Tiepolo’s Hound

Walcott, Derek. Tiepolo’s Hound. New York: Farrar, Straus and Giroux, 2000.

At first glance Tiepolo’s Hound is pretty deceiving. It looks like a simple poem with gorgeous pictures. Upon closer inspection Tiepolo’s Hound becomes more complicated. One narrative becomes two. Aside from Camille Pissaro’s desire to leave St. Thomas to follow his artistic dreams, the author describes his own journey to rediscover the details of a venetian painting. The dual narration tangles the storyline and leads to an anti-climatic ending to an otherwise fascinating journey. The vivid imagery of the sights, sounds and smells of St. Thomas make the poem beautiful. The colorful descriptions of the surrounding landscapes are what successfully capture the reader’s attention and hold it until the end.

Favorite descriptor: “thunderhead cumuli grumbling with rain” (p 10)
Favorite line: “I felt my heart halt” (p 7).

Favorite aspect of the book: so many references to the sea. For example ~ blue gusting harbor, wide water, cobalt bay, quiet seas, wooden waves, furrowing whitecaps, soundless spray, sea-gnarled islets, etc, etc. Simply beautiful.

BookLust Twist: From More Book Lust in the chapter called, The Contradictory Caribbean: Paradise and Pain” (p 55).

Last Best Place

Kittredge, William and Annick Smith, ed. The Last Best Place: a Montana Anthology. Helena: Montana Historical Society Press, 1988.

When this book first arrived I took one look at it and freaked out. How in the world did I manage to order a book that is not only 1161 pages long but also is not renewable? How would I ever get through 1000+ pages in two weeks? It was ridiculous. When I did the math it equalled out to approximately 90 pages a day in order to finish it on time. Ridiculous. Ridiculous because I was still struggling through the 900+ page biography on Winston Churchill. Luckily, Last Best Place was fun to read!
Starting with Native American Indian folklore and diary accounts of expeditions through the virgin geography of Montana Last Best Place opens in the early 1700’s. It ends with a section of contemporary poetry. The folklore was probably the dullest part. I firmly believe stories like these are best communicated orally because of their repetitious nature. First hand accounts of settlers seeking new land were the most interesting.This is not a book to read all at once. Its 1161 pages encourage random readings and not necessarily in chapter order.

Favorite lines: “Curiosity, a love of wild adventure, and perhaps also a hope of profit, for times are hard, and my best coat has a sort of sheepish hang-dog hesitation to encounter fashionable folk…” (p 170).
“The situation of a man gliding over a beautiful river in a boat always has something magical about it…(p 205).

BookLust Twist: From Book Lust in the chapter called, “Montana: In Big Sky Country” (p 156).

Last Lion

Manchester, William. Last Lion: Winston Spencer Churchill – Visions of Glory 1874-1932. Boston: Little, Brown & Company, 1983.

The scope of daily life during Churchill’s lifetime is covered extensively in Manchester’s Preamble and Prologue to Last Lion. The changing social scene, the evolving cultures and ever-daring fashions are included; while these details are simple,  they bog down the biography making it long and tedious. The preamble and prologue to Last Lion are like an old buggy, a very slow start. As a result the first chapter doesn’t begin until page 110.

Once the reader gets to the real beginning of Manchester’s biography on Churchill the story is fascinating. Manchester does an amazing job including photographs and letters to illustrate Churchill’s fascinating life. Manchester’s style of writing flows freely. Humor gives the biography a certain sparkle.

Favorite lines, “Churchilll could be very difficult. When a plane was preparing to land and the NO SMOKING sign flashed on, he would light up a cigar. If he found himself driving in a traffic jam, he wheeled his car out on the shoulder or sidewalk and drove to the head of the line” (p 27). While those situations would annoy the crap out of me I couldn’t help but laugh at them, too.

BookLust Twist: From More Book Lust in the chapter called, “Winston Churchill” (p 44). Go figure.

Plague

Camus, Albert. The Plague. New York: Vintage Books, 1948.

I have to start off by saying I was shocked to discovery my library does not have a copy of The Plague in its collection. I don’t know why that surprises me, but it does. Maybe I will donate my copy?

In relation to timeline The Plague is simple. It covers the duration of a bubonic plague. The story begins with the death of rats. First, a few rats are found here and there until they are everywhere; dying by the thousands all across the Algerian city of Oran. Then, the plague increases in intensity and starts killing hundreds of people until finally, colder temperatures arrive and the plague is mercifully over. But, The Plague on a philosophical level is much deeper than the spread of a disease. Dr. Bernard Rieux is a doctor trying to save the community of Oran from the ravages of a plague. Even though Dr. Rieux patiently tries to care for everyone in the makeshift infirmaries most of his patients die. It appears to be a losing battle. Soon it is obvious the bigger question on Dr. Bernard Rieux’s mind concerns humanity. For him, the struggle between good and evil is all apparent. He observes how people react to the disease, are influenced by the disease, and are changed by the disease. In the end, the whole point of the didactic lesson for Dr. Rieux is that we all need someone. Rieux’s biggest discovery is that he is content to continue the crusade against any disease, any suffering, any pain or death.

BookLust Twist: From Book Lust in the chapter called, “100 Good Reads, Decade by Decade: 1940s” (p 177).

Confessional: Maybe this is my 21st century thinking, but I ridicule the idea of a man’s mother coming to keep house for him while his wife is ill. Can’t the man cook or clean for himself?

Dingley Falls

 Malone, Michael. Dingley Falls. New York: Harcourt, Brace & Jovanovich, 1980.

I chose Dingley Falls in honor of National Author’s Day being in November. Nothing more random than that.

Even if you didn’t know anything about Michael Malone you would swear his novel, Dingley Falls, is supposed to be a script, or at least the backdrop, to a titillating, slightly scandalous soap opera. The town of Dingley Falls, fictitiously located somewhere in Connecticut, is teeming with odd characters with even more bizarre stories to tell. It is as if the entire community has digested some mild altering hallucinogenic that causes everyone to come unglued. To give a few examples, mild-mannered Mrs. Abernathy suddenly ends up under a tree in the pouring rain having wild sex with a poet she has just met; post mistress Mrs. Haig is forced to retire because of a bad heart. It’s not the job that is stressing her out, it’s a snapping, snarling dog who chases her home five nights a week; Headmaster Mr. Saar has trouble controlling his sexual appetite and will wind up handcuffed to a bed in a seedy motel in New York City, naked and dead, if he isn’t careful. Mrs. Ransom tries masturbation for the very first time only to have some stranger catch her in the act.
The list of characters goes on and on, so much so that Malone needed to list his crazy community individual by individual at the start of his book.

When you discover Michael Malone has years and year of experience as the senior writer for One Life to Live then Dingley Falls begins to make sense. The heightened drama, the outrageous characters, the never-ending bizarre situations in Dingley Falls suddenly become par for the course…just a little more graphic with the sex scenes and violence, the things you can’t show as vividly on daytime television.

Favorite lines: “The elderly shut-in bought a new car every year – each racier than the last – as if she thought she could outdrag death if she only had the horsepower” (p 94). “‘Did you know that until I drink this cup of coffee, anything you know is knowing too much?'” (p 145). “He drank in order to pose count; not like Walter Saar, to get in touch with who he was, but to stay out of touch with who he might have been” (p 157).

BookLust Twist: In Book Lust and More Book Lust. This is a popular book in Pearl’s world. First, from Book Lust in the chapter called, “Southern Fiction” (p 222). From More Book Lust in the chapter called, “Michael Malone: Too Good To Miss” (p 160).

Invitation to Indian Cooking

Jaffrey, Madhur. An Invitation to Indian Cooking. New Jersey: Ecco Press, 1999.

I have to start off by saying I love Madhur Jaffrey’s cookbooks. I own several and all of them are well-organized and beautifully illustrated (or have gorgeous photographs).

An Invitation to Indian Cooking might have been a more accurate title had it included the subtitle Getting to Know Indian Cuisines and Ingredients because Jaffrey not only invites you into the world of Indian cuisine she also includes history lessons and ingredient explanations in addition to recipes. While her tone is conversational I found it to be a little didactic at times. Her claims that Americans, on the whole, don’t know what well-prepared rice tastes like is one such example. Another drawback to An Invitation to Indian Cooking is its out-of-date information. Basmati rice, Jaffrey recommends, is readily available at specialty stores. That may have been true in 1973 when her first cookbook was published, but I expected the reprint to have some updated information. I also find it hard to believe that out of 50 states only 12 have stores that carry authentic Indian ingredients.
But, having said all that, I love the recipes Jaffrey includes in her first cookbook. I like her attention to detail and her comparisons between American and Indian products. For example, Jaffrey points out that American chicken is more tender than chicken purchased in India, therefore traditional Indian cooking techniques would not work well on an American-raised bird.

“The chicken available in American markets is so tender that it begins to fall apart well before it can go through the several stages required in most Indian recipes” (p 86).

If you are ambitious enough to make several Indian recipes at the same time Jaffrey includes a series of different menus to try.

BookLust Twist: From More Book Lust  in the chapter called, “India: a Reader’s Itinerary” (p 125).

Caddie Woodlawn

Brink, Carol Ryrie. Caddie Woodlawn. New York: Scholastic, Inc. 1973.

Thanks to Phish and a midnight show I was able to read this in one night (my other November books hadn’t arrived yet). While Kisa listened to a live show from California I was nose-in-book for a few hours. This was cute and completely reminded me of the Little House on the Prairie series by Laura Ingalls Wilder.

Caddie Woodlawn is the quasi-true story about Caroline “Caddie” Woodlawn. I say quasi because Brink got her stories from her grandmother and she changed some of the details for the sake of the plot. Caddie is Brink’s grandmother (with a slight name change). As an impetuous, spunky tomboy, Caddie would rather run wild with her two oldest brothers rather than stay home and cook and sew with her more demure sisters. The whole book is about Caddie’s struggle to balance wanting to be a good girl while being a natural wild child.
The year is 1864 and the Civil War is raging to an end in the East while a different prejudice is infiltrating the midwest. The conflict between Native American Indians and the white man who invaded their territory is being fueled by ignorance, rumors and fear. Caddie is eleven years old and coming of age at a time when the country is doing the same thing.

Favorite line, “She whipped out her ruler, and laid it sharply across that section of Obediah’s person on which he was accustomed to sit” (p 68).

BookLust Twist: From Book Lust in the introduction (p x).

Just So Stories

Kipling, Rudyard. The Complete Just So Stories. New York: Viking, 2003.

It took me a very long time to find a version of Just So Stories  that had the exact stories I was looking for. My library has a book that it calls Just So Stories but isn’t the complete volume of all stories. It’s missing the two crucial stories I needed for the Book Lust Challenge, ” How the First Letter was Written” and “How the Alphabet was Made.” 

Despite being published in 1902 I am glad I found a 2003 republication. Isabelle Brent’s illustrations are wonderful! She took some liberties modernizing Taffy and her father who were supposed to be ancient tribal people, but her depictions of animals are accurate and her use of color is great.

I only read two stories from Just So Stories, “How the First Letter was Written” and “How the Alphabet was Made.” Both were incredibly fun to read, especially aloud. Kipling pokes fun at the stereotypes of parents and children with names like, “Lady-who-asks-a-very-many-questions” for the mother and “Small-person-with-out-any-manners-who-ought-to-be-spanked”  for the child. In both stories the theme is the need for better communication skills and are meant to be read together. The first letter makes up the alphabet later on and one story is a continuation of the other. Rumor has it that both “How the First Letter was Written” and “How the Alphabet was Made” started out as oral stories, told to Kipling’s daughter Josephine in 1900.

Favorite line: “We must make the best of  bad job” (p 70 from “How the First Letter was Written”).

BookLust Twist: From More Book Lust in the chapter called, “Alphabet Soup” (p 11).

The Life You Save

Elie, Paul. The Life You Save May Be Your Own: an American Pilgrimage. New York: Farrar, Straus and Giroux, 2003.

What do Flannery O’Connor, Thomas Merton, Dorothy Day and Walker Percy have in common? For starters, they are all authors who struggled not only with identity, but religious faith as well. It’s this search for religious truth through writing that binds them together. They conducted their searches and tested boundaries of Catholicism through the art of writing.  Mary Flannery O’Connor began her writing career in Georgia at a very young age and was considered a prodigy by many: Thomas Merton, just a couple of states north in Kentucky began his writing as a Trappist monk who wrote letters about his faith: Dorothy Day, while older than all the others, founded the Catholic Worker newspaper in New York: Walker Percy started out as a doctor in the furthest south of them all, in New Orleans, but quit medicine to become novelist. In time the group became known as the School of the Holy Ghost because of their pursuit of the answers to religion’s biggest questions. Paul Elie brings that School of the Holy Ghost back together again in a 2003 book called The Life You Save May Be Your Own containing biographies and literary criticisms of all four writers. Elie does a great job detailing all four lives and the times they lived in, but is more thorough with the women than the men. Flannery O’Connor gets the most attention while Thomas Merton gets the least.

I didn’t find any quotes that really spoke up or out, but my favorite part was Elie’s breakdown of Walker Percy’s The Moviegoer. I am almost tempted to read it again now that I have a better understanding of Percy and what he was trying to say.

BookLust Twist: From More Book Lust in the chapter called, “Group Portraits” (p 109).

In A Glass Darkly

Le Fanu, Sheridan. In a Glass Darkly. Trowbridge: Redwood Press, Ltd. 1971

Every other “scary” book I have read for October pales in comparison to In a Glass Darkly despite being composed of short stories. Let’s face it, the stories no matter how short are weird. In a Glass Darkly is made up of five short stories (although “Dragon Volage” is long enough to be classified as a novella) that are a mix of ghost stories, horror, mystery and fantastic. Each story is a little stranger than the last which makes for the perfect Halloween-time read especially with the lights dimmed low. The book ends with the short story “Camilla” about a lesbian vampire who needs more than victims to survive. “Camilla” appears to have the most success out of all the short stories, prompting other authors to write similar vampire stories with greater success. 

“Green Tea” is about a doctor, Dr. Hesselius, who deals in the occult who is convinced his patient is being possessed by demons. The patient is Robert Lynder Jennings. He is a reverend haunted by a demon in the form of a little black monkey with glowing red eyes. When Dr. Hesselius meets the reverend he is convinced his afflictions are caused by excessive consumptions of green tea. His intuitions allow Rev. Jennings to take the doctor into his confidences and soon relates how the monkey demon came to haunt him. Things become more dire when Rev. Jennings admits the monkey has been making him do vile, unthinkable things. From here there is no turning back and the story can only end in tragedy.

“The Familiar” was originally written as “the Watcher” which I think is a better title. “The Familiar” is about a sea-captain, James Barton, who is being stalked by someone calling him/herself “the Watcher” (hence the better name for the title). The stalker turns out to be an ominous, little dwarf. After the dwarf’s appearances Captain Barton starts hallucinating voices and thinking an owl is out to get him. There is nothing he can do to stop the mental breakdown that is inevitable.

“Mr. Justice Harbottle” is a freaky little tale about Elijah Harbottle, a cruel and corrupt judge. His conscience starts to get the better of him after an unusual visit from a stranger. He begins to feel haunted by past prisoners he has unfairly put to death by his rulings. The hauntings become so severe that Judge Harbottle can’t escape the noose around his own neck.

“The Room at the Dragon Volage” moves away from being frightening (until the end) and takes on the genre of a mystery as the villans are human. I found the bulk of this story to be long-winded and boring. Maybe that is because it is the longest of the short stories in In a Glass Darkly (26 chapters equaling 176 pages) and really should be called a novella. It takes a long time for the story to come to a head. —- is too naive, too trusting, too innocent for my taste. He’s also too obsessed with a woman he’s only seen once. As the reader you have to suspect nothing good can come from this strange passion, especially since she is a married woman. This was my least favorite story of them all.

“Carmilla” is a good old-fashioned vampire tale. The kind that inspires others to write the same. The twist to this is that the vampire is female and lesbian. When a strange girl known as Carmilla is thrown from her carriage she is brought to the home of a lonely young girl. Hungry for companionship the young girl welcomes Carmilla into her home. Hungry for a new victim, Carmilla readily accept. The reader can see the plot coming from a long ways off, but the young narrator is slow to grasp the danger she is in.

Favorite line: “The Clerygman felt a chill of horror steal over him, while, during the wail of a sudden gust of wind, he heard, or fancied he heard, the half articulate sounds of rage and derision mingling in the sough” (p 65).

BookLust Twist: From Book Lust in the chapter called, “Science fiction, Fantasy, and Horror” (p 213).

The Natural

Malamud, Bernard. The Natural. New York: Dell, 1952.

Even though the Boston Red Sox didn’t make it to the world series this year, I still wanted to read a baseball book before the season was over. The Natural seemed like the perfect choice to wrap up October 2009 even though it was on the depressing side.

Despite being only 180 pages long Bernard Malamud packs a lot of action into the plot of The Natural. Roy Hobbs is a rookie baseball player on his way to try out for Chicago’s pro team, the Chicago Cubs. Just as he arrives in Chicago he is shot by a serial killer, a woman bent on killing professional athletes. Fastforward 16 years and Roy has survived being shot and is now playing for the New York Knights. He has made it to the big time only to have to deal with a mid-season slump, a crooked co-owner, Judge Banner, an infatuated woman who says she is carrying his child, Iris Lemon, and his unresolved relationship with the fans. When Hobbs is bribed to throw the game, he counters with a bigger bribe and the deal is done. The book ends with a newspaper boy confronting Hobbs after the game, asking “Is it true?” and Hobbs cannot reply.

I didn’t really find any lines that struck me serious.
BookLust Twist: From Book Lust in the chapter called, “Take Me Out to the Ballgame” (p 229).

Crocodile on the Sandbank (with spoiler)

Peters, Elizabeth. Crocodile on the Sandbank. New York: Dodd, Mead & Company, 1975.

Right away I knew Crocodile on the Sandbank was going to be funny. In the opening scene, Amelia Peabody, the novel’s main character, fakes needing an interpreter in Italy so that she has someone to carry her parcels and run her errands. She is a tough-minded, strong-willed, and independent woman on the verge of 20th century modernism. Of considerable wealth and edging towards spinsterhood, Amelia decides she wants to travel to Egypt. It being the late 1800s, she needs a female traveling companion. Enter Eveyln. Evelyn Barton-Forbes is a beautiful young girl with a not-so-innocent past. Amelia takes to her immediately and the two set out for an adventure of a lifetime. What starts out as a harmless journey to Egypt turns into a mystery complete with a murderous mummy and stop-at-nothing suitors. This is the first book in the Amelia Peabody series. Other series by the same author are: Vicky Bliss, art history professor and Jacqueline Kirby, librarian.

Favorite line: “…scarcely a day went by when I was not patching up some scrape or cut, although, to my regret, I was not called upon to amputate anything” (p 78). This is after she packs instruments to help with amputations!

My only source of irritation was when Amelia meets Radcliffe for the first time. Their hatred towards one another is so exaggerated and so comical I knew they would end up getting married. It’s the kind of scene you would see in a movie and predict the end…

Note: Elizabeth Peters is a pseudonym for Barbara Merz and Barbara Michaels. If you ever get the chance, check out her website. It’s fun!

BookLust Twist: In both Book Lust and More Book Lust. In Book Lust in the chapter called, “I Love a Mystery” (p 119), and in More Book Lust in the chapter called, “Crime is a Globetrotter: Egypt” (p 61).

Empire Falls

Russo, Richard. Empire Falls. New York: Vintage Contemporaries, 2001.

It took me forever to read Empire Falls. Aside from having several different storylines each character is artfully developed in full. People and places are vividly described to the point of comfortable familiarity for the reader.
Miles Roby is a soon-to-be divorced father who seems to have lost all passion for life. He has been working at the same restaurant, the Empire Grill, for twenty years. He suffers through constant, obnoxious reminders that his wife is marrying someone else as soon as his divorce from her is final. He tolerates a mischievous, thieving father who is always telling him how not to be a loser. He squirms under the thumb of a woman who has ruled him, his family and the entire town of Empire Falls for generations. Miles’s only solace is in his daughter, Christina (Tick, as she is affectionately known by everyone). Despite everything Miles has going against him throughout the story he remains a graceful, if not tragic, hero.
Even though Miles Roby is the main protagonist of Empire Falls the entire town comes alive by Richard Russo’s artistic and skillful writing. Like any small community Empire Falls has its fair share of quirky people and Miles Roby’s personal life is not only know by everyone else, but is commented and cared about by all.

Favorite lines: “…both men had pushed their conversations until their words burst into flame rekindling age-old resentments, reopening old wounds” (p 115), “One of the odd things about middle age, he concluded, was the strange decisions a man discovers he’s made by not really making them, like allowing friends to drift away through simple neglect” (p 261), and “Janine knew from experience that it was a lot easier to forget a thousand things you wanted to remember than the one thing you wanted to lose sight of” (p 271).

BookLust Twist: From More Book Lust in the chapter called, “New England Novels” (p 177).

When Found Make a Verse Of

Bevington, Helen Smith. When Found, Make a Verse of. New York: Simon and Schuster, 1961.

This book has a fascinating concept. Using a phrase from Dickens’ Dombey and Son (“when found, make a note of”), Bevington changes it to “when found, make a verse of.” Throughout literature Bevington’s reaction to it is to write a poem. When Found Make a Verse Of is her way of responding to what she has read. A conversation between writer and page. Oddly enough, the poetry was my least favorite part of When Found, Make a Verse Of. I enjoyed the pieces of literature from Yeats, Cummings, Frost, Russell (to name a few) and found them just as fascinating as Bevington did. I was more thankful for the compilation of  great authors in one place than the poetry that accompanied it.

Favorite lines: In reaction to John Ruskin’s attempt to separate intellect and feeling in his diary, “Poor young man, his head was never to know what happened in the heart” (p 23).
“I am, then, a fraud as teacher, a mere slave of time in this world of morality, circling to decay? I am” (p 45). 

BookLust Twist: In More Book Lust in the chapter “Commonplace Books” (p 52).

Feminine Mystique

Friedan, Betty. The Feminine Mystique. New York: W.W. Norton & Co, Inc. 1963.

I get my panties in a twist whenever I read books on feminism. I don’t know what it is. It’s not that I don’t believe in equal rights for women. It’s not that I’m in some sort of strange denial that for centuries women were kept practically under rocks. It’s not any of that. So, what is my problem? I guess I would rather see a woman make the most of her time fighting the inequality rather than bemoaning it. I’d rather see a woman trying to stamp out history rather than dredging it up, and reminding herself of exactly how unfair it has been. Not unlike those cigarette ads from the early 1980s – “You’ve come a long way, baby!” We know how far we have come. My gender, we know. And the sad thing is, we still have so far to go. But, enough about that – on with the review.

Betty Friedan uses The Feminine Mystique to remind women that, for decades, the only way for a woman to be feminine was to get married, have kids and keep a house. Having multiple children was the norm, and running a household was considered a career. There was room for little else. Friedan analyzes why women, brought up with these socially accepted views, are suddenly finding themselves wanting more. In the early 1960s, (when The Feminine Mystique was written) therapy was becoming all the rage. It was common for women to crowd clinics crying out for some kind of attention, demanding something better…although they didn’t understand why. If they had a husband, a house and at least two children (with a third on the way), society was telling them they had it all and they should ve grateful. Using the influences of the past like Sigmund Freud and Margaret Mead Friedan is able to paint a cultural picture of how the ideals and goals of women have been shaped and reshaped over time. Friedan cites a multitude of magazines that have practically brainwashed women into believing a husband, house and kids were the best of all worlds combined. A great deal of the Feminine Mystique is made up of quotations from other people. Interviews, magazines, lectures, books, and even a commencement address are used to support her commentary on a woman’s position throughout history. Yet, her writing is angry and sharp. She is judge and jury for the problems women face, specifically in an American culture, especially if things do not change.

Telling line, “All they [women] had to do was devote their lives from earliest girlhood to finding a husband and bearing children” (p 16). This sums up the entire book.

BookLust Twist: From More Book Lust in the chapter called, “I am Woman – Hear Me Roar” (p 120).