Armstrong, William, H. Sounder. New York: Harper & Row, 1969.
Haunting. I find this story haunting on so many different levels. Haunting and tragic. Where do I begin? Where can I begin? The copy of Sounder I picked up had the words “now a motion picture!” emblazoned across the cover with photographs of scenes from the movie inside. Of course, I studied the photos before I read a single word and saw pictures of an obviously poor black family. One picture showed the mother with three kids as a father, handcuffed, is being led away by white, mean looking “authorities.” Another picture depicts the “criminal” as he is about to be struck by a prison guard…
But, the tragic pictures couldn’t prepare me for the quiet yet strong story. The raw undercurrent of something more ominous buzzed constantly. No one in the story has a name except the family hunting dog, Sounder. The father is accused of stealing a ham and is sent to jail, the mother cracks walnuts and sells the meat in town. There are three children and the story is told from the oldest’s perspective.
During the father’s arrest, Sounder is shot. Everyone in the family thinks Sounder is dead. What amazes me is the oldest son is more worried about the dog than his own father. His father’s guilt is plain, simple and true when his mother returns what was stolen, yet because Sounder’s body cannot be found, it’s all the boy can think about. “If the deputy sherrif had turned around on the seat of the wagon and shot his father, the visiting preacher and somebody would bring him back and bury him behind the meetin’ house, the boy thought. And if Sounder dies, I won’t drag him over the hard earth. I’ll carry him. I know I can carry him if I try hard enough, and I will bury him across the field, near the fencerow, under the big jack oak tree.” (p34)
I can’t do the storyline justice, but the writing is beautiful. Here are a few of my favorite lines:
- “And Sounder, too, settin’ on his haunches, would speak to the moon in ghost-stirrin’ tones of lonesome dog-talk” (p 38).
- “Now the cabin was even quieter than it had been before loneliness put its stamp on everything” (p 76).
BookLust Twist: From Book Lust and the chapter called “Three-Hanky Reads.” Sounder is paired with other dog books for children like Beautiful Joe and Goodbye, My Lady (p 237).
Milford, Nancy Winston. Zelda: A biography. New York: Harper & Row, 1970.
Chopin, Kate. The Awakening. New York: New American Library, 1976.
Konecky, Edith. Allegra Maud Goldman. New York: The Feminist Press, 1990.
Hornby, Nick. About a Boy.New York: Riverhead Books, 1998.
Dexter, Pete.
Tinkle, Lon.
Barreca, Regina. Ed. Don’t Tell Mama! The Penguin Book of Italian American Writing. New York: Penguin. 2002.
Boyle, Andrew. The Climate of Treason. London: Hutchinson, 1982.
Kohl, Herbert. 36 Children. New York: New American Library, 1967.
I am often snagged by great one-liners. Here’s one of my favorites from About Time. “We are slaves of our past and hostages to the future” (p23). It’s a standard idea. Nothing too dark or deep. What I liked was the mental imagery of being tethered to the past. I have this
Lake, Anthony. 6 Nightmares. Boston: Little, Brown & Co., 2000.
I picked up Weber’s second novel after reading her debut novel Objects in the Mirror Are Closer Than They Appear. In Objects I fell in love with the narration immediately. The writing was so fluid I hoped everything Weber wrote would read the same way.