Tag: book review

Catfish and Mandala

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Pham, Andrew X. Catfish and Mandala: a Two-Wheeled Voyage Through the Landscape and Memory of Vietnam. New York: Farrar. Straus and Giroux, 1999.

It has been several years since I read a bicycle memoir (the last being Where the Pavement Ends by Erika Warmbrunn). I was very excited to start Catfish and Mandala. So much so that I started it two days before May began. Even though May is Bicycle Month I read this for Memorial Day. I’m glad I went that route because it’s not really about the bike.

Catfish and Mandala is more than an adventure story about biking across Vietnam. It’s a cultural exploration and by turn, an explanation. Comparing American versus Vietnamese differing viewpoints on mundane topics like when a child should move out of his parent’s home after reaching adulthood. And yet. Noticing similarities: we all want our fathers to be proud of us, in any culture.
The story of Pham’s father’s imprisonment in the Labor Camp is brief, but heartbreaking just the same. After reading pages 16-20 I will never look at catfish the same.
Pham’s ability to weave past with present is brilliant. He recaptures his family’s flight from Vietnam to the U.S. when he was a small child seamlessly while recounting his own journey from the U.S. back to Vietnam as an adult. His confusion over what he remembers is intertwined with his inability to articulate what he is really looking for. Pham finds himself asking “what am I doing here?” time and time again. As he faces prejudice and violence and corruption I asked the same question.

Favorite lines: “Somehow they got by on love and rice” (p 17),” Everything could shift, and nothing could change” (p 107), “I have an urge to kick myself in the head” (p 158), and “A stray mutt curls up at my feet and shares his fleas with my ankles” (p 200).

Author Fact: I have to start of by flirting. Pham is a good looking guy! My next fact is actually a question – how can you be a “starving” restaurant critic?
Book Trivia: Catfish and Mandala is Pham’s first book.

Things that need further explanation: what, exactly, are “angry egg-eyes”, and what do they look like? Pham mentions five different types of bananas. Now I want to know their names and characteristics.

Pham mentions Miles From Nowhere by Barbara Savage. I’m so excited it’s actually on my list. Sad to say I won’t be reading it until probably May 2016 though!

BookLust Twist: From Book Lust in the chapter called “Bicycling” (p 36). Simple enough.

ps~ I enjoyed Catfish and Mandala so much that I added Pham as a favorite author on LibraryThing.

A Child’s Life

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Gloeckner. Phoebe. A Child’s Life and Other Stories. Berkeley: Frog, ltd., 2000.

Nothing could have prepared me for Gloeckner’s A Child’s Life. I don’t know what I was expecting – maybe something along the lines of Robert Louis Stevenson or Kate Greenaway. Something really benign and cute, perhaps. I was prepared to be bored. but sweetly so.

Not so. To put it bluntly, A Child’s Life is a visual assault that needs to happen. When there are news reports of sexual abuse, rape, incest, drugs either on television or the radio we viewers are shielded from what that really means. We allow our imaginations to blunt the sharp edges of reality. We cringe, but we don’t go there with the truth. Gloeckner doesn’t allow for this numbing of truth. With Gloeckner you don’t have permission to soften this horrific reality. As a graphic novel the pictures tell the stories of an abused childhood better than any words in a novel. In a word, it was painful. When I finished I had words of my own; words like harsh, gritty, shocking, tragic yet truthful rang in my ears.

Author Fact: If you pick up the 1583940286 version of A Child’s Life you will find hints that this is semi-autobiographical. Gloeckner denies it.

Book Trivia: In addition to being called semi-autobiographical, A Child’s Life was also once called “a how-to for pedophiles.”

BookLust Twist: From Book Lust in the chapter “Graphic Novels” (p 103).

Out of Control

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Brockmann, Suzanne. Out of Control. New York: Ivy Books, 2002.

Here is the quick and dirty plot: Couple #1: Savannah von Hopf needs Navy SEAL Ken “WildCard” Karmody to help her save her kidnapped uncle somewhere in Indonesia. Couple #2: In Jakarta, missionary Molly Anderson is inexplicably drawn to silent, brooding “David Jones” who reminds me a little too much of the famed Indiana Jones. Couple #3: Back at FBI headquarters Alyssa Locke is trying to walk away from ex-lover Sam Starrett while avoiding walking into the arms of her boss, Max Bhagat. All three relationships will come together when Savannah’s rescue attempt goes horribly wrong.

The best part of Out of Control was the clever placement of Double Agent, a book written by Savannah’s grandmother, Rose. It’s on the best seller list so even missionary Molly is reading it.

The worst part about Out of Control was the corny sexiness of it all. If the three couples weren’t having sex they were imagining it at the most unrealistic moments. A helicopter just blew up and there are no survivors. That sucks, but boy would I like to lick that hard chiseled body of yours…
My favorite eye rolling line: “And as for getting a strenuous workout, his heart was not the primary organ he wanted to exercise” (p 23).

Also, when I started reading Out of Control I had this weird sense of deja vu. Something sounded really familiar about not only the characters but the plot as well. As if I had read it before. So, I did a little digging and back in 2008 I reviewed an earlier book by Brockmann called The Defiant Hero. Here are the similarities between the two books:

  1. Both plots involve a kidnapping of some sort.
  2. Both plots involve Navy SEALS and by default, both plots involve the FBI
  3. Both plots include a grandmother
  4. Both plots have a terrorist element to them
  5. In both books all lead characters are impossibly good looking
  6. Both books involve three sets of couples in sexual turmoil
  7. The same characters are in each book

There is a philosophy about writing – write what you know. I’d like to think authors take that with a grain of salt. If my third Brockmann book has Navy SEALS, sexy bodies, kidnapping, terrorism and a random grandmother thrown in for good measure I’ve figured out her formula.

BookLust Twist: From Book Lust in the chapter called “Romance Novels: Our Love is Here to Stay” (p 260).

To Sir, With Love

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Braithwaite, E.R. To Sir, With Love. New York: Jove Publishing, 1959.

Confession: whenever I hear the words “to sir with love” I do not think of Sidney Poitier. I do not think of LuLu. I don’t even think of Braithwaite. I think of MTV’s 1993 inauguration ball for President Clinton. Natalie Merchant sang ‘To Sir, With Love” accompanied by R.E.M.’s Michael Stipe. What this says of me, I’m not sure!

E.R. Braithwaite is in the company of a select few: teachers who make a difference. Leaders in education have no trouble touching the lives of one or two of their students. That happens all the time, but to change an entire class is no small feat. I think that’s why they make movies like “Dead Poet’s Society” and “Mr. Holland’s Opus.” Such teachers are an inspiration to the of world education. Braithwaite enters the world of teaching by default. As an out-of-work engineer who cannot get a job due to the color of his skin he is forced to apply for positions outside his area of expertise. A chance meeting with a stranger leads him to apply for a position with the Greenslade Secondary School in London’s ill reputed East End. There, Braithwaite meets children more callous and uncouth than any adult he’s ever encountered. They are defiant and daring, determined to run Braithwaite out of  school, just has they had done before. Only Braithwaite is not so easily cowed. And so begins the odyssey of E.R. Braithwaite and his remarkable story. He is able to turn thieves and would-be prostitutes into respectful, intelligent individuals.

Book Trivia: To Sir, With Love was made into a 1967 movie starring Sidney Poitier.

Author Fact: Braithwaite became a popular teacher by applying two fundamental philosophies to his teaching: treat the children with respect and relate everything they learn back to something they already are familiar with. Both tactics engage the children emotionally and intellectually.

BookLust Twist: From Book Lust in the chapter called “Teachers and Teaching Tales” (p 231).

Note: In the index of Book Lust Braithwaite is listed as Ricardo and not Edward Ricardo. Even though Braithwaite went by “Ricky” or “Ricardo” it would have been a show of respect to list his full name.

Skin of Our Teeth

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Wilder, Thornton. “The Skin of Our Teeth.” Collected Plays and Writings on Theater. McClatchy, J.D., ed. New York: Library of America, 2007.

Considering our own impending “end of the world” in 2012 I thought this was a fitting way to end April’s reading. Indeed, the working title of “The Skin of Our Teeth” was “The Ends of the Worlds.” But, the end of Wilder’s world is the threat of an ice age coming down from the chilly Canadian north (at the end of Act I). In fact, the entire play takes on a chronological time warp through Biblical, prehistoric and postwar environments. George and Maggie Antrobus, their children and house maid are the central characters of this play within a play. While the Antrobus characters remain constant, the house maid, Sabina does not. It is interesting to note that for the first and third acts she remains their maid and yet in the second act she is a femme fatale of sorts. Another inconsistent is the time line. Periods in history are jumbled together and stretched apart. Characters like Homer and Moses come to visit. A mammoth and dinosaur are the family pets. In the end the punchline is Mr. Antrobus, turning the fate of life over to us, the audience of this play within a play.

Play Trivia: “Skin of Our Teeth” won a Pulitzer Prize in 1943.

Author Fact: Wilder has a connection to this area. Two of his sisters attended Mount Holyoke College. Okay, so that wasn’t really about Thornton. Here’s something – Thornton Wilder was born on April 17th, 1897. Growing up, Thornton was ridiculed for his intelligence. Sad.

BookLust Twist: From More Book Lust in the chapter called “Oh, Brother” (p 180). This is a little deceiving because “Skin of Our Teeth” isn’t really about brothers, per se. The plot is Biblical, with some Adam & Eve and Cain & Esau elements, but not really about two brothers.

Great Fortune

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Okrent, Daniel. Great Fortune: The Epic of Rockefeller Center. New York: Viking, 2003.

There is something to be said about a man with a vision, especially when that vision becomes the great and unparalleled Rockefeller Center in New York City. Great Fortune captures not only the man behind the vision and the epic journey of John D. Rockefeller and his team, but the society and political arena of their era. The 1930s are the beginning of urban sprawl going vertical in the form of skyscrapers. As the buildings start reaching higher and higher they become more grandiose and complicated; as do the people responsible for this growth at such an unlikely time in history. The founders of Rockefeller Center are egotistic, artistic, ambitious visionaries. Despite being mired in the Great Depression luminaries such as architect Raymond Hood believe in the grandeur of the project with unwavering faith.

The first thing I noticed about the copy of Great Fortune that came to the library was the cover. If you aren’t looking closely you would miss it. The cover with the ISBN of 0670031690 has a collage of four photos, all in tinted black and white. A photograph of a couple dancing. Below that, a picture of the Rockettes standing in a circle. Below that, iron workers presumably working on the construction of RCA building. Along side these three photos is a larger one of the RCA building. In my copy of Great Fortune the dancing couple featured in the upper left hand corner are Mary Rae and Naldi doing a waltz in the Rainbow room…except something is different about them. They do not hold the same pose. Mary Rae and Naldi are nose to nose in my cover shot. I’m not even sure they are the same dancers. Why was this one photo swapped out for another? Curious. For an illustration of what I mean click here. Take note of the photo of the two dancers. Look at their gentle pose. Then click on the cover and see how the photo changes. The dancers become more dynamic, more passionate.

BookLust Twist: From More Book Lust in the chapter called “Building Blocks” (p 38).

A Drinking Life

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Hamill, Pete. A Drinking Life. Narrated by Jonathan Davis. Prince Frederick: Recorded Books, 2003.

As a first-time audio book listener, here are my perceptions: there are pros and cons to listening to an audio book. For the cons, it is less imaginative when someone fills in the voices and sounds effects of the story. You also can’t take note of a favorite line or phrase. Things that make you laugh out loud are between your ears and not on a page you can quote from later. You miss out on illustrations, photographs, the feel of paper between your fingers as you don’t get to turn the pages…
But here is the benefit to an audio book: you can walk for hours and hours on a treadmill and be thoroughly entertained. Such is my life in the middle of April. But, a review:

A Drinking Life is an odyssey. It is an autobiographical examination of alcoholism where the drinking escalates slowly, sip by sip, drink by drink. For me, it dragged on in places. Hamill spends two thirds of the book setting the stage for his lead performance as an alcoholic. Starting with Hamill’s early childhood in the early 1940s he recounts his formative years living with his Irish parents in Brooklyn, New York. His father’s own battle with the bottle is omnipresent, a constant in Hamill’s life. That lays the groundwork for the excuses Hamill will make and his ultimate drinking downfall. Bars and beer are in the background as Hamill describes other obsessions in his life: comics as a child, newspapers, art and fighting as a teen, sex throughout the ages, and later as an adult, traveling, politics and writing.  Alcohol is the one constant through it all.

I am going to sound like a prim, prissy, panties-in-a-wad puss, but I really believe A Drinking Life should have come with a disclaimer. Rap artists have to slap a sticker announcing “explicit” when they swear, mention drugs or sex, on an album and yet Pete Hamill can do all those things, describe sex scenes with detailed wild abandon, he can use every swear word (included the dreaded “c” word), and remember violent beatings he would receive and give…all without some kind of heads up to the reader.

BookLust Twist: From Book Lust in the chapter called “Lost Weekends” (p 147).

Journey Beyond Selene

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Kluger, Jeffrey. Journey Beyond Selene: Remarkable Expeditions Past Our Moon and to the Ends of the Solar System. New York: Simon & Schuster, 1999.

If astronauts and spaceships fuel the imaginations of little boys, Journey Past Selene more than ignites the scientific minds of grown men. Kluger takes us back to the early 1960s – just before man walked on the moon. Back to the beginnings of Jet Propulsion Laboratory and its spaceships. These unmanned rockets were going on extraordinary expeditions, traveling to the unthinkable ends of the solar system. Journey Beyond Selene takes us to the moons of Jupiter and Saturn and Neptune and beyond. We get a first class trip to fantastical moons with names like Despina, Titania and my favorite, Ophelia. We get to meet the ambitious scientists and engineers and hopefuls behind the project. We get ensnared in the red tape of government funding. As readers, thanks to Kluger’s straight-forward, no-nonsense approach, we have the luxury of keeping our feet firmly planted on terra firma while our imaginations soar beyond Selene.

Author Fact: Kluger coauthored Lost Moon: the Perilous Voyage of Apollo 13 which was made into a movie starring Tom Hanks. Time Magazine has a bio on Kluger and their slightly outdated picture of Kluger reminds me of Steve Buscemi for some odd reason. Maybe it’s the stare…

Book Trivia: Journey Beyond Selene has some of the coolest pictures of moons.

BookLust Twist: From Book Lust in the chapter “The Moon’s My Destination” (p 158).

Alice Springs

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Gemmell, Nikki. Alice Springs. New York: Viking, 1999.

If you have ever read The Bean Trees or Pigs in Heaven by Barbara Kingsolver you might be reminded of Taylor Greer when you read Nikki Gemmell’s Alice Springs. There are definite similarities between Taylor Greer and Phillipa “Snip” Freeman, the heroine of Alice Springs. For starters, both characters are fiercely independent; both have a wanderer spirit and a devil-may-care attitude about what anyone thinks of them. Neither of them can commit to a love interest. But, Snip is older, and takes more risks with relationships and sex than Taylor does. Snip rules her world with her body. She is used to loving and leaving the men she meets.

It is after her grandmother’s death that we first meet Snip. She has been given an inheritance check with the three word  instruction “hunt him down.” Snip knows the him is her father and hunting him down will be the easy part, for he isn’t hiding. It’s the why that has Snip puzzled. What is she supposed to do once the hunted has been successfully hunted? To get to her father, Bud, Snip travels to the Aboriginal  outback. Along the way Snip takes a traveling companion who gets under her skin more than she expects.Then, a surprising thing happens. The longer Snip stays rooted in one place the more she is exposed to the powers of belonging somewhere.

Gemmell writes like the ocean. The words flow with rhythmic intensity, pounding with violence, soothing with consistency. The storyline is liquid and slippery; it washes over you again and again.

Favorite lines (and there were a few): “No-one gets under her skin like her mother does, no-one hits on half-truths like her” (p 70) and “Some kids vanish from their parents’ lives , to rattle them into noticing” (p 120).

Author Fact: Gemmell anonymously wrote the erotic book The Bride Stripped Bare but claimed it as her own right before publication.

Book Trivia: On Gemmell’s website Alice Springs is explained as a novel that was born not with character or plot in mind, but with a place. I like that imagery a lot. In Australia Alice Springs was published under the name Cleve.

BookLust Twist: From Book Lust in the chapter called “Australian Fiction” (p 29). Simple enough.

Bear Went Over the Mountain

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Kotzwinkle, William. The Bear Went Over the Mountain. New York: Doubleday, 1996.

If you remembered I had already tried a Kotzwinkle book and failed, kudos to you. Because I didn’t. At first glance I thought The Bear Went Over the Mountain was a book for kids. The cover sure looked that way and the plot definitely looked that way. I should have known this was something I wasn’t going to be able to wrap my brain around. Call me rigid. Call me StickIntheMud, but I really, really couldn’t enjoy The Bear Went Over the Mountain because I have no ability to half suspend belief.

Here’s the premise: Miserable University of Maine professor, Arthur Bramhall, has written a book he hopes will save him from teaching ever again. He thinks the manuscript is a winner and will make him millions. Unfortunately, the story goes up in flames when his secluded farmhouse goes up in flames. Never mind. He rewrites it practically word for word only this time it’s better. In order to avoid another book ablaze he hides it in a briefcase under a tree…only to have a bear steal it. The bear reads the manuscript and knows a good story when he sees it. He travels to New York to hawk the book and ends up making movie deals and having sex with humans. While the bear (Hal Jam) becomes more human, the professor (Arthur Bramhall) becomes more animal after the loss of his manuscript.

I will admit The Bear Went Over the Mountain solicited a giggle here and there but for the most part I found myself scolding the stupid humans for not being able to recognize a bear wearing pants and a clip-on tie.

Author Fact: William Kotzwinkle lives on a island off the coast of Maine, according to the inside flap of The Bear Went Over the Mountain. All I know is that island isn’t Monhegan.

BookLust Twist: From Book Lust in the chapter simply called “Humor” (p 116) and again, in “My Own Private Dui” (p 165) another chapter in Book Lust.

Clean Food

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Walters, Terry. Clean Food: a Seasonal Guide to Eating Close to the Source With More than 200 Recipes For a Healthy and Sustainable You. New York: Sterling, 2009.

A friend gave me a gift certificate to Barnes & Noble. Happy birthday to me! Except I have a weird relationship with B&N. On the one hand, I’m a librarian through and through. I borrow my books. Sending them back is in my blood because I really don’t have the space for keepers. Wait. Let me rephrase. I am picky about my keepers because my space is limited. There. That’s more honest. Quite simply, I do not have the luxury of holding on to every book. When I was a child my father and I belonged to a mail-away book club. Every month we would pour over the selections, pick out a few we thought we could read in 30 days and then wait anxiously for their arrival. The package would come, heavy with books, complete with a postage-paid return label as well as a crisp, new padded envelope to send everything back in. Even in high school I couldn’t keep my books. I had to pass them onto my younger sister in an effort to save the family some money. In college I returned my textbooks to pay the phone bill. You could say I’ve never been comfortable with book ownership.

But! But. But, when it comes to gift certificates to book stores I make exceptions. I make exceptions, but there are rules. I can keep books I will use over and over again (like cookbooks). I can keep books I consider educational, something I can learn from each and every time I pick it up (think reference).

The book I purchased with my gift certificate exemplifies both attributes of my exceptions: Clean Food is a cookbook and a reference book. It goes beyond vegetarian eating. Probably the best thing about Clean Food is that it will put an end to struggling to use all the produce we get from the farm share. Every year it’s the same thing – what do you do with 15lbs of bok choy? There’s only so much stir fry one can eat!

Flint’s Law

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Eddy, Paul. Flint’s Law. New York: G.P. Putnam, 2002.

The first thing one needs to understand about Flint’s Law is that it is a continuation of Paul Eddy’s Flint but, really, it is not necessary to read Flint before Flint’s Law. Eddy does a great job hand-holding the reader through details carried over from Flint. However, I’ll admit, it is my opinion that Flint’s Law is far more enjoyable with the details of Flint already in the memory bank.

Flint is Grace Flint and she is spunky, rebellious, and a little unethical as an undercover agent. Like the opening to Flint, Flint’s Law opens with an undercover sting operation going wrong. Only this time someone else is paying the price for the blunder and to all concerned, it’s Grace’s fault. The failed sting leads everyone to believe there is a leak and somehow Grace is involved. In order to clear her name, keep her job, and seek revenge, Grace must put aside any trust she has for those in her inner circle. Anyone and everyone are now suspect. As usual Eddy takes us on a multi-country journey: Croatia, France, Germany to name a few. As usual the plot is complicated (with over 30 different characters mentioned by name it is hard to keep them all straight). As usual, Grace compels us to keep reading to find out what happens next.

This book produces more questions than it does answers. Consider this: When we leave Grace in Flint’s Law Grace knows she is pregnant, her arch enemy has gotten away (again), and she has left her husband for dead somewhere, floating, in the middle of the Atlantic ocean. What will Grace do about the baby? Her lifestyle hardly allows for motherhood and let’s face it, Grace isn’t all that nurturing. What will become of Grace’s elusive enemy? Will he haunt her for the rest of her life? And, what of that sea-stranded husband? No one saw him drown so did he really die? Finally, the biggest mystery of all, carried over from Flint – who killed Grace’s mom? Guess I’ll have to read Flint’s Code to find out!

BookLust Twist: From Book Lust in the chapter called “Action Heroines” (p 6).

Cosi Fan Tutti

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Dibdin, Michael. Cosi Fan Tutti. New York: Pantheon Books, 1996.

You know those books that are described as romps? This is one of those books. Not uproariously funny, but definitely entertaining through and through. Do I dare call this a murderous and mysterious comedy or a comedic murder mystery? To me, Cosi Fan Tutti is one and the same. It’s a twist on Mozart’s opera of the same name. Everything has been twisted – the plot, the characters, the outcome.

Aurelio Zen himself is a man of mystery. I found myself asking, “is this guy for real?” more than once. For starters, he works for the Ministry in Rome but asked for a transfer to Naples to avoid doing any real police work. In addition, in his private life he goes by the name Alfonso Zembla only because a deaf widow misheard his introduction at a party and he never bothered to correct her. He takes advantage of the alias because it’s fun. When this same widow asks Zen/Zembla to help dissuade her daughters from marrying beneath their status (to believed Mafia associates) he is more than happy to help…except his real job needs him. Several VIPs have gone missing and there is a havoc being wreaked by a couple of garbage truck crews. It only gets more bizarre from there.

Book Trivia: Cosi Fan Tutti isn’t a series per se, but Aurelio Zen is a reoccurring character. He’s considered an antihero. Makes sense.

Author Fact: Dibdin died in 2007 but one last ‘Zen’ book was published after his death in 2007. Interesting.

BookLust Twist: From More Book Lust in the chapter called “Ciao Italia” (p).

Raising Holy Hell

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Olds, Bruce. Raising Holy Hell. New York: Harry Holt & Company, 1995.

At first glance this book scared the crap out of me. For starters, the cover. It’s an illustration based on a photograph of John Brown. It’s blurry and staring and Mr. Brown looks like he’s on fire. Maybe he is? I’m not sure. Then there’s a blurb from Robert Olen Butler on the back, “…is a brilliant novel about the complexities of hatred…the hatred of hatred…” The hatred of hatred sounds, well, harsh. But it’s the truth.

Defending Raising Holy Hell: I have to say this upfront. I read this along side Cloudsplitter by Russell Banks so I find myself making comparisons instead of writing a review strictly about Raising Holy Hell. Since I have such a persistent problem I think I should list the comparisons, if only to get them out of my system and move on:

  1. Cloudsplitter is long – well over 700 pages whereas Raising Holy Hell is barely over 300.
  2. Cloudsplitter is long winded – long sentences, long chapters, heavy with words and details. Raising Holy Hell is choppy – pages of lists, pages with 2-3 simple quotes. One page contained less than a dozen words “One year before the Ferry. One year and counting down” (p 196).
  3. Cloudsplitter is told from the point of view of Owen Brown, John Brown’s third son. Raising Holy Hell comes at the reader from every angle. Told from the point of view of wives, sons, interviews, prayers, articles, diaries, etc. It’s this last point I want to focus on the most.

Raising Holy Hell is unique. Bruce Olds tells John Brown’s story from every direction. Quotations, mythology, folk tales, court transcripts, lists, poetry,  diary entries, letters, interviews, Bible quotes, historical data, advice, agreements, and the perspectives of stepmother, father, first wife, second wife, eldest son, younger sons, daughters, neighbors, friends, Frederick Douglass, past Presidents, all piece together to tell not only the tale of Harper’s Ferry, but of the biography of John Brown, the man. Perfect for someone with a short span of attention!

Book Trivia & author fact: Raising Holy Hell is Bruce Olds’s first book but not his last.

BookLust Twist: From Book Lust in the chapter called “Biographical Novels” (p 38).

Cloudsplitter

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Banks, Russell. Cloudsplitter. New York: Harper Collins, 1998.

Aside from its daunting size (well over 700 pages) this was fascinating to read. Owen Brown, the third of John Brown’s sons, tells the story of his father’s controversial life, beginning with Owen’s own childhood. Cloudsplitter opens with a written apology to Miss Mayo, a young Columbia University student who had been rebuffed by Owen after she traveled to his remote mountainside home in Altadena, California in hopes of inviting him to a reception. After chasing Miss Mayo away Owen is feeling the pressures of mortality, for he is not a young man anymore, and decides to tell his entire story from start to finish. While he is apparently ambivalent to his father’s tragic path of life he is deeply reflective and apologetic, detailing the process of how his father become of of history’s most complex antislavery agitators and martyrs. Owen desperately wants to appear open and honest by saying, “I will tell all” over and over again. Seeing as how Cloudsplitter is told from the point of view of John Brown’s surviving son it is safe to say the story was not meant to be yet another retelling  of the famous yet failed raid on Harper’s Ferry specifically. It is more accurately an illustration of how one man’s religious beliefs can grow to become the catalyst for one of the most well known events in history, in this case, the anti-slave movement. While Banks’ style of writing is, at times, rambling and contradictory (a reflection of Owen’s ability to tell the story) he is able to seamlessly weave nonfiction into fiction; reality into imagined to create a vivid political and cultural 19th century landscape.

One of the reoccurring themes of Cloudsplitter is guilt, guilt driven by religion, guilt driven by family obligation and guilt driven by society. As the child of John Brown, Owen is pulled in many different directions by his guilt and it apparent in every story he tells.

Profound lines: “I was, during those first few weeks…precariously balanced between opposing commitments which were set to create the shape of the rest of my life, and I knew that not to chose between them would lead me inescapably to a resolution that expressed not my will, but my father’s” (p 199), “It was the year that Lyman Epps and I finished our elaborate dance, and I went howling into the wilderness, leaving wreckage and smoldering ruin behind me” (p 536), and “Our specialty would be killing men who wished to own other men” (p 549).

BookLust Twist: From Book Lust in the chapter called “Biographical Novels” (p 38).

ps~ I have read four out of five of the Russell Banks books on my list.