999.

The title of this book fascinates me. Here’s why: I’m reading the book in honor of April being National Dog Month (indeed there is a dog named Soldier in the book), yet the story is about two coming-of-age Native boys. The title comes from the geography. Truth is an American town on one side of a river and Bright Water is a reserve on the Canadian side of the same river. Truth and Bright Water are sister cities, or tiny towns to be exact.

Truth & Bright Water is more about a Native teenage boy named Tecumseh than it is about the small towns of Truth and Bright Water which he calls home. Tecumseh is fifteen and life for him consists of keeping peace with his separated parents, keeping his abused cousin company, learning how to drive, trying to find a job, understanding what it means to be Indian during tourist season, unraveling the mysteries surrounding his aunt, and finding things like a baby’s skull with his dog, Soldier. While Tecumseh is an average kid his community is anything but. Truth & Bright Water opens with Tecumseh and his cousin, Lum, spying on a woman who not only empties a suitcase over a cliff, but appears to have jumped off after it. Was it suicide? Then there is Monroe Swimmer, a famous artist returned home, who lives in a church and has big plans to make said church disappear. And what of the baby’s skull found with a ribbon threaded through its eye holes?

There are several quotes that I liked. Here’s one, “…maybe ground squirrels… are just like people. some are lucky, and some aren’t. Some get to drive nice cars, and some end up by the side of the road” (p 91).

There are several scenes that I also liked. I thought the dialogue between Tecumseh and any adult was amusingly accurate. Tecumseh would ask a question and to avoid answering it the adult would ask a different question over it or simply ignore his question completely. In several instances Tecumseh and the adult are having two different conversations that only converge if the subject isn’t sensitive. Here’s an example of a conversation between Tecumseh and his mother who has been gone on vacation:
“So, how was Waterton?”
“”You need to put your sleeping bag away,” says my mother.
“Did you stay at that fancy hotel?”
“And you forgot to knock all the mud off your shoes.”
“I suppose you took the bus out to the lake” (p 203).

Tecumseh wants information about where his mother went and she is clearly ignoring the questions. Tecumseh sums it up later by saying, “Sometimes the best way to get my mother talking about a particular topic is to change the subject and then work your way back to where you wanted to be” (p 204). Classic. The whole book is full of scenes like this. I liked King’s writing so much that I’m definitely adding him as a favorite author on LibraryThing.

BookLust Twist: From Book Lust in two different chapters. First, in “American Indian Literature” (p 23) and again in “Great Dogs of Fiction” (p 104).

Making of a Quagmire

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Halberstam, David. The Making of a Quagmire. New York: Random House, 1964.

The only way American citizens were in touch with the Vietnam War, at all, was through the eyes of reporters. They were responsible for bringing the fighting as well as the politics of South Vietnam into the forefront of public awareness. They were credited for keeping the public more informed than in the dark. It has been said that not many could cite what we were fighting for “in the jungle.” Not many more could find Vietnam on a map. Yet, with the publishing of the Making of a Quagmire David Halberstam sets up to explain just how involved the U.S. was before the conflict erupted. In a comprehensive manner he explains our country’s commitment to the political struggle in South Vietnam. Despite pressure on all political sides Halberstam never compromised his view of the crisis. He refused to publish propaganda to support either side. The Making of a Quagmire is simply unflinching and honest.

Most interesting quote: “In many areas the war had come to a virtual halt because vital units were practicing for the parade” (p 45). I find this interesting because Halberstam goes on to say, “It seemed unbelievable, but it was true; the public was not to be allowed to watch the ceremonies” (p 46).

BookLust Twist: From Book Lust in the chapter simply called, “Vietnam” (p 238). Also in More Book Lust in the chapter called, “David Halberstam: Too Good To Miss” (p 112). Interestingly enough in both chapters Nancy Pearl gives Halberstam’s book the complete title of  The Making of a Quagmire: America and Vietnam During the Kennedy Era yet nowhere on my copy of  Making of a Quagmire is that subtitle printed.

Wall of the Sky

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Lethem, Jonathan. The Wall of the Sky, the Wall of the Eye: stories. New York: Harcourt, Brace & Co., 1998.

I like that way Nancy Pearl describes Lethem’s style of writing. Basically she says (in Book Lust) you never get the same book twice. Even within his short stories in The Wall of the Sky, the Wall of the Eye you don’t get the same short story twice. Nothing is the same. Even the style of writing is different. Like a box of chocolates with only one candy containing chocolate…

Here’s a list of the short stories:

  • The Happy Man ~ a weird sort of deal-with-the-devil story about a man who is dead, but isn’t.
  • Vanilla Drunk ~ a story that mentions Michael Jordan over 40 times.
  • Light and the Sufferer ~ brothers, an alien, drugs and New York City. What’s not to love?
  • Forever, Said the Duck ~ a virtual party where virtually no one is who they say they are.
  • Five Fukcs ~ I have no idea how to describe this story. It’s all about getting screwed over…
  • The Hardened Criminal ~ a very strange story about a man who ends up in the same prison cell as his father…only his father is built into the cement wall.
  • Sleepy People ~ there is a group of people who sleep through anything…including sex.

Because of Lethem’s copyright statement I am not going to quote favorite lines (and yes, I had a few). Just leave it that I liked the entire book (even though I would have liked more description about the Sufferer from “Light and the Sufferer”).

BookLust Twist: From Book Lust in the chapter called, “Jonathan Lethem: Too Good To Miss” (p 145).

Fire Next Time

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Baldwin, James. The Fire Next Time. New York: Dial Press, 1963.

The Fire Next Time is a slim yet powerful 120 pages. Baldwin does not waste a single page on empty words or phrases. Every sentence is an argument for America to beware of “the fire next time.” He implores the reader to take a page from history and not turn a blind eye to it; we must change the course of racial inequality in order to survive. Even though The Fire Next Time was published not even ten years after the integration of Little Rock’s (Arkansas) Central High Baldwin’s fiery words hold true today.

The title, The Fire Next Time, is drawn from a “recreation of the Bible in a slave song” – ‘God gave Noah the rainbow sign, no more water, the fire next time’ (p 120), yet there are several examples of such warning scattered throughout the entire book. This warning is in a couple of my favorite quotes.

“But, in the end, it is the threat of universal extinction hanging over all the world today that changes, totally and forever, the nature of reality and brings into devastating question the true meaning of man’s history” (p 71), and “Life is tragic simply because the earth turns and the sun inexorably rises and sets ans one day, for each of us, the sun will go down for the last, last time” (p 105).

BookLust Twist: From Book Lust in two chapters: “African American Fiction: He Say (p 10), even though it isn’t fiction, and again in the chapter “Essaying Essays” (p 81).

Little Friend

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Tartt, Donna. The Little Friend. New York: Alfred A. Knopf, 2002.

In a nutshell The Little Friend is about Harriet Cleve Dufresnes, a twelve-year-old girl who decides she simply must solve the mystery of who killed her nine-year-old brother when she was just an infant. All Harriet knows of the incident is that little Robin was found hung from a tree on Mother’s Day and nobody knew why. During her attempts to solve the mystery Harriet and her sidekick Hely get themselves into troubles far more adult than their years. Larger Mississippi-southern issues such as poverty and prejudice encircle  more complicated crimes such as deception, drugs, and death.

I love the way Donna Tartt writes, but was confused by plot. 555 is a long time to be reading about a mystery that doesn’t really get solved. The ambiguous ending is ripe for a sequel. Yet, there are seemingly unimportant characters that float in and out of the plot without an apparent role in the story (like Harriet’s sister Allison). Could they come back with a stronger presence in another book? One other concern is that The Little Friend is supposed to be a story set in the 1970’s. Were there meth labs back then?

When you first meet Harriet you think she has all the beginnings of a serial killer: “She could set the house on fire if she wanted to, and no one would be there to stop here” (p 67), and “…this was the hallmark of Harriet’s touch: she could scare the daylights out of you, and you weren’t even sure why” (p 74).

BookLust Twist: There is no doubt in my mind that Nancy Pearl loved this book and thought of it often. Case in point: it’s mentioned in Book Lust in the chapters “Families in Trouble” (p 82) because after little Robin is found murdered, nothing is ever the same for his family, and “Girls Growing Up” (p 102) because Harriet, Robin’s sister, grows up between the 555 pages of The Little Friend, as well as in the introduction (p xi) where Pearl says she knew she would love The Little Friend from the very first sentence. Little Friend is also mentioned in More Book Lust in the chapters “Lines that Linger; Sentences that Stick” (p 143) – the same first sentence Pearl mentioned in Book Lust, and “You Can’t Judge a Book by Its Cover” (p 238) because of its creepy doll face – a total of five mentions between the two Lust books. I can’t blame Pearl because Little Friend does fit nicely into each and every chapter mentioned.