Author: gr4c5

I write. I read. I cook. I run. That's me, in a nutshell.

Last Time They Met

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Shreve, Anita. The Last Time They Met. Boston: Little, Brown and Company, 2001.

The story, divided into three parts, starts from the perspective of Linda Fallon at 52 years old. Widowed with two adult children Linda is a poet with a complicated past. Her tangled history is confronted when she encounters her former lover, Thomas Janes, at a literary festival. Thomas, also a poet, has gone on to become a legend of sorts after the drowning death of his young daughter drove him into seclusion. What the reader learns in Part I is that Linda and Thomas started a romance in highschool that ended badly.  Part II is from Thomas Janes’s perspective in Africa 25 years earlier than the festival. Linda, then 27, has married and is working for the Peace Corps when Thomas, also married, encounters her in an African marketplace. The fuzzy details of their teenage romance hinted at in Part I become a little more defined in Part II. The reader discovers a terrible accident allowed overly protective adults to separate the young highschool lovers and effectively dismantle their relationship by putting distance (and silence) between them. Part III is ten years prior to Africa. Thomas and Linda are 17 and in highschool. This final section brings the entire sage full circle. In all honesty my favorite way to read The Last Time They Met is front to back and then again, this time back to front. The tiniest of details become glittering and sharp when exposed by more supporting story.

Confession: this is a reread. As a rule, I have tried to read everything by Anita Shreve. She is definitely one of my favorite authors. Here’s the weird thing about rereading The Last Time They Met. I am remembering a scene that should have been in this book or at least I thought was in this book and there is another part to the story that sounds like something I read somewhere else. Confused? I know. I shouldn’t have said anything.

Favorite lines (and there are a few, bear with me), “The spirit sought and found the work, and discontent began when it could not” (p 5), “Thomas watched her walk away, all the blood in his veins following her” (p 125), and, “What’s imagined always worse than what is” (p 308).

BookLust Twist: From More Book Lust in the chapter called, “Tricky, Tricky” (p 222). Pearl lists a few books that play tricks on you. In honor of Halloween I read The Last Time They Met.

Ways of Seeing

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Berger, John. Ways of Seeing. London: British Broadcasting Corporation, 1972.

My copy of Ways of Seeing arrived battered and falling apart. That coupled with the fact it is clearly a product of the 1970s gave the book a tired, worn out appearance. I thought of it as cheap and flimsy as well, given it is only 154 pages long and mostly illustrations and photographs at that. So, my way of seeing the book was definitely influenced by age, condition and size. Interesting. That, in a nutshell, is the premise of Ways of Seeing. Coming from a Marxist way of thinking John Berger provokes thought with the art he has chosen for his book. For example one can either be offended or intrigued by his chapter on women depicted in art. Because the chapter is lacking text the reader is on his/her own to process what the art is (or isn’t) trying to convey.

Another interesting thing to note is this book is the first example of a book made from a television series. In my mind, when questioning the “which came first?” it is always the book before the screen no matter what the size – television or movie.

BookLust Twist: From Book Lust in the chapter called, “Art appreciation” (p 25).

Report From Ground Zero

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This should have been posted sometime in September – sorry!

Smith, Dennis. Report From Ground Zero. New York: Viking, 2002.

I chose to squeeze this onto my September reading list because it matched my mood, my New York State of Mind, if you will. When you are embraced by sadness additional tragedies are easier to handle. It’s as if someone wants to throw a bucket of water on a man standing in the pouring rain. What’s a little more precipitation to an already drowning man? Bring it on.

The first thing you notice about Report From Ground Zero is how stark it is. My copy didn’t have publisher or copyright information. It was if my version was a rough draft, a real report from bowels of hell. It disturbed me and I can’t tell you why.

Dennis Smith asks the question everyone can answer even nine years later, “where were you on September 11, 2001?” In Report From Ground Zero Smith asks key rescue personnel to recount the moments directly after seeing, hearing, or learning of the attack on the World Trade Center towers in Lower Manhattan. He calls each story a testimony. Smith starts by giving his own account which amounts to a litany of questions surrounding logistics and survival. As a retired New York City firefighter he anticipates the magnitude of destruction and ponders the challenges surrounding survival with great concern. As each rescue worker recounts that fateful, awful day a pattern starts to emerge. Initial disbelief turns into a sense of determination as the magnitude of destruction is fully realized. Every single response was to roll up the shirts sleeves, harden the jaw and with single minded pure grit get to work. After the dust has literally and figuratively settled other shared memories come to mind – how deathly quiet and dark everything became after the towers fell; how surreal the landscape. Like nothing they had even seen before or since.
While the first half of the book contains the powerful testimony of others around him, the second half of Report From Ground Zero is Smith’s diary of the aftermath of 9/11. It isn’t as emotional as the first half of the book, but sheds critical light on one man’s determination to document just how tireless and faithful those rescue personnel searched to rescue fellow officers and even family.

Favorite lines: “I am attached to the television as if every friend I had is about to cross the screen” (p 6). I think we were all that way, for days to come.
Another one: “There is no reason why I’m alive and anyone else is dead” (p 32). Words remembered by Deputy Chief Pete Hayden.

BookLust Twist: From Book Lust in the chapter called, simply ” 9/11″ (p 171).

Messiah

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Vidal, Gore. Messiah. Boston: Little, Brown and Company, 1954.

John Cave, as a professional embalmer, is intimate with death. While working on a client he has an epiphany of sorts. Suddenly he has deemed the act of dying a good thing. Cave is so taken with this revelation that he must share his idea with as many people as possible and without warning a new religion is born. His followers call it “Cave’s Word” or Cavesword. It’s strongest message is death is to be welcomed. As Cavesword spreads Cave establishes a following so large he needs a team to promote and protect him. Closest to him is Iris Mortimer, Paul Himmell, Clarissa Lessing, and Eugene Luther. Each individual has a different purpose for being part of Cave’s inner circle. It’s Eugene Luther who narrates the story of John Cave. With the help of Cave’s inner circle he develops and promotes a product to go with his message. Cavesway is a drug taken to make death even easier to initiate. As the world’s suicide rate rises, thanks to Cavesway, Luther’s perception of Cave and the cult-like message starts to distort and crumble. Messiah is prophetic and mesmerizing. I thought of it as “a hideous evil you can’t tear your eyes from.”

Favorite lines, “Stars fell to earth in a blaze of light, and where they fell, monsters were born, hideous and blind” (p 4). How’s that for a start? Other lines I liked, “The sky that day was like an idiot’s mind, wild with odd clouds, but lovely too, guileless, natural, elusive” (p 13), and, “We’ve finally made dying simply swell” (p 95), and finally, “Any direct statement of personal innocence has always made me feel completely criminal” (p 140). The last quote is probably my favorite.

BookLust Twist: From Book Lust in the chapter called, “Gore Vidal’s Historical Novels: Too Good To Miss” (p 237). Obviously, Messiah is not a historical novel like Burr or Lincoln. Pearl threw it in the chapter as a personal favorite.

Poison Oracle

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Dickinson, Peter. The Poison Oracle. New York: Pantheon Books, 1974.

What an easy premise: a murder is committed and only an animal witnessed the crime. The reader knows from the beginning, well in advance there will be murders. At least two of them. There are frequent reminders to these crimes throughout the book if only to keep the upcoming events in place and anticipated. The story centers around Dr. Wesley Naboth Morris. He is a zoo keeper who speaks Japanese; tutors his Oxford classmate’s son, an Arab prince in English and is, by trade, a psycholinguist. His side project is working with Dinah, a chimapanzee, to determine if primates can learn coherent sentences using plastic symbols. It is Dinah who witnesses the promised murders. The story begins with an interesting twist when a Japanese airliner is hijacked and makes an emergency landing at the Sultan’s palace. To further complicate The Poison Oracle the Sultan’s palace is surrounded by the Swampmen. Living in the swamps these tribes are outsiders to the palace. They are different from the community of Arabs that border their swamp – divided by skin color, culture, and most obvious of course, language. Some end up as servants in the palace but most are misunderstood and feared to be evil. The Poison Oracle is a story about language but it is also a story about oil. The Arabs believe there is oil in the marshland. A war with the marshmen would drive their tribes out. Dr. Morris has the thankless task of trying to solve the mystery of the murders, but also acting communicator with the marshmen.

Favorite line, “To connect cause with effect is to drive out fear” (p 117). It is funny how I connected with this line because cause and effect are the last three words of the book.

BookLust Twist: From More Book Lust in the chapter called, “Animal Love” (p 14).

September ’10 was…

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Sorry – forgot to post this!
September. As the song goes, “wake me when September ends” (thanks, Green Day). I got married in September just so I would have one happy memory (my wedding was freakin’ awesome). It is the one good thing to look forward to celebrating each year. Except this year. Considering how bad this September has been I am amazed I even remembered I got married in this damned month. Between Indiana being sick dying (on our anniversary no less), the anniversary of my father’s passing (18 years), my grandfather still being in hospice and my other insane family issues I can’t sleep straight. I don’t know when I’ll find mind rest again. But, here are the books that kept me somewhat sane:

  • Tinker, Tailor, Soldier, Spy by John le Carre ~ I feel bad not being able to finish (or even like) this book. For years I’ve wondered about it.
  • Moo by Jane Smiley ~ was this ever a movie? I still can’t get over how caustic it was!
  • Wild Life by Molly Gloss ~ this should have been a movie, too!
  • Between Parent and Child by Haim Ginott ~ just told my mom about this book last night. Something I would reread if I had children.
  • Where Bigfoot Walks: Crossing the Dark Divide by Robert Michael Pyle ~ this had me believing…for a minute.
  • The Optimist’s Daughter by Eudora Welty ~ my biggest head-scratcher this month. Seems like I have read this before somewhere.
  • The Clock Winder by Anne Tyler ~ it is interesting the way people have influence over others without wanting (or even trying). I read this in four days time.
  • The Heartbreak Hotel by Anne Rivers Siddon ~ a little redundant but I read this in honor of back to school month and because I had it ready on a shelf.
  • Report From Ground Zero by Dennis Smith ~ because I haven’t been sad enough

For LibraryThing’s Early Review Program:

  • Play Their Hearts Out: A Coach, His Star Recruit, and the Youth Basketball Machine by George Dohrmann ~ this was intense!

I was supposed to get another book but I haven’t seen it yet. I am not going to even mention the title in case it never arrives. Even if it does comes I won’t be reading it in September.

For fun (started):

  • The Lacuna by Barbara Kingsolver ~ my husband bought this for me as an anniversary present because he knows I love, love, love Ms. Kingsolver’s work. And to think I didn’t get him anything. I did end up making one of this favorite meals for the very first time, chicken pot pie.

Oct ’10 is…

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For the first time in a long time I am taking an October vacation. Wait. I don’t think I’ve ever really taken an October V A C A T I O N before. Maybe a long weekend around Columbus Day, yes. A real, honest to goodness, week off in October? No, I don’t think so. Finally, something good to look forward to… Here is the month in books:

  • Bonobo by Frans de Waal ~ in honor of de Waal being born in October and in honor of Animal Month
  • Poison Oracle by Peter Dickinson ~ in honor of special child month
  • Ways of Seeing by John Berger ~ in honor of National Art Appreciation month
  • Messiah by Gore Vidal ~ in honor of Vidal’s birth month
  • Woman: an intimate geography by Natalie Angier ~ in honor of Breast Cancer Awareness month
  • The Ear, The Eye, The Arm by Nancy Farmer ~ in honor of National Fantasy Month

In addition I am still reading The Lacuna by Barbara Kingsolver. The magic of this read is that I am savoring each and every word like it is the most expensive, the richest, most divine piece of chocolate I have ever tasted – simply because I don’t want it to end!

Heartbreak Hotel

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Siddons, Anne Rivers. Heartbreak Hotel. New York: Pocket Star Books, 2004.

Margaret Deloach (Maggie to her friends) is a good girl, a good, smart Southern girl who has everything going for her. She is popular and beautiful, a sister in the Kappa sorority and pinned to the ever handsome Boots Claiborne. Much is made of Maggie’s looks, her clothing, her sense of style. It isn’t until Maggie meets Hoyt Cunningham, a childhood friend of Boot’s, that Maggie’s moral compass and intelligence is exposed and challenged. Everything comes to a head when Maggie witnesses the brutal recapture of a black inmate from the county jail in Boot’s hometown. What makes this story so interesting is Heartbreak Hotel is a coming of age story set in the Civil Rights era South. It is lush with description, brimming with trouble. It is easy to see why it was a New York Times best seller.

While Maggie is admirable throughout the entire saga of Heartbreak Hotel I did have one small question. *Spoiler Alert* Maggie writes an opinion piece about segregation in Alabama. It coincides with the entrance of the state university’s first black student so racist tensions are already running high. Maggie’s piece strikes out at her finance’s family and the only way of life they had ever known for generations and generations. My question is this, how in the world did Maggie think she could write a front page article criticizing Boots and still have him as her husband? There is one scene that I find Maggie’s character to be completely unbelievable. Maggie’s column has made the front page only Boots hasn’t seen it yet. He has been away for a family funeral. When he returns they go to his fraternity for a party where Maggie is hopeful no one will mention the article to him. She even thinks she has a chance to tell him about it and “have a laugh over it.” I don’t know what she was thinking when everything up to that point indicates he will have a royal, violent meltdown.

Favorite lines: “And so reading remained one of Maggie’s small and constant rebellions” (p 11). I loved this line when I first read it and didn’t realize how much of a premonition it was to the tail end of the story. Another favorite line, “She passed a day in fitful, drugged sleep, in which deep snoring alternated with wild incoherent sobbings about guilt and blood and chewing gum and blonde whores and God” (138). That, my friends, is the epitome of a breakdown. Brilliant.

BookLust Twist: From More Book Lust in the chapter called, “Southern-Fried Fiction: Alabama” (p 206). Alabama became a state in the month of December but I chose to read Heartbreak Hotel in September as another Back to School honor book. I had a few days left in the month and this book was lying around the house so I read it.

Clock Winder

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Tyler, Anne. The Clock Winder. New York: Alfred A. Knopf, 1972.

The Clock Winder could be seen as a cautionary take about what it is like to get caught up in situations beyond one’s control. It’s about what happens when someone lets his or her guard down and becomes too involved. Elizabeth Abbott is a twenty year old drifter. Having left her North Carolina home the summer before her last year of college Elizabeth finds herself in Baltimore, Maryland where she becomes the handyman for an elderly woman. The meeting is purely by chance but everything beyond that is not. Mrs. Emerson is struggling to put away lawn furniture after firing her gardener of nearly 25 years when Elizabeth walks by and offers to help. The longer Elizabeth stays in Mrs. Emerson’s employment and becomes involved with her seven children the more complicated Elizabeth’s life becomes.The Clock Winder is what happens when people make lasting impressions. Just as Elizabeth has made an impression on the Emersons they have changed her life as well.

Favorite lines: “Oh, everything she said nowadays was attached to other things by long gluey strands, calling up other days, none of them good, touching off chords, opening doors” (p 61), and “He felt burdened by new sorrows that he regretted having invited (p 123).

My least favorite part of the book was the ending. *Spoiler alert* I was disappointed Tyler used Peter to tell the last part of the story. Peter hardly factors into the most important parts, yet it’s from his perspective that we learn Elizabeth has married Matthew, has had two children with him and is now living in Mrs. Emerson’s house. We also learn that Andrew and Elizabeth have kissed and made up despite Andrew’s previous belief that Elizabeth killed his brother…Confused yet?

BookLust Twist: From Book Lust in the chapter called, “Real Characters” (p 197). Chosen for the eccentric characters within the Emerson family.

Where Bigfoot Walks

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Pyle, Robert Michael. Where Bigfoot Walks: Crossing the Dark Divide. Boston: Houghton Mifflin Company, 1995.

Where Bigfoot Walks is much more than a search for Bigfoot. It’s more than a need to discover the existence of a legend. Robert Michael Pyle was awarded a Guggenheim fellowship to investigate the mesmerizing myths that bring Sasquatch to life in the minds of millions. The grant basically allowed Pyle to take a leave of absence from ordinary bill-paying work (other writing) to pursue Bigfoot’s legacy across the Dark Divide and beyond. In that time Pyle met a variety of individuals most of whom fervently believe. If you are looking for a recount of all the Bigfoot/Sasquatch/Yeti sightings in glorious detail, Where Bigfoot Walks is not the book for you. Pyle traverses the landscapes that hold the myths but his attention is more on what he can see rather than what he cannot. His lovingly vivid descriptions of birds, plants, flowers, rivers, mountains, animals, trees and grasses are tantalizing as is his equally scornful descriptions of bike tracks, logging scars, and other man-made abuses against nature. Only a couple of times were his attention to detail distracting – I didn’t need to know how many times he remarried nor did I care about his bodily functions along the trek(s).

But, there is no doubt Pyle is a skilled and entertaining author. Here are a few quotes that had my attention: “My tent was a hammock suspended between the sun and the moon, guarded by three volcanoes” (p 27), ” But unless I caught an arrow in the ass from some wannabe Robin Hood who mistook it for an elk’s rump, I was at little risk” (p 80), and “Anyone who sneers and never embraces a tree is missing out on one of the finer sensual compensations for life in a mortal body” (p 116).

BookLust Twist: From Book Lust in the chapter called, “Companion Reads” (p 63). I read this with Wild Life by Molly Gloss.

Optimist’s Daughter

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Welty, Eudora. The Optimist’s Daughter. New York: Random House, 1972.

Southern story broken into four distinct sections.
Part I – Laurel McKelva Hand comes from Chicago to care for her elderly father after eye surgery. Judge McKelva subsequently dies and Laurel is left to deal with her young, silly stepmother, Fay. Part I sets the tone for Laurel and Fay’s strained relationship.

Part II – Laurel and Fay bring Judge McKelva home for the wake and funeral where Laurel is heartily welcomed and supported by her friends and community. Fay’s family comes from Texas and brings out the worst in Fay. Part II illustrates southern charm and manners.

Part III – Laurel has to come to terms with her father’s new, young wife. As silly as she is, Laurel’s father adored her. Laurel also has to come to terms with the death of her mother ten years prior.

Part IV is all about Laurel’s introspective growth and acceptance of the future. The burning of her mother’s letters and the letting go of the breadboard are very significant.

BookLust Twist: From Book Lust in two different chapters. First, from “100 Good Reads, Decade by Decade:1970s” (p 178), then in “Southern Fiction” (p 222).

PS ~ I liked knowing a little about the authors I read. It was fun to discover Welty had connections to Smith and was a Guggenheim fellow (just like Robert Michael Pyle).

Tinker Tailor

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Le Carre, John. Tinker, Tailor, Soldier, Spy. Toronto: Bantam Books, 1975.

I have seen this book peering out at me from my parents bookcase for years and years. I was always fascinated by the title, but scared of the plot. As a teenager I could never get into spy books. I don’t think it had anything to do with being a girl because I read the Hardy Boys just as readily as Nancy Drew. I think it was the fear of spies in general. I mean, think about it – a spy is someone you think you know, but don’t. A spy is someone completely different than who they appear to be. That scares the crap out of me.

To be honest Tinker Tailor was one of the most confusing books I have ever tried to read. For starters, it’s one of those start-in-the-middle-of-the-plot books. The only successful way to catch the reader up on what has been missed is a series of flashbacks. I kept getting the flashbacks confused with the here and now. Another thing I kept getting confused was the language. le Carre has a whole series of secret words to describe the Cold War spy game. For example, a babysitter is really a bodyguard.The plot itself is really straightforward inasmuch as an espionage thriller could be. George Smiley is pulled out of retirement as a British Intelligence officer. He is recruited to uncover a Russian mole deep in the BIA’s ranks. Of course, that it the simplest, dumbed-down plot synopsis I could make. Many reviewers have called Tinker Tailor “complicated” and I would have to agree.

I did manage to find a favorite line in the 50 pages I did read, “Only food could otherwise move him so deeply” (p 23). Go figure.

BookLust Twist: From Book Lust in the chapter called, “Cold War Spy Fiction” (p 61).

Interesting sidenote: John le Carre is the pen name of David John Moore Cornwell.

Wild Life

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Gloss, Molly. Wild Life.New York: Simon & Schuster, 2000.

I suppose I could make some wiseazz crack about my college days, but I will refrain 🙂 for your sake.

Wild Life takes place in the wilds of Oregon/Washington state in the early 1900s. Charlotte Bridger Drummond is a feisty, independent, feminist, single mother of five (all boys) who supports her children by writing dime store novels. She has a bit of an ego and flies the feminist flag a little too frequently, but has a good heart. When her housekeeper’s granddaughter goes missing in the logging hills of the Oregon/Washington border she bravely joins the search believing her strength and savvy will bring the child home. To her utter surprise Charlotte gets lost herself and must depend on a group of shy Big foot-like beasts for survival. While the overall premise of Wild Life is fascinating and the strength of Gloss’s writing is intoxicating, the mishmash of storytelling misses its mark. Interspersed between Charlotte’s tale (in the form of a diary) of her search for the missing child and her adventure with the wild ones is a third-party narrative about barely related characters, short literary quotes, science related newspaper and journal clippings, and substantial excerpts from CBD’s current in-the-works novel. Much like I wanted to see the Ya-Ya scrapbook in The Divine Secrets of the Ya-Ya Sisterhood by Rebecca Wells I think Wild Life would have benefitted from a scrapbookish approach (think Nick Bantock).

I am in love with how Molly Gloss writes. Here are a few of my favorite one-liners. First, “They wrestled daily over important matters such as whose arrow came nearest to killing a particular Indian or slavering wolf, and trivial matters such as who wiped whose snot on whose trousers” (p 25). I instantly thought of Silas and Atticus. Here’s another, “There is something about a lighted room when you are standing outside it in the cold night” (p 32); and one more, “I’m a notoriously poor friend where tears are concerned” (p 54).

BookLust Twist: From Book Lust in the chapter called, “Companion Reads” (p 63). I’m reading Where Bigfoot Walks by Robert Michael Pyle as the companion to Wild Life.

Between Parent and Child

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Ginott, Dr. Haim G. Between Parent and Child: the Bestselling Classic That Revolutionized Parent-Child Communication. New York: Three Rivers Press, 1965.

This book starts off with the best introduction, “No parent wakes up in the morning planning to make a child’s life miserable” (p 1). As soon as I read that I knew I was in for a good read. Between Parent and Child is all about psychological perception and what you say (as a parent), how you say it, and even what you don’t say, can influence a child both at that moment and years down the road. What Dr. Ginott offers up is common sense advice about how to communicate with small children and even teenagers. His advice is no-nonsense and extremely practical. It is so straightforward it seems simple, a no-brainer, if you will. The ah-ha moment is not in what to say, it’s how to say it to avoid conveying a message you do not intend. Choosing tone as well as the right words are crucial to emotionally intelligent communication with a child. My one naysayer comment? Many, many times Dr. Ginott suggests mirroring the child’s emotion to illustrate understanding. The go-to catch phrases are “You wish you could play with Sam,” “You wish you could have ice cream for dinner,” and, “You’re angry about losing the game.” Here’s where I would get annoyed. I dislike anyone telling me how I feel. As a small child I probably would have connected with someone “understanding” me… but as a teenager I wouldn’t appreciate dad calmly regurgitated what I just angrily spit out.

I would recommend Between Parent and Child to anyone – parents, grandparents, aunts, uncles, teachers. In short, I would recommend this book to anyone who is around children of all ages. If I were planning to have a child I would also plan on reading Between Parent and Child several times over. Once while pregnant and definitely more often during my child’s formative years. Maybe even during labor just for good measure.

Favorite quote, “Often after getting angry at their parents for not listening to their argument, children will present their case in writing” (p 56). Yes, but what Dr. Ginott doesn’t mention is that after getting said missive parents often ignore it.

BookLust Twist: From Book Lust in the chapter called, “Babies: a Reader’s Guide” (p 30).

Moo

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Smiley, Jane. Moo. New York: Fawcett Columbine, 1996.

Moo had its moments of being incredibly bogged down, sluggish even. I found myself getting bored with the wordiness of some of the chapters, as if there were too many subplots.

Moo is an agriculture university somewhere in the midwest (my guess would be Iowa). Characters range from four in-coming freshmen girls to administrative bigwigs and everyone in between. Moo is a satire that is incredibly silly in places. Superficial relationships collide and somehow become meaningful. What makes the story so interesting is the drama, the scandals, and mischief the campus seems to promote. Everyone has a secret. Everyone has someone they would either like to kill or screw. The word everyone uses to describe Moo is “wicked” and it fits.

Favorite lines: “Diane wondered if Mrs. Johnson had understood that was making her pregnant” (p 12), and Under her own version of Ivar’s signature, Mrs. Walker had, over the years, authorized the library to buy as many available databases as they could. She had actually transferred funds out of the athletic budget into the library from time to time…” (p140). Don’t I wish!

BookLust Twist: From Book Lust in the chapter called, “Academia: the Joke” (p 3) and again in the chapter called, “Growing Writers: (p 107).