Bigamist’s Daughter

McDermott, Alice. A Bigamist’s Daughter. New York: Random House, 1982.

A Bigamist’s Daughter is Alice McDermott’s first book. Even though I read it in less than 24 hours I thought it was wildly imaginative and thought-provoking. Elizabeth is editor-in-chief for a vanity publishing house in Manhattan. while the title sounds impressive she knows she’s not fooling herself. In fact, the central theme of A Bigamist’s Daughter is all about false impressions. Her father, never home, always leaving for somewhere (or someone?) else, is perceived to be a bigamist. Even in Elizabeth’s adult life she is confused about who her father was or what he meant to her. Marriage becomes a mirage as she tries to make sense of relationships both past and present. When Elizabeth meets an author who hasn’t finished his book (about a bigamist) the questions become harder and the answers more complicated.

Favorite lines: “She’s been divorced from Brian for nearly seven years now, but his name still haunts her conversations; she seems to hold it in her mouth like a dog with a bit of coattail: the only part of the thief that didn’t get away” (p 11).
“If cancer can be said to have any compensations, surely it is in the cliche of time allowed. Time to say what can no longer wait to be discovered. Time when death is not merely a thought to put your teeth on edge, to be dismissed with a swallow, when life is marked clearly by beginnings and endings, by spoken words that mean something and change everything” (p 127).
“She could treat her vagina like a hungover roommate: I don’t care what you did last night, I’m going to the library” (p 137).
There are a ton more, but I’ll leave the discovery up to the reader.

BookLust Twist: From Book Lust in the very first chapter called, “A…My Name is Alice” (p 1).

Three Farmers

Powers, Richard. Three Farmers on Their Way to a Dance. New York: Beech Tree Books, 1985.

Three Farmers on Their Way to a Dance centers around a clever theme: a photograph. It begins with a contemporary first person account from a man traveling across the country. Seeking to occupy his time during a five hour layover in Detroit he visits an art museum and discovers a photograph that hijacks his imagination. It is a 1914-1915 photograph of three men identically dressed, identically posed, walking down a muddy road. The story then moves to third person as the narrative crawls inside the photograph and relives the three brothers’s perspective on the brink of war. The final aspect of The Farmers is another contemporary story of a Boston based computer writer who finds the same photograph in his family heirlooms. While the story centers on a photograph, the central theme is technology and it’s contribution to World War I. Three Farmers on Their Way to a Dance intertwines fiction with nonfiction, mixing real people and events to a fictional landscape.

Favorite line: “You ride a bicycle instead of an auto, and you tel lies for a living. I cannot think of a worse combination” (p 26).

BookLust Twist: From Book Lust in the chapter, “Richard Powers: Too Good to Miss” (p 192).

Where the Pavement Ends

BikesWarmbrunn, Erika.  Where the Pavement Ends: One Woman’s Bicycle Trip Through Mongolia, China & Vietnam. Seattle: Mountaineers Books, 2001.

Reading books such as Where the Pavement Ends has a confusing effect on me. On the one hand, I start to think of my personal landscape as being too small, too confining. The need for movement and travel start to stir within me. On the other hand, I realize I am coddled, comfortable – too careful to conquer the great unknown. The idea of going where I don’t speak the language has always intimidated me. Okay. Scares the pants off me.

Where the Pavement Endsis not only a memoir about one woman’s eight month trek across Mongolia, China and Vietnam. It is also a  compassionate commentary on Erika Warmbrunn’s five (and sometimes sixth) senses. She relates everything she sees (sharing some gorgeous photographs throughout the book), everything she hears, touches, smells and tastes. From learning to enjoy Mongolian tea to ignoring sheep’s tail and demanding to eat like the natives rather than a coddled Western tourist. From the spanning the vast landscapes and bustling cities mostly by bicycle (accepting rides every so often). Every leg of Warmbrunn’s journey reflects the culture she encounters. She relies on the kindness of strangers to have decent meal, a roof over her head and to expand her social awareness. She is eager to learn the language, drink in the customs, and learn something from everyone she meets.

A small sampling of the favorite lines: “…to make things new, you have to keep going further and further away from what you know” (p 11). This is the perfect definition of bravery, “I was completely intimidated, and I was absolutely at peace” (p 13). Another one, “In the absence of language, ritual becomes a way of communication, of making yourself a little less foreign” (p 42).

BookLust Twist: From Book Lust in the chapter called simply, “Bicycling” (p 35).

Bordeaux

Puertolas, Soledad. Bordeaux. Lincoln: University of Nebraska, 1998.

Despite being under 200 pages this took me a long, long time to finish. Maybe it’s the fact it was originally written in Spanish (Soledad Puertolas is one of Spain’s most acclaimed writers).  I’m thinking maybe something got lost in the translation. That’s always possible. I found the whole storyline to be choppy, disjointed, even abrupt in some places. It was if Puertolas took three short stories and tied them together by location. On the surface all three chapters focus on a single character located in the same city. They all have Bordeaux, France in common. It’s the villa that apparently ties these stories together.
First, there is Pauline Duvivier, an lonely elderly woman asked to do a favor outside her comfort zone – something scandalous involving adultery and blackmail. As the reader you really don’t get the whole picture. Then, there is Rene Dufour. He is unlucky in love, worse in relationships of any kind. You can’t help but feel sorry for him and wondering what’s wrong with him. The last character, Lilly Skalnick, is a young American traveling through Europe. She’s just as lost as the rest of them. As each character is introduced and explored  it is hard to ignore the social portrait being drawn. Every character is lost, lonely, searching for something or someone to satisfy an unknown longing.

Favorite lines: “Her father’s death had left her alone with herself, and she lamented then not having known that that life was, perhaps the one she would have chosen” (p 7), and “His blueish-gray eyes didn’t seem to place much trust  in the wisdom contained in books” ( 84).

BookLust Twist: From Book Lust  in the chapter, “Latin American Fiction” (p 144).

Rise of David Levinsky

Cahan, Abraham. The Rise of David Levinsky. Glouster: Peter Smith, 1969.

Written in 1917 The Rise of David Levinsky is the story of Russian born immigrant David Levinsky and his rise to riches in the garment industry in New York City. Cahan’s depiction of Levinsky remains one of the best accounts of not only immigrants seeking opportunity and fortune in America at the turn of the century, but also the Jewish experience on New York’s East Side as well. Cahan illustrates social attitudes towards poverty, religion, ethnicity and economic status through David’s character. Using his situation as an orphan, David accepts pity from those with means. He has an uncanny ability to sense the heart of others and use it to his advantage. It is interesting to watch his rise to wealth over the course of David’s lifetime.

Good lines: “I had a notion that a married woman, no matter how young, must have a married face, something quite distinct from the countenance of a maiden, while this married woman did not begin to look married” (p 67), and “Shall I turn my heart out to show you how hard it is to live without you?” (p 301). Both of these quotes evoke so much psychology!

BookLust Twist: From Book Lust in the chapter, “The Jewish American Experience” (p 132).

Flashman

Fraser, George MacDonald. Flashman. New York: Harper Collins, 1993.

This is one of those giggly books. The main character is so awful you can’t help but laugh at him and dare I say, even like him a little for his brazen attitude. The premise is Flashman is the first installment of the “Flashman Papers 1839-1842” a sort of journal of Harry Flashman’s. Readers get a taste of Harry’s storytelling from the very start: British boy Harry Flashman manages to get himself drunk, expelled from school and into his father’s mistress’s bed in less than the first dozen pages. What first appears as a punishment for another indiscretionary roll in the hay ultimately becomes Harry’s greatest triumph. He is sent to be a secret agent in Afghanistan and manages to emerge a brave hero after the Retreat from Kabul. Harry is so shameless he basks in the honor despite the fact his cowardice is the only thing that saved him. But, his story is told with such honest sarcasm you can’t help but enjoy his villainy.

Two of Harry’s lesser laughed at traits are his womanizing and his racial comments. One has to keep in mind the Victorian era in which these events take place. Women and minorities are not seen as equals on any level.

Typical Flashy moment: “She stood glaring at me. Her bosom was what the lady novelists call agitated, but if they had seen Judy agitated in a negligee they would think of some other way of describing feminine distress: (p 29).

BookLust Twist: From Book Lust in the chapter, “George MacDonald Fraser: Too Good To Miss” (p 94).

Apple That Astonished Paris

Collins, Billy. The Apple That Astonished Paris. Fayetteville: University of Arkansas Press, 1988.

Such a slim, unassuming little book of poetry! Who knew it would pack a punch of powerful words neatly disguised in short and sweet poems? I have decided Billy Collins is one of my favorite poets. His poetry is not pretentious. It’s within reach; a drinking buddy; a lovable troublemaker disguised in a string of words. There is wild imagination (walking across water and thinking of what the fish below see), seriousness (a former teacher looks back on the “community” of students he has taught), nostalgic (remembering a Tuscany vacation), clever (questioning Basque language), humorous (Smokey the Bear is fed up with warning tourists about forest fires) and moving (how cancer is a bad word). Each poem is about a page long or less. Short enough to read again and again. Let the words soak in and open your mind to fun poetry.

Favorite lines:
“…a jaded traveler with an invisible passport” (p 6).
“The evening hangs in the air like lace” (p 13).
“My sentiments are tangled like kites in the branches of her incomprehension” (p 21).

BookLust Twist: From Book Lust  in the chapter called, “Kitchen-Sink Poetry” (p 139).

Ancestral Truths

Ancestral TruthsMaitland, Sara. Ancestral Truths. New york: Henry Holt & Co., 1993.

To be quite honest I don’t know how this came into my hands. I’ve already read one book in honor of National Sibling Month. This was supposed to be on the list for next year, or maybe even the year after that. I wasn’t supposed to read two sib books in one month. But, suddenly there it was and after I picked it up I couldn’t put it down.

Ancestral Truths is a bizarre tale about a woman who starts a journey climbing a mountain in Zimbabwe with her lover and ends it with her alone with an amputated hand and the nagging doubt of murder in her heart. Reliving her days in Italy and on Mount Nyamgani while on holiday with her large family in Scotland, Clare Kerlake tries to figure everything out. Did she kill her boyfriend? Can she live without her right hand? She comes from a large family and they all have baggage so it’s no surprise when the plot gets a little preachy and over the top. Religion, feminism, mysticism and witchcraft all play a part in this novel. It gets heavy at times but well worth slogging through.

Favorite parts: “She was an amputee, a cripple, stared at discreetly and pitied; or completely ignore, invisible in the embarrassment of strangers” (p 10). “‘You named me,’ Joseph once said irritably, ‘not only  after the only married male virgin in the Church’s calendar, but after the only bloke in history who would take his pregnant  girlfriend on a trip without booking in advance'” (p 110). Last one, “Clare had been embarrassed, self-conscious in her laughter while Julia was free in hers” (p 286).

BookLust Twist: From Book Lust in the chapter called, “Brothers and Sisters” (p 47).

an omelette & a glass of wine

David, Elizabeth. An Omelette and a Glass of Wine. New York: Lyons, 1984.

I think when it comes to writing about food Elizabeth David is an icon. Her books are not only widely read, but evenly more widely discussed and considered bibles in the world of gastronomy. For a woman who cooked the way she did, living all over the world, it is no surprise she is still considered one of the best food writers of all time.
David’s “career” in food writing began in 1947 with a frustration. Unable to get meals she enjoyed she vented her frustration by writing down descriptions of the food she craved, “I sat down…and started to work out an agonizing  craving for the sun and a furious revolt against that terrible, cheerless, heartless food by writing down descriptions of Mediterranean and Middle Eastern cooking” (p 21). And so it began. 

Probably the best surprise to David’s writing is her humor laced with sarcasm. An Omelette and a Glass of Wine is comprised of essays the wrote for well-reputed publications such as Vogue and The Spectator. While the writing is knowledgeable and professional there is an air of whimsy and playfulness running throughout. Here is an example, just to get you started: “He [the waiter] has been five years with the French navy, alors vous comprenez madame je connais les vins, moi. What he doesn’t connait is that I like my Beaujolias cold, straight from my cellar” (p 42). In addition to having thoughtful, knowledgeable essays, An Onelette and a Glass of Wine is peppered (excuse the pun) with wonderful photographs and illustrations. This was a book I enjoyed savoring one essay at a time.

BookLust Twist: From Book Lust in the chapter called, “Food for Thought” (p 91).

If Elizabeth David was alive and I could ask her one question I would have to ask when, exactly, is mayonnaise season and how can I avoid it?

Punch

Feinstein, John. The Punch: One Night, Two Lives, and the Fight That Changed Basketball Forever. Boston: Little, Brown & Company, 2002.

Once I learn of a story, an incident that captures my imagination I have to research it, follow it, own it. The story behind “the punch” was no different. What happened on December 9th, 1977 was such a huge deal I needed to see the actual punch itself. Was it really that bad? That shocking? That horrible? I needed to know. In truth, the video evidence is grainy, distorted. To me, there is no way of knowing just how terrible “the punch” really was from a human nature standpoint. Guess it’s a location thing – you had to be there. If anything, I would call the punch a perfect storm. All of the elements needed to make it a horrific moment were in place: Kermit didn’t know why Rudy was charging at him – out of the corner he saw a figure in red barreling towards him. In the game of basketball you are trained to be aware of your opponent’s existence at all times. Rudy was the opponent in red. Rudy didn’t know Kermit was going to turn around and sock him. He was unaware of the danger as he ran full speed down the court. Fist meets face at full speed. Add another element: strength. Kermit was a strong, powerful man. His punching fist would have floored anyone, even if it didn’t have uninterrupted impact. When he hit Rudy, there was nothing slowing either man down.

What makes the Punch such a fascinating read is not only the play by play of the punch and the events leading up to it, but Feinstein is adament about making the reader understand these two players as people. Sports writing meets biography. There is an urgency to make one understand that both of these men were passionate people before they were passionate players. Feinstein carefully illustrates the tough beginnings, the drive and potential each of these basketball stars demonstrated at an early age, including their schooling, family lives and social circles. Even black and white photographs help bring Kermit and Rudy into reality. What is gracefully missing is, of course, the punch itself.

One of my favorite aspects of the book is Feinstein’s casual tone. Here’s how he describes Kermit meeting his wife, “The story of how she ended up meeting Kermit is a complicated one. It happened because of a friend of a friend who had once dated someone who knew another friend of Kermit’s – or something like that” (p 139).

BookLust Twist: From Book Lust twice – both times in the chapter called, “Sports and Games” (p 225 & 226).

Drowning Season

Hoffman, Alice. The Drowning Season. New York: E.P. Dutton, 1979.

When I first started reading The Drowning Season I was reminded of Yellow Raft in Blue Water by Michael Dorris. Not for the style of writing, the use of language – but rather, the struggle between females within a family. In Yellow Raft you think you should despise the mother because of how she leaves her child. Then you learn of the mother’s past and you think you should hate the grandmother..until you hear her story. It’s all in the hands of perception. Same with The Drowning Season. Esther the Black was born to hate her grandmother. Her father named her as an insult to his mother, Esther the White. Everyone knows you don’t name a child after the living, only the dead. Because Esther the White rules the family with harsh words and a hating heart, even insisting that the family live in seclusion, Esther the Black has had a compromised upbringing. She longs for the day when she can escape not only Long Island, but her grandmother as well. But, then there is the grandmother’s view of the world. She bears resentment for having to raise her son’s child while he fantasizes about suicide every summer and his wife tilts the gin bottle back a little too often. Each generation, grandmother and granddaughter, has her own demons to battle. The Drowning Season is the story of how they go to battle against each other and eventually, when love conquers all, for each other.  

Favorite lines: “Phillip had named his daughter on a hot August day, with an ancient hostility and a smile” (p 5).
“And the beatings began when the house grew too small with winter…” (p49).
“Esther the Black was silent; she wished she could cry, but the sadness never seemed to reach her eyes – it stuck in her throat, unable to be moved” (p 196). 

BookLust Twist: From Book Lust in the chapter called, “A…My Name is Alice” (p 1) and the chapter called, “Families in Trouble” (p 82).

Lone Star

Fehrenbach, T.R., Lone Star: a History of Texas and the Texans. New York: American Legacy Press, 1983.

I had to keep reminding myself Fehrenbach was not actually in Texas 40,000 years ago because his book, Lone Staris so detailed, so expansive that it felt like he should have been. In 719 pages Fehrenbach details every aspect of Texas one could imagine. From practically primordial beginnings to present day the birth, growth and development of Texas is detailed. Everything from agriculture, architecture and attitude to wars (civil and great) is meticulously described. Other reviews have used the words expansive, panoramic, extensive, vast, comprehensive, detailed…and I would have to agree. Not a stone in Texas is left unturned when it comes to recounting the political, the people, the powers, the progression of the state. What sets this book apart from other histories of Texas is the fact that Fehrenbach is from Texas. One can hear the passion for his home state woven into every knowledgeable sentence.

Favorite quotes: “Yet, such is human ingenuity that no other species ever used the resources of a country more fully: the Coahuiltecans consumed spiders, ant eggs, lizards, rattlesnakes, worms, insects, rotting wood, and deer dung” (p 14), and “…a citizen army had won battles, but it could not be used by its government as an instrument of policy during the peace” (p 243).

BookLust Twist: From Book Lust in the chapter, “Texas: A Lone Star State of Mind” (p 233).

Saint Mike

saint mikeOster, Jerry. Saint Mike. New York: Harper & Row, 1987.

I love it when a book has me scratching my head and asking why in the first chapter. In Saint Mike it actually took the last paragraph at the end of the first chapter before the “huh?” kicked in, but just imagine this: two knights jousting in a field. At the end of the battle one of the knights unscrews his sword to reveal a vial of cocaine. After a good snort he gives it to his jousting mate and tells him they’ll get breakfast afterwards. The kicker is, the scene is neither here nor there in the overall description of the book as described by Nancy Peal in Book Lust, “When Susan Van Meter’s federal narcotics investigator husband is found murdered…she leaves her research position and takes on the task of tracking down and bringing to justice the murderer” (p 6).
I enjoyed every page of Saint Mike. With such a heavy plot (drugs, murder, avenging wife, federal agents) I didn’t expect such playful, witty, sexy language. Granted, there are some really weird scenes (yes, the armor comes back and someone dies by the sword in the most unusual way, but that’s all I’ll say about that). Overall it was an entertaining, fast read.

Favorite scene: I urge every parent of a child on the verge of becoming a teenager to read pages 12-14. Susan is trying to get her daughter up for breakfast, “The sound of drugs and drug paraphernalia and semiautomatic weapons being thrown out the window” (p 13). It’s hysterical.
Favorite line: “Rita tossed her head like a fandango dancer. “It is not just the penis that is flawed; it is the whole organism.”” (p 15).

BookLust Twist: From Book Lust in the chapter called, “Action Heroines” (p 5).

Old Gringo

Fuentes, Carlos. The Old Gringo. New York: Farrar, Straus & Giroux, 1985.

Everything about this story was deceiving. Despite the fact it was written in 1985 it has an old world language and culture to it. The time frame is supposed to take place in 1914 but to read it, it wasn’t full of new language trying to sound old, elderly, or even ancient. Despite the fact it is only 199 pages long it was packed with histories of places and people, cultures and religions. The language was both accessible and challenging. It reminded me of fun house mirrors. Not everything was as it seemed.
Ambrose Bierce is an American writer and soldier traveling to Mexico to die. He is known throughout the story as simply the Old Gringo. Once in Mexico he meets several characters with equally troubling, mysterious stories. Tomas Arroyo is a Villa general who gives the Old Gringo competition when vying for the attention of Harriet Winslow, another American who came to Mexico to teach English. All the characters have a past they can’t forget and a future they can’t escape. The Old Gringo tells the story of these personalities with the same passion used to describe the Mexican landscape. In the end, the Old Gringo does die, but it is worth the read because there is definitely more to the story than that.

Favorite lines: “But the old man wanted to make life difficult for himself” (p 10), and “If her soul was not different from her dreams, she could accept that both were instantaneous. Like a dream, her soul revealed itself in flashes” (p 48).

BookLust Twist: From Book Lust in the chapter, “Mexican Fiction” (p153).

Daniel Plainway

Reid, Van. Daniel Plainway, or, the Holiday Haunting of the Moosepath League. New York: Viking, 2000.

 One of the reasons why I love reading books that take place in Maine is because I can identify with most of the locations. Another reason is that sometimes I get to reconnect to a place I haven’t thought about (or heard about) in years. Such is the case with Veazie, Maine.

How to describe this book? I think I’m a little thrown off because Daniel Plainway is part of a series (of which I didn’t read the first or even second book). It’s like coming into a discussion when it’s two-thirds over. Daniel Plainway is a Maine country lawyer who is trying to solve the mystery of the disappearance of a neighboring family. When a portrait of his neighbor’s daughter is rediscovered, Daniel begins a journey that changes his life. Along the way he meets the members of the Moosepath League and that’s when the fun really begins.
Reid writes with hilarity. One of my favorite scenes is when there is an attempted robbery of the Moosepath League members. The robber, young and inexperienced, fumbles with the gun, slips on the ice and snow, and somehow hands his gun over to a member of the Moosepath League, knocking himself and the others down. The League members do not realize they are being robbed and try to give the man back his gun and offer him money for his troubles – for they think they are responsible for knocking the young man over. “He considered Thump’s card through a blur of tears, realizing that he had just tried to rob three men, and in return they might have saved his life” (p 51).
Another great scene is when the members of the Moosepath League are trying to deliver a letter. There is great confusion as to exactly who the letter should go to. In the end, after they think they has successfully did their duty, they do not know how to leave, “There mission completed (however unpleasantly) the members of the club wondered, in collective silence, if they should be moving on to other things, primarily any other things that would take them some distance from the present scene” (p 92).

Favorite singular lines: “Gerald Pinkney and Daniel Plainway had known each other since their days at Colby, and Daniel had always thought of Gerald as a slightly antagonized bee” (p 16). I just love the imagery of this “slightly antagonized bee.”
“Those quickest to kindness are also quickest to forget when they are kind” (p 94).

BookLust Twist: In Book Lustin the chapter, “Van Reid and the Moosepath League: Too Good To Miss” (p 199).