Category: BookLust I

Corrections

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Franzen, Jonathan. The Corrections. New York: Picador, 2001.

The Corrections tackles the global scope of economic crisis while microscopically analyzing the dynamics of a family in turmoil. This is Franzen’s criticism of society on multiple levels.The time line bounces around a family history to give the reader a complete profile of each family member; a sort of explanation for why they are the way they are, if you will. Mom Enid is a submissive housewife who feels trapped by her tyrannical husband, Alfred. And she is. Dad Alfred is a retired railroad engineer who suffers from the early stages of dementia and Parkinson’s disease. Eldest son Gary is an alcoholic banker who thinks his life is being controlled by his wife and three sons and becomes increasingly paranoid as a result. Middle child Chip is a professor who lost his tenure-tract position when he indulged in an affair with a student. Finally, youngest child Denise is an accomplished chef who loses her job when she indulged in an affair with her boss and his wife. If the characters aren’t straying they’re thinking about it. The entire novel centers around the fact Enid wants her entire family home for Christmas. The needling, begging, whining and general malaise of the every character will strike a chord with all readers.

I wanted to read something by Franzen in honor of his August 17th birthday but found myself jumping the gun when I needed something interesting to read on yet another road trip.

Author Fact: Franzen created controversy when he voiced concern about The Corrections being selected for Oprah’s book club. His opinion was men wouldn’t read it if Oprah’s book club label was on the cover. As a result Oprah rescinded the selection.

Book Trivia: A movie version of The Corrections has been in the works for a long time but nothing is “in the can” so to speak.

BookLust Twist: From Book Lust in two different chapters – first, in the chapter “Families in Trouble: (p 82) and then in the chapter called “Postmodern Condition” (p 190).

House of Mirth

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Wharton, Edith. The House of Mirth. New York: Signet Classic, 1964.

House of Mirth is one of those classics you read to analyze society from several different angles: society and the woman’s role it in; society and the pitfalls of economic status (or lack there of); society and the role of etiquette. House of Mirth is the book you read in college, in grad school and then go on to write about in your dissertation.
In a nutshell, Lily Bart is an orphaned young woman desperate to keep up with the Joneses. She is in love with status and wealth. After her father’s ruin and subsequent death, Lily’s mother pins her hopes of future fortunes on her daughter’s good looks. Only she too passes before Lily can put her beauty to good use and be married off to some wealthy bachelor. Lily is then taken in by a wealthy relation who tests Lily’s morality in the face of greed and luxury. In a modern spin, Lily is a classic gold digger, looking to “land” a prosperous mate at whatever cost.

Best lines:
How Lily describes New York, “”Other cities put on their best clothes in the summer, but New York seems to sit in its shirtsleeves”” (p 7). How I sometimes feel, “She wanted to get away from herself, and conversation was the only means of escape that she knew” (p 20).
The perfect example of Lily’s “sacrifice” for wealth, “She had been bored all the afternoon by Percy Gryce – the mere thought seemed to waken an echo of his droning voice – but she could not ignore him on the morrow, she must follow up her success, must submit to more boredom, must be ready with fresh compliances and adaptabilities, and all on the bare chance that he might ultimately decide to do her the honor of boring her for life” (p 29). Really?

Author Fact: Edith Wharton got married when she was in her early 20s in 1885 but wasn’t afraid to get a divorce 28 years later. Rock on, girl!

BookLust Twist: From Book Lust in the chapter called “New York, New York” (p 170). But, also from Book Lust in the chapter called “100 Good Reads, Decade by Decade: 1900s (p 175).

Giovanni’s Room

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Baldwin, James. “Giovanni’s Room.” Early Novels and Stories. New York: Library of America, 1998. 221 – 360.

I want to say Giovanni’s Room is ground breaking but that’s only because it puts homosexuality front and center at a time when one’s sexual orientation wasn’t so openly discussed (1956). The beauty of the story is that it could take place today or tomorrow in any city or town on the planet. Admitting homosexuality isn’t any easier today than it was over a half century ago. Giovanni’s Room has been called autobiographical because it mirrors Baldwin’s personal life: an American expatriate living in France openly engaged to a woman while secretly attracted to men. David is constantly questioning his manhood because he seeks the company of men. His engagement to Hella is nothing more than a cover for his true desires. When his Italian bartender/lover is accused of murder David’s world falls apart. More than the plot, Baldwin’s writing much be savored. The pictures he paints are raw and honest.

Favorite line: “And we got on quite well, really, for the vision I gave my father of my life was exactly the vision in which I myself most desperately needed to believe” (p 235). I think that is the most telling line of the whole story.

Author Fact: Baldwin was a child Pentecostal preacher before the age of 17. He died of stomach cancer in his early 60s.

BookLust Twist: From Book Lust in the chapter called “African American Fiction: He Says” (p 10).

Hitty: Her First Hundred Years

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Field, Rachel. Hitty: Her First Hundred Years. New York: Dell, 1957.

When I first learned of the premise for Hitty I cringed. It has gotten so hard for me to read outlandish stories. The suspension of belief is getting much harder to suspend these days. But, I am happy to say Hitty was different.

In a nutshell Hitty: Her First Hundred Years is about the first hundred years of a doll’s life. Made out of well-seasoned mountain-ash wood, Hitty is a sturdy, made to last doll. She is given to a small girl named Phoebe Preble sometime in the early 1800s. The Preble family makes their home outside of Portland, Maine and Phoebe’s father is a whaling captain. When we first meet Hitty, she is a resident of an antique store and has set out to write the memoirs of the first hundred years of her life. And what a life the first hundred have been! During her time with the Preble family she was abandoned in a church, kidnapped by crows, taken out to sea where her ship first springs a leak and later catches on fire; she becomes lost at sea, found again only to be given away as a heathen idol, and finally, dropped somewhere in India – never to be seen by the Preble family again. Hitty (whose real name is Mehitabel) goes on to be owned by a succession of little girls, some kind, some not. There are great periods of time when she is stored in an attic trunk or wedged in couch cushions. One hundred years goes by very quickly for both Hitty and the reader. (I was able to read the whole book in less than three hours.)
My only complaint – Hitty admitted to not knowing what a train was yet in India she recognized a cobra on sight.

Favorite line, “Which only goes to show how little any of us can tell about our own futures” (p112). I like this line because it’s in reference to not knowing when Hitty will return to Maine. I can relate.
The other element I liked about this book is the timelessness of it. Someone “threatens” to wear a nose ring when she is older. I can picture the same “threat” being made today. Another example: later Hitty attends a concert of a famous singer. The throngs of people crowding around the celebrity is very much like the crush of crowds at any concert today.

Author Fact(s): Field was originally from Stockbridge, MA and moved to Maine when she was 15 years old. She died when she was only 48.

Book Trivia: Hitty: Her First Hundred Years won two awards, the Newbery Award when it was first published in 1929 and the Lewis Carroll Shelf Award many years later.

BookLust Twist: From Book Lust in the introduction (p x) – mentioned as a book Nancy Pearl read as a child.

Bonfire of the Vanities

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Wolfe, Tom. The bonfire of the Vanities.New York: Bantam Books, 1988

I will admit I never saw the movie of the same name. I don’t know why. Maybe it’s because as a 19 year old I didn’t have time to go to the movies. I was working four different part-time jobs on a little island that has never boasted of a theater.

This is, by far, the most wicked of social satires that I have read so far. Wolfe’s world in The Bonfire of the Vanities is a delicious clash of wealth and poverty, prejudices and avarice, sex and scandal. It seems like the perfect movie for the self indulgent 1980s. There is not a single likable character in the entire story. Everyone is on their way to being corrupted by greed. Greed for money, greed for power, greed for what they don’t have. In their worlds the grass is always greener on the other side of Central park, the other side of the marriage.
Bonfire of the Vanities takes a single incident and illustrates the domino effect one wrong turn and one bad mistake can have. Sherman McCoy is an unhappy Wall Street bonds man who is having an affair with the wife of an aging billionaire. He isn’t supposed to be with her, she isn’t supposed to be with him – a typical scenario for the story. So, when they take a wrong turn and end up lost in a bad section of the the Bronx their car strikes a black teenage boy, possibly killing him. They argue their way out of going to the police, convincing themselves it didn’t happen the way each of them think. Deciding not to tell is their downfall.
When the political Reverend Bacon hears of this “accident” from the mother of the victim the racial significance of the event is not lost on him. Witnesses claim the driver was white so he pushes alcoholic journalist, Peter Fallow, to pursue the story. Peter’s piece about a black youth who was the victim of a hit and run sends the media into a frenzy. Soon Bronx District Attorney Abe Weiss, up for re-election, is out for blood. He knows this is the perfect platform for garnering votes: hang the hit and run driver whatever it takes. Larry Kramer, assistant D.A., does exactly that with barely any evidence: an undamaged car, an eyewitness, and Sherman McCoy’s reluctance to cooperate.

Author Fact: probably the coolest thing (more relevant to me) was that Tom Wolfe used to be a reporter for the Springfield Union paper.

Book Trivia: Bonfire of the Vanities was made into a movie in 1990 and starred Tom Hanks and Melanie Griffith. Interestingly enough, it was a box office flop while the written word was a smashing success.

BookLust Twist: From Book Lust in the chapter called “100 Good Reads, Decade by Decade (1980s)” (p 179).

Dinner at the Homesick Restaurant

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Tyler, Anne. Dinner at the Homesick Restaurant. New York: Berkley Books, 1983.

I don’t remember when I first read Dinner at the Homesick Restaurant. I know that there was a time when I devoured anything Anne Tyler wrote. I’m sure this was first read during that phase. I’ve always pictured this as a movie. It should be a movie.

There is no doubt Tyler wanted Dinner to be a character novel. The plot moves slow enough so that more emphasis is placed on the people within the constraints of the narrow storyline. The characters swell and grow beyond the plot, making them the focal point. For example, Cody does enough rotten things that it should be impossible for the reader to like him and maybe even go so far as to hate him and yet, one finds ways to feel sorry for him because he is not his mother’s favorite child. He’s not even her second favorite. I find it interesting that no matter how rotten Tyler made Cody out to be I couldn’t help but pity him. His “lashing out” made me want to protect him and love him. He even had his quiet moments of kindness, “Cody took a pinch of Jenny’s coat sleeve so as not to lose her” (p 61). In fact, all of the characters are this way. Pearl Tull is an abusive, angry mother but you have to pity her because her husband walked out on her for apparently no reason. She is left to raise three small children completely on her own. Cody, the oldest, is only eight when his father leaves. Jenny is the middle child and Ezra is the youngest. All three children grow to be self-absorbed adults with difficult-to-love personalities. And yet, yet you want them to be okay.

Favorite revelations: “It was if, by mutual agreement, they had split the city between them” (p 80), “He’d had a long day – standing outside other people’s lives mostly – and he needed the exercise” (p 145), and “Couldn’t you classify a person…purely by examining his attitude towards food?” (p 162).

BookLust Twist: From Book Lust in three different chapters. First in “Families in Trouble” (p 82). Also, from the chapters called “Mothers and Sons” (p 161) and “100 Good Reads, Decade by Decade: 1980” (p 179). I’m reading Dinner at the Homesick Restaurant to celebrate food.

Longest Day

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Ryan, Cornelius. The Longest Day: June 6th, 1944. New York, Simon and Schuster, 1959.

I think people view history as a boring and tedious subject because they forget that flesh and blood people are often the backbone of historical events. Ancestors who could have been the reason for their very being. Cornelius Ryan didn’t forget that the importance of D-Day didn’t lie in how it happened but whomade it happen. In his introduction he makes it clear that The Longest Day is not an military account of June 6th, 1944 but “a story of people…” within a 24 hour time span. The detail and clarity with which Ryan writes about seemingly ordinary men and women makes The Longest Day extraordinary. I thoroughly enjoyed Ryan’s straightforward style.

Line that grabbed me: “Now on this great and awful morning the last phase of the assault from the sea began” (p 239).

Author Fact: Two things – Ryan was born on June 5th (ironically so close to D-Day) and he died a cancer victim.

Book Trivia: Longest Day was made into a movie in 1962. Ryan wrote the screenplay and it starred John Wayne and Richard Burton.

BookLust Twist: From Book Lust in the chapter called “World War II Nonfiction” (p 253). Pearl calls it a “classic” and suggests following up with Ryan’s A Bridge Too Far and The Last Battle.

Atonement

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McEwan, Ian. Atonement.New York: Anchor Books, 2001.

I love it when I find a book that I find impossible to put down. I read this in three stages: on the car ride to Syracuse (3.5 hours), in the hotel an hour before bed, and on the car ride home (another 3.5 hours). Finished it in that eight hour time span. It was that good. I know I will be reading it again. And again.

How to review a book that has already been “reviewed” over three hundred times in one place? Suffice it to say I could not (and will not) write a one line review, “this was boring.” Nor, will I say “I loved it” and leave it at that. Having not seen the movie I am relieved I cannot confuse the two.
Briony Tallis, as a thirteen year old girl, witnesses an exchange between her 23 year old sister, Cecelia, and the son of a house servant, Robbie Turner. Because she is not within hearing distance she perceives the situation based on body language and facial expression alone. Being young and impressionable she mistakes sexual tension for violence and anger. This misconception is further compounded when she witnesses Cecelia being “attacked” by Robbie later in the evening. Briony’s perceived reality is so horrifying she points the finger at Robbie when her cousin is raped by an unidentifiable man. The next two parts of the novel are from the point of Briony and Robbie five years later as they both deal with the horrors World War II. The final section is sixty years later when Briony is a successful author.

Part One was definitely my favorite section. It’s the only point in the book where one character tells the story from a limited perception and another character circles back to describe the same situation from his or her point of view. The reader has the sense of circling the scene, seeing it from different angles, witnessing it from all sides.

Favorite quotes, “Cecelia longed to take her brother aside and tell him that Mr. Marshall had pubic hair growing from his ears” (p 48), “Every now and then, quite unintentionally, someone taught you something about yourself” (p 111), and “In love with her, willing himself to stay sane for her, he was naturally in love with her words. When he wrote back he pretended to be his old self, he lied his want into sanity” (p 191 – 192). I chose these three quotes because they seemed pivotal to turning points in the story: the first quote is lighthearted, a foreshadowing of how treacherous things are about to become; the second quote could sum up Briony’s entire existence; and the third quote illustrates true love in its finest moment.

BookLust Twist: From Book Lust in the chapter called “Ian McEwan: Too Good To Miss” (p 149). I’ve read five books by McEwan so far and I have to say this one is, by far, my favorite. Atonement is also listed in More Book Lust in the chapter called “Tricky, Tricky” (p 222). This last inclusion is a head scratcher for me. While there were many twists and turns to the story I never once felt McEwan “tricked” me in any way. If anything, McEwan’s ending seemed logical and expected.

Friday the Rabbi Slept Late

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Kemelman, Harry. Friday the Rabbi Slept Late. Greenwich: Fawcett Crest Book, 1963.

Rabbi David Small is Barnard Crossing’s newest rabbi. His presence is a mixed blessing. While the community debates renewing his contact for the next year he is simultaneously fingered as the prime suspect in a murder case. It’s hard to dismiss the evidence – the murdered girl’s purse is found in his car and he admits being in the area at the presumed time of death. In the interest of clearing his name (and getting his contact renewed) Rabbi Small becomes a professional snoop, helping with the investigation. He becomes friendly with the lead detective and they share leads as well as discussions on religion. It is interesting to note how police work has changed! In this day and age Rabbi Small would never been able to interview the victim’s employer or search her room and yet, he does both; ultimately solving the case.

Favorite line: “The girls he went out with didn’t mean that to Mel…They were somebody he went to bed with, like he might go to a gym for a workout” (p 113) and “We Yankees don’t like anybody, including each other, but we tolerate everybody” (p 140).

Author fact: Kemelman was a Massachusetts man and died in Marblehead.

Book Trivia: Friday the Rabbi Slept Late was Kemelman’s first novel. It was also made into a made-for-television movie.

BookLust Twist: From Book Lust in the chapter called “I Love a Mystery” (p 119).

City of Light

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Belfer, Lauren. City of Light. New York: Dial Press, 1999.

As a 36 year-old spinster Louisa Barrett is the headmistress of a well-to-do boarding school and she harbors a dark secret. While she is trusted and beloved by her community she is a contradiction in character. It’s this contradiction that makes her human and extremely likable. She worries about propriety and yet goes out of her way to create confusion about her personal life. She’s modern and yet knows her place in society when dealing with members of the opposite sex. At the height of Louisa’s tenure as headmistress Buffalo, New York is going through a metamorphosis. The husband of her late best friend owns a power plant that, by using nearby Niagara Falls, promises to light the entire region. Environmentalists are up on arms over the draining of the falls and suddenly people start dying. Somehow, Louisa finds herself in the middle of the mess. It’s her secret that has her tied to the drama.

City of Light is one of those books I like to call a “location” book. It brings the sense of a particular place to reality. For City of Light that place is Buffalo, New York and its famed Niagara Falls. Set in the early 1900s this is a period piece. A time when women barely held a place in society beyond practiced restraint and stiff decorum. City of Light is also an environment versus science debate as the development of a hydro-electric plant threatens to drain Niagara Falls of its rushing waters for the sake of lighting Buffalo and beyond. Set against the political and environmental debates of the era City of Light is also a mystery as two men are found dead under suspicious circumstances. It is hard to ignore they were both prominent men, connected to the power plant. Yet, no one can prove with absolute certainty they were murdered. Finally, City of Light is a nontraditional love story. Louisa learns the best way to love is to let go.

Favorite lines: “Love made me doubt myself” (p 24), “Magic had become science, science had become magic, everything was possible and the future was ours” (p 278), “…I wondered if Miss Love would attempt the challenging role of Marie Antoinette without her head; probably it was too much to hope for” (p 320).

Interesting word: “unmarriageable” Hm. I think it sounds like “unmanageable.” Wonder. Are they one in the same?
Statement that had given me pause the first time I read it – the air quality was better in electrified homes. Gaslights consumed oxygen; electricity did not. Interesting to think of what fuel consumed rather than what it put out into the air.

Author Fact: On her website Belfer names Jane Eyre as one of her favorite classics to reread.

Book Trivia: City of Light inspired a theater version. Interesting.

BookLust Twist: From Book Lust in the chapter called “American History: Fiction” (p 22).

PS ~As soon as I saw the map of Buffalo, New York my eyes scanned the streets looking for Pearl Street; the spot where I enjoyed an unforgettable grilled pear salad with drunken abandon in the post-concert buzz of too loud music.

Seabiscuit

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Hillenbrand, Laura. Seabiscuit: an American Legend.New York: Ballantine Books, 2001.

I love underdog stories (or, is it underhorse in this situation?). Seabiscuit is a head-scratcher of a racehorse. “Red” Pollard, his jockey, is a head-scratcher of a jockey. Their humble beginnings make them perfect partners for anything but success. But, succeed they did, as everyone who has seen the movie knows. Hillenbrand carefully reconstructs the era surrounding Seabiscuit’s unlikely “pony” start. The 1930s come alive as the fascinating characters of Seabiscuit’s entourage are introduced; his owner Charles Howard, trainer Tom Smith, jockey Johnny “Red” Pollard, the hungry-for-more media and of course, the fans who followed Seabiscuit’s every race. Hillenbrand writes with such clarity that every competition is pulse-pounding excitement. One can hear the roar of the crowd, taste the anticipation, see the pop of flash bulbs, and practically smell the winnings.
I admit I learned a few things about horse racing from this book. Who knew that the stakes were so high that before certain races there was the threat of horses being sponged and riders being kidnapped. Horses and riders required bodyguards!

Favorite lines: “The horse’s name was Seabiscuit, and for a bent-backed trainer on the other side of the backstretch, the brief exchange of glances between the horse and Tom Smith was the beginning of the end of a long, pounding headache” (p 34), “then, like a mighty shit Godzilla, it slid out to sea and vanished” (p 88).

Book Trivia: Seabiscuit was one hot read in 2001. Every media source from The New York Times to NPR and People Magazine acknowledged it as the best book of some sort.

Author Fact: Laura Hillenbrand graced the cover of “Natural Solutions” (March 2011, issue 132) to speak out about Myalgic Encephalomyelitis / Chronic Fatigue Syndrome and Fibromyalgia.

BookLust Twist: From Book Lust in the chapter called ” Sports and Games” (p 225). I read Seabiscuit in honor of the Kentucky Derby always being held in May (May 7th this year).

Bintel Brief

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A Bintel Brief: Sixty Years of Letters From the Lower East Side to the Jewish Daily Forward. Isaac Metzker, ed. New York: Doubleday & Company, 1971.

Despite its small size (214 pages), A Bintel Brief contains the very essence of Jewish-American New York. Between its pages the culture, society, ideals, hopes and dreams of immigrants struggling to call America their own come pouring out. As a section in the Jewish Daily Forward newspaper, the Bintel Brief was a section of letters to the editor, edited by Isaac Metzker. Many of the letters were based on ethical conundrums; people seeking advice on issues like relationships, work ethic, and the daily struggle to make ends meet. The writers of these letters placed a high value on the opinion of the editor, seeking his advice, his blessing, his approval. However, some are attempts at communication with a missing loved one; a calling out of sorts. The Bintel Brief was a vehicle for exposing mistreated spouses, publicizing petty family arguments, and searching for loved ones.

Author Fact: When Metzker was 20 years old he came to America as a stowaway.

Favorite photo: “Shopping on Hester Street, 1895” (p 10-11). Looking into those eyes I can almost touch the desperation.

Most striking letter: “This is the voice of thirty-seven miserable men who are buried but not covered by earth, tied down but not in chains, silent but not mute, whose hearts beat like humans, yet are not like other human beings….” (p 110). how can that not draw you in?

BookLust Twist: From Book Lust in the chapter called “The Jewish-American Experience” (p 133).

Fifth Chinese Daughter

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Wong, Jade Snow. Fifth Chinese Daughter. New York: Harper & Brothers, 1950.

I have to start of with a confession: Chinese culture makes me think Americans are unspeakably rude.

Fifth Chinese Daughter is an autobiography written in simple and straightforward language in the proper Chinese third person. As a result I read it in two day’s time. It covers the first 24 years of a Chinese-American girl, Jade Snow Wong. From the very beginning, growing up in San Francisco, California, Wong struggled with cultural differences between modern America and the Old World Chinese of her parents. Everything from food, physical contact, gender discrimination, mourning the dead & burials, order of names, to education was contradictory and Wong had to wade through it all during her most formative years. While she didn’t mean to disrespect her parents she struggled with independence in a new world, especially when she sought an education normally expected of males in her culture.

I am borrowing this book from a school so it shouldn’t surprise me that someone has drawn in it, and yet it bugs me just the same.

Favorite moments in the book: first, I love the cat in the illustration on page 22. Second, I found the description of the treatment of rice (p 58 – 59) to be very interesting.

Book Trivia: Fifth Chinese Daughter is actually the first volume in a two-volume autobiography. The second volume is No Chinese Stranger but, sadly, Pearl only recommends Fifth Chinese Daughter.

Author Fact: Wong was an accomplished potter and some of her pieces made into museum shows.

BookLust Twist: From Book Lust in the chapter called ” Asian American Experiences” (p 26).

Catfish and Mandala

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Pham, Andrew X. Catfish and Mandala: a Two-Wheeled Voyage Through the Landscape and Memory of Vietnam. New York: Farrar. Straus and Giroux, 1999.

It has been several years since I read a bicycle memoir (the last being Where the Pavement Ends by Erika Warmbrunn). I was very excited to start Catfish and Mandala. So much so that I started it two days before May began. Even though May is Bicycle Month I read this for Memorial Day. I’m glad I went that route because it’s not really about the bike.

Catfish and Mandala is more than an adventure story about biking across Vietnam. It’s a cultural exploration and by turn, an explanation. Comparing American versus Vietnamese differing viewpoints on mundane topics like when a child should move out of his parent’s home after reaching adulthood. And yet. Noticing similarities: we all want our fathers to be proud of us, in any culture.
The story of Pham’s father’s imprisonment in the Labor Camp is brief, but heartbreaking just the same. After reading pages 16-20 I will never look at catfish the same.
Pham’s ability to weave past with present is brilliant. He recaptures his family’s flight from Vietnam to the U.S. when he was a small child seamlessly while recounting his own journey from the U.S. back to Vietnam as an adult. His confusion over what he remembers is intertwined with his inability to articulate what he is really looking for. Pham finds himself asking “what am I doing here?” time and time again. As he faces prejudice and violence and corruption I asked the same question.

Favorite lines: “Somehow they got by on love and rice” (p 17),” Everything could shift, and nothing could change” (p 107), “I have an urge to kick myself in the head” (p 158), and “A stray mutt curls up at my feet and shares his fleas with my ankles” (p 200).

Author Fact: I have to start of by flirting. Pham is a good looking guy! My next fact is actually a question – how can you be a “starving” restaurant critic?
Book Trivia: Catfish and Mandala is Pham’s first book.

Things that need further explanation: what, exactly, are “angry egg-eyes”, and what do they look like? Pham mentions five different types of bananas. Now I want to know their names and characteristics.

Pham mentions Miles From Nowhere by Barbara Savage. I’m so excited it’s actually on my list. Sad to say I won’t be reading it until probably May 2016 though!

BookLust Twist: From Book Lust in the chapter called “Bicycling” (p 36). Simple enough.

ps~ I enjoyed Catfish and Mandala so much that I added Pham as a favorite author on LibraryThing.

A Child’s Life

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Gloeckner. Phoebe. A Child’s Life and Other Stories. Berkeley: Frog, ltd., 2000.

Nothing could have prepared me for Gloeckner’s A Child’s Life. I don’t know what I was expecting – maybe something along the lines of Robert Louis Stevenson or Kate Greenaway. Something really benign and cute, perhaps. I was prepared to be bored. but sweetly so.

Not so. To put it bluntly, A Child’s Life is a visual assault that needs to happen. When there are news reports of sexual abuse, rape, incest, drugs either on television or the radio we viewers are shielded from what that really means. We allow our imaginations to blunt the sharp edges of reality. We cringe, but we don’t go there with the truth. Gloeckner doesn’t allow for this numbing of truth. With Gloeckner you don’t have permission to soften this horrific reality. As a graphic novel the pictures tell the stories of an abused childhood better than any words in a novel. In a word, it was painful. When I finished I had words of my own; words like harsh, gritty, shocking, tragic yet truthful rang in my ears.

Author Fact: If you pick up the 1583940286 version of A Child’s Life you will find hints that this is semi-autobiographical. Gloeckner denies it.

Book Trivia: In addition to being called semi-autobiographical, A Child’s Life was also once called “a how-to for pedophiles.”

BookLust Twist: From Book Lust in the chapter “Graphic Novels” (p 103).